Witchblade #130 Preview

On sale this Wednesday September 9 is the conclusion to the electric War of the Witchblades story arc by writer Ron Marz and artist Stjepan Sejic. Top Cow describe it like so:

“War of the Witchblades” Part 6 (of 6)

(W) Ron Marz (A) Stjepan Sejic (Cov) Sejic, Adriana Melo

“War of the Witchblades” concludes here!

Will Sara Pezzini or Dani Baptiste emerge as the sole bearer of the Witchblade? Or will it be a completely new bearer? And who is the new Angelus?

Featuring a cover by regular artist Sejic and two variant covers by classic Witchblade artist Adriana Melo (Ms. Marvel)!

Cover A – Stjepan Sejic

Cover B – Adriana Melo Sara

Cover C – Adrian Melo Danielle

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This Week’s Winners

Sweet Tooth #1 CoverJeff Lemire’s Sweet Tooth#1. Worth much more than the $1 cover price, this debut ish from Vertigo is equal amounts enchanting and intriguing. Writer/artist Lemire mentions in the On The Ledge column that a friend of his described it as “Bambi meets Mad Max.” That’s not a bad way of putting it, though it’s still too early to see those references yet. Lemire is one of the new wave of indie creators making a splash and getting noticed. His Essex County trilogy from Top Shelf chronicled various inhabitants of a small town with great realism and warmth. He brings that same edge to Sweet Tooth, but with more fantasy than his usual work. We are introduced to Gus, a boy with antlers living with his dying father. Gus has never left his home and the area around it and knows no-one but his ailing Dad. Gus is one of the last few human/animal hybrids who came into existence after a mysterious pandemic 10 years ago. This is an ongoing series and Lemire has plenty of time to build upon this premise. It hooked me more than I thought it would. Lemire’s art seems slightly more refined here. The thick, black sketchy style of his previous work is still obvious, but there are rare places where faces appear odd. Jose Villarrubia’s colours sit slightly uneasily, but maybe that’s because I’m not used to seeing Lemire’s work in colour. There’s also a 7 page preview of October’s Peter and Max Fables novel from Bill Willingham. Sweet Tooth, like The Unwritten before it is yet another bold move from Vertigo, and Lemire is conducting a unique promo for the series.

Justice League: Cry For Justice #3. There’s still a few issues with this series, namely writer James Robinson’s occasional missteps with out of character dialogue, particulary with Hal Jordan, but with the build up towards the team’s formation, and the big reveal of the baddie, ie, Prometheus, it ticks a few boxes. Prometheus was always one of the great JLA baddies when Grant Morrison reinvigorated the JLA over a decade ago. Mauro Cascioli’s art is splendid and his ferocious depictions of action, such as Starman’s and Congorilla’s aerial assault are the highlights. Robinson’s extra pages on the origin of Prometheus and why he chose the “anti-Batman” give fanboys great insights too.

Star Wars: Invasion #3 CoverStar Wars: Invasion #3. The thing that’s immediately apparent from this new SW mini-series is Colin Wilson’s art. It’s the kind that you don’t really see in mainstream American comics, and it fits with the high drama and action of Star Wars beautifully. Tom Taylor keeps things fresh, knowing that it’s probably a mix of fans of the New Jedi Order series of novels and people who want to see Luke Skywalker do his thing again that are reading this title. Anyone who has read the books in which the alien species known as Yuuzhan Vong come to conquer will be relieved that they translate so well to sequential art. Taylor gives enough info about the Vong for curious readers, and starts to make serious strides in showcasing the menace of the creepy race. Plus, in the few pages that reveal Skywalker’s relationship with the apprentice Finn Galfridian, Taylor lays hints that he’s going slightly beyond the typical SW mentor/protege arc that we’ve seen many times before. Hopefully the characters shown here will continue in some form with Dark Horse after Invasion wraps.

SW: Invasion #3

Fall Out Toy Works #1 Review

Fall Out Toy Works #1The best thing about this issue is the first 5 pages, which are silent and show a woman making eggs for her “husband” before flinging herself out of a high window. After that, it’s a bit of a letdown. From the mind of Pete Wentz from Fall Out Boy, as well as Darren Romanelli and Nathan Cabrera, it is written by Brett Lewis and given art duties by Sam Basri. In the next few pages we learn that the bearded man who saw his potential female companion hit the sidewalk is a man called The Baron. He’s entrusted a group of scientists to make him an android wife, and things aren’t going well. He soon teams up with a financially struggling toy maker to see his dreams come true.

There’s really not much more to say than that. The art has a light touch and a definite manga flavour which makes it easy on the eyes. The story, however, needs work. There are times when it starts to go deeper than its obvious Disney facade (talking bee assistant, lonely scientist, kid in a bear suit) with ponderings on the definition of love and existence. And is it just me, or the scene where lawyers in fancy suits beat up the the toy maker in a dark alley is supposed to be funny, right? With one smarmy guy proclaiming, “We’re lawyers in Los Angeles…we can do whatever we want!” I assume so.

The problem is that the story hasn’t found its feet yet. It isn’t as accessible as it should be, especially for what Image hope to be a book with cross-over appeal.  The cover alone proclaims, “FOB Presents,” “Fall Out,” ” Pete Wentz,” and “Inspired by the ideas and lyrics of Fall Out Boy.” If they’re going to go that far to appeal to fans of the band, then surely a short intro by Wentz explaining his part in all this (along with the other 2 creators) or exactly what lyrics inspired the tale (“Tiffany Blews” apparently) would make sense.

For newcomers to comics this isn’t the greatest example, but I certainly don’t blame Image for trying. Musicians getting behind comics is the flavour of the year, and Gerard Way’s The Umbrella Academy series from Dark Horse shows that it can be done beautifully. One look at the comments from people on the official Fall Out Boy site about Toy Works shows an impressive number of excited comics newbies, and that’s a good thing, but I’d suggest they buy the similar Clockwork Girl hardcover from Arcana instead. With this first issue it looks too early to tell, but the story is going somewhere and will hopefully find a balance between its Disney film aesthetic and Blade Runner themes. If you’re still not sure if it’s for you, then check out the teaser for the upcoming motion comic below, even though there’s no mention of the fact that it’s a comic. Oh boy. However, I will say that this 5 issue series looks to take bold strides into the non-comics world. Just look at the ads inside – Dita sunglasses (with artist Jim Lee as the model!), Decaydence record label, Clandestine Industries fashion and designer/co-creator Darren Romanelli’s site. This is exactly the kind of cool that comics need to emanate and go a long way to erasing any lingering negative stereotypes about sequential art. Hopefully series like this, and Tyrese Gibson’s Mayhem! comic will bring in new readers who will then go on to discover the full breadth that this medium offers.

You can also check out an interesting interview with Wentz and Romanelli on the project here.

Fall Out Toy Works #1 preview

The International Anatomie Man

Time for a few quick movie reviews.

Man On Wire – I first heard about this engaging doco when it came out last year and then saw a few intriguing minutes at a Borders store. The documentary has a simple premise. It chronicles a Frenchman’s desire to walk between the Twin Towers in New York. Of course, a feat of that magnitude could never be achieved on any skyscraper these days. I suppose those extreme athletes who scale walls and jump off high-rises in parachutes would be close, but Phillipe Petit’s daring 1974 45 minute high wire act had a charmingly low-tech approach. With interviews with the man himself and his network of friends, it feels like another Ocean’s 11 installment. There’s no mention of the 9/11 attack as the film makers wanted the sense of magic to remain intact. The detailed research and impressive re-enactments really give the film a suspense and tension straight out of a Hitchcock film. With each new revelation you’ll be wondering just how Petit and his crew got away with it. You’ll be shaking your head at disbelief throughout the whole film, which I guess is what magic does.

The International – Starring Clive Owen (you can really see why he was a James Bond contender) and Aussie Naomi Watts this film is directed by Tom Twyker. The critics have been raving about it, but really it’s not an all out action thriller at all. The only time it comes remotely to such is the great set piece set in the Guggenheim Museum in New York. After far too many scenes (ie, pretty much all of them) involving people talking about the evil bank that funds international terrorism I lost interest. It’s smart and looks high-class and I applaud the unique approach that makes it more of a talky thriller than a gunfight-centred film, but it just needed a better balance. Twyker also directed the great German film Run Lola Run and the not so great Princess and The Warrior. Hiis next film is based on the time-spanning novel, Cloud Atlas.

Anatomie – This 2000 German film is a winner. With a plot like a Michael Crichton novel, it’s a classy thriller. It stars Run Lola Run’s Franka Potente as a young med student who goes to the renowned Heidleberg Medical School and soon discovers a secret society of students and teachers known as the Antihippocratic Society. To say much more would be to ruin it, but it’s no surprise that this was a hit in its country of origin. Supremely paced and never overly grisly, it’s edge of your seat stuff. Director Stefan Ruzowitzky also directed the sequel, which has Potente appear in a pointless cameo. It stars a different group of students, and school and a group who this time are experimenting with high-tech muscle replacements. It’s more action and less thriller than the original, but is still worth a look. You’ve probably figured out that Anatomie is German for anatomy by now. If you don’t mind subtitles, and you shouldn’t, check these two films out.

Atomic Comics Sale

U.S comics shop, Atomic Comics has a huge sale on this week for Labor Day. Make the most of it if you’re cashed up and comic curious.

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Three-Fisted Comics Event

Western Australian publisher Gestalt will be at a Perth event next week, in conjunction with AGDA, the Australian Graphic Design Association. You can find all the details here, and below.

Three-Fisted Comics (WA)

Price: FREE ENTRY to AGDA Members before 6.30pm (ie those attending AGM), $5.00 after 6.30pm. All Non-members/PADC/DIA $10.00

Date: Thursday, September 10, 2009

Time: 6:30pm – 9:30pm

Location: FourFiveNine Bar at The Rosemount Hotel

Street: Cnr Angove and Fitzgerald St, North Perth, Western Australia

3fistedcomicsComic book enthusiasts take note. We’ve lined up three of Perth’s finest creators to speak about writing, illustrating and publishing graphic novels. Wolfgang Bylsma (managing director of Gestalt Comics), Justin Randall and Anton McKay will take us through the ins and outs of their craft.

Wolfgang Bylsma has managed his own creative agency since 1995. Having worked in tertiary education, sound design, web development and brand strategy he co-founded Gestalt Publishing in 2005 where he continues to serve as Managing Director and Principal Editor.

Justin Randall is a design lecturer for Curtin University, a commercial illustrator and a graphic novelist. He’s worked on titles such as 30 Days of Night, Silent Hill and is currently producing his own graphic novel series called Changing Ways.

Anton Mckay has a day-job and a cat. He’s contributed a few short comix-stories to WA publisher Gestalt Comics “Character Sketches” and “Flinch” anthologies. He’s currently working on his first graphic novel, painfully slowly. He writes abysmal biographical notes about himself.

Gestalt Comics will be setting up an exhibition of comic artwork and a book stand at the event, we’ll have Skye Ogden’s animated video clip for Japanese band Yongen on show and Anton McKay will entertain us with his musical stylings.

This event will be held at The Rosemount, Cnr Angove and Fitzgerald St, North Perth. Seats are limited so be sure to get there on time.

The AGDA(WA) General meeting will be held prior, at 5:45pm. AGDA members attending the AGM will receive FREE entry to 3 Fisted Comics.

Legion Trailer

I saw this huge poster at Comic-Con and now I’ve just seen the trailer. Taking Paul Bettany as an action hero is asking a bit much, especially when you make him an angel and give him guns. The premise of the story is that God has given up on humanity and the archangel Michael, played by Bettany stands between us and the apocalypse. There’s also something about a small town waitress who just might be pregnant with the baby Jesus. Oh boy. There’s so many things wrong with that sentence, and it looks to take itself far too seriously. For my money, the low budget Aussie flick Gabriel explored similar themes with a greater visual style and meaning. Legion opens January 22.

mpMann Interview

My interview with artist mp (Marvin) Mann is now up at Broken Frontier. Mann is the guy, along with writer David Lewis behind Archaia’s unusual Some New Kind of Slaughter series, which is now collected in Trade form. Slaughter is an examination of the unique flood stories that have occurred across the planet over the last few centuries. You can read the whole interview here.

Some New Kind Of Slaughter Cover

Olympus #4 Preview

Released on September 9 is the last issue of Image’s Olympus mini-series from writer Nathan Edmondson and artist Christian Ward. Below is a sneak peek of Ward’s great art, free of text.

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Marvel Motion Comics

Just released from Marvel is the trailer for the Astonishing X-Men motion comic, below. Also now available from iTunes is the second episode of the original Spider-Woman motion comic series by Brian Michael Bendis and Alex Maleev. See scenes from the episode here and the release schedule can be found here. The animation looks pretty fluid and natural.

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Supergirl Cries For Justice

Cry For Justice #3 CoverJustice League: Cry For Justice by writer James Robinson and painter Mauro Cascioli continues, with its third issue arriving this week. You can see a preview here. For the interest of discussion, I’ve posted the first few pages below. I’m sure you can guess which page has fanboys and frustrated fangirls talking. This page was first revealed a few months ago in the back of a few DC titles. I know DC cop a lot of flack for their treatment of female characters. The main sore points would be the stuffing of Green Lantern Kyle Rayner’s girlfriend into a refrigerator and the lack of a memorial in the Batcave for the assumed-dead Stephanie Brown Robin. However, since then DC have made some good strides I reckon. Brown is now back, as the new Batgirl. They’ve put more females such as Vixen, Dr. Light and Zatanna in the ranks of the Justice League, and have even given Supergirl briefs to conceal her modesty, as she does wear a short skirt and fly around a lot.

The page in question, below, seems to put the focus on Supergirl’s teenage chest. The character is portrayed in sultry poses more often than any other character and this page would seem to continue that somewhat controversial trend. However I don’t think that’s the point of this page (though the assumed menage a trois Hal Jordan had last issue isn’t helping the cause of this series). I recall during the awesome, and mammoth Death and Return of Superman storyline, that similar panel compositions were used. The Superman family is large, and expanding. There are more characters with “S” shields on their chest in the DCU than ever before. That “S” is what citizens look up to and respond. They see the “S” first. It’s a symbol of power and hope, and an artist can use that to their advantage. I could just be clutching at kryptonite straws here, and although Supergirl’s team-mates seem to be staring at her bosom, she’s not the kind of girl who uses her sexuality like that. She wasn’t raised that way by the Kents. Then again, a midriff baring costume probably isn’t the best choice either, but at least it gives her room to move, and punch baddies who may be distracted by her…”S.”

It is a good composition and obeys the rule of thirds and all that, and if Superman were to replace Kara in the same position, no-one would bat an eyelid. But by reading the dialogue, it becomes clear that both creators are using the scene to reinforce what the reader is thinking (ie, “That Supergirl sure is perty.”) and having the male characters agree. Perhaps it’s just a matter of page design supporting a certain mood in the story and in that way, it works.

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Marvel/Disney Deal Reactions

I won’t harp on about this, as the geekosphere is still in a tizzy about the just announced deal that has Disney buying Marvel for $4 billion. However, there’s some interesting reactions to be found from comic book pros at CBR, Newsarama and Broken Frontier. My initial thought over this whole thing was somewhere between a mix of panic, distrust and cautious optimism. However, with a fresh day comes new tidbits, from the sites above, such as the fact that Disney will leave Marvel well alone and won’t interfere, so we won’t see Wolvie offering hugs instead of claws to the gut. Disney are impressed by the way Marvel operate and don’t want to mess with that. Disney are approaching this in the same way they did when they bought Pixar and Jim Henson’s company.

Hopefully more kids will see comics now. It wasn’t that long ago that I saw a spinner rack at Target. Those days may return. Disney want that young male demographic and Hannah Montana ain’t doing that. With their theme parks, retail outlets and whatnot, Marvel could get a presence outside of comic shops like they haven’t had in years.

Apparently Robert Iger, the man who made the announcement yesterday, and the head of Disney is Jerry Iger’s nephew. Jerry Iger founded the famous Eisner & Iger comic book production house in the 1930s, so hopefully that respect for comics rubs off on Bob.

Of course, Disney may not be pushing Marvel’s more mature comics and may just focus on the all-ages stuff like Marvel Adventures, but then again Disney have their hands in many pies. They were once responsible for signing  Insane Clown Posse through their Hollywood Records and via Touchstone Pictures are releasing Bruce Willis’ new film, Surrogates.

Of course, a CGI X-Men film is possible too, though perhaps not until the deal with 20th Century Fox is over, and BOOM! Studios hold the keys to Disney comics, so Marvel won’t be making them. Only time will tell, but I don’t think we’ll be seeing the Disney logo on Dark Avengers. It may just be a brave new future and give Marvel some financial stability and freedom. DC Comics has been owned by Warner Bros. for the last 3 decades and they’ve profited greatly from it.

Anyway, that’s enough of that. Now here’s a few great covers from this week’s new Marvel releases. For the full list, see the link below the pics.

Deadpool #15

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