Perty Pics

Here’s a gander at some titles going on sale on Christmas Eve. If you live in the States and your LCS is open, that is. From Marvel, there’s loads. Here’s just a few. There’s Ultimatum #2, by Jeph Loeb, with art and a cover by David Finch, Dardevil #114 by Ed Bribaker and Michael Lark, with a great cover by Marko Djurdjevic, Hulk #9 by Loeb again, with Art Adams and Frank Cho, with covers by both. Finally, there’s also Thor #12 by J. Michael Straczynski and Oliver Coipel, who also provides the cover.

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Perty Pics

As is Marvel’s marketing effective strategy as of late, below is a teaser image which raises more discussion. Written by Reginald Hudlin, with art by Ken Lashley, the new Black Panther’s identity is anyone’s guess. We know she’s female, and T’Challa’s wife, Storm from the X-Men would be the obvious choice. However, maybe it’s Daredevil’s female friend, Echo. Who knows? We all will when the first issue of this new series premieres on February 4.

Savage Dragon and the President Elect are getting to know each other well these days, as evidenced by Erik Larsen’s clever cover for Savage Dragon #145, which is out on February 25. This will be Obama’s first comic book appearance as official President, and what better way to celebrate than slammin’ fists with his finned homie.

Lastly, Bluewater’s arms are reaching into classic sci-fi film territory again, after Missile to the Moon, with Ed Wood’s 1959 ‘masterpiece.’ Plan 9 From Outer Space…Strike Again lands in March and is a sequel to the film that defined the term, “it’s so bad, it’s good.” The over-sized one-shot is written by Chad Helder and Darren G. Davis, with art by Giovanni P. Timpano.

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Mighty Avengers #21 Cover

mightyavengers_21Touted as a great jumping on point for new readers, this extra sized issue guest stars all the different Avengers flavours. That would be New, Young, Dark and Classic. I think there’s also a Cinnamon. Written by Dan Slott and pencilled by Khoi Pham, this January 14 releasing special ish shows the new line-up,  post Dark Reign. On the cover is the once-crazy (hopefully) daughter of Magneto, Scarlet Witch, Hank Pym in a new outfit to honour his wife Janet who died in the last issue of Secret Invasion and the female android created by  Ultron, Jacosta. An intriguing mix of characters so far.

Hopefully fans won’t get fat on all these Avengers variations, but the post-Secret Invasion world, with Norman Osborn (Green Goblin) effectively now a recognised hero, the Marvel U could have enough room for the ever growing list of super-teams. It reminds me of when DC made Lex Luthor President in 2000, and all the great stories that flowed on from that. With Osborn gaining power, yet still retaining his evil machinations, our heroes could have some interesting battles ahead.

Farscape Preview

FarScape_001CBOOM! Studios has wisely chosen a good, familiar franchise with Farscape and they’re not the only one. Dark Horse has Buffy, IDW has Angel and Doctor Who and Star Trek. TV franchises work, because they have a built in audience. They work even more when they’re faithful adaptations, in-continuity and carry on what the TV series began. Because Buffy has been promoted as the official next season by creator Joss Whedon himself, Dark Horse, and the industry, has been rewarded with a greater audience, and  a new one at that. Hopefully BOOM! will have a similar response. I was never a huge fan of Farscape, but it has my respect for being a sci-fi series filmed in Australia and for using puppets. Thanks to the Jim Henson Company, no less! Well, Christmas Eve is the launch of the new Farscape comic, which picks up straight after the events of The Peacekeeper Wars mini-series. This was originally slated for a November release but has been pushed back to allow for some fine-tuning. The comic is written by Farscape creator Rockne O’Bannon and Keith R.A. DeCandido, with art by Tommy Patterson. Preview pages are below to give you a glimpse of John Crichton and co. once more.

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Dark Reign Trailer

Now that Marvel’s most recent epic, Secret Invasion is over, the next phase begins. All that we know so far is that the Avengers will be re-made yet again. Those guys have more roster changes than the Guns N Roses line-up. Anyway, to begin putting the pieces together early, here’s a look at two covers for Secret Invasion: Dark Reign, focusing on Norman Osborn’s (Green Goblin) new power play. This one-shot is out on Christmas Eve and is written by Brian Michael Bendis with art by Alex Maleev. Dark Reign: New Nation is another one-shot by Bendis again and others – including Jonathan Hickman in his first foray into superheroics, with art by various pencillers including Stefano Caselli and Leonardo Manco. The New Nation one-shot will focus on the new Secret Warriors, Agents of Atlas, War Machine and more and will go on sale December 17. It’s basically a showcase for a slew of new series starring these characters.You can also grab a free Dark Reign edition of Marvel Previews at your LCS and Marvel has also put together a neato trailer for Dark Reign.

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Villain Variant Covers

As part of Marvel’s Bring on the Bad Guys! ‘event,’ they are populating a few of their best books with villain-centric covers. Below are the covers of Incredible Hercules#124, with the god of war Ares on the cover, and art by Ed McGuiness. There’s also the crazy cover for X-Force #10 by the legendary Bill Sienkiewicz. Both variant covers go on sale on December 31.

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Tiger & Taffy

adtigertigertiger_1_coverloTwo new reviews of mine are up at good old Broken Frontier.

Salt Water Taffy from Oni Press is the second volume in the series from creator Matthew Loux (Sidescrollers) and follows brothers Jack and Benny on their adventures in Chowder Bay, filled with embarassing parents, novelty hats and talking animals. It’s good wholesome fun.

Tiger!Tiger!Tiger! is from Red Window and creator Scott Morse. It’s a different kettle of fish. It’s all-ages too, I guess, but isn’t funny – it’s deep and powerful really in a strange way. The art is a knock-out, simply due to its diversity. See below to see what I mean, and go here for a more in-depth analysis. It’s deep man, but not in a pretentious way. It can’t help but be charming.

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Studio 407 Previews

golemAlways a sucker for new comic publishers, I ran across this company today. I’ve seen them in Previews and had a quick look at their site and blog today. They seem to be passionate about offering diversity in the market and, as is all the rage these days, have Hollywood interested in their books. A few preview pages for two new series premiering in January are available at their site right now.

Shadow Chronicles is the company’s first horror anthology. The three stories involve a hungry vampire in 18th century Europe and a modern cinema during a Draculathon, a space jaunt on a desolate planet, and a town beset by both a horde of demons and the paramilitary squad hunting them.

Also coming next month is Golem, a revenge tale centering on a professor from Sarajevo and his Hulk-like friend (perhaps). A preview is also available for this one-shot at Studio 407’s rather nifty site.

The publisher aims to blend East and West into intriguing comic concepts, but seem to be more adventure focused than Virgin, who have/had similar ambitions. This company might be one to keep your eyes on.

Perty Pics

The first two covers are from comics available this week, namely Secret Invasion #8 (the mini-series’ conclusion) and the Punisher MAX X-Mas Special. The covers are by Gabrielle Dell’otto and Chris Bachalo respectively. Then there’s the Santa-themed Hulk #9 covers – both of them. Pencils are by Ed McGuiness, and the issue goes on sale Christmas Eve. I guess that’s a Hulk-sized Ho Ho Ho . Oh dear.

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Thor #600 Preview

The Norse god celebrates 600 issues of hammer throwing, resurrecting, Old Testament speaking mirth and mayhem. Below are a few pages from the milestone issue, to be released on January 21. The 100 pager is written by J. Michael Straczynski (the current scribe), Stan Lee (yes, that guy) and Chris Giarrusso. The magnificent covers are by Gabriele Dell’Otto, Marko Djurdjevic and Olivier Coipel. The work of the latter two can be seen below, along with some pages from interior artist David Aja, who’s pencilling Lee’s story. Aja is an odd choice but for what is obviously an old-school tale set in Thor’s early days with The Avengers, it works.

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Yo Joe!

I stand firm that the ’80s was the best decade ever. Best music. Best cartoons. Best toys. Best fashion. Um…yeah. The middle of the decade was the high time for pre-pubescent dreams in the form of Robots in Disguise, Masters of the Universe and Real American Heroes. Now there’s a resurgence. The Transformers film did rather well at the box office, and while we wait for He-Man and Thundercats, we get the live action G.I Joe movie hitting screens next year. Now’s the time to familiarise yourself with these great characters at IDW. The Joes have been the hot potato of comic franchises, and have had homes at Marvel, Dark Horse and Devil’s Due. Well, here’s my interview with Andy Schmidt, the editor at IDW discussing the company’s bold publishing plan, which includes three different series and legendary writer Larry Hama. Cool.

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Masks #1 Review

masks01p1Septagon Studios launched in 2003 with the aim of becoming a company priding itself on diversity and creator freedom. Their output has been minimal but judging by Masks, their quality hasn’t. For fans of Dave McKean (frequent Neil Gaiman collaborator) or film-maker Guillermo del Toro (Hellboy, Pan’s Labyrinth) writer/artist Aaron Rintoul’s debut effort with the studio is a class act and bodes well for his future. If he can continue to showcase his unique talents like this, he can’t help but be noticed.

Masks is a 3 issue mini-series that seems tailor made for those whose comic book tastes are a bit less obvious; for readers who prefer films with subtitles and going to art galleries on the weekend. Fanboys who live on a diet of spandex and multi-part epics-beware, Masks isn’t for you. But it should be. I’m a follower of superheroics from Marvel and DC just as much as I am of indie black and white books from smaller publishers. It’s only been the last three years in particular that I discovered the world behind the spandex curtain though, thanks to Craig Thompson’s Blankets, and I continue to be entertained and inspired by what small press publishers bravely create. I’m also glad I can discover hidden gems like this. Despite themes involving murder and abuse, there is no overt adults-only vibe in Masks, although the aforementioned stripper shows some brief nudity. Masks will mainly appeal to mature readers and for regular comic readers looking for a different flavour in their habits.

This is the kind of creative endeavour that can only be told in a comic format. With vague thoughts of the films The Fountain and MirrorMask in the back of my brain after I read this, I realised that pair of arty, meandering films are probably the closest cinematic equivalent. With a focus on fantasy and imagination rather than any linear narrative it’s not soon before you realise the story, as such, isn’t the highlight. This is billed as a photographic poem, and that description fits like a glove. Not that Masks needs any focus other than the gorgeous art. Let me say that again-gorgeous.

At times the photographic elements are obvious, and at others Rintoul’s keen skills as an illustrator are given the spotlight, with a diverse array of collages and pretty pics. His work also exhibits the clean textural quality of Adi Granov, and in a brief strip club flashback it looks like stills from a basic CGI film. The page layouts are simple enough and retain a simple pace.

Rintoul’s strength here clearly lies in his skills as an artist rather than a writer and has wisely put his effort into the latter. There should be more multi-media books like this on the shelves instead of even more flashy pencillers. Our medium has a greater sense of variety than the top sellers each month indicate. Granted, it’s easier to use phot-manipulation when you stories don’t centre on superheroes throwing skyscrapers at each other. What story there is focuses on Sara, and is told from her perspective as she apparently tracks a killer through his victims dreams. This isn’t particularly clear but will presumably become so in the remaining two issues of this mini-series. This introductory ish has minimal exposition, with captions more about building a broad gothic atmosphere rather than leading to a climactic showdown between Sara and the unknown killer. With typical genre shots of owls, clocks and masks the pages flash between rust coloured scenes straight from the set of the latest Saw film, to something out of a brightly lit 19th century masquerade. If you were to grab 3 random pages from this issue you’d swear they were form three different, and very talented, artists. Yet there is a great unity through the twenty two story pages. Septagon have wisely given Rintoul a blank canvas and appear to stand by their mission statement in giving creator’s unlimited freedom to display their wares.

If you’re unsure about giving this series, watch the moody trailer or better yet, download the entire first issue for free at Wowio. Your eyes will thank you for it.

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Pretty Pics

Three very different arty offerings from Marvel below. The cover for Thunderbolts #126, a perfect jumping-on point for new readers, by artist Francesco Mattina. After that is Marvel’s surprisingly classic take on Frank L. Baum’s Wonderful Wizard of Oz, with a cover by J. Scott Campbell. So cute. Even cuter (maybe) is Arthur Adam’s ape-arific riff on a classic Avengers cover for Marvel Apes #0.

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Leviticus Cross #1 Review

prv1078_covI always like to give the under dog a go. In the comic book field, that means new publishers. It’s a tough market, with even tougher competition, but I admire any creator that puts their creative and entrepreneurial work out there for the world to see.

Newcomer Hays Entertainment’s launch title, Leviticus Cross certainly gets points for a catchy title. If you think it’s vaguely biblical you’d be right, judging by this issue. The prologue recounts for us the story of man’s early days, including the Nephilim from Genesis 6. Created by Seth Hays, and written by Josh Torres, the pair take this often misunderstood verse and run with it. The world explored in this issue is one where mortal Giants and immortal Angels and Demi-gods appear to be feuding relatives. Angels acted as divine caretakers of the earth and its occupants until curiosity got the better of some, resulting in a new breed of humans with angelic fathers, who then decide to recede from the world of man and build their own city, Asgard.

This mythology at the centre of the series is described with much detail here, but serves as an effective backdrop to the main story. If this series is a success, a prequel recounting these events seems likely. The title comes not from some mythical hero, but the capital city of the empire, where the second half of the issue is set.

We are introduced to more than a few characters here, including the blonde Thor, also known as Stormbringer; a revered general who managed to keep the monstrous Nontai Dag at bay a century ago and his lover Princess Jarnsaxa. The main character towards the end of the book is shown to be Naitia, the daughter of a prominent trader in the city, who hides a secret from the superstitious populace.

It seems tailor made for fans of manga and anime and the rapid fire Japanese styling that goes with them, rather than for readers of American superheroes. The art by Hector Sevilla is great, but won’t stand out from a crowded manga market. The character designs are worthy of Street Fighter IV and he draws monsters and men with equal skill. He also manages to render the bustling medieval city with great detail and personality, and the variant covers for the series look fantastic.

This is a 5 issue series and it hasn’t hit its stride yet. There’s some big concepts and a wealth of characters who have yet to be fully utilised, though it’s obvious Naitia and her secret abilities will become prominent in the remainder of this title, especially considering the last page of this ish. It appears that Hays and Torres have thrown in too much in this first issue, but hopefully focusing on Naitia as she welcomes her abilities, rather than hides them, this series will steam ahead. It’s just too much to take in at the moment, with new characters and exposition thrown at the reader on almost every page. With greater handle on pace and substance over style, this series could definitely go somewhere exciting.
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