More of Tori & More from Image

My third Tori Amos post! I promise no more after this. Probably. Here’s the CSN Comic Book Tattoo I mentioned yesterday for your reading pleasure. It’s a lengthy interview and a big file (6mb). It is hastily scanned and I’ve tried my darndest to flip the pages, but to paraphrase Homer, if something is hard work, it’s not worth doing!

Enjoy, and also for those of you that don’t like reading, there’s also some pictures from Comic Book Tattoo publisher, Image Comics, such as Perhapanauts #3 and the latest issue of the always fun to read Mice Templar (a review of which will be coming soon). There’s also looks at Frank Frazetta’s Swamp Demon, Joe Casey’s Charlatan Ball and Screamland.

Marvel Boss Joe Q Talks To You

A new feature of the awesome MySpace Comic Books page is the video blog from Marvel EIC, Joe Quesada, in which he answers fans questions. There are also a few preview pages from Leinil Francis Yu’s great artwork from August 13’s Secret Invasion #5, the current series rocking the Marvel Universe that has everyone wondering who can be trusted.

On an unrelated note, the new Batman: Gotham Knight DVD which has had a mixed reception has at least one thing in its favour; this great looking cover which graces the Japanese 2 disc version. It’s certainly a lot more enticing than the generic cover the rest of the world was offered.

And for your general gawking pleasure, below that are some pages from Spider-Man Loves Mary Jane,(Vol. 2) the all-ages title from writer Terry Moore (Strangers in Paradise) and artist Craig Rousseau (The Perhapanauts). Also included is the alternate cover by Adrian Alphono. The first issue of the 5 ish mini is out on August 6.

Aww…so cute! This will be a great series for kids who like Spidey, but it is aimed at teenagers who like humour and romance more than superheroes duking it out with each other while spouting zany pop culture references.

As you can see by these pics, this series brings the regulars back to their school days, with all the lost loves and confusion that comes with it.

Volume 1 of this series will be available in collected form from August 30 and is written by Sean McKeever with art by Takeshi Miyazawa.


Tony’s New Covers & Tori’s New Blog

Tony Stark’s new series, Invincible Iron Man #3, from writer Matt Fraction and artist Salvador Larocca has sold out. So Marvel have provided three new covers for the second printing of that issue, which is on sale now.

All three new covers are supplied by regular artist Larocca and represent a different stage in Tony Stark’s life.

Shellhead has had more costume changes than a fashion show. Here’s a look at three classics.

Tori Amos’ Comic Book Tattoo, a massive 480 page anthology book is getting a lot of buzz these days.

The tome from Image Comics is a collection of well-known and indie writers and artists who are using some of Tori’s songs as jumping off points for their own unique tales.

It’s an interesting cross-over between the two worlds of music and comics. There is a nice piece on the beginnings of the project and an interview with Tori herself and spearhead of the project, editor Rantz Hoseley in the latest issue of CSN (a pamphlet/mag which should be available for free at your local comic shop). A new blog has also been launched detailing the creative process and excerpts from scripts and artwork. For those interested in the project or just the working of a comic creator’s mind, this may be an invaluable resource.

Batman: Gotham Knight

Similar to what The Animatrix DVD was to the Matrix films, Gotham Knight is a direct-to-DVD animated anthology tying into the recent Batman films. As reported on Wednesday, this film is the latest after Superman and Justice League DVDs, with Wonder Woman’s turn coming next year. Containing six short films from different Japanese animation studios and American writers, they each look very different from one another. The only similarity between all six tales is Batman’s voice; that of Kevin Conroy. Initially it is jarring to hear it coming from an animated Batman that doesn’t resemble the Batman: The Animated Series version from the mid 1990s, but I eventually warmed to it.

The first vignette, “Have I Got A Tale For You,” is not entirely original for Bat fans. It presents a group of kids recounting their run-ins with the mysterious Batman, and shows how they view him differently – as a soldier of smoke, a monster and a robot. A similar episode was seen in Batman: TAS, but it’s a good introduction and shows how Batman has lasted through the decades. He’s simply a versatile character. He can be the gothic creature, or the street-level detective, or the traditional superhero or the man with all the sci-fi gadgetry. But it’s all still Batman, just different parts of the same whole.

“Crossfire” is written by comics scribe Greg Rucka and continues what he started with the comics title, Gotham Central – revealing how the Gotham police see the Dark Knight. He uses characters from the series that he knows well, namely detectives Crispus Allen, and Renee Montoya (though for some reason she has been renamed Anna here) “Field Test” is an interesting take on Batman’s use of, rather than reliance on, all his “wonderful toys.” Lucius Fox gives Bruce Wayne some hardware that makes him a lot more powerful, but essentially waters down the essence of who Batman is. “In Darkness Dwells” written by Batman Begins co-writer David Goyer Scarecrow shows up (in a much better costume than his Batman Begins version) as Bats travels to the sewers and briefly encounters classic comics villain Killer Croc. Comics writer Brian Azzarello creates “Working Through Pain” which picks up straight after “Darkness” as Bats struggles to maintain consciousness as he traipses through the sewers, bleeding as he does so. He reflects on training he received while in India as a young man and learns the power of mind over matter.

Finally, and probably the best of the bunch, “Deadshot” which introduces another great comics bad guy. It offers a great story and well directed action and is written by Alan Burnett who has written comics and episodes of Batman: TAS. There are two versions of the DVD available. The standard one-discer has an audio commentary, a cute Lego Batman video game trailer and a 10 minute look at next year’s Wonder Woman film. However you may have trouble accessing them as separate features and they may only appear after the end-credits. A big blundre from Wraner Bros. The two-discer contains those features, four episodes of Batman: TAS with intros by Burnett, a doco on Batman creator Bob Kane and also one on Batman’s rogues gallery. I’ll certainly check this version out. Each of the six tales don’t really tie into one another, and Alfred sounds more like a refined gent (a la TAS) rather than Micahel Caine’s Cockney speak. The artistic style is different in each take, but they still all resemble the dark detective that we all know and love. In some instances Bruce Wayne looks far too young but the Japanese artists have restrained themselves well. Yes, these versions may not be the Batman that everyone expects, but neither are they too jarring. The soundtrack throughout is also excellent, though I’m still fond of Danny Elfman’s score from the Tim Burton films and Shirley Walker’s take from TAS. Music makes the hero. There’s nothing in this collection to link it to Batman Begins and The Dark Knight, as has been promoted, but it more closely resembles them than it does the current state of the comics. A pleasant enough, though short, glimpse at Batman’s life for those who feel prompted by all The Dark Knight hype. Oh, and the backgrounds are gorgeous, which can’t be said about the DVD cover. With the hype The Dark Knight has been receiving, this package deserves better. There has been no mainstream promotion and to top all the other problems off, there is no Japanese audio dub on the Blu-Ray version, in spite of the cover saying there is. WB’s marketing team have dropped the ball I’m afraid. It is the most adult and bloody animated Batman ever seen, but you could still be more satisfied by spending your money on any number of comic collections, such as The Long Halloween, KnightFall, Hush, The Dark Knight Returns or any number of recent paper escapades.

It’s All About Superman

The first film I saw? Superman: The Movie. My first (and only) tattoo? Superman’s symbol. The pattern on the pyjamas I’m wearing right now? One guess. Yeah, I love Supes, and so do a bunch of other people all over the world. So here’s a tide of recent news all about the original and the best.

First up, is a great collection of new Superman costumes from fans across the globe. None of these will appear in the comics, but it’s just a bunch of artists re-designing Superman’s classic look as part of a competition on the always fun to look at Project Rooftop site. Comics writer Mark Waid and the staff at PR offer their comments for the numerous finalists. Each one is unique and unexpected. I can’t pick just one. While you’re there you can also check out past costume upgrades for other characters such as Robin, Wonder Woman, Iron Man and more. You could lose yourself at Project Rooftop and either become very jealous or very inspired.

Secondly, the savvy readers of the tremendous film mag, Empire have voted Big Blue the No. 1 superhero of all time. They have compiled a well-researched list of the 50 greatest comic book characters, but if you don’t want to read that many, counting down from no. 5. we have Spider-Man, Wolverine, John Constantine (from Hellblazer and the Keanu Reeves film, Constantine), Batman and Kal-El himself. The list is a good guide to a cavalcade of various characters with great art, background and handy facts about each one. A nice way to familiarise yourself with some perhaps unfamiliar heroes, or anti-heroes.

Finally, you can see actual game play from November’s Mortal Kombat vs DC Universe fighting game right here. With interesting character choices and some great visuals, Midway looks like they may have a winner on their hands.

Wonder Woman – Animated!

Here’s your first look at the Amazon herself. Keri Russell (MI:3) has been cast as the voice of Diana Prince and her lasso wielding alter ego, while Nathan Fillion (Firefly) is providing voice duties for pilot Steve Trevor, who crash lands on the Amazon’s hidden island. Lucky fella. Rosario Dawson plays rival Artemis (WW’s one-time replacement in the comics), Virginia Madsen is WW’s mum, Queen Hippolyta and Alfred Molina (Spider-Man 2’s Doctor Octopus) plays Ares, the god of war and all round bad dude. This follows DC Comics other direct-to-DVD features, Superman/Doomsday (which recounted the awesome Death of Superman tale in a more simplified manner), the 1940’s inspired Justice League: New Frontier and the just released Dark Knight film tie-in, Batman: Gotham Knight, by a unique handful of both Japanese and American creators.

Each of these films has a very different artistic style and each one is a great introduction to the sprawling cast of characters that make up the DC Universe. Each DVD also has its own handy documentary, and interviews with the writers and artists to give you a heads up about these characters. We don’t know much about this newest film, but before it is released in February of next year, I’m sure we’ll slowly find out more.

Hulk Jr. & Wolverine Jr.

Well, his actual name is Skaar, but he is certainly Hulk’s son. He is all grown up (which happened abnormally quickly) and is living on the prehistoric planet Sakaar, which a secret group of superheroes sent the Hulk to. Out of mind, out of sight was their plan. However, Hulk’s ship landed not on a lush planet, but a desolate one, where the Hulk became gladiator, king, father – in that order. He returned to earth to wreak havoc on those that flung him far, far away, then “died,” but his alter ego, Bruce Banner is still around (as a prisoner of S.H.I.E.L.D) The whole tale can be read in the Planet Hulk and World War Hulk collections.

They are well worth a read if you want to see what the Hulk is up to besides pining for Betty and running and growling, as seen in the recent film. Writer Greg Pak has had a lot to do with The Incredible Hulk series (now The Incredible Hercules) and WWH, and is primed to tell the tale of Hulk’s barbaric offspring and his destiny in a primitive, war loving land. Artist Ron Garney does a great job with the pencils as always, as you can see from these preview pages.

There is also a backup tale which lets you in on a few secrets regarding Skaar’s history, to get you up to speed.   Skaar: Son of Hulk # 1 may be hard to get a hold of, but #2 should be available from your local comics shop right now.

The Hulk’s not the only one with a son running around in the Marvel Universe though. Another popular cinematic hero has one too – good ol’ Wolvie. That’s right, the X-Men’s surliest member also has an even surlier son. Daken is the child of Wolvie and Itsu, his (now deceased) Japanese wife from many years ago. He’s basically a contract killer, was born in 1946, raised in Japan, and hates his father. Kids these days, huh? This month is also a great time to catch up on Daken’s origin too, in Wolverine: Origins #27, which is out July 30. It’s written by Daniel Way, with art by Stephen Segovia. Look for the cover with two men yelling at each other with their claws out.

Josh Medors Benefit Book

BOOM! Studios will be unveiling an anthology book, called, Pulp Tales, to aid comic artist Josh Medors in his battle with recently diagnosed cancer. These types of books are not uncommon, and it’s always great to see the publishers, creators, retailers and fans rally around to help one of their own. The full colour, 24 pager will be available with two different covers, one for $3.99 and one for $9.99, for those who want to donate a little more. It’s a unique and meaningful way to not only feed your comics habit, but also help Josh and his family during this tough time. Details (and groovy artwork) below, straight from BOOM! Looks like some great pulpy tales to be found. For those going to San Diego Comic-Con (like me!) you can be one of the first to pick up a copy there, from BOOM!’s booth (no.2543). Here are some of the strange stories you can look forward to….

Steve Niles and Sarah Wilkinson contribute LIMBO’S ASSASSIN, a prose story written by Niles, featuring art by Wilkinson. In this macabre tale of crime and punishment, a hired killer comes face-to-face with his victims and finds that perhaps he wasn’t as evil as he thought he was.

B. Clay Moore and Seth Peck contribute the debut of BLUEJACKET, illustrated by Chris Samnee. Former 1930s crimefighter-now-corporate-mogul Bluejacket and his supporting crew, the Men of Adventure, tangle with an Aztec were-jaguar. But he’s not half as bad as Bluejacket’s board of directors!

Created by Josh Fialkov and Andy B, NEWT LAWMAN AND THE SECRETS OF THE VALLEY is the story of the rootin’ist, tootin’ist cowboy in all of the Southwest, Newt Lawman, who’s found himself and his Indian pal Running Bear in a heap of trouble. They must square off against the protectors of the Golden Ox or the evil Hayes Rutherford will kill Newt’s ladylove, Maggie Mae!

THE CRESCENT FLAME!, written by Kody Chamberlain, focuses on a down-on-his-luck would-be photojournalist who may very well have snapped the photo that makes his career. That is, until the subject of the photo, the mysterious Crescent Flame, shows up with an alternate proposition.

Tony Fleecs’ CRASH WINTERS: PALOOKA P.I. features one-time champion brawler Marion (Crash) Winters, who has set up shop as Los Angeles’ punchiest gumshoe. When his movie-star client takes a dive off the roof of her hotel, will Crash be able to wrap her case up? Or will he once again find himself down for the count?

“Comics are tricky when it comes to real issues like cancer,” said BOOM! Studios Editor-in-Chief Mark Waid. “This is an industry that deals with men and women who are larger than life, who by all rights could cure cancer in an afternoon. But those heroes can’t do that, even in a world of limitless possibility – they are powerless because we are. Using PULP TALES to raise money for Josh Medors proves just how powerful comics and their fans can be in the face of adversity, and the important thing here is showing Josh and his family how true that is.”

So there you have it. For those of you who won’t be at Comic-Con, the book will be available, from your friendly neighbourhood comic shop sometime in September, but you are able to order it now.

Atomic Robo Volume 1

Atomic Robo made an impression on the comics scene last year the same way he does in this story; packed with action and pleasant surprises. From new publisher, Red 5 who seem to be picking their projects wisely, this series is the ideal gateway title. If you’ve been away from comics for a while with all the soap opera spandex stories, or the every increasing adult tales wrapped in seemingly child-like packages, then you need to do yourself a favour. You need to buy Atomic Robo Vol. 1. It will renew your love for the medium and give you faith in its future. Books that are simply fun and that can be shared with the whole family are a rarity on today’s stands. Robo is a new creation, yet he collates the best bits of pulp adventurers as well as the fun of early Savage Dragon and the actiony wit of Hellboy (the movie version).

We discover that Atomic Robo was created by actual genius Nikola Tesla in 1923 and has been serving the U.S government since then. He’s basically a one-man army. Like Captain America, but , y’know a robot, and with a sense of humour.

He fights Nazis (though they’re not referred to as such) giant ants in the Reno desert (possibly mutated by the growing field of “imaginary physics”), walking pyramids and more.

The stories are set up nicely as we go from the present where Robo and his team fight the weird monstrosity of the day, to times in years previous and learn of the friends he’s lost along the way. An ageless robot who’s passing 80 can not help but deal with real emotions and Clevenger show this side with a clarity equal to the humourous action. This book collects the first six issues, plus four extra short back-up tales by various artists, the covers of the issues, a gallery of Robo by even more artists and a look at the early concept sketches of the character from Weneger. And if that’s not enough, there’s also a two page look at Atomic Robo’s technically advanced components. All these extras just make a neat 180+ page book even neater.

Robo’s bickering Action Science League offer some humour but Robo’s the funny one of the bunch and has all the quips straight out of a cheesy 80s action film. Even real-life figures like Carl Sagan and Stephen Hawking manage to make an impression as Robo ventures to Mars for the first time to aid NASA in their research (and finds the worst enemy man can face-boredom!) Artist Scott Weneger can draw character reactions, dark machinery, underground bases and scary creatures all with equal skill. His lines may seem simple, but don’t be deceived. It takes effort to make it look effortless and it is awfully pretty to look at. Coupled with writer Brian Clevenger’s fast paced script it all feels like a pulpy Bond film that doesn’t take itself too seriously.

Clevenger and Weneger seem to come from the same school as myself; the School of Saturday Morning Cartoons. They aced their class in action that makes you cheer and characters that make you smile. Now they’re the teachers. So sit up, and pay attention.

Hop, Skip – Jump(er)

As I’ve been reading Get Smart’s reviews this week it has become obvious that some reviewers all go to the same well of uncreativity. Every single one either started or ended with the show’s catchphrase to sum up it’s disappointment-“Missed it by that much.”

The same could be said about this film, “No, it’s not a documentary on knitwear,” “It will pull the wool over your eyes,” etc. So I promise, no lame jokes here, at least not deliberately.

This really should’ve been a better movie. Somewhat based on the first in a trilogy of books by Steven Gould, Jumper concerns youngster David (Hayden Christensen) as he learns he is a “jumper,” ie, someone who can teleport at will. He eventually learns he’s not the only one and his selfish world of robbing banks and travelling the world in freedom is shattered. Roland (Samuel L. Jackson) is the leader of a mysterious group called Paladins whose mission is simply to hunt and kill jumpers. They do quite a good job too, with all their fancy gadgets. David partners with a more experienced Jumper, Griffin (Jamie Bell), he meets high school sweetheart Millie (The OC’s Rachel Bilson) and lots of jumping and running follows. It looks good and has more exotic locales than all the Bond films combined, but there is no real depth here. Millie simply follows David and we are given no reason as to why. The pair are supposedly in love (or at least, sleeping together, which in Hollywood is apparently the same thing) The opening scene sets up their relationship as children when David first discovers his gift, but there is no sense that they were nothing more than classmates, not life long friends and the rest of the film does nothing to add to this. Griffin is simply an annoying character and with Jamie Bell’s thick accent you may be reaching for that Subtitles button on your remote. We learn Griffin has been jumping since he was five, but don’t wait for any wise mentor-naive student vibe here. Griffin is the same age and hates David almost as much as the Paladins. It’s a nice surprise, but one character whom we could sympathise with would’ve been a great idea. Diane Lane also has a cameo (which I won’t spoil) and the film ends with the potential for more, which there may be. The Jumper book series is a trilogy as this film is intended to be, but I have my doubts after seeing this one. It may go some way to explaining why the film is light on exposition though – the producers are saving those details for two more films. There is no satisfying explanation as to how the jumpers can do what they can do, or why Paladins hate them so much, and no glimpse in to the history of their apparently millenia old war. The making-of feature on the DVD explains that the writers have created such details, but just didn’t put them in the screenplay. I’d also recommend watching the deleted scenes which show the better direction this film could’ve gone in.

Jumper is high on geek cred – it re-unites Star Wars actors Christensen and Jackson, it’s written by Jim Uhls(Fight Club) Simon Kinberg (X-Men: The Last Stand) and David Goyer (Blade, Batman Begins) and directed by Doug Liman (The Bourne Identity) but the problem is it tries to focus so much on making jumping look cool that it relegates all the important stuff, such as back story and character to the blurry background, though if you want that stuff, there is alway the novels and the Oni Press comic series, entitled Jumpscars. It also mentions Marvel Team-Up, twice, when David attempts to convince Griffin that’s what they should do. However a few nerd moments isn’t enough to save this film. If you’re looking for great teleporting visuals with a story to boot, see Nightcrawler do his “Bamf”ing thing in X-Men 2.

Comic Previews

Not previews of comics, but if you want some, here you go.

As promised, after looking at all the cool novelties and assorted strangeness that the monthly catalogue Previews offers up, now we’ll have a look at comics. Comics make up the bulk of the roughly 500-600 glorious pages of each edition of Previews. These are broken down into the main publishers, such as Dark Horse and DC, while Marvel get their own because their books are so awesome that they need a separate tome so as not to be infected by the sub-par efforts of their competition. By the way, what you just read was a sweet use of sarcasm. Let’s look at some new books perfect for new readers.

Well, first up, I must get my hands on the Joker HC. Timed well to coincide with The Dark Knight, this 128 pager won’t come out until October, but the movie publicity will surely get many people ordering it. This hardcover book by writer Brian Azzarello and artist Lee Bermejo is a thematic follow-up to their previous mini-series, Lex Luthor: Man of Steel, that gave readers a Lex-perspective on the Last Son of Krypton. Now, it’s Joker’s turn. With Gotham being shared by a range of mob guys and costumed freaks, the Joker gets jealous. He wants his city back, and he’s not willing to share. With Azzarello’s gritty story telling and Bermejo’s creepily realistic visuals, this should be a very good tale.

Image Comics have really expanded their publishing scope over the last few years, going beyond just superheroes and giving us every genre imaginable. Four Eyes is a good example. It’s a new on-going series set in 1930s Brooklyn where a desperate boy wants to aid his mother during the Great Depression. But no! This is not some hard-luck story (well , maybe it is) but it also involves well-trained dragons fighting each other. Sounds like an interesting combo. I’ve been a fan of writer Joe Kelly since his days on Action Comics scribing Superman and Max Fiumara’s art as seen in the sample pages in Previews looks action packed and intense.

Finally (though I’ve actually ordered much more than these 3 books) is Ursa Minors! Volume 1:The Collected, Wait-For-The-Trade Edition from Amaze Ink/Slave Labor Graphics. With a nifty name that long it’s got my attention. I have heard of this series before however and thought I’d do what the title suggested, and wait for the Trade, which collects the black and white four issue mini-series in 112 pages. It’s about three bears with hi-tech suits who aren’t really interested in being heroic, but would rather  focus on, “comics, beer and comics about beer.” By Neil Kleid, Paul Cote and Fernando Pinto. I hope it makes me laugh.

Memoirs of a Fanboy

Super Powers FirestormI’m proud to be a geek. There was a time, though, when those of us with nerdish tendencies had to suffer in silence. But the last few years have placed amazing advancements such as the internet, next generation gaming and mobile phones in to the hands of the everyman, and woman. It’s no longer just the geeks who can push buttons. Today, you’re uncool if you’re not tech savvy. Hollywood has helped too. Major films based on cartoons and comic books have opened the eyes of the mainstream to those imaginative art forms and bought new audiences with them. Comic books can be bought at bookstores, American university courses are built around them, and libraries carry them for children and adults. When I was first enveloped in this wonderful medium, I never would have dreamed that such saturation and acceptance was possible.
My comics reading life was originally one of extreme limitations. Growing up in the early 1980s in an undeveloped town in Western Australia was not the prime hub of comic fandom. Thankfully my mother was, and still is, a very well read woman. Because we grew up relatively poor, her hunger for literature was filled with frequent library trips where not a cent need be spent. With my Dad working all day, myself and my two younger brothers went with her everywhere. Our library trips were met with boredom. There were no comics in libraries in those days. However an oasis soon appeared only a few metres away. “Beth’s Book Exchange.” Mum could pick up 20c treasures in novel form, and for the first time in our lives we were excited to go to “that place with all the books in it.” That was because little old Beth in her wisdom also had a stack of comics in her large shop. We were happy to kneel down and rummage through them like we were looking for a lost lottery winning ticket. Finally, a world we were interested in. Granted, her comics collection was paltry at best. But it was a sliver of a world we couldn’t get enough of. There was no rhyme or reason to what unkempt titles lay there in a heap, under old photography and car magazines. But we loved them all. And Mum was generous enough to give us a distraction. In our frequent return trips we grabbed whatever we could. We ignored all the little war Commando books and anything that looked too kiddie for our tastes. We left the Archie books for kids far less discerning than us.

Superheroes. That’s what we wanted. The 1980s were a veritable treasure trove for pre-pubescent power fantasies. And they usually occurred on Saturday morning TV. Transformers. He-Man. M.A.S.K. COPS. Dinoriders. Thundercats. Rock’N’Roll Wrestling. Centurions. We even put up with the Pac Man cartoon. From 8am till lunchtime my brothers and I sat entranced in front of this glowing adventure box. We even loved the ads, usually for action figures related to the shows, and would argue about which ones we wanted to get. Our favourite show was Super Friends, and its successor, Super Powers. (Check out this awesome site for nostalgic goodness) This was a show with not only one, but a whole heap of DC Comics’ superheroes. Of course, we were familiar with Superman, Batman, and Wonder Woman. But this was something new. Heroes I’d never heard of, each with costumes and powers better than the last. Firestorm. The Atom. Flash. Green Lantern. Aquaman. Hawkman. And baddies like Gorilla Grodd, Sinestro and Cheetah. Whenever we played in the backyard these were the characters we became.
Each Christmas and birthday we were even more ecstatic to receive our beloved toys. Our superheroes in 3D form. They were even more real to us now. And the best part of all? The Super Powers toys came with original mini-comics. Even better than the toys themselves, these palm sized, full colour escapades cemented our fascination. I still recall reading them with unblinking eyes, marvelling at new characters, the cities in which they worked, their secret identities, their real jobs. And when I saw Flash running across water, or up the side of a skyscraper? Or Wonder Woman flying an invisible jet? Or Superman getting advice from a levitating, meditating Doctor Fate? Forget about it. A life long addiction was born. I clung on to them, for at the time, they were the only taste of the wonderful world of comics we had. I remember getting in trouble from my teacher when she caught me reading an illustrated version of “The Count of Monte Cristo” during reading time instead of a “proper book” like The Hardy Boys or some “young adult” book like everyone else. I didn’t want to read a book about teenage detectives and fast cars and ghostly mansions. Puh-lease. Alien invasions, bullets bouncing off chests, alternate dimensions. That’s what I wanted. And still do.
During my youth in the 1980s was also the prime time for the comic book industry. The decade saw the publication of perhaps the two greatest works in comics history – Watchmen and The Dark Knight Returns. These two tomes deconstructed the superhero genre and showed what comics as an art form were truly capable of. Comics creators were becoming celebrities and the direct market was born, allowing fans to get their fix at stores solely devoted to comics. Now they had a place to get whatever they wanted and meet others with a similar passion. Of course, all this was happening in the United States, which for me was as far away as Metropolis or Paradise Island. I was still scrounging for dodgy “Australian Editions,” which were cheap black and white imprints of the originals, part of a seemingly random publishing schedule. The benefit of these older issues, however was that they were stand alone stories, a rarity today. It wasn’t until 1988 that I first bought a current, original comic from our local newsagent. Uncanny X-Men Annual #12. It was 64 pages long, full colour, and contained 3 stories to boot. The legendary Chris Claremont crafted a fast paced story and the also legendary Art Adams supplied crackling art. Inside were a whole host of X-Men, including the new member Longshot, whose trippy power was extreme good luck, and even had the team venturing to Australia. My first real exploration into the true world of comics. After that, newsagencies were my prime source for new material until my Dad took my brothers and I to a closing down sale at a comic shop. We found the ad in a local newspaper and begged him to take us the considerable distance and were delighted with all we saw there. Then on a camping trip in 1993 my brother found the Death of Superman trade paperback, and thanks to the 90s boom in the comics industry I saw a TV ad for a new comics shop in the heart of the city. I have been going there ever since. My love affair with comics runs deep. Posters decorate my room, as do toys and import DVDs. I’m always showing my faves off to friends. Whenever I visit a waiting room of any kind, I make sure to leave behind a handful of comics in the pile of old gossip mags. Particularly in Australia, comics have not received the mainstream focus they deserve, and enjoy in places like Europe, Japan and America. It is my dream to show people out there what they’re really all about. And what they’re all about is fun.

Simone’s Spore

Nightcrawler by Simone BianchiOne of the beauties of comics is the collaboration. Writers and artists working in tandem. I always like reading how they work together and have always had a fascination with the creative process in any medium. That’s why I watch the behind-the-scenes extras on DVDs. It’s educational and inspiring. In some instances in the wonderful world of sequential art, sometimes the main creators don’t even meet each other for years, or even speak the same language, yet their vision still remains intact. Writer Brian Azzarello and Argentine artist Eduardo Risso’s 100 Bullets is a good example. The new Astonishing X-Men series may also be a good one, as writer Warren Ellis lives in England and artist Simone Bianchi (a guy) resides in Italy. They are replacing Buffy creator Joss Whedon and John Cassady’s popular run on the title. The new duo’s first issue is this month’s #25. To the left is a design of Nightcrawler from Bianchi’s talented hand, with more Leonardo Da Vinci like sketches to be seen here. They include pics of Cyclops, Beast, Colossus and Storm, and even Dazzler!. All your faves. (Well, maybe not that last one) Bianchi has a distinctive look, and coupled with Ellis’ quirky style, this could be an interesting take on the X-Men.

Spore looks like an somewhat different game. I saw actor Robin Williams play a demo at a games expo show on TV. He’s a friend of the game’s creator and was offering his usual ribald commentray as he was building and moving strange looking creatures. You can download a demo of the Creature Creator and get into all kinds of fun. I guess. It’s not really my cup of tea. I prefer my games to include running, dodging for cover, lobbing grenades and the menacing joy of taking an enemy out with a sniper rifle. Oh yeah! But if you’re into games like The Sims this may be for you, especially as it’s created by the same guy, Will Wright. It’s set to be released on September 5 and is a massively single-player on-line game, for PC and Mac.

Purveyor of Previews

Previews. What a joyful gift it is each month. Almost 500-600 colour pages of pop culture glory. It’s basically a phone book sized catalogue including  comics, action figures, novelties, posters, books, magazines, collectibles, games and DVDs. Stuff you would generally not find anywhere else. It’s all good stuff. Well, most of it. Both comics shops and their customers order from the same catalogue. If you see something you like in there, you tell your favourite comics outlet, they’ll order it for you and then you wait two months (or longer) for it to arrive. That’s not because it’s coming across the seas on a viking ship manned by short-limbed asthmatics. That’s because, well, I don’t know why really, but it gives fans plenty of notice. 90% of the items in every Previews will be available 2 months later, so July’s stuff will reach us in September. I give my Previews away each month after I’m done with it (after I’ve torn out anything that would make a nifty poster) It’s a great blessing to those who are interested in pop culture and you’ll discover all the latest TV and movie toys way before your less informed friends. This advance warning will allow you to mock them relentlessly I’m sure. Each issue has an introduction on how to use it, a few nice articles and interviews and a Top 100 Best Sellers list. (Unsurprisingly April’s top comic was Marvel’s Secret Invasion #1) This month the theme is horror, with a few top picks of the genre. Each of the major comic publishers have their own section – Dark Horse, DC, Image, Top Cow, Marvel and magazine publisher Wizard. Their most popular books have a page each, with the creators listing, cover art, story summary, page count and price and maybe a preview of a page or two. Oh and Marvel get their own little catalogue inserted into Previews. Cause they like to be different. Previews is distributed by Diamond, a company who pretty much has a monopoly on distributing English language comics and related goodies worldwide. If you’re curious about this whole comics things, Previews is a good place to start. It’s cheap ($4.50 US) and stored up near the front counter. If you see anything of interest, ask your friendly comics shop worker-drone to order it. If you don’t find anything, you’ll at least have lots of nice pictures to drool over.

Let’s dive into the current issue, shall we? Skipping past all the comics for now, let’s go to the Magazines section towards the back. I have to order Back Issue #30. This ish is all about the Saturday Morning Heroes, ie, TV and ‘toon superheroes, like the 70s Captain Marvel show and Space Ghost. The highlight for me would have to be the Super Powers feature, which was an awesome cartoon/action figure tie-in from DC Comics. In Books, The Ten-Cent Plague leaps out at me. It’s a 400 page look at the most interesting period in comics history, when they were public enemy No. 1. Those rascally publishers had apparently gone too far and churches and governments shut them down. This’ll be a fascinating read. The Toys/Statues/Models section is usually the first one I go to each month. Where else could you find a life-size Thor hammer, a cute Admiral Ackbar (exclusive to Previews) or a vampire skull?! I could make a great movie with those three props. Star Wars fans have the best pick of novelties though. For example, a talking Darth for your PC/Mac and a cuddly Chewie for your back.
There’s a little intro into the world of comics via the world of Previews. Later on in the week, we’ll take a gander at some cool comics hidden in the depths of July’s Previews.