Iron Man’s New Armour

Tony Stark’s had more suits of hi-tech armour than I’ve had hot dinners. He’s had his current one for a while though, so it’s time for another update. Looks pretty spiffy I gotta say. Details from Marvel below.

Marvel Unleashes Iron Man’s New Armor

Marvel is proud to unveil a new look for Iron Man, signaling a new era for Tony Stark and the Marvel Universe! From the minds of Eisner Award-winning series writer Matt Fraction and Ryan Meinerding, designer on the Iron Man and Thor films, comes the most bleeding edge, out of this world armor you’ve ever seen! Following the sold-out “Stark Disassembled” storyline, the Marvel Universe still needs its armored champion and a new mission requires a new kind of armor! But when you see just what Iron Man has planned for the Marvel Universe, your jaw will be on the floor! There’s never been a super hero like the new Iron Man!

“The inspiration for the new design came from thinking about a sleeker, leaner, tougher Iron Man,” revealed Fraction. “If technology is increasingly getting smaller and lighter it seems like the Iron Man should do the same: ergonomic and aerodynamic. We were looking for something that felt as sleek and glossy as a sports car Tony Stark would covet.  I love what we’ve come up with. It feels like the next evolutionary step in the Iron Man’s design.”

A bold new direction for Iron Man starts here with the perfect jumping on point for readers old and new alike, as the all-new Iron Man makes his debut in Invincible Iron Man #25, on-sale this April!

FF In 2010

Writer Jonathan Hickman and artist Dale Eaglesham continue their good work on Marvel’s Fantastic Four this year, as this new teaser image shows.

Complete Spider-Man 2010 Image

Marvel have handily connected all the dots, or rather, puzzle pieces from their last 4 teaser images hinting at what’s to come for Peter Parker this year. Hopefully it means a reunion with his wife Mary Jane Watson. Yay! Their separation/mind wipe in the One More Day storyline was a bad call, and hopefully Marvel are now convinced that a single Spider-Man doesn’t necessarily mean a greater audience for single readers who can identify with the character. Married men can have just as much fun, and that’s what Spidey’s all about.

Marvel’s Greatest And Cheapest Comics

DC Comics has been doing this for a while to promote new series and now Marvel is getting in on the act. This is  a great opportunity for the comic curious, or fanboys looking to get a start on some great recent  superhero series. Details below.

Start Here with Marvel’s Greatest Comics For Only $1.00!

Marvel is proud to announce the all-new Marvel’s Greatest Comics imprint, spotlighting Marvel’s most-acclaimed series with new printings of these must-read issues priced at only one dollar each! This bold new venture, launching in March 2010, offers a perfect jumping on point for new readers as well as provides retailers with a great low cost first chapter to some of the hottest selling Marvel Collected editions. And to really get things going, the first title from this line, Invincible Iron Man #1, is free!

“We’re proud of the books Marvel publishes and now not only are we giving retailers a great way to promote our top collections, but also giving consumers a chance to sample some of our top comics, maybe for the first time and at an unbeatable price,” said David Gabriel, Marvel Senior Vice-President of Sales & Circulation. “Marvel’s Greatest Comics represents one of the best values in comics today and with Free Comic Book Day only months after the initial launch, retailers will want to be well stocked.”

Retailers can check upcoming editions of the Marvel Mailer or with Diamond Customer Service to find out how they can qualify for the free copies.

The titles launching in March, at one per week, are:

March 3: INVINCIBLE IRON MAN #1

March 10: CAPTAIN AMERICA #1

March 17: WONDERFUL WIZARD OF OZ #1

March 24: THOR #1

March 31: PUNISHER MAX #1

Stay tuned for more details on Marvel’s Greatest Comics at www.marvel.com!

Marvel Gods

Or “gods,” actually. Seeing as I rarely mention the Jesus of this blog’s title, here goes….CBR have just uploaded their latest interview with Marvel’s head honcho Joe Quesada in which he answers fan questions as part of his regular Cup O’ Joe feature. Most comic publishers have various gods, demi-gods, and supreme beings all mixed up in a giant blender, so it won’t be any surprise to see how Joe mentions Marvel’s approach of religion in their comics. It’s an interesting discussion nonetheless. Read the highlights below.

Mad_Man_Moon asked a question a while ago that I’ve wanted to get to, which was, “I’m interminably curious about this subject and how it’s addressed at Marvel…Gods, and Christianity, Muslim, Judaism (etc, etc) in particular. The many different pantheons and beliefs are played out multiple times, and yet the Christian God and Devil are never seen (unless I’m mistaken*) in modern times. It seems odd that we acknowledge many gods and see depictions of them (more often than not), but the Christian, Muslim, Jewish (etc, etc) gods never come in to play. Why is this?”

I think there are probably multiple layers to this, Mad_Man_Moon. First of all, the gods of mythology lend themselves more to the superhero genre. They’re much more colorful, they are imperfect and their exploits were really more akin to the exploits we’ve seen done by heroes like those within the Marvel U. All the classic heroes we see in many ways share many traits with the gods of mythology, so it’s an easier transition. Also, in most monotheistic religions, you’re dealing with an all powerful and infallible deity, which, from a dramatic storytelling point of view, really handcuffs you because of their perfection and ability to solve problems as they desire.

And there is the sensitivity issue. These are religions that are practiced by the majority of the planet, regardless of where you fall, whereas the gods of mythology are not. I think it’s a sensitive issue, but more than anything, it’s just that the construct of the mythological gods makes for better dramatic storytelling within the pages of a comic book.

That said, from time to time, some aspects of today’s modern religions do find themselves into modern comics. I created the Santerians which are characters based upon the Orisha from the religion of Santeria. The Orisha lend themselves beautifully to the comic genre, as does the idea that priests who practice Santeria can become possessed by Orishas. Still, knowing that, I had to be very careful in creating them, because I wanted to be sensitive to those who follow the religion and I wanted to portray the characters in a way that wouldn’t be found offensive, but more aspirational. And, while we aren’t publishing them, I do know that there are comics out there that use aspects of Islam and Hinduism.

It does seem that there’s a little bit of crossover, particularly with characters based on the devil. Something like “One More Day” is built on the folklore aspect of monotheistic religions in stories like “The Devil And Daniel Webster.”

Yes it is. In OMD, it’s built around the classic Faustian pact.

However, Mephisto is an interesting character within Marvel, I remember reading Stan’s account of creating Mephisto. And while he had some of the trappings of Lucifer or Beelzebub, he is not meant to be Satan or have any religious implications. Stan built Mephisto as a super villain, but used the archetypes of the traditional iconography of the devil from classical literature and illustration. He always stopped short of making or naming him Lucifer, Satan or Mephistopheles or saying he was the devil. I get why he would create a character like this; it’s low hanging fruit. The devil, or the idea of a devil, has been one of the greatest villains and mischief makers in literature for centuries. But, Stan most likely didn’t want to start digging in and entrenching this super villain character that would interact inside a superhero universe within Christianity or any other religion. Also, there were probably greater sensitivities to doing this during the ‘60s than there would be later, as we created characters in the ‘70s like Daimon Hellstrom: Son of Satan – who incidentally is not Mephisto’s kid. So, while some may look at a character like Mephisto and say, “Hey, he’s Lucifer,” I would venture to say that he is something else.

Iron Man 2 Poster

Thanks to some technical difficulties, I’ve been away from the net for 4 days. It’s been strangely liberating, but I’m glad to return to the geek homeworld, and to make up for my absence, here’s the brand new official poster for Iron Man 2, showing Tony Stark in his new armour, standing back to back with buddy Jim Rhodes AKA War Machine. Sweet. For a few more less exciting photos from the film go here.

This Week’s Marvel Comics

How about a look at a diverse line-up of covers from Marvel this week, followed by their full list of releases? OK, here goes.

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Sales Galore

It’s not only the indie publishers that are having a sale but Marvel too.

Until December 1 Marvel are having a sale at their on-line store. You can grab items such as bags, shirts, prints, and iTunes passes to the Astonishing X-Men and Spider-Woman motion comics, from 15% to 75% off. Bargain! See all the goodies here for some early Christmas shopping. It’s not that far away!

Slave Labor Graphics are having a sale too, and you can grab some exquisite goodies such as Shaun Tan’s The Arrival, Parade (with fireworks), Tales to Suffice and more. Visit SLG’s site for the lowdown.

Buenaventura Press also have a sale, with 20% of all books until the end of November, but the most exciting news is AdHouse Books’ just announced sale.

These guys produce some great books, such as Johnny Hiro and Joshua Cotter’s Driven by Lemons and Skyscrapers of the Midwest. AdHouse have a wealth of books for just $1 and many other goodies. Great stocking stuffers! Now embrace capitalism, and sequential art, I say!

Kick-Ass Trailer

Kick-Ass, based on the guilt pleasure comic of the same name by Mark Millar and John Romita Jr. debuts on cinemas on April 16. It stars Aaron Johnson, Nicolas Cage and Superbad’s McLovin and is directed by Matthew Vaughn (Layer Cake, Stardust).It’s all about the titular teen who, inspired by his love of superheroes, decides to become one himself, making fans, enemies and lots of costly mistakes along the way. Black humour, blood and a high-five to fanboys everywhere. Trailer below, though it doesn’t really give the film justice and plays it generally safe.

Fall Of The Hulks Preview

Hulk is fast becoming the Batman of the Marvel Universe, with more superheroes running around associated with Bruce Banner’s alter ego than any one series can contain. Marvel’s next Hulk-focused epic, after Planet Hulk and World War Hulk, is Fall of the Hulks. It begins with Fall of the Hulks: Alpha which lands on December 30 and is written by Jeff Parker with pencils by Paul Pelletier. Ed McGuiness and David Finch provide covers. Preview pages below.

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Mighty Avengers #31 Preview

The Avengers (Dark and Mighty) are about the only Marvel titles I read on any regular basis. I’ll pick up an issue every now and then and both titles are consistently enjoyable. Details, and text-free pages, below regarding Mighty Avengers #31 on sale November 18.

The Final Showdown With The Unspoken in Mighty Avengers #31!

The Mighty Avengers, Young Avengers, New Avengers and more must assemble in Mighty Avengers #31 to take down The Unspoken! Red hot writers Dan Slott and Christos N. Gage, along with fan-favorite artist Sean Chen, present the epic conclusion of the Avengers battle against the ancient enemy of the Inhumans! Hank Pym, newly named the Scientist Supreme, returns to Earth, but is his genius enough to help his Avengers allies turn the tide, after a lethal toxin turns many of the Avengers into a gang of mindless barbarians?

“This is the Avengers title you should be reading…” – Doug Zawisza, ComicBookResources.com

“There’s certainly an undeniable old-school charm about this new incarnation of the title.” – Bryan Joel, IGN.com

Marvel urges retailers to check all orders of Mighty Avengers as it continues to impress fans and critics. Will Hank Pym’s promotion to Scientist Supreme and the inclusion of multiple Avengers teams be enough to take down the dreaded Unspoken? Mighty Avengers #31 has all the answers!

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Astonishing X-Men Motion Comic

With the success of the Spider-Woman motion comic, it’s now the X-Men’s turn. From what I’ve seen it’s pretty impressive. Details below.

Astonishing X-Men Motion Comic Debuts On iTunes Today!

The most hotly anticipated motion comic of the season is here, as Astonishing X-Men Motion Comic Episode 1 is now available on iTunes! Based on the award-winning story by superstars Joss Whedon (Buffy The Vampire Slayer) and John Cassaday (Captain America), the X-Men are faced with a mysterious new villain and a possible cure for the mutant gene! Now Cyclops, Wolverine and all your favorite mutants must face the greatest threats of their lives and, before it’s all done, experience one of the most jaw-dropping moments in Marvel history! What are you waiting for? CLICK HERE to purchase the first episode now!

Don’t miss a single episode of the Astonishing X-Men Motion Comic— subscribe to a season pass, available on iTunes, by clickingHERE!

For more information on motion comics please visit Marvel.com at www.marvel.com/motioncomics

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Psylocke Preview

Like Archangel, I’ve always liked Psylocke. I mean, she’s a mutant ninja with a British accent. What’s not to love? Her own mini-series launches on November 4 and on Marvel’s site you can check out an 11 page preview.

X-Men’s Deadliest Ninja Gets Spotlighted In The Free PSYLOCKE Sketchbook

Psylocke_01_CoverTorn from the pages of Uncanny X-Men, the most dangerous mutant ninja assassin is getting her own mini-series, and you have a chance to go behind the scenes of Psylocke for FREE! Discover the Psylocke Sketchbook, courtesy of Marvel Digital Comic Unlimited, right here! Red hot writer Christopher Yost and fan favorite artist Harvey Tolibao provide in depth commentary on never before seen sketches from the upcoming series! What sends Psylocke into a murderous frenzy? And how is Wolverine involved? Fans can’t afford to miss this sneak peak into an explosive story of betrayal and revenge!

This highly anticipated mini-series promises to change the already significant role of Psylocke forever! Be sure to check out the Psylocke Sketchbook for FREE right here! Don’t forget to get your hands on the very pulse-pounding Psylocke #1, in-stores November 4!

This Week’s Winners

Blackest Night is the best DC event since, well, ever. Infinite Crisis was too convoluted to be enjoyable but Geoff Johns excels at the kind of straight forward storytelling approach that is an unfortunate rarity in comics today. Even the few mini-series tying in to Blackest Night, such as those involving Superman and Batman are enjoyable. It is with the former that James Robinson is doing some great work. Far greater than his Cry For Justice mini-series, Blackest Night: Superman #2 (of 3) is by Robinson and artist Eddy Barrows. It begins with a few pleasant scenes in Smallville, and you just know that’s not going to last long. Soon, Superman and Superboy team up to fight another risen from the dead character – the Superman of Earth 2, Kal-L. The black power rings that reanimate and corrupt dead heroes, villains and supporting characters from DC’s storied past is a great way to get around the whole “revolving door deaths” of superhero stories, and it works well here, with a menace that has been seen in every Blackest Night tie-in. Psycho Pirate inflicts his emotions on Smallville’s helpless citizens, while the three “Supers” battle above. Then a teary Supergirl shows up and is hopeful yet horrified to see her recently killed father standing before her as a grinning skeleton. It ends with the also risen Lois Lane of Earth 2 hunting Martha Kent through a cornfield and ends on a page that is funnier than it’s supposed to be, with the elderly Martha doing her best action hero portrayal.

Robinson and Barrows work well together. Barrows in particular makes the most of the darkness in the tale and makes everyone look frightening. Well, everyone except Martha Kent. He also shows superb control of page design in the many fighting/chasing scenes, adding to the desperation for survival.

The New Avengers #57 is another pitch perfect Brian Michael Bendis tale. He’s essentially Marvel’s version of Geoff Johns – a popular writer who respects the past but is creating the future. With The New Avengers he doesn’t let himself get too talky, but gets straight to the nuts and bolts of superhero shenanigans. The handy intro page in each issue is a worthy addition, as the cast of characters grows every month, but Bendis makes it work. He gives each character their own voice (Spidey’s wit, Luke Cage’s toughness, Norman Osborn’s arrogance). There’s more spandex wearers fighting each other in the streets than Civil War but with Stuart Immonen’s grand and fluid pencils on display it all looks so elegant and dramatic. The New Avengers are powerless, as are their enemies Osborn’s Dark Avengers, all thanks to some renegade baddies with a high-tech gizmo that takes powers away. Everyone is desperate for victory and Osborn makes a deal to ensure he gets his, as does Luke Cage. Every time I read this series, I wish JLA could be this good.

Secret Origin #1 CvrSuperman: Secret Origin #1 is the premiere ish of a new 6 part series re-telling Superman’s origin. What, again, I hear you ask. Yes, that’s what I thought to. I mean, Mark Waid’s Birthright did the same thing not that long ago, and John Byrne’s Man of Steel did it before that. However, a lot has changed in the DCU since Byrne’s bold 1986 series that reintroduced Superman after Crisis on Infinite Earths that changed everything in its wake. Geoff Johns proves me wrong in the first few pages. Where the 12 issue Birthright got it wrong was that it took too long to get to the juicy parts. Johns knows that we are all very familiar with Superman’s origin after 80 years, so he hits the ground running. This debut ish begins with young Clark Kent discovering that he’s different when he accidentally breaks his friend Pete Ross’ arm, and expels heat from his pupils after his first kiss with Lana Lang. Then his parents give him the talk and show him the rocket he arrived in. Clark’s upset when he sees it and activates a holographic message by his Kryptonian parents. Johns continues to wear his love affair with the Silver Age on his sleeve, and keeps most of what readers of Superman comics from the 1950s and 60s would be aware of, but also puts a contemporary spin on it. There’s nods to Braniac and Doomsday, and even Smallville, with Clark meeting Lex as a child, and his rescue of Lana from a tornado. Jor-El and Lara look like their versions from Johns’ recent Last Son storyline and artist Gary Frank is proving himslef to be the premiere Superman artist these days. The last page in which Clark puts on the Superboy costume for the first time truly reveals Frank’s grasp of pre-teen awkwardness and was a pleasant surprise. It appears as though Johns is going to rocket through this origin tale in only 6 issues and I’m glad.

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