Overrun

Writer Andi Ewington (the excellent 45 OGN from publisher Com.x a few years ago) has been busy lately, creating new series such as Six, and Sunflower. He’s also added the high concept series Overrun, to his impressive resume (along with writer Matt Woodley),all 4 issues of which are available now on various digital platforms such as iBooks and Kindle.

It’s a gorgeous looking book with a wonderful premise, described below.

The city is at a breaking point. Living space is running out. Those in power are forced to execute a desperate measure – introduce a poison to wipe out a huge part of the population.

This is no ordinary city, however. Overrun takes the reader into the heart of their own computer. Citizens are files. There are .xls business people, sexy spams and hip musician .mp4s. The space which is running out is memory – the poison a computer virus.

Political intrigue and epic action scenes take place inside this lovingly crafted world as we follow a group of friends, forgotten computer game heroes, as they fight their way through the virus infection which is transforming their fellow citizens into memory sucking zombies.

Popular web site Bleeding Cool describes it as, “Tron meets Dawn of the Dead,” which is as tantalising as it sounds. Beyond those striking covers, the interior art is supplied by Paul Green, known for his work on Flash Gordon from Ardden Entertainment. Green, with great effects and lettering by Troy Peteri and Joshua Cozine, makes the pages pop, as you can see from a few random pages below.

issue-1_p4p_page_1

 

final overrun comic_part 3_4_cmxlgy_page_2

final overrun comic_part 4_4_cmxlgy_page_3

For more info, check out the Overrun site.

 

 

Duppy 78 Review

Duppy78coversmall_0414The newest production from UK based publisher, Com.x (Cla$$war, 45) Duppy 78 is beautifully realised, with luscious visuals and a daring desire to do something different and disturbing with the unique voice that sequential art offers.

Set in Kingston, Jamaica in 1978, this is a location and era that gets little focus in comics. That, plus the bold characters and surprisingly effective combination of supernatural scares and crime drama make Duppy 78 an engrossing read. The publisher describes it in three words – “voodoo, violence and vilification,” and that sums it up pretty well.

Too Bad, Martin Isaac and Chris Mansfield are the three main crime lords of Kingston but an unfortunate incident with an American photo-journalism student whittles the three down to two, ramping up the tension and the means to which the remaining crime lords will go to keep, and expand, their power.

There are some bad characters within these pages, but writer, and former DC/Vertigo editor, Casey Seijas never allows them to be so repugnant that we don’t want to know what happens to them. We are also given glimpses into the gangsters’ lives outside of their criminal activities, such as the mature way Mansfield deals with a dangerous and troublesome rock star who’s staying at the luxurious resort he owns.

The story is divided in to four chapters, each with a short primarily black and white flashback which reveals more of the main characters’ history and motivations.

The dialogue is filled with the lingo of ‘70s Jamaica, but is never indecipherable, plus there’s a handy glossary in the first few pages, but thankfully the tale can be enjoyed without constantly referring to it. In case you’re wondering, a duppy is a mischievous spirit in Rasafarian culture, and those who are able to see and control them are known as Obeahmen, or Duppy Conquerors.

The three ruling gangsters each have one of these Conquerors, in the form of “gifted” children who have ties to the men. The wheelchair bound Judah wears a bag on his head to stop the terrifying visions, and there’s also Santa, and Elena is Mansfield’s daughter. The way these children are used by the gangsters as mere pieces on a chess board, and tools of vengeance drives this intense, well-paced tale.

Amancay Nahuelpan’s artwork is suitably nightmarish in a way that goes beyond the gang violence, as you can glimpse in the trailer for the 116 page OGN. Combined with Daniel Warner’s colours and the well researched details of the period, this is a comic that almost has dirt, smells and grime coming off the page. With the childrens’ terrifying visions of demons highlighting the ugliness and hatred that surrounds them, Duppy 78 looks like an ’80s horror film, with grotesque monsters jumping from the shadows. I haven’t seen this many disturbing visions on the page since I read Junji Ito’s alarming manga Spirals.

Also included are a few pages of concept sketches and cover designs from Nahuelpan and other talented artists.

Duppy 78 is available now from digital comics distributor (and recent Amazon acquisition) comiXology for only $4.99.

Biowars

Biowars is a new comic (below is a preview of its 4th issue) which has an intriguing jumping off point – a war in microcosm. The production values and pretty impressive, especially for a free, digital comic. Obviously a lot of thought and creativity has gone in to this project.

Biowars is a digital comic book series featuring an exciting pair of intertwining storylines. While Alexander Hawking fights the sinister forces of the Combine in the outer world, the heroic BioWarriors of his immune system must defend his inner world against a deadly Combine-engineered pathogen. Biowars seeks to open the audience’s imagination to the wondrous alien world that lies within the human body and the strange threats it must face on a daily basis.

Biowars involves readers in its production by regularly engaging its over 100k Facebook fans. With this fan base growing daily, Biowars is the crux of a vibrant and active comic community.

Find out more about Biowars here.

BW_Cover_04_F

Continue reading

Blackout #1 Preview

Releasing on March 26 is the debut issue of Blackout from Dark Horse Comics. Here’s a sci-fi-tastic preview.

Blackout1

Titan Comics’ Doctor Who Covers

As recently announced, UK publisher Titan Comics will now be publishing new comics based on the tenth and eleventh incarnations of Doctor Who, and below is the first info, as well as the first superb covers.

DOCTOR WHO: THE TENTH DOCTOR #1

Regular cover by Alice X. Zhang

THE TENTH DOCTOR IS BACK, IN AN ALL-NEW ONGOING SERIES! NEW COMPANION! NEW HORIZONS! UNFORGETTABLE NEW FOES! ALLONS-Y!

Eisner Award-winning writer Nick Abadzis (Laika) and fan-favorite artist Elena Casagrande (Angel, Suicide Risk, Doctor Who, Star Trek) take control of the TARDIS for their first five-issue arc with the Tenth Doctor! And don’t miss the second arc, by fellow series architect Robbie Morrison (Drowntown, Nikolai Dante, The Authority)!

DOCTOR WHO: THE TENTH DOCTOR #1 hits comics stores on July 23, 2014

DOCTOR WHO: THE ELEVENTH DOCTOR #1

Regular cover by Alice X. Zhang

THE ELEVENTH DOCTOR RETURNS IN AN ALL-NEW ONGOING SERIES, WITH A TIME-TWISTING LEAP INTO THE UNKNOWN! GERONIMO!

Series architects Al Ewing (Loki: Agent of Asgard, Mighty Avengers, Trifecta) and Rob Williams (Revolutionary War, Ordinary, Miss Fury, The Royals: Masters of War, Trifecta) kick off a whirlwind adventure through eternity for the Eleventh Doctor, with artist Simon Fraser (Nikolai Dante, Grindhouse, Doctor Who)!

DOCTOR WHO: THE ELEVENTH DOCTOR #1 hits comic stores on July 23, 2014

DOCTOR WHO THE TENTH DOCTOR #1

DOCTOR WHO THE ELEVENTH DOCTOR #1

Furious #2 Review

Furious 2 CvrThe latest instalment from Mice Templar creators Bryan J.L. Glass, and Victor Santos hits shelves, and it hits hard. Those who read last month’s debut will be aware that this new mini-series about the melding of fame and superpowers is a mature take on superheroics, and this issue dials it up even more.

The first two pages here serve as a strong indication of what’s coming. With Furious, the world’s first super-hero questioned and praised at every turn, something’s got to give.

Here, we get a greater look at Furious’ past from a survivor of a family tragedy to a rising child star to an unexpected superhero. Throughout those stages of her life however, the bitterness and anger remain, and the unexpected superpowers don’t erase them.

As for those superpowers, there is a lot we don’t know about them. There is an almost dismissive mention of the titular hero waking up on the ceiling upon discovering her abilities, and using kinetic energy, but the focus is on the characters, not the origin, and that’s a smart move. Or, rather the focus is on the character, that being Cadence Lark, the alter ego of Furious. It’s interesting to note that we never see Cadence in her civilian guise, apart from the flashbacks. Perhaps Cadence is finding comfort in the colours of a skintight costume as Furious, (or Beacon as he prefers to be called, but never is). Maybe it’s a coping mechanism of Cadence’s traumatic past, or maybe she sees the life of a superhero as just another role to play. It’s testament to Glass’ strengths as a storyteller that this series can be examined and enjoyed from more than one angle. Furious has noble intentions, and certainly makes strides towards peace in her community, but she is a controversial figure; equally declared as awesome or dangerous, and with the local trigger happy police, she begins to comprehend the scope of her powers.

Santos’ art is not filled with beauty. That’s not to say it isn’t pretty to look at. It is, but rather than reveal the glitz and glamour of the high life of the young Cadence as a film star, he chooses to match the darkness and ugliness of what that life can bring, matching Glass’ thematic explorations. The flashbacks of Cadence’s youth, as she struggles with losing the entirety of her family besides her increasingly erratic father, are sad, dark and real. Cadence becomes a sympathetic character during those looks at her past, and the familiar struggles we’ve seen before with many immature celebrities are brought to the fore. Using broken mirrors as a framing device is clever, as is using the same pose with a mysterious new threat that we saw on Furious’ debut. It appears this dangerous, costumed woman has something personal against Furious and is about to make her mark on her world. Up until this point, Furious’ greatest enemy has been herself, or rather how she is perceived, so an external threat will bring the story to dangerous new places.

Glass and Santos are building a mystery with Furious, and it’s an intriguing one. They’ve been throwing crumbs since the first issue, with more surprises surely to come.

Batman vs Terminator Fan Film

This is a good week to be a Terminator fan. It’s an even better week if you’re a Terminator team-up fan. Announcement below from Dark Horse Comics about their classic Robocop vs Terminator deluxe collection.

And underneath that is a 5 minute animated short film set in a Skynet driven future, in which The Dark Knight Returns-era Batman does what he does best. It’s almost dialogue free, but has great visuals and direction. Well done to Tony Guerrero and Mitchell Hammond for crafting this beauty.

DARK HORSE ANNOUNCES TWO ALL-NEW EDITIONS OF FRANK MILLER AND

WALTER SIMONSON’S CLASSIC

ROBOCOP VS. THE TERMINATOR SERIES!

Nearly twenty years after its first publication, the classic four-issue miniseries that teamed two great characters with two great creators, Frank Miller and Walter Simonson’s RoboCop versus The Terminator, returns to print in two formats: a hardcover graphic novel and a gallery edition!

Comics’ greatest creators pit the supreme machine killer against the ultimate cybernetic cop in one of the most celebrated crossovers ever! When fate reveals that the technology that built RoboCop will lead to the creation of Skynet, Alex Murphy must engage in time-twisting battle against both the murderous computer network and the human resistance fighters out to destroy him! This newly restored collection features remastered colors from Steve Oliff and an introduction by 2 Guns writer Steven Grant!

The super deluxe RoboCop verus The Terminator Gallery Edition ushers in Dark Horse’s new gallery series format—reprinting Walter Simonson’s original art at full size, exactly as it appeared on his drawing table! Relive Simonson and writer Frank Miller’s seamless blend of the RoboCop and Terminator worlds while marveling at the sheer virtuosity of Simonson’s draftsmanship in all its original glory.

In addition to the full story, the gallery edition provides the greatest insight available into Simonson’s process, with pages of his original pencils and promotional art faithfully reproduced, along with a revealing foreword by the artist himself!

“When Frank first sent me the story for the series, I loved it. And it was both a treat and a challenge to try to bring it to life in pictures,” said Walter Simonson. “I couldn’t be more pleased to see RoboCop versus The Terminator back in print after all these years. I can only hope that a new generation of readers will take as much delight in discovering the series as we took in creating it.”

The RoboCop versus The Terminator hardcover graphic novel collection arrives on sale at finer comic shops everywhere on July 2, 2014, for $24.99. The gallery edition will be available on July 9 for $125.

RVT GALLERY

RVT-Hardcover-WALT

  • Calendar

    • March 2017
      M T W T F S S
      « Jul    
       12345
      6789101112
      13141516171819
      20212223242526
      2728293031  
  • Search