It’s been years since I’ve written a review of anything, but after seeing Justice League on opening day, I’ve had some thoughts percolating in my mind.
First up, I’m a big Justice League fan. I’ve always been a DC Comics diehard and have been devouring comics since before puberty, so I have thirty years of minutiae stored up in my brain to “impress” my friends and answer the occasional quiz question. When DC rebooted their entire line with the New 52 initiative, I pretty quickly stopped feasting on superhero comics, but I do enjoy the occasional nibble.
In short, I was disappointed with the JL film. Yes, there were some good things about it, and there was some serious behind the scenes issues that led the film to not being all it should’ve been, but with that in mind, here are a few bullet points.
I like Ben Affleck. He’s a great actor and director, and is actually a pretty good choice to play an older Batman. However, just because he has pointy ears and a gruff voice doesn’t make him the Dark Knight. When asked what his superpowers are, Batman answers, “I’m rich.” That’s not something Batman would say. That’s a Tony Stark line. It doesn’t belong here. With the Flash and Cyborg, the film has enough humour. Don’t drag Batman in to it too. Let him be Batman. Not everyone needs to be witty.
The first scene is all about how Superman inspires people, and how his death at the hands of Doomsday at Batman v Superman has united the world in a sense of loss. In the two Superman films we’ve seen starring Henry Cavill prior to this, there’s nothing inspiring about him. He doesn’t inspire. He terrifies! He’s not warm, and smiling. Thor has taken the role that Superman should have. If you ask anyone (kids or adults), who’d they’d love to hang out with, I’d imagine most would easily choose the happy god of thunder over the glowering, morose Man of Steel. This is a Superman who allowed his earthly Dad to die, caused massive property damage and killed Zod infront of a traumatised family, when he had so many other options available. (Fly him up to space! spin him round so he loses consciousness! even break his limbs! anything but neck snapping!). The Superman who has existed for almost a century in pop culture, and who will outlast all film makers, is someone who cherishes life and only takes it as an absolute last resort. The last time Superman was properly portrayed was in the 1980s with the maginificent Christopher Reeve. Who else could say, “I like pink very much Lois,” with a straight face, let alone with gravitas and sincerity? The world would not mourn the death of this version of Superman. They barely knew him, let alone embraced him.
There was a cleaner who showed up briefly at STAR Labs. They could’ve made him Rudy Jones, who becomes the Parasite, and as Kevin Smith pointed out – even the thief at the start of the film could’ve been a DC character, rather than a generic bad guy. Again, the terrorists who Wonder Woman stops could’ve been anyone from DC’s rich history, like Cheetah, or the Royal Flush Gang, or even someone linked to Steppenwolf, to give the villain much needed dramatic weight. Speaking of which…
Steppenwolf had no visible motivation. A scene where he’s speaking to a hidden Darkseid would’ve helped tremendously. Perhaps he could be sent off to earth amidst cheering crowds from Apokolips, or he’s failed to conquer other planets before and this is his last attempt before Darkseid executes him in dishonour, and he thinks earth will be an uneasy target. As it is, Steppenwolf just shows up to cause havoc and..be bad.
There was no need for the jokes at Aquaman and the approach they took to make him the tough guy was desperate. I can imagine the writers thinking, “Quick! Let’s make fun of Aquaman before the audience does, and then we’ll show how grumpy and angry he really is. That’ll shut them up!” Aquaman is a great character, as Peter David has shown with his tremendous run on the comics. When your film stars apologizing for a great character, it’s not off to a good start. The acting here is great though, and Jason Momoa, like his castmates does a great job with these versions of the characters.
The Russian family at the final battle was odd. Perhaps it was meant to be a microcosm of the potentail destruction the rest of the world would face, like the family at the end of Batman v Superman was.
Okay, now the good points….
It was pretty awesome to see Superman unleashed and take on the whole League single-handedly. Oh yeah.
The humour generally works, with the scene with Aquaman and Wonder Woman’s lasso a nice touch.
The Mother Box battle/Amazonian escape was thrilling.
Both end credits scenes are great, and even the actual credits thanked comics creators such as Jack Kirby, and I noticed Detective Crispus Allen, who eventually becomes The Spectre, listed as a character. Nice.
DC’s animated films have a much better track record of their live action output, barring the last two (The Killing Joke, Batman and Harley Quinn) and I’m excited to see the two Death and Return of Superman animated films that kick off next year.
Geoff Johns is a legend and super talented writer, so his continued involvement in any live action DC films is a huge step in the right direction. I am cautiously optimistic about what DC has planned next, and the Wonder Woman film showed that they can get it right. Come on DC. You can do it!
Like most readers, I felt disappointed after reading this issue. Sure, superheroes come back from the dead all the time, but Barry Allen, who for a generation of readers wasthe Flash, was dead for a long time. He gave his life to save the world, or worlds, from the Anti-Monitor in 1985’s Crisis on Infinite Earths. Virtually unseen since then, Barry’s mantle was taken over by his nephew Wally West. In my mind, Wally isthe Flash, and then when Bart Allen showed up as Impulse, and later Kid Flash, that was enough to fulfill my speedster requirements. So why bring Barry back? Good question.
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