New Buffy Film

Buffy_The_Vampire_Slayer_MovieRemember 1992’s Buffy the Vampire Slayer film? It had Kristy Swanson and Luke Perry in it. It had its moments, sure, but when creator Joss Whedon unleashed his brilliant vision on the TV screens 5 years later, it was an entirely new beast – a healthy dose of dark chocolate compared to the light, fluffy souffle that the movie was. Now the holders of the original film rights want to make a new Buffy film, without the inclusion of Whedon or any of the supporting characters he created during the much loved TV series. Perhaps the film makers are inspired by the Hollywood remake craze, but needless to say, Buffy fans are not happy. If only it was April Fool’s Day. Here’s a peek at the article from The Hollywood Reporter.

While Whedon is the person most associated with “Buffy,” Kuzui and her Kuzui Enterprises have held onto the rights since the beginning, when she discovered the “Buffy” script from then-unknown Whedon. She developed the script while her husband put together the financing to make the 1992 movie, which was released by Fox. 

Kuzui later teamed with Gail Berman, then president of Sandollar Television, bringing back Whedon to make the TV series, which was produced by Fox TV and launched on the WB in 1997. Kuzui and Sandollar received executive producer credits on “Buffy” and its spinoff, “Angel.” 

The new “Buffy” film, however, would have no connection to the TV series, nor would it use popular supporting characters like Angel, Willow, Xander or Spike. Vertigo and Kuzui are looking to restart the story line without trampling on the beloved existing universe created by Whedon, putting the parties in a similar situation faced by Paramount, J.J. Abrams and his crew when relaunching “Star Trek.”

The Surrogates Trailer

Top Shelf’s excellent mini-series, Surrogates is now a film. The five issue mini-series was released in 2004 and 05, by first-time writer Robert Venditii (who used to work in Top Shelf’s mailroom) and artist Brett Weldele. The prequel from the same creators, titled Flesh and Bone is released in July, while the film follows in late September. You can get a feel for the movie by watching the new trailer below. It looks quite classy and perhaps more slick and action driven than its inspiration, and also appears to wear its I, Robot visuals on its sleeve, but that’s not a bad thing. You can see a preview of the comic, which is being released in new editions in July, here.

District B-13

I love a good French film, and because I enjoy comics, I don’t mind reading for my entertainment! I came across this gem a while ago now, and the sequel is just about to be released for us English speaking pop culture lovers. District B-13 was unleashed in 2004 and starred parkour expert David Belle and martial arts expert Cyril Raffaelli in a future Paris that has ignored its troubled suburbs by sealing them off from the outside world. There’s a bomb and a kidnapped sister and such, but the highlight is the running, jumping, kicking, dodging,etc. Parkour is the acrobatic art of using the modern suburban environment as your own playground and the film demonstrates its beautifully.

Written and produced by Luc Besson (The Transporter trilogy amongst many other hip actioners) it’s a great film. The sequel, starring Belle and Raffaelli has already been released in Europe and the rest of us can expect it next month. The trailer is below. Yes, it’s in French, but the video below it, featuring one of the highlights of the original film has subtitles for your viewing pleasure. If you like Jackie Chan or the Thai film Ong-Bak and prefer your action and chase scenes to be without a safety net, or CGI, then you must watch these films. Just make sure you put on the subtitles. Watching a foreign film with dubbing is like reading a gossip mag at an art gallery.

Why Revamp?

GL Alan ScottThere’s an interesting (and well researched) article on Comic Book Resources by Greg Hatcher. Inspired by the new Star Trek revamp, or relaunch, or reboot, or whatever you want to call it, Hatcher examines all the major revamps that Green Lantern has had, beginning in the 1940s. It assumes some GL knowledge, so mostly readers familiar with the DCU over the years will get a kick out of it, and it is littered with covers from the different eras. If you’re curious as to why characters in comics get a fresh new approach so very often, you’ll want to read the article. Here’s a snippet.

Why do people keep tweaking a perfectly good concept? Why mess with a good thing?

 The best I can do is a guess, and here it is: times change and audiences get bored. Sooner or later, even the most popular series runs out of gas. So the only reason to do any kind of a revamp or a relaunch is because you think you can get a bigger audience. The only reason.

 However, and here’s the part that drives us all a little nuts — unlike other entertainment franchises, superhero comics are aimed at an audience of hobbyists who regard these stories not so much as light entertainment, but rather as historical dispatches from an alternate universe. What I see when I look at the history of all these different versions of Green Lantern is this — the common factor to all of them is writers laboring under the lunatic misconception that this fictional entertainment really is history.

In July the new animated GL film, focused on Hal Jordan’s origin debuts, and the Martin Campbell directed live action feature is underway too. It’s also the 50th anniversary of  Hal Jordan’s debut, plus the Blackest Night epic, penned by Geoff Johns is just around the corner. It’s a good time to be a Lantern fan.

The New Batman

BFTC3 CvrSo, Dick Grayson is the new Batman, and Bruce Wayne’s son, Damian is the new Robin. Though you couldn’t really tell from reading this week’s Battle for the Cowl conclusion. The current Robin, Tim Drake and former (dead) Robin Jason Todd were running around in different Batman costumes while various classic Batman foes watched as Gotham descended into more hellish chaos. And just so you know Batman, AKA Bruce Wayne is not exactly dead. Rather he was sent way back in time thanks to Darkseid’s Omega Sanction eye beams. You can read all about it in Final Crisis if you don’t mind a migraine. However, as a sum up, here’s my latest Broken Frontier article, The Battle for Batman.                                                                                                          

There’s also an interview at Newsarama with the writer/artist of the 3 ish mini, Battle for the Cowl, Tony Daniel. For those who are unsure as to the precise identity of the new cowl wearer, as it is rather ambiguous in the final pages of BOC #3, this excerpt from the interview should make it clear.

NRAMA: What can you tell us about how these last couple pages were designed? Why didn’t the readers see the face of the person putting on the cowl? The words from Dick make it pretty clear he is wearing the cowl, so does the lack of a face have another meaning? And anything you want to share about the design of the pages? They’re pretty cool-looking…

TD: Thanks – well, I wanted us to view what Dick was viewing, be Dick, for that moment. Going through the mansion, down to the cave. Putting up the cowl. Yes, his hair is shorter. But it’s been Dick’s captions all the way through issue #3, so I thought it was pretty self-explanatory. 

Okay then. Here’s a few pages from Cowl #3 for your perusal.

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Jeff Lemire’s The Nobody Trailer

Creator Jeff Lemire is a great new talent. Anyone who’s read his Essex County trilogy from Top Shelf will tell you that. All three books were moving and powerful. His new book, out on July 1 from Vertigo is inspired by the classic novel, The Invisible Man by H.G Wells. Press release and trailer below.

The tiny, isolated fishing village of Large Mouth never saw much excitement — until the arrival of the stranger, that is. Wrapped from head to toe in bandages and wearing weird goggles, he quietly took up residence in the sleepy town’s motel. Driven by curiosity, the townfolk quickly learn the tragic story of his past, and of the terrible accident that left him horribly disfigured. Eventually, the town embraces the stranger as one of their own — but do his bandages hide more than just scars?

Inspired by H.G. Wells’ The Invisible Man, THE NOBODY explores themes of identity, fear and paranoia in a small community from up-and-coming alternative comics creator and Xeric Award-winner Jeff Lemire (The Essex County Trilogy) in a special two-color story that’ll have you guessing until the very end.

   * Vertigo
   * 144pg.
   * B&W
   * Hardcover
   * $19.99 US
   * ISBN 9781401220808
   * Mature Readers


The Flash In DCU Online

Press release below about Wally West in the upcoming Sony MMORPG, DC Universe Online. The games set for release…sometime. Players can create their own characters to team up with DC’s expanding gallery of spandex wearers and live vicariously in the DC Universe.  On a related note, Warner Bros. appear to be buying Midway Games, the holders of the Mortal Kombat franchise. I think that’s a good thing. Maybe.

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The Fastest Man Alive, Wally West easily runs at light speed vibrates through objects, create explosions through friction – and, when at agonizing top capacity, can manipulate time and bridge dimensions.

The Flash is a time-honored member of the Justice League. The latest in a long line of Flashes, each with their own unique way of tapping into the primal “Speed Force,” Wally is determined to live up to the noble legacies of speedsters such as Barry Allen, Max Mercury, and Jay Garrick.

Flash’s enemies call themselves the Rogues Gallery. This deadly collection of brutal foes includes Captain Cold, Heatwave, Mirror Master, and the lethal speedster Zoom – villainous threats not just to Keystone City, but the world.

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Fantagraphics Goes To Jordan

Press release below regarding a new book from the son of Peanuts creator, Charles M. Schulz, which is only the second novel to be released from indie comics publisher, Fantagraphics. The book, entitled, This Side of Jordan will be unveiled at the 2009 Book Expo America in New York on May 29-31.

THISSIDEOFJORDANThis September, Fantagraphics Books is proud to publish This Side of Jordan, by Monte Schulz, only the second original prose novel (following 2007’s Laura Warholic by Alexander Theroux) in the company’s 33-year history.

This Side of Jordan is a tapestry of American life in the summer before the economic crash of 1929, and a quintessential novel of the rural Midwest offered unexpectedly as a crime thriller. Full of American landscapes and totems, images and notions, foibles and fables, beasts and the blessed, it follows the experiences of 19-year-old tubercular farm boy Alvin Pendergast. The novel begins with an ill-fated dance marathon and a chance encounter with a slick con artist and gangster named Chester Burke. Fearing relapse of his consumption and a return to the sanitarium that had already stolen a year of his life, Alvin imprudently follows Chester across the Mississippi River only to enter a vortex of criminal violence and deceit.

With Alvin in tow, Chester’s insouciant disregard for life serves him well during a series of bank robberies and senseless murders, the sociopathic gangster assuming the role of a dark angel on Judgment Day, cleansing the scrolls of those whose sad fortune draws them across his path. Too ill to flee, too morally weak to object, Alvin resigns himself to what seems like certain doom. Fortunately, Alvin finds another companion on the road, a lonely, eccentric, and grandiloquent dwarf named Rascal, whose own infirmity binds their destinies together. Eventually, the young farm boy must make a decision: stick with Chester, who will surely kill him at the slightest hint of betrayal, or muster the courage to stake his life on faith in Rascal’s clever plan to save them both.

MonteSchulzMonte Schulz is the son of Charles M. Schulz, creator of Peanuts, and in This Side of Jordan one of his ambitions was to recreate the time of his mother’s and father’s Jazz Age childhood, when America was making the irresistible transition from rural to urban life.

“When I was in my early twenties, and Dad saw that I was developing an interest in writing, he showed me some of the beautiful passages of Thomas Wolfe and John Steinbeck, and lent me his copies of Complete Poems by Carl Sandburg and Edgar Lee Masters’ Spoon River Anthology, and Joan Didion’s Slouching Towards Bethlehem. He told me the writer’s gift is to be able to express for people certain ideas and emotions they cannot express for themselves,” says Schulz.

Told in the voice of a lost generation hurtling toward the Great Depression, This Side of Jordan evokes crowded Main Streets and tourist camps, miles of cornfields, rural churches and musty parlors, with the momentum of a freight train, but delivered in the seductive, rhythmic tradition of Southern lyricism reminiscent of Flannery O’Connor and Truman Capote.

Fantagraphics publisher Gary Groth said he was leery when Schulz asked him to read the novel “because, after all, how does the publisher of The Complete Peanuts reject a novel by Charles Schulz’s son?” After reading it, however, he was “bowled over by the beauty of the prose and Monte’s command over every aspect of the form. It isn’t hyperbolic to say that Monte is as good a writer as his father is a cartoonist. That’s why we wanted to publish it.”

This Side of Jordan is Schulz’s second novel. His first, Down by the River, was published by Viking in 1991. Library Journal raved that it compared to Stand by Me and Twin Peaks, and seemed “ready-made for Hollywood.” He spent ten years writing Crossing Eden, from which This Side Of Jordan is drawn as the first of three interconnected novels; the second and third, Fields of Eden and The Big Town, will be published in 2010 and 2011. This Side of Jordan will be published as a jacketed hardcover this September by Fantagraphics Books, with a painted cover by noted cartoonist Al Columbia. Schulz will make his first public appearance promoting the novel at the 2009 Book Expo America, signing galleys on Saturday, May 30, at 2:30PM in the convention’s autographing area. A West Coast tour will follow in the Fall (dates and locations t.b.a.). Schulz received his M.A. in American Studies from the University of California at Santa Barbara. He lives in Northern California.

Grant Morrison Documentary Trailer

I think anyone who’s ever read an interview with Morrison where he discusses anything other than the usually awesome comics he writes (JLA, WE3…) understands that the Scottish scribe is..umm..interesting. Now the proactive team behind Respect! Films, and Sequart are making a documentary on the man himself (complete with handy subtitles). It’s not out until next year, but until then, feast your eyes and expand your mind, with this trailer.

Sherlock Holmes Trailer

Sure, this will ruffle some feathers, but Sherlock Holmes was never really a polite, stuffy old gent. Sir Arthur Conan Doyle’s novels show the British detective’s drug use, fighting skills and social awkwardness. Robert Downey Jr. is an interesting choice for the man in the deerstalker cap, and Guy Ricthie looks to be making a more traditional Hollywood film, hopefully to show he’s not a one-trick pony. Let’s be honest, his last film, RocknRolla was not exactly dissimilar to his previous films. If you want more Holmes, Dynamite’s new comic series is out now too, while the film opens on Christmas Day.

Terminator Salvation Machinima Series

If you’ve seen the amusing Halo series, Red vs Blue, which uses in-game Halo footage to create a new story, with new sound effects, voice-overs and whatnot, then you’ll be familiar with the concept of machinima. Now it has been applied to the Terminator Salvation universe. Press release below.

 “TERMINATOR SALVATION: THE MACHINIMA SERIES” EXPLODES ONLINE AS THE FIRST LONG FORM DRAMATIC MACHINIMA PRODUCTION

Created by The Halcyon Company and Warner Premiere

The First Long Form Dramatic Machinima Series Produced By A Major Studio

Creators Use “Terminator Salvation” Videogame to Create Filmed Entertainment

An Original Series Starring Moon Bloodgood as “Blair Williams”

Produced and Overall Creative Direction Provided by The Halcyon Company and the Film’s Director McG

First Episode Now Available on iTunes and other Digital Distributors

Halcyon Games, a division of The Halcyon Company along with Warner Premiere and Warner Bros. Digital Distribution today announced the first full length Machinima series titled “Terminator Salvation: The Machinima Series.” Produced in association with McG, director of “Terminator Salvation,” and Machinima Inc., this six part series utilizes real time computer animation generated from the “Terminator Salvation” video game and is set against an original story written by Andy Shapiro and directed by Tor Helmstein. Fans follow “Blair Williams” (voiced by Moon Bloodgood) on an action-packed journey that reveals the genesis of Blair William’s involvement with John Connor’s resistance unit two and a half years before the movie begins.

 Terminator Salvation Machinima

“Terminator Salvation: The Machinima Series” is now available on iTunes, Amazon Video on Demand, Xbox Live and the Sony PlayStation Network. The cost per episode is $2.99 for HD and $1.99 for SD (where available). Fans can also sign up for a season pass and automatically receive future episodes every week for $14.99 in HD or $9.99 in SD (where available).

“From a film maker’s point of view, Machinima provides an incredibly dynamic way to explore live worlds and tell compelling new stories,” said McG. “The process allows the writer and director to think cinematically, while at the same time executing certain things that would otherwise be cost-prohibitive or even impossible on a set.”

Machinima, a word derived from the combination of machine and cinema, describes computer-generated animation created in real-time by leveraging video game engines and environments. Revolutionizing the digital content creation process, Machinima.com is pioneering a cost effective way to produce high quality video content for multi-platform distribution. “Terminator Salvation: The Machinima Series” was entirely produced by leveraging Machinima techniques utilizing assets from “Terminator Salvation: the Videogame.”

“Working with The Halcyon Company’s motion picture development team and having produced a high-octane, story driven action shooter videogame using Grin AB’s cutting edge ‘Diesel’ engine, we had an incredible basis to further explore stories set in the Terminator universe,” said Cos Lazouras, president of Halcyon Games, creator of the “Terminator Salvation” videogame. “Re-purposing our game to produce the very first dramatic series in this medium is a fantastic innovation and will become the norm for game makers in the future.”

“Machinima is the next generation of storytelling,” said Diane Nelson, president of Warner Premiere. “After meeting with McG and Halcyon’s creative teams we could easily see the power and potential of this type of content. The combination of McG and the Game maker’s creative talent and the inherent essence of the man vs. machine concept made for a natural feature-length story.”

About “Terminator Salvation: The Machinima Series”

The year is 2016. It has been thirteen years since Judgment Day, when the machines rose under the order of a self-aware artificial intelligence called Skynet. The human race is on the brink as Terminators hunt and destroy all remaining life.

The Resistance is the last hope for survival. Commanded by the remnants of a decimated military system, resistance fighters battle the machines of Skynet day and night without quitting. Blair Williams is one of these fighters. Blair is in her early 30’s and is old enough to remember a normal life but vital enough to learn how to fight. She is highly skilled and superbly courageous – traits that often get her some of the hardest missions.

We meet Blair at the beginning of one of these missions. She has been sent into the heart of downtown Los Angeles, a known hot zone, to seek out and destroy something called “The Ghost” – a code name designated to a machine designed to interfere with Command’s communications. The resistance knows that Skynet is ever evolving and this must be just another tactic to bring down the leadership. Without the ability to talk to each other, the Resistance would simply fracture and collapse. It was already starting to happen.

Zombie Tales 2061 Collected

ZTALES009-ABOOM! Studios anthology, Zombie Tales, proved that there’s still some life left in the ever popular zombie stories hovering around pop culture like flies on a resurrected corpse. Writer Kim Krizan’s three short stories about a zombie infested future earth were often the highlight. They were both darkly funny and frightening at the same time. Now they’ve been collected into one volume, for release in July. Press release below.

 

The living dead walk among us! Zombies have taken over the planet! Humans only exist as novelty attractions… or worse. But today is the day of revolution and soon the tide will turn on undead supremacy! Enter the world of ZOMBIE TALES 2061. From Academy Award-nomintated writer Kim Krizan (BEFORE SUNRISE, BEFORE SUNSET) comes an epic saga ripped from the pages of the critically acclaimed ZOMBIE TALES anthology and collected in one volume for the first time! 

Best known for writing the generation definining romance movies BEFORE SUNRISE and BEFORE SUNSET, Krizan jumped into the horror genre with both feet, delivering a unique new vision of the zombie apocalypse for Zombie Tales: The Series #1. Originally planned as just an 8 pager and slotted between stories from more seasoned horror vets Steve Niles and Joe R. Lansdale, critics and fans spotlighted Krizan’s freshman horror venture and clamored for a sequel. Krizan immediately expanded her Zombie universe into a triptych, finally collected in one easy reading volume with ZOMBIE TALES 2061. 

“When horror tastemaker RUE MORGUE MAGAZINE begs for a sequel, you know you have a hit on your hands,” said Publisher Ross Richie. “I really don’t think people have seen as an original take on Zombies since Romero’s NIGHT OF THE LIVING DEAD. That is how blown away I was by this book.” 

“It was great fun for me to write ‘2061’ and it’s an honor to have it collected,” said ZOMBIE TALES writer Kim Krizan. “Though it seemed on the surface to be a light, fun project, it really gets to the heart of what I believe about our species. For me, zombie dominance is now!” 

Outside garnering an Academy Award nomination for BEFORE SUNSET, Krizan also acted in the cult films SLACKER, DAZED AND CONFUSED and WAKING LIFE. Her turn as high school teacher Ginny Stroud in DAZED AND CONFUSED led her to speak the immortal lines “…this summer when you’re being inundated with all this American bicentennial Fourth Of July brouhaha, don’t forget what you’re celebrating, and that’s the fact that a bunch of slave-owning, aristocratic, white males didn’t want to pay their taxes.” 

When asked about the rumor of a Zombified follow-up to the BEFORE SUNRISE franchise, Krizan had no comment. 

ZOMBIE TALES 2061 features 24 pages of interior art by newcomer Jon Reed and a cover by Patrick McEvoy. SRP: $3.99, Diamond Order Code: MAY090726.

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Be A Hero

I’ll definitely be picking one of these up at Comic-Con. Press release below.

Hero Comic CoverHero Initiative is very proud to announce the release of Hero Comics. The 32-page, no-ads comic, edited and produced by Scott Dunbier, special projects editor at IDW Publishing, will be released in late July with two covers, Eve by J. Scott Campbell, and Grendel by Matt Wagner. The fundraising book will contain great, all-new content including an original American Flagg! story by Howard Chaykin, and original stories by Gene HaBill WillinghamDavid Lloyd, and Kaare Andrews.( See attachment for cover art)

In addition, Arthur Adams will recreate three classic Marvel Comics covers, and Hero Initiative beneficiaries such as Gene ColanBill Messner-Loebs and Josh Medors will tell their own personal stories, detailing their severe struggles, and Hero’s involvement.

An excerpt from Josh Medors’ story reads:

“When I am feeling almost ready to give in to my cancer, ready to throw my hands in the air and say ‘I quit!,’ I get a call from the Initiative. ‘Just wanted to see how you are doing.’ It may not seem like much, but let me assure you—When the monster bites and the pain pills aren’t working, a call like that is more effective than a Super-Soaker filled with holy water against the ol’ Count.”

This special edition comic retails for $3.99, and will be on sale at comic stores worldwide on July 29, 2009. It’s available in the DiamondPreviews catalog for August-shipping items in the IDW section, order code JUN090950 .

“I’ve been an active supporter of the Hero Initiative since I was first asked to help out,” stated Howard Chaykin. “It’s particularly important in this volatile era that we remember the men and women who made our industry, and make certain that they have the happy endings they richly deserve.”

Fans will be able to get their hands on this epic treasure early at the San Diego Comic-Con, July 23-26, 2009 as well. Copies will be on-sale at the Hero Initiative booth, #907.

“It’s been a pleasure and a privilege to work on a book like Hero Comics. The job that the Hero Initiative does, helping comics creators in need, is a noble endeavor, one all of us should get behind,” said Dunbier.

All proceeds from the book benefit Hero Initiative, as all creators involved have donated their services. IDW is donating its publishing services, Comicraft is donating lettering and book design, and Try Vision Company, Inc. of Los Angeles is donating printing.

David Wohl Gets Radical

This is exciting news. Possibly spurred on by the success of fan fave writer Mark Waid’s appointment to Editor In Chief of BOOM! Studios all those months ago, long-time Top Cow creator and President David Wohl is now the EIC of Radical Publishing. I’m actually quite curious about what this means. Radical have had a lot of critical praise, and deservedly so, but have yet to truly break through into the hearts and minds of fanboys and girls. However, they’re only just over a year old and have already showed their daring mission with each new project. Stay tuned for further Radical greatness, I’d reckon. Press release below.

In a bold new shift in direction, Radical Comics has brought on former Top Cow President and Editor-In-Chief David Wohl as their new Editor-In-Chief. Wohl replaces former Radical Editor-In-Chief Dave Elliott, who will continue at Radical in the new position of Special Projects Editor.

With over twenty years of experience in the industry, David Wohl was responsible for bringing numerous fan-favorite Top Cow titles to the shelves, co-creating and writing The Darkness, Aphrodite IX as well as the critically acclaimed Witchblade franchise, even serving as the producer of the Witchblade television series. “Ever since Radical burst on the scene, I was instantly impressed by their talent roster, the consistent high level of quality and their commitment to putting out great comics. When the opportunity arose to come onboard, I didn’t even need to give it a second thought. From top to bottom, Radical Publishing is the class of the industry, and I’m proud to be part of the team.” stated Wohl.
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Wohl’s enthusiasm for joining the Radical family was echoed by the company’s President and Publisher Barry Levine. “David brings a wealth of experience in the industry to our relatively new company and everyone here is very excited to have him on board,” remarked Levine. “With our recent Gem Award for ‘Best New Publisher’ and a lineup of upcoming titles featuring the likes of Rick Remender, David Hine and Nick Simmons for the year, David is the guy to help take Radical to that next level.” 

As Wohl helps to continue Radical’s success by assuming the responsibilities of Editor-In-Chief, former Radical Editor-In-Chief Dave Elliott will be taking on the new position of Radical’s Special Projects editor. This integral new position will have Elliott applying his vast publishing experience and love of comics to both finding and developing new projects for Radical while working closely with existing key talent on current projects such as Steve Niles’ follow-up to City of Dust and the second chapter of Sam Sarkar’s Caliber.

“With Radical growing in leaps and bounds, I just couldn’t continue doing the job from New York any longer.  We needed our man in Havana and I’m really happy it’s David,” says Elliott. “My focus will be to continue to bring in the best talent out there while also allowing me to get back to my creative roots. I’ll be co-writing CALIBER and the next PHILIP KHROME story with Sam Sarkar and Steve Niles. These are two worlds that I have gotten to know very well and am extremely happy to be allowed to further contribute to them.”