The Last Days Of American Crime Preview

Now, Radical Publsihing put out a lot of great looking books, with equally great concepts behind them, and it was no wonder their panel showcasing their upcoming works at Comic-Con was packed. Greg Tocchini’s pencils for The Last Days of American Crime make Rick Remender’s unique story seem even more jaw dropping. Below is the press release for the series and 2 random pages from the mature first issue.

In the not-too-distant future, as a final response to terrorism and crime, the U.S. government plans in secret to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts. To keep this from the public, the government creates a distraction, installing a new currency system using digital charge cards.

Radical Publishing is excited to announce the December 2009 debut of The Last Days of American Crime, created and written by critically acclaimed author Rick Remender (Punisher, Fear Agent) and Illustrated by Greg Tocchini (Thor, 1602: New World). The three-issue miniseries will be the latest in Radical Publishing’s 64-page bookshelf format with a low $4.99 price point.

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The Last Days of AmericanCrime tells the story of Graham Brick, a petty criminal never quite able to hit the big score. In a grand scheme, Graham intends to steal one of the charging stations, skip the country and live off unlimited funds for the rest of his life. But the media has leaked news of the anti-crime signal one week before it was to go live… and now Graham and his team have just a few days to turn the heist of the century into the last crime in American history.

“The Last Days of American Crime is one of the most unique crime stories on or off the printed page and Radical is very proud to be a part of it” said Radical Publishing President and Publisher, Barry Levine. “We’re especially excited to work with Rick Remender, one of the most talented creators in comics today. His writing is bringing a new and unique voice to the crime genre and we couldn’t be more pleased to help bring his story to life.”

In discussing how Last Days came to Radical, Rick Remender states, “Barry Levine called me after reading some of my other books and said he was looking for original genre pitches. I had one that I’d been itching to do for a long time in The Last Days of American Crime. It’s hardcore crime with an apolitical bent and it took someone like Barry and Radical to see the potential of such a thing.”

Readers can preview the first 15 pages of The Last Days of American Crime on Radical Publishing’s MySpace page.

The Last Days of American Crime #1 appears in the October 2009 issue of Diamond Previews and features two separate covers, one by Alex Maleev (DCD# OCT091056) and another by series artist Greg Tocchini (DCD# OCT091057).

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Afrodisiac Preview

From the fine folks at AdHouse Books come’s Afrodisiac, an OGN shipping in December from Brian Maruca and Jim Rugg. Here’s what AdHouse say about the funky 96 page title:

The crew behind Street Angel hits the ghetto with the Afrodisiac – in SuperColor! There’s cats, gats, spats, and feathered hats…action as big as a Georgia ham and wool so fine it’ll blow your mind! Lock up your daughters, come hell or high water, cause here comes the king of the concrete jungle!

Below are a few random preview pages from this groovy book.

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Die Hard: Year One #1 Review

Die Hard: Year One #1 Cvr AWhen I first saw this series promoted I thought it was a rather strange choice for a new title from BOOM! Studios. However, they have proven themselves to be the master of gaining audiences with a diverse array of popular franchises. Die Hard: Year One can now stand proudly alongside the other licences in BOOM!’s bow, such as The Incredibles, Farscape, Toy Story, The Muppet Show and others.

Granted this could easily be a generic cop series. The character of John McClane, as faithfully portrayed in the 4 Die Hard films, isn’t necessary here. An original creation could work just as well, but to paraphrase Michael Scott from TV’s The Office, there’s a big difference between the first Die Hard film and 2007’s Die Hard 4.0. The 1988 classic that introduced one of the best action films of all time was a far cry from the Arnie and Sly dominated films in the years before it. New York cop John McClane was just a normal guy who wanted to spend the holidays with his family, until a gathering of Euro-terrorists ruined his plans and forced him to kill bad guys in an increasingly desperate fashion. He was no superhuman, just a poor guy in a vest with bleeding feet. The 2 sequels in the 1990s still kept this underdog persona largely intact, but Die Hard 4.0 was a departure. All of a sudden, McClane was no longer squirming through vents, but was driving cars into helicopters and surfing on the wings of a fighter jet. Sure, it was still an entertaining film, but 19 years after the original it was obvious how far Hollywood’s bloated tendencies, and audience expectations, had come.

So, kudos to BOOM! for bringing McClane back to his humble roots. The Year One tag is a popular one in comics, thanks to Frank Miller’s and David Mazzucchelli’s Batman: Year One mini-series in 1987 that explored the origins of the Dark Knight, and was later referenced in Batman Begins. For BOOM! to cast a look back at McClane’s early years as a rookie cop, rather than creating Die Hard 5, or 6 or 7 is a bold choice. It works though, as it distils what audiences so loved about the first film. This first issue (of 4) evokes the reality of the original, rather than the Hollywood veneer of the last sequel and that’s what makes it such a welcome breath of smoggy New York air. Writer Howard Chaykin is an unusual choice for this project, as his usual work veers more to satire and dark humour. He does a splendid job here though and firmly, and easily, establishes the reality of the premise. I can see this series will be like any Robert DeNiro film of the last 15 years – downtrodden cop in a big city facing the chaos around him with wits and a service revolver, but so far it has a certain style and rugged charm.

Die Hard: Year One Cvr BThe art is simple, yet evocative. Similar to the broad, somewhat sketchy style of John Paul Leon, artist Stephen Thompson mires every page with the truth of living and working in one of the world’s busiest cities. It’s never bright, or stylized, just – real. The main character doesn’t necessarily look like Bruce Willis, but if you want to see a younger version of the man himself, you can always check out his new film, Surrogates. Matthew Wilson’s colours show harsh sunshine and crowded streets with relish, and the occasional use of Benday dots give the pages a nice nostalgia. It really looks like 1976, especially with the little touches like the fashions and the old school clock radio effect to show the passing of time.

This premiere ish begins on the morning of July 4 in 1976 and we immediately learn that McClane (who I don’t believe we’ve ever seen in a cop uniform on screen) has presumably fought in the Vietnam War and is now a fresh cop on patrol. Chaykin captures the tone well and sets the grubby ’70s New York scene firmly in place, with both McClane’s captions and those of the unseen narrator, plus the vivid characters scattered throughout the tale, conjuring up a well-paced, never heavy experience. I’m sure the dubious cops, and various characters who briefly appear, such as the rich old guy and scared girl new to the city will all come together and something bad will happen, with McClane caught in the middle. So far, not a lot of McClane is shown, but that’s OK, as the cogs of the story are obviously clicking in to place. This is a tale that is different enough in tone to not only everything else BOOM! puts out, but most of what is on the stands today, that it’s a pleasure to read.

Street Fighter Art Book

Earlier in the month Udon released SF20: The Art of Street Fighter. You can probably guess what it’s all about, but here’s what Udon say about it.

This is the most complete collection of Street Fighter artwork ever, and is loaded with roughs sketches, promo art, character designs, and detailed artist commentary. There’s the complete artwork of every Street Fighter game, plus never before collected art from Street Figther IV, Street Fighter EX, Capcom crossovers with Marvel, SNK and Tastunoko and lots more!

And now, here’s some drool inducing pics. The handsome tome can be ordered from your comic shop, or Amazon. If you feel like your SF needs are still not satisfied, may I suggest reading the entire first issue of Street Fighter Legends: Chun-Li for free.

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Dark Reign Hulk Preview

Here’s a look at a few text-free pages from Dark Reign: The List-Hulk by writer Greg Pak and artist Ben Oliver. It hit shelves on October 21, and here’s what Marvel have to say about the rather nice looking tie-in issue starring Bruce Banner and his son.

Norman Osborn knows making The Hulk angry probably wasn’t the best idea, but he never considered the ramifications of ticking off Skaar! In Dark Reign: The List – Hulk, the strength of Skaar and the brains of Banner will be put to the test as they find themselves on The List! Bruce Banner isn’t the Hulk anymore, but that’s not stopping him! Incredible Hulk scribe—and New York Times Best-Seller—Greg Pak and artist Ben Oliver join forces as the new Green Goliath and Banner go up against Osborn and his crew in Dark Reign: The List – Hulk.

The critics cannot stop buzzing about Greg Pak’s return to the Incredible Hulk:

“It’s action-packed and it features some quality characterization of Banner and Skaar.” – Jesse Schedeen, IGN.com

“I think any fan of the Hulk will be happy picking this one up.” – Brandon Borzelli – Comiclist.com

Marvel urges retailers to check all orders of Dark Reign: The List as it continues to generate buzz among fans. Will Skaar SMASH just like Dad or will Osborn get the best of The Hulk’s son? Find out in Dark Reign: The List – Hulk!

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This Week’s Winners

Blackest Night is the best DC event since, well, ever. Infinite Crisis was too convoluted to be enjoyable but Geoff Johns excels at the kind of straight forward storytelling approach that is an unfortunate rarity in comics today. Even the few mini-series tying in to Blackest Night, such as those involving Superman and Batman are enjoyable. It is with the former that James Robinson is doing some great work. Far greater than his Cry For Justice mini-series, Blackest Night: Superman #2 (of 3) is by Robinson and artist Eddy Barrows. It begins with a few pleasant scenes in Smallville, and you just know that’s not going to last long. Soon, Superman and Superboy team up to fight another risen from the dead character – the Superman of Earth 2, Kal-L. The black power rings that reanimate and corrupt dead heroes, villains and supporting characters from DC’s storied past is a great way to get around the whole “revolving door deaths” of superhero stories, and it works well here, with a menace that has been seen in every Blackest Night tie-in. Psycho Pirate inflicts his emotions on Smallville’s helpless citizens, while the three “Supers” battle above. Then a teary Supergirl shows up and is hopeful yet horrified to see her recently killed father standing before her as a grinning skeleton. It ends with the also risen Lois Lane of Earth 2 hunting Martha Kent through a cornfield and ends on a page that is funnier than it’s supposed to be, with the elderly Martha doing her best action hero portrayal.

Robinson and Barrows work well together. Barrows in particular makes the most of the darkness in the tale and makes everyone look frightening. Well, everyone except Martha Kent. He also shows superb control of page design in the many fighting/chasing scenes, adding to the desperation for survival.

The New Avengers #57 is another pitch perfect Brian Michael Bendis tale. He’s essentially Marvel’s version of Geoff Johns – a popular writer who respects the past but is creating the future. With The New Avengers he doesn’t let himself get too talky, but gets straight to the nuts and bolts of superhero shenanigans. The handy intro page in each issue is a worthy addition, as the cast of characters grows every month, but Bendis makes it work. He gives each character their own voice (Spidey’s wit, Luke Cage’s toughness, Norman Osborn’s arrogance). There’s more spandex wearers fighting each other in the streets than Civil War but with Stuart Immonen’s grand and fluid pencils on display it all looks so elegant and dramatic. The New Avengers are powerless, as are their enemies Osborn’s Dark Avengers, all thanks to some renegade baddies with a high-tech gizmo that takes powers away. Everyone is desperate for victory and Osborn makes a deal to ensure he gets his, as does Luke Cage. Every time I read this series, I wish JLA could be this good.

Secret Origin #1 CvrSuperman: Secret Origin #1 is the premiere ish of a new 6 part series re-telling Superman’s origin. What, again, I hear you ask. Yes, that’s what I thought to. I mean, Mark Waid’s Birthright did the same thing not that long ago, and John Byrne’s Man of Steel did it before that. However, a lot has changed in the DCU since Byrne’s bold 1986 series that reintroduced Superman after Crisis on Infinite Earths that changed everything in its wake. Geoff Johns proves me wrong in the first few pages. Where the 12 issue Birthright got it wrong was that it took too long to get to the juicy parts. Johns knows that we are all very familiar with Superman’s origin after 80 years, so he hits the ground running. This debut ish begins with young Clark Kent discovering that he’s different when he accidentally breaks his friend Pete Ross’ arm, and expels heat from his pupils after his first kiss with Lana Lang. Then his parents give him the talk and show him the rocket he arrived in. Clark’s upset when he sees it and activates a holographic message by his Kryptonian parents. Johns continues to wear his love affair with the Silver Age on his sleeve, and keeps most of what readers of Superman comics from the 1950s and 60s would be aware of, but also puts a contemporary spin on it. There’s nods to Braniac and Doomsday, and even Smallville, with Clark meeting Lex as a child, and his rescue of Lana from a tornado. Jor-El and Lara look like their versions from Johns’ recent Last Son storyline and artist Gary Frank is proving himslef to be the premiere Superman artist these days. The last page in which Clark puts on the Superboy costume for the first time truly reveals Frank’s grasp of pre-teen awkwardness and was a pleasant surprise. It appears as though Johns is going to rocket through this origin tale in only 6 issues and I’m glad.

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Stephenie Meyer Bio Comic Preview

Before the Twilight sequel, New Moon hits the screens in mid-November, here’s a preview of the biographical comic about the novelist behind the magic – Stephenie Meyer. I’m one of the few fanboys who didn’t mind Twilight and I certainly don’t think the stars and its many fans, “ruined Comic-Con,” this year. The more people that maybe get exposed to comics, the better. I always thought Kristen Stewart would be a star one day too as I’ve seen her in indie flicks and popcorn films over the years. I am looking forward to New Moon, but I can wait for the DVD.

Anyway, here’s a few random pages of the Meyer bio comic from Bluewater Productions, which arrives on November 11. At least Meyer seems to have faith and talent. Boo to you Dan Brown! Underneath the pics is the official info from Bluewater.

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The Diamond Comics order codes are:

$3.99 – comic book SEP090667

$6.99 -graphic novel version – SEP090668

Call your local comic book store to order.

Female Force: Stephenie Meyer

From a dream to a string of best sellers to a successful movie franchise, Stephenie Meyer has captured the imagination of millions with her stories about a young girl and her vampire lover. Now the tables are turned as Stephenie Meyer becomes the featured protagonist in a special Female Force doubled-sized one shot. Female Force: Stephenie Meyer, released just in time for the upcoming movie sequel based on her book “New Moon,” examines her rise to popularity, her Twilight saga novels and her future plans. This book will also include the history of Forks; the Washington peninsula town where her stories take place as well as other bonus material not found anywhere else.

Nola #1 Preview

Thanks to BOOM! Studios, here’s a preview of the first issue of a new series debuting in December. Details and random preview pages below. Interesting concept. Great covers too.

An epic journey of blood-thirsty revenge in a decimated land by the acclaimed writer/director of RIGHT AT YOUR DOOR.

Post-Katrina New Orleans comes alive this December when BOOM! Studios premieres NOLA. Writer/director Chris Gorak of the critically acclaimed RIGHT AT YOUR DOOR brings you NOLA, a relentless story about dead-cold vengeance in the face of losing everything.

After cheating death, Nola Thomas wakes up alone in a deserted New Orleans hospital. Bruised, broken, and badly burned, she emerges from the flood waters of Hurricane Katrina with one thing on her mind…revenge.

“NOLA takes the revenge/crime story to a complex setting, amongst a national disaster, where crime, and poverty reached a fever pitch,” says Managing Editor Matt Gagnon. “Combine one of the most culturally rich environments on the planet with a tragedy of biblical proportions, and a passionate anti-hero with a righteous mission and you get NOLA.”

NOLA is a four issue miniseries written by Chris Gorak, scripted by Pierluigi Cothran with sensational interior art by red hot newcomer Damian Couceiro. Issue one ships with two covers in a 50/50 split, featuring art by Erik Jones (THE UNKNOWN) and Chris Brunner (HELLBLAZER), and carries a Diamond Code of SEP090694.

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Awakening Interview

Described as an “existential horror,” the slow-burn zombie series, Awakening from Archaia recently launched the Trade collecting the first few issues. I interviewed writer Nick Tapalansky and artist Alex Eckman-Lawn at Broken Frontier here. While you’re there check out the latest news about the creators’ tour in the States and your chance to get a peek at Awakening Volume 2, due for release next year.

It’s a pretty entertaining book and more like a thriller than a full throttle action series. Plus, the art is suitably creepy.

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The Darkness: Accursed Vol. 2 Preview

On sale Wednesday September 23 from Top Cow is the 160 page Trade collecting a few recent issues of The Darkness. This is how the Cow describe it, and underneath that are a few preview pages.

The Darkness: Accursed Vol. 2 CvrThe Darkness: Accursed Vol. 2 Trade Paperback

(W) Phil Hester (A) Jorge Lucas, Michael Broussard, Joe Benitez, Dale Keown, Ryan Sook, Steve Firchow, Lee Carter, Matt Timson, Stjepan Sejic (Cov) Michael Broussard

Weakened and battered after a conflict with The Darkness itself, Jackie Estacado flees Sierra Muñoz and heads back to the States. But the road home is no easy journey as he runs afoul of Mexican witches, wannabe gangsters and even Aphrodite IV! Jackie soon discovers his battle with The Darkness cast his soul into Hell while leaving his body and mind on Earth. Enter The Sovereign, an arch-demon who promises to reunite Jackie’s body and soul, but at a price that may be worse than Hell itself. Plus, witness a possible future ruled by The Darkness run amok in a spectacular story drawn by a list of all-star artists!

Collects The Darkness Vol. 3 #7-10 and the double-sized The Darkness #75 (essentially issue #11 before the Legacy Numbering took effect), plus a cover gallery and behind-the-scenes extras!

“Bold, uncompromising and utterly thrilling. Under the skillful direction of Phil Hester, Michael Broussard and Jorge Lucas, The Darkness has risen to the top of my read pile.” – Robert Kirkman (Walking Dead, Invincible)

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This Week’s Ramblings

comiXology is giving away over 30 free comics for use of your iPhone, as part of its new comics by comiXology application. Go here to see what’s available.

The new Batman and Robin team continue to entertain in the DCU. Paul Dini and Dustin Nguyen are also a great pair on their Streets of Gotham series. The third issue focuses on the man known as The Broker and his shady acquisitions of properties to be used as hideouts for Gotham’s criminals. This is a mature issue, as The Broker questions his morals and  mentions that the Mad Hatter is, “aside from the little girl thing, a prince.” He also shows a place to the new look Mr. Zsasz who buys the abandoned property and promptly wheels in tiny cages holding kidnapped children. All that, plus the Manhunter co-feature starring a skinless woman make this one gruesome issue. It also has a cameo by The Great White Shark bad guy seen in the excellent Batman: Arkham Asylum game.

Justice League of America #38 AdImage’s tale of eternal brothers Olympus series is finished, with #4 now out. I picked up the finally released TPB of Pax Romana this week, and the comparisons between Jonathan Hickman’s design sense and Olympus’ artist Christian Ward seem obvious to me. Go here to see some Olympus pages to know what I mean. Both men use the page as their own template for a new kind of approach to visual storytelling. They’re not afraid to be bold and use negative space to great effect. The last ish of Olympus is probably the best looking and I hope Ward has another outlet soon. Writer Nathan Edmondson is sure to be going places too.

So the new Justice League has been announced, as seen in this week’s DC releases. The roster has had more changes than ever in the last few years. Writer of the current mini-series Cry For Justice, James Robinson is teaming up with artist Mark Bagley (Trinity) but the character selection isn’t doing a lot for me. I miss the days of Grant Morrison and the Big Seven. At least, there’s still DC’s Trinity, or at least stand-ins for Superman (Mon-El while Supes is on New Krypton), Batman (Dick Grayson replacing the dead Bruce Wayne) and Wonder Woman (one-time Wonder Girl Donna Troy). Check out this informative Newsarama post that examines if the new members are worthy of being in the JLA.

The new 3 ish mini Anti-Venom: New Ways to Live is off to a rollicking start. Pure, hard-core entertainment with another ending 6 pages after the one you think it is. Focusing on the original Spider-Man foe Venom, Eddie Brock is now a good guy as the Anti-Venom and is dedicated to cleaning up the streets and the people in it. Writer Zeb Wells showed in the recent Dark Reign Elektra mini that he knows how to write full throttle action and does so again here. I’ve never seen anything by artist Paulo Siqueira but man, I’m very impressed. With superb pacing, fluid action and scenes of horror oozing darkness onto the pages I’m definitely picking up the next 2 issues.

Zombies Calling Review

Zombies CallingI have a new habit these days. Ever since I arrived home from San Diego Comic-Con in July I have briefly stared at the pile of comics I bought there with curiosity, excitement and mild disdain at not organising them yet (especially as said pile is sitting next to my bookshelf crammed full of unread stuff from last year’s SDCC). However since I’ve been getting the train to work I now have an hour each day to get some good reading in and watch the pile slowly diminish, or at least, be rearranged.

So, each night I grab a random book and throw it in my bag for the next morning’s reading, and that’s how I came to read, and enjoy, Zombies Calling by Faith Erin Hicks and Slave Labor Graphics. Man, that was an unnecessarily long intro.

Zombies Calling is a 112 page black and white digest that was created in 2007. Hicks’ blog details her submission process that got it noticed. Her next project is Brain Camp about “a creepy summer camp and how there may be monsters in the forest, and it’s all a metaphor for how puberty is scary as hell.” Cool.

So, ZC is about Joss and her two room-mates at a Canadian university. Joss is fixated on England, and more importantly zombie moves. She knows the rules of said films, (think of the rules for horror moves as stated in Scream) and thankfully, her skills must be put to the test when zombies invade her campus, or rather students are transformed into the shuffling undead.

Honestly, I wasn’t expecting much and only picked it up at the Con as it was cheap, but I was pleasantly surprised. After the first few pages I thought it may just veer dangerously close to the kind of playful tale we’ve seen before in which all the characters are witty and reference pop culture to show the readers/audience how they’re just like them. Hicks is wise and creative enough to not let that happen though. By sticking to only 3 main characters and giving the zombies an unusual origin that doesn’t require lengthy exposition, she can focus on showing just enough tension, tenderness and humour that could comfortably exist in an average episode of Buffy.

Besides Joss, there’s so-called ladies’ man Robyn and Sonnet, who is more serious and goth. There’s nods to Shaun of the Dead and the non-zombieness of 28 Days Later, and lots of running, hiding and zombie hurting.

It’s the combination of action, character development and touching scenes, such as the discussions of virginity, and death, all in just over 100 pages that make this an entertaining read. It’s also great to look at. Hicks does wonders simply with the page layouts and knows how to use space, and silence to great effect. It’s just a pleasure to look at and not like all the manga-lite artwork currently flooding the shelves. She knows how to render detailed backgrounds, and make the characters emote, and even a nerd like me can appreciate the hip fashion choices.

Also included are a few pages of character sketches and preliminary cover designs. Zombies Calling is a refreshing, done-in-one read that you wouldn’t be ashamed to pass onto your curious friends.

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Detective Comics #858 Preview

DC’s blog, The Source has released two images from next month’s Detective Comics #858. I’ve given the series a few issues with its new Batwoman-centred adventures, but it isn’t doing it for me. Kathy Kane still isn’t a fully developed character, so giving her her own series, particularly DC’s longest running series, doesn’t make sense. It sure looks pretty though, thanks to innovative artist J.H Williams III. See below to know what I mean.

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Black Suit Superman On Smallville

Here’s a pic of Tom Welling in Season 9 of Smallville. No, it’s not the classic costume, (no surprise) and it looks more like his black regeneration suit from the 1992-93 Death of Superman storyline. See?

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