Rambo Review

I was looking forward to this. My previous attempts to rent it were thwarted as other bloodthirsty patrons beat me to it. But it lived up to the hype. At just shy of 90 minutes, it is short in length (and plot) but makes up for it with more blood and vengeance than the Punisher in an abbatoir.

John Rambo (Sylvester Stallone) is a Vietnam veteran and hardcore soldier, trained to kill with reckless abandon and creative use of vicious implements. Since his last cinematic outing in 1988’s Rambo 3, he has been carving out an existence in Thailand catching snakes. He lives alone and is as surly as ever. A group of well-meaning Christians come along and eventually entice him into taking them on his boat to the Burmese border to help villagers in need. In the opening scenes we see actual footage of the atrocities there that will stir your conscience and wait for Rambo to exact vengeance.

I’ve always been a fan of Sly. More than an actor (though with Rocky and Rambo to his credit, his impression on pop culture can not be denied) he always tries to lift his films above mere action flicks. As the writer and director on many of his own features, he is a league above Seagal and Van Damme. Here, he brings up notions of identity and convinces some mercenaries in rescuing the missionaries from Burmese rebels, that “this is who we are.” Welcome the bloodlust inside you, don’t deny it is the heart warming message of this slaughter. But you can’t help but cheer Sly and the merc caricatures on as they shoot, slice and explode an endless parade of baddies. I was smiling all the way. The violence is over the top but with bullets and knives that size, blood will spill freely. And that’s exactly what it does. Not recommended for those with a weak stomach, Rambo will otherwise entertain. Sly looks considerably older than he did in his previous revamp, Rocky Balboa, and runs and leaps less. Then again, there’s no need for such activity if you have a gun and a snarl bigger than any prison could hold. The guy still looks like a mountain. There is also a fair bit of crudeness, in the foul language and brief nudity, so be warned. This is Rambo, however, not Indiana Jones. He’s never been a family friendly character, but for a good night in where you want to find yourself cheering and laughing at some brutal punishment, check it out. Then have a shower and prepare for Rambo 5, coming in 2009.

Comic-Con: It Is On!

How I have dreamed of this day. Sunday. No, I mean the day I would fly to the majestic US, the home of one of my favourite things – yep, comics. This year will be my first year in the States to attend the huge Comic-Con, the be-all and end-all of geeky conventions. Despite the name, it offers more than just comics, but also the latest announcements and previews of TV, animation, gaming and films. Last year, there were 125 000 attendees and this year they had to turn people away. The talk is that it will be going to Las Vegas in the next few years, as San Diego’s facilities are barely accommodating the yearly influx of fanboys and girls. I will attempt to do my usual comics news and reviews while I’m away from home, as well as report on my escapades in a new place while there. Most of it will involve shopping, as a menagerie of vendors let loose on funky Con exclusives that can be found nowhere else, because they’re exclusives. Uh, yeah.

It goes from Wed to Sun and I will be there for the whole time, (and a week afterwards) taking in all the panels and drooling on various goodies, and possibly, some celebrities. I’ll also be posting reports for Sight too. The flight on Tuesday night is over twenty hours long, with stop-overs in Tokyo and L.A, so please be patient if I don’t post for the first day (or two) but check back regularly for all the latest, greatest and nerdiest. In the mean-time you can download the free Con magazine. I hope to make many new friends, which I’m sure won’t be a problem with my crazy “Ossie” accent, and hopefully avoid getting lost. If I do, I’ll just follow the throng of costumed fans, though I will try to avoid Jokers dressed in straight jackets and any He-Men wearing animal skin underwear.

Astonishing X-Men Pics

Here’s a look at the second and third covers from the new Astonishing X-men penciller, Argentine Simone Bianchi. Issue #26 features a stylised design of one of my favourite X-guys, Beast, and #27’s black and white art features the fave of many others, Wolvie doing his thing in front of Scott Summers AKA Cyclops. The new creative team’s debut, #25, with acclaimed writer Warren Ellis sold out quickly, so keep an eye out for these covers on the 13th of August and the 17th of September respectively. Below those two pics are the Terry Dodson cover and a few preview interior pages from the first issue of Secret Invasion: X-Men. The four ish mini is written by Mike Carey with art by Cary Nord and follows the X-dudes as they beat up the Skrull army currently invading the Marvel Universe.

The Dark Knight Review

After 2005’s Batman Begins many had high hopes for the sequel. Usually in superhero films, the follow-up is better. After all that nasty exposition and the obligatory origin story is dealt with, the film-makers can then move on to expanding the cast of characters and ramping up the action. That is certainly what happens here. The Dark Knight sets the tone well early on. Don’t expect any information to bring you up to speed however. If you haven’t seen Begins, then do so before seeing this. It will help.

Batman (Christian Bale) has been fighting crime for some time now with aid from his English butler, Alfred (Michael Caine), Lieutenant Jim Gordon (Gary Oldman) and daring new District Attorney, Harvey Dent (Aaron Eckhart). As always his only love, Rachel Dawes (Maggie Gyllenhaal) is also in the wings, though she is fond of the more stable Dent than playboy Bruce Wayne and his crime-fighting ways. Director Christopher Nolan returns to this Batman screen re-invention with a skill gained from his indie cinema days. Co-written with David Goyer and Nolan’s brother, Jonathan, The Dark Knight is not a typical superhero film, like Iron Man, but is far more concerned with raising morality issues rather than having the good guy beat up the bad guy. As Harvey Dent gains the public’s trust and becomes the enemy of Gotham’s crime bosses, Bruce Wayne begins to think that perhaps he can give up his nocturnal adventuring for good and let Dent tackle crime the legal way. The right way. Of course, we don’t want that to happen as we want to see Bats do what he does best – exact justice on Gotham’s crims, but we also want to see Bruce and Rachel re-ignite their love and live happily ever after. For anyone who knows Batman the outcome is obvious, but seeing Bruce Wayne understand that he needs help in his war and could conceivably hand over the reins to another is a good take. It’s not entirely new, however. Both Superman’s and Spider-Mans’ second films also toyed with the idea of retiring their superhero alter-egos, and did, temporarily. At times the film reminded me of Bourne’s fighting scenes, Law and Order’s courtoom dramas and MI:3’s daring rescues, especially the great Hong Kong sequence. And with the nifty vehicles, like the new Bat Pod and hi-tech gadgets from Lucius Fox (Morgan Freeman), it is also similar to a Bond film. But Nolan makes it all seem part of a cohesive whole. There are also some genuine laughs and gasps along the way, mostly due to the Clown Prince of Crime and his amusing/horrifying ways. So, what about the Joker? Fellow Aussie Heath Ledger has certainly got everyone talking and makes a startling entrance. Is he great? Sure. Oscar-worthy? No. He loses himself in the role, like no other he’s played, but he’s not this year’s best actor and to give him a win out of sentimentality would be a mistake. The rest of the ensemble do a splendid job. Maggie Gyllenhaal is superior to Katie Holmes’ outing as Dawes in the first film and both Caine and Freeman add sparkling wit.

At two and a half hours, is it too long? Definitely, but I don’t see how the film-makers could’ve cut any scenes, with the story they are portraying. If I was forced, I’d say the entire Two-Face arc could’ve been left on the cutting room floor though, as the classic villain deserves his own film, not the cameo he has here. His transformation from golden boy Dent to corrupt Two-Face is similar to his comics origin, but with a twist that works well in this cinematic context. I was disappointed that Eckhart sounds the same as Dent and Two-Face however. Apart from the physical transformation, there is no real sense of any permanent inner change with the character, post-scarring, but his limited screen time means that such conflict can not really be dealt with.

As a comics purist I was happy to finally see Batman with haunting white eyes for the first time on-screen. It always irks me seeing black make-up on the actor’s face under the cowl. Is Bruce Wayne going to apply foundation every time he dons the mask? The Joker seen here is also the most faithful one, with a genius level intellect yet an unstable, unpredictable mind and an origin that not even he’s sure of. The film’s end is a surprise (though not the only one) and takes the franchise down an interesting path, though possibly one with limited potential. For fans of dark, mature takes on superheroes this is recommended. If you’d like more Batman/Joker inter-play, follow Nolan’s example and read The Killing Joke by Alan Moore and Brian Bolland, the best interpretation of their relationship ever created. The Dark Knight may be too scary for the younger crowd though. There is no blood on-screen, but plenty of madness, corpses and flinching moments. With the notions of sacrifice, honour and integrity all mentioned, for adults there will be plenty of discussion after you leave the cinema.

Watchmen Trailer

Just released, the Watchmen trailer has already divided the comic fan community. Directed by Zack Snyder, who after directing 300 is no stranger to comic book films, it looks to be …interesting. Watchmen is to comics what Citizen Kane is to cinema. It lifted the standards and re-invented the conventions. After Watchmen, nothing in comics was really ever the same. It came along at just the right time – the original 12 issues were published between 1986 and 87 and, along with the Pulitzer winning Maus and the Batman re-inventing The Dark Knight Returns, showed the world what sequential art could be. Comics grew up after these three books and started to see, and promote themselves as adult literature, as respected as any other form of entertainment. Written by the reclusive genius Alan Moore and drawn with great realism by Dave Gibbons these two deconstructed the very idea of the superhero. Originally they wanted to use DC’s stable of underused characters they acquired from Charlton comics, such as the Blue Beetle and The Question. DC wouldn’t let them so they created their own archetypes such as the Comedian, Nite-Owl and Silk Spectre. The trailer looks cool, especially in the opening shots of Dr Manhattan’s origin, but the CGI appears dodgy later on. Watchmen has almost been made into a film for the last 20 years, with directors such as Terry Gilliam and Paul Greengrass attached to the project over the years. It is perhaps the most difficult comic story to adapt to cinema and Moore is not supportive of it being attempted. As a comic, it is great and deep and resonant, but it possibly only works in that format. I doubt non-comics readers will “get it” and by the looks of it some of it has been altered to make it seem more like a standard suoperhero tale, but Watchmen is so much more than that. I guess we’ll see for ourselves about this time next year.

DC on Your PC (oh, and Marvel too)

This is a good year for gamers. The biggest gaming con E3 recently showed new footage including the inspired Mortal Kombat vs DC Universe game, which has you beating up MK characters as Superman, Batman, Flash, Catwoman and many others. It’s coming to the XBOX 360 and PS3 in November. Any chance to play as DC characters is great in my book, which will become even more intense with the DC Universe Online game. The trailer is great and a hi-res version can be seen here. Unfortunately it’s only for PS3 and PC players. Hopefully it will eventually make its way to the XBOX too. A release date has yet to be announced. Switching comic book companies, Marvel were set to launch their own MMO too, but it has since been canceled. Oh, what might have been… Marvel zombies can rest assured in the knowledge that the famous web-swinger will score yet another game though. Spider-Man: Web of Shadows is coming in October for all consoles. Fighting as Spidey is always a treat with the aerial gymnastics and swinging through cities with utter freedom. There’s nothing like it.

Darth Pope and Santa Man

So lots of people are excited about World Youth Day in Sydney at the moment. I suppose it’s a good thing. Lots of young people gathered in peace and joy gawking as the Pope Mobile passes them by. But this has got to be the highlight of the event. A friend of mine visited China recently. At the Great Wall, he could hear a faint noise. Upon closer inspection he saw a bunch of Christians singing – in one of the most remote places on the planet. I wittily remarked that Star Wars fans are like charismatic Christians – you can find them anywhere. Looks like I was right. Check out the guy on the end. He could be the Anti-Pope. Put on your best Emperor voice and repeat with me – “Rise, Lord Vader.”

While we’re on the topic of old men in colourful cloaks – do you reckon Father Christmas could be a mutant? The evidence is overwhelming. Just read this summary from a wonderful discussion on the Comic Book Resources X-Men forum, with a nice reply from Marvel editor Nick Lowe. This is why I love being a fanboy. The depth of research is certainly impressive and the argument is an interesting one. What better way to celebrate Christmas in July than to have Marvel declare that the generous bearded one is a mutant! I mean, he wears a colourful costume, has a nifty Santa Mobile (or sleigh) a multitude of side-kicks (elves) and is able to travel at tremendous speeds while secretly helping those in need. Plus, he’s mysterious. Now all he needs is a tragic origin and a top notch arch enemy and he can be fighting alongside Wolvie in no time.

We’ve been discussing this in the X-Forums of CBR. There have been two references that Santa Claus is a mutant. The first, which was dismissed, was in the “Generation X: Holiday Special” #1 where Jubilee sees St. Nick and just wonders if he is, in fact, a mutant. We dismissed that as, “Well, Jubilee is a moron.”

However, in the “Marvel Holiday Special” of 1991, there is a story apparently written in continuity as right after “Uncanny X-Men” #97 and before the Christmas issue of “Uncanny X-Men” #98, where Cerebro detects a new highly powered mutant and Xavier sends out Wolverine, Nightcrawler, Storm, Banshee, and Colossus to try and recruit the person. Simultaneously, the Brotherhood (Toad, Mastermind, Blob and Unus the Untouchable) sense the mutant as well, and both groups go and do battle with the prize being this new mutant as a member of their team.

Said powerful mutant is revealed to be a reality-warping mutant…who also happens to be Santa Claus. At the end of the battle, Santa explains that Christmas isn’t a time to be worried about recruiting mutants, and uses his reality-warping powers to turn the naughty Brotherhood into action figures and teleports the X-Men to a location where they were supposed to meet Cyclops and Phoenix to go shopping.

Now, I ask you about this in hope that it will be rendered “not canon,” because if it is…

Santa Claus is not listed as one of the 198. Therefore, he lost his powers on M-Day due to the Scarlet Witch’s magic. And if he lost his powers, well…Wanda Maximoff killed Christmas in Marvel-616. And I don’t think that’s an act she’ll ever be redeemed of.

Hopefully, you can give us a straight answer to end this hilarious debate…we’re running out of jokes to tell about it in the thread.

NL: We’ve been dreading the asking of this question. Now, please pledge that you’ll keep the answer of this confined to the CBR Boards. You make very good points, WorstBlogEver. But there’s a book that takes a lot of initiative when avenging things that has been dropping hints of another mutant that is “off the books.” I can’t rule out that Mutant Zero and Santa Claus aren’t two different people.

Nerd Paradise

Nerds are smart. Smart people can buy expensive things. Nerds can therefore buy expensive things, right? Absolutely. The beauty of today’s hi-tech pop culture saturated world is that when you’ve made it you can customize any part of your life you like. If you want a Han Solo frozen in carbonite table – you can have it. How about a deluxe home theatre that resembles the awesomeness that is the Batcave? It’s yours.

So you like Star Trek hey? Well invite your Klingon mates over and let them gawk at this bad boy and wonder how Kirk managed to become shirtless with such regularity.

For a sneak at 8 more indulgent fantasies come to life, go here. There’s also themes for Indiana Jones, Titanic, the Death Star and more.

For those of us who can not afford such extravagance, maybe this would be a more cost effective option – a to-scale R2-D2 projector. It comes with an iPod dock, a Millennium Falcon remote control and buckets of cool. It also makes all the official sounds and can roll around the room, sensing when it’s near any dangerous objects, like thieving Jawas or coffee tables. If you’re passionate enough, this little gadget is available now.

You can also get a smaller web-cam version, with a lightsabre remote. See the video below to witness all its glory. My words can not do it justice.

BOOM! Freebies

Relatively new publisher, BOOM! Studios have made a mark on the comics biz by offering a wide range of genres in a fairly short amount of time, and also by appointing High Priest of Fanboys, writer Mark Waid as EIC. High Rollers is one of their latest series, and is written by renowned novelist Gary Phillips. In this first of a four part series, Gary talks about his upbringing, his long love of reading and the basis of the new crime mini. I must say High Rollers certainly makes an impression in the first few pages with a brutal, yet strangely noble death, and seeing gangsters dressed up in suits while discussing business in a boardroom is a fine idea. If you’re a fan of Phillips, or stories where everyone has a gun and a funky nick-name, then this series is for you. If you don’t like either of those things, but do like large men with deep voices talking about “the streets,” then watch the video.

If that whet your appetite, then check out the rest of BOOM!’s vids here.

You still want more? Well, BOOM! have also just started their new free comics enterprise on-line. They will be releasing a page a day from 6 different series, such as the humourous Hero Squared, action packed 2 Guns and the horror of Cthulhu Tales. Something for everyone and a good way to see what takes your fancy. This is good news for us fans and is a move becoming increasingly common. It seems to work for both sides. BOOM! reported a sell out on North Wind #1, the first issue of which was released free on-line at the same time as its shop release date. It necessitated a second printing, while there was a 30% increase in sales from issue #3 – #4. Good news all round really.

Lastly, there’s now a text commentary for BOOM!’s recently released Station #1, if murder on an international space station is your thing. And why wouldn’t it be? It’s written by TV writer Johanna Stokes and is a great insight into her inspiration and storytelling craft. Her explanation about that creepy two-page murder spread makes it even more frightening.

Mice Templar #5 Review

I’ve been following this series since it began. It doesn’t have the traits of my usual picks, ie, no spandex, or space ships, or surprising resurrections. It doesn’t even have any secret identities! But what Mice Templar does offer is great story telling, and that’s enough to make it stand out from the superheroes crowding the racks.

Writer Bryan J.L Glass (Magician: Apprentice) and artist Mike Avon Oeming (Powers) are crafting this series in to the next great epic in sequential art. I’d compare it to Lord of the Rings since it deals with a dirty fantasy world rich in textured history, but it can also win favour with the Narnia crowd in the way it wraps deceptively cute anthropomorphic adventures in a cloak of adult themes. It would undoubtedly be a more engrossing experience reading the complete series, once finished, in collected form, but thankfully each issue has a handy reminder of what’s come before to refresh the memory. Since this is a bi-monthly series, this addition is particularly welcome and the casual reader should find enough with any issue to be hooked immediately, and the handy MT web-site will also fill you in on all you need to know.

The story told thus far concerns Karic, a young mouse who is rising up to become the next Templar, a long lost group of holy warriors who destroyed themselves long ago. After Karic’s village was raided and his family lost, he managed to rescue and befriend that old fantasy favourite-the mentor, and his rise to glory and greatness continues unabated. Actually, that’s not entirely true, which is what makes this series so exciting. There is always a sense of dread when reading Mice Templar, as betrayals and deaths and bloody battles drag the story to it’s unknown conclusion. Rats and owls and bats all seem horrendously fierce in a world where your best weapon is a lack of trust and a quick pair of legs. Karic’s earnest desire to fulfill the Fish Gods prophecy for him leads him to meet other Templars, such as Pilot (whom he rescues) and the bitter Cassius. Each issue ends on a cliff hanger as every rousing tale should and this one is no different, in which Karic must question his motivations thus far. Is his hope and admiration for the Templars a deserved one, or is he just way too naive and in over his head?

With rats tormenting Karic’s captive family, together with danger and disappointment wherever he turns it appears Karic has a hard road ahead, but it’s certainly a joy to watch him walk it. Like the young legend-in-training, we too never know what’s around the corner.
It’s also a joy to look at, as these preview pages attest. Oeming’s artwork never fails to delight and here resembles Mike (Hellboy) Mignola in his use of hard edges and prominent use of shadows, but with a more versatile approach to bold layouts. His eye for page design is frequently inventive and matches the varying pace of the story’s rhythm. Wil Quintana’s colours can not be ignored either. From sunlight pouring in to caves, to moonlit battles and cities illuminated by torches, it’s a luscious book to behold. Thanks to these two artists every page looks vibrantly different and demands more than just a cursory look. Really, this is what good, or rather, great comics are all about – engrossing characters risking it all who take readers with them on a dangerous journey. I’m not exactly sure where the road will end, but, like driving in the dark with a mumbling hitchhiker, it’s scary and uncertain but definitely entertaining.

More of Tori & More from Image

My third Tori Amos post! I promise no more after this. Probably. Here’s the CSN Comic Book Tattoo I mentioned yesterday for your reading pleasure. It’s a lengthy interview and a big file (6mb). It is hastily scanned and I’ve tried my darndest to flip the pages, but to paraphrase Homer, if something is hard work, it’s not worth doing!

Enjoy, and also for those of you that don’t like reading, there’s also some pictures from Comic Book Tattoo publisher, Image Comics, such as Perhapanauts #3 and the latest issue of the always fun to read Mice Templar (a review of which will be coming soon). There’s also looks at Frank Frazetta’s Swamp Demon, Joe Casey’s Charlatan Ball and Screamland.

Marvel Boss Joe Q Talks To You

A new feature of the awesome MySpace Comic Books page is the video blog from Marvel EIC, Joe Quesada, in which he answers fans questions. There are also a few preview pages from Leinil Francis Yu’s great artwork from August 13’s Secret Invasion #5, the current series rocking the Marvel Universe that has everyone wondering who can be trusted.

On an unrelated note, the new Batman: Gotham Knight DVD which has had a mixed reception has at least one thing in its favour; this great looking cover which graces the Japanese 2 disc version. It’s certainly a lot more enticing than the generic cover the rest of the world was offered.

And for your general gawking pleasure, below that are some pages from Spider-Man Loves Mary Jane,(Vol. 2) the all-ages title from writer Terry Moore (Strangers in Paradise) and artist Craig Rousseau (The Perhapanauts). Also included is the alternate cover by Adrian Alphono. The first issue of the 5 ish mini is out on August 6.

Aww…so cute! This will be a great series for kids who like Spidey, but it is aimed at teenagers who like humour and romance more than superheroes duking it out with each other while spouting zany pop culture references.

As you can see by these pics, this series brings the regulars back to their school days, with all the lost loves and confusion that comes with it.

Volume 1 of this series will be available in collected form from August 30 and is written by Sean McKeever with art by Takeshi Miyazawa.


Tony’s New Covers & Tori’s New Blog

Tony Stark’s new series, Invincible Iron Man #3, from writer Matt Fraction and artist Salvador Larocca has sold out. So Marvel have provided three new covers for the second printing of that issue, which is on sale now.

All three new covers are supplied by regular artist Larocca and represent a different stage in Tony Stark’s life.

Shellhead has had more costume changes than a fashion show. Here’s a look at three classics.

Tori Amos’ Comic Book Tattoo, a massive 480 page anthology book is getting a lot of buzz these days.

The tome from Image Comics is a collection of well-known and indie writers and artists who are using some of Tori’s songs as jumping off points for their own unique tales.

It’s an interesting cross-over between the two worlds of music and comics. There is a nice piece on the beginnings of the project and an interview with Tori herself and spearhead of the project, editor Rantz Hoseley in the latest issue of CSN (a pamphlet/mag which should be available for free at your local comic shop). A new blog has also been launched detailing the creative process and excerpts from scripts and artwork. For those interested in the project or just the working of a comic creator’s mind, this may be an invaluable resource.

Batman: Gotham Knight

Similar to what The Animatrix DVD was to the Matrix films, Gotham Knight is a direct-to-DVD animated anthology tying into the recent Batman films. As reported on Wednesday, this film is the latest after Superman and Justice League DVDs, with Wonder Woman’s turn coming next year. Containing six short films from different Japanese animation studios and American writers, they each look very different from one another. The only similarity between all six tales is Batman’s voice; that of Kevin Conroy. Initially it is jarring to hear it coming from an animated Batman that doesn’t resemble the Batman: The Animated Series version from the mid 1990s, but I eventually warmed to it.

The first vignette, “Have I Got A Tale For You,” is not entirely original for Bat fans. It presents a group of kids recounting their run-ins with the mysterious Batman, and shows how they view him differently – as a soldier of smoke, a monster and a robot. A similar episode was seen in Batman: TAS, but it’s a good introduction and shows how Batman has lasted through the decades. He’s simply a versatile character. He can be the gothic creature, or the street-level detective, or the traditional superhero or the man with all the sci-fi gadgetry. But it’s all still Batman, just different parts of the same whole.

“Crossfire” is written by comics scribe Greg Rucka and continues what he started with the comics title, Gotham Central – revealing how the Gotham police see the Dark Knight. He uses characters from the series that he knows well, namely detectives Crispus Allen, and Renee Montoya (though for some reason she has been renamed Anna here) “Field Test” is an interesting take on Batman’s use of, rather than reliance on, all his “wonderful toys.” Lucius Fox gives Bruce Wayne some hardware that makes him a lot more powerful, but essentially waters down the essence of who Batman is. “In Darkness Dwells” written by Batman Begins co-writer David Goyer Scarecrow shows up (in a much better costume than his Batman Begins version) as Bats travels to the sewers and briefly encounters classic comics villain Killer Croc. Comics writer Brian Azzarello creates “Working Through Pain” which picks up straight after “Darkness” as Bats struggles to maintain consciousness as he traipses through the sewers, bleeding as he does so. He reflects on training he received while in India as a young man and learns the power of mind over matter.

Finally, and probably the best of the bunch, “Deadshot” which introduces another great comics bad guy. It offers a great story and well directed action and is written by Alan Burnett who has written comics and episodes of Batman: TAS. There are two versions of the DVD available. The standard one-discer has an audio commentary, a cute Lego Batman video game trailer and a 10 minute look at next year’s Wonder Woman film. However you may have trouble accessing them as separate features and they may only appear after the end-credits. A big blundre from Wraner Bros. The two-discer contains those features, four episodes of Batman: TAS with intros by Burnett, a doco on Batman creator Bob Kane and also one on Batman’s rogues gallery. I’ll certainly check this version out. Each of the six tales don’t really tie into one another, and Alfred sounds more like a refined gent (a la TAS) rather than Micahel Caine’s Cockney speak. The artistic style is different in each take, but they still all resemble the dark detective that we all know and love. In some instances Bruce Wayne looks far too young but the Japanese artists have restrained themselves well. Yes, these versions may not be the Batman that everyone expects, but neither are they too jarring. The soundtrack throughout is also excellent, though I’m still fond of Danny Elfman’s score from the Tim Burton films and Shirley Walker’s take from TAS. Music makes the hero. There’s nothing in this collection to link it to Batman Begins and The Dark Knight, as has been promoted, but it more closely resembles them than it does the current state of the comics. A pleasant enough, though short, glimpse at Batman’s life for those who feel prompted by all The Dark Knight hype. Oh, and the backgrounds are gorgeous, which can’t be said about the DVD cover. With the hype The Dark Knight has been receiving, this package deserves better. There has been no mainstream promotion and to top all the other problems off, there is no Japanese audio dub on the Blu-Ray version, in spite of the cover saying there is. WB’s marketing team have dropped the ball I’m afraid. It is the most adult and bloody animated Batman ever seen, but you could still be more satisfied by spending your money on any number of comic collections, such as The Long Halloween, KnightFall, Hush, The Dark Knight Returns or any number of recent paper escapades.