Tracker: First Look Review

Tracker: First Look CvrOn sale in October is Tracker: First Look, which is a peek at Top Cow’s new mini-series, Tracker which launches in November. This First Look was previously only available at last month’s Comic-Con. At the Cow panel at the Con it was mentioned that Tracker would be a new look at werewolves, with serial killers thrown in. Now with this special issue we get the full story, or at least the beginning of it.

It opens with Agent Jezebel Kendall (cops never have boring names in fiction, do they?) arriving on the scene of a bus crash. She wonders why a Federal Agent like herself has been called to a traffic accident until she looks inside the bus and discovers not only a mass of mutilated bodies, but also a survivor. The survivor is an agent too, and it appears the reason he alone survived the “Blue Line Massacre,” is more than just luck. Alex O’Roark returns to work nursing a cane and tender ribs and is put on the case of the massacre – the work of a serial killer called Herod. O’Roark knows what he’s doing as he’s the tracker of the title.

There’s only 10 story pages in this preview book, but it’s certainly  a meaty start. Writer Jonathan Lincoln introduces us to not only O’Roark, but his girlfriend, boss and fellow cops, all while creating distinctive voices for them all. There’s no big reveal of Herod or the werewolves that are hinted at, but there’ll be plenty of time for such when the series kicks off proper. Francis Tsai’s art works well, and his colouring deserves to be mentioned. From the red glare of the bus massacre to the bright lights of the police precinct and hospital he makes each scene diverse enough to be interesting, and it’s all entwined with a subtle painterly approach.

Rounding out the extra pages are a few words from the 3 guys behind HVE, or Heroes and Villains Entertainment. In the new tradition of Top Cow aligning themselves with outside story developers, HVE appear to be men after my own heart and mention their love of Star Wars, Street Fighter 2 and Halo. Lincoln also mentions his love of werewolves and ends his text page with a powerful summary of Tracker’s premise – “A good man wakes up with blood on his hands.” Nice.

Also included are 3 pages of character summaries and a neato mini-poster of the cover, which reminds me of Ash from the Evil Dead films. Lastly writer of the excellent series Impaler, William Harms gives a one page intro to his new series, also aided by HVE, called Epoch. At the Cow’s Con panel Epoch was described as a “supernatural Fight Club,” with a bunch of diverse mythological creatures laying the smackdown on each other. Sounds good to me.

Only in the Comic-Con exclusive of Tracker: First Look are 7 pages of The Darkness/Pitt x-over by Paul Jenkins and Dale Keown. All I can say is that it looks very appealing, thanks to Jenkins and Keown, and that book hits shelves on August 26. As for Tracker, it’s off to a good start. I’m intrigued by the concept and O’Roark seems to be a great protagonist. Cops chasing serial killers we’ve all seen before, but not like this. With a new twist on the hairy moon howlers, the lone man who knows how to destroy them and the psycho Herod, who’s described as, “Hannibal Lecter with fangs,” this looks like a story worth following.

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Irredeemable #5 Review

Irredeemable #5Man, Mark Waid really is evil. More than the clever marketing slogan that launched this series, it’s becoming increasingly real as I read each new issue of this superhero-turned-bad series from BOOM! Studios. When I saw Waid at Comic-Con he was all smiles and thankful nods. If I see him again, I think I’ll avoid eye contact and walk slowly away.

With lines like, “On the upside, however, this is a boom time for map makers,”and, “Let’s call it even,” once noble superhero The Plutonian stamps his evil intent upon the world. His former team-mates of The Paradigm are inching their way to something that may one day resemble success and doubts over The Plutonian’s ex-girlfriend, Bette surface. The Paradigm are the sort of superhero archetypes we’ve seen before, and Waid humorously acknowledges that fact through the character of Volt, a black electricity wielding hero.

Waid does a great job once more of unleashing superpowered bitterness and child-like rage through his main character’s behaviour, and Peter Krause’s art is not overly rendered, but done with a darkness that fits into Waid’s plots. One glare or wry smile from The Plutonian is more than enough here, and that Hitchcock level of restraint from showing violence makes these pages work a treat.

As “slipped” at BOOM!’s Comic-Con panel, a new series called Incorruptible could be on the way, and with a title like that I can only assume it offers a look at The Plutonian’s past before the mysterious turning point flipped his switch. Waid wisely gives us glimpses at the character’s happier past in Irredeemable, but if BOOM! provides a look at The Plutonian’s two states of mind in separate, though perhaps concurrently running, series it opens up this tale to an even deeper reading experience.

The $10 TPB of the first four issues of this great series is out now, and seeing as #5 is only 99c you can get the whole mad tale thus far for less than $11. I bought mine yesterday because it’s one of those books you have to own to pass to your non-fanboy friends, despite any possible doubts they may have. This isn’t “just another superhero series,” and that’s what makes it so brilliant.

The Darkness #79 Preview

On sale August 12th is The Darkness #79 from Top Cow. Below are  a few pages from it, as well as the two covers by Jorge Lucas and Whilce Portacio.

The Darkness #79

(W) Phil Hester    (A) Jorge Lucas    (Cov) Lucas, Whilce Portacio

Jorge Lucas returns for a special issue of The Darkness.
Jackie Estacado, bearer of The Darkness, is through with being someone else’s bag man and assembles a special team of thieves, smugglers, and murderers for one purpose – to take down The Sovereign.

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A Few Good Films

And a few bad ones too. It’s been a while since I’ve done a film review, so here’s some I’ve seen recently that are worth watching, or worth avoiding.

JCVDJCVD. Jean Claude Van Damme was always one of the best action stars back in the day; the day being the ’90s. It always amused me how he somehow managed to do the splits in every flick. A few expensive divorces and bad films later and he’s not the star he once was. I can’t even remember the last time he was in a cinematically released film. Anyway, JCVD is his comeback of sorts. He plays himself as a fading star, with fans everywhere he goes, and gets caught up in a robbery at a post office. Let me just say that he’s brilliant in this. Yes, brilliant. He gives an Oscar worthy performance and shows the audience that he’s more than just the guy with the fancy footwork. If you don’t mind subtitles, give this a go. It’s more of a drama than an actioner, but hopefully it allows Van Damme more meatier roles in the future.

Punisher: War Zone. I liked The Punisher with Thomas Jane and John Travolta, back in 2004.  It stayed close to the dark comics, and despite the low budget and speed with which it was shot, it worked. The sequel, of sorts, doesn’t have as much – character, and Ray Stevenson does have a hardness that Jane didn’t bother with. The fight scenes are more brutal and gory and the plot is thin. Classic characters such as Microchip and Jigsaw aren’t really explored at all. It’s – okay as an action film, but Frank Castle deserves better.

Paul Blart: Mall Cop starring hefty Kevin James is somewhat funny. James is great in it, as a naive and loveable security guard in a shopping centre. It’s a little too Disney, but at least it’s safe for family viewing. The bad guys aren’t really so evil and the physical comedy mostly works.

Fighting. If you’ve seen last year’s Never Back Down, which was a cross between Fight Club and The O.C, there’s no need to see this film. It stars Channing Tatum as a young, homeless ex-wrestler who doesn’t mind a fight. Terrence Howard is in this film for some reason as a hustler who guides Tatum in his fights for cash. It’s a simple film and there’s no real substance to it.

12 Rounds. The best of the WWE Studios films so far, but that’s not saying a lot. Wrestler John Cena does his best to become actor John Cena and doesn’t too badly. He’s a New Orleans cop who accidentally kills the girlfriend of a bad guy who then kidnaps Cena’s woman a year later and forces him to run around the city completing 12 tasks in order to save her. Yes, it’s a little too similar to Die Hard: With a Vengeance (Die Hard 2, Cliffhanger) but director Renny Harlin stamps a visual flair on it that makes it better than average.

Incarnate #1 Review

Incarnate #1 CoverIn the new tradition of musicians creating comics comes Radical’s Incarnate, from Nick (son of KISS’ Gene) Simmons, and I gotta say, it’s not too bad. This 3 issue mini-series is a reinvention of the vampire mythos, but before you roll your eyes at that notion, let me say that Simmons, as both writer and artist does a respectable job of breathing new life in to the undead.

It opens with one of preacher/poet John Donne’s works about death, from a few centuries ago, before revealing a naked boy eating a dog in an alley, while speaking lines like, “I am a bloodhound tethered to an invisible master.” Right off the bat, you know this isn’t a typical vamp comic.

Mot, the naked kid grabs some clothes off a hobo he’s just drained blood from before shooting Connor, a vamp assassin in the face, but it’s just a flesh wound. The pair then go to a club of vamps, or “revenants” as they’re known in Incarnate where they discover that their old foe Solomon Vane and his family are tracking them. Not only that, they’ve finally discovered a way to kill them. A battle comences with Vane’s eager general Vincent and an army of well armed soldiers but only Mot and Connor remain behind to fight them, and things don’t look good for the pair.

Incarnate is off to an impressive debut. It’s wildly different from any of Radical’s other offerings. Their painterly, serious approach is not taken here and this resembles a standard comic that you’d find from another publisher. Having Nick Simmons’ name on the cover certainly helps, as does the exposure its received on his family’s reality TV show. Not  alot is revealed about the revenants at this point. We know they’re immortal and treat humans with disdain, but that’s about it. Two more issues isn’t much at all to build upon that mythology, but perhaps if this series is successful enough, more will follow.

The manga influences are strikingly obvious, but Simmons makes it work. His passion for manga can be seen on every page, with flowing blood, speed lines and jagged panels everywhere. However, there’s a sense of clarity and purpose to the design. It never feels cumbersome and the story is satisfyingly streamlined. I can only assume Simmons is the primary penciller, as there is also an inker, a colorist and three assistant artists given credit. I’ve never seen that before, but Nam Kim is the only one given the honour of a cover credit besides Simmons’ name. However, from all the interviews I’ve read, and his appearance at Radical’s Comic-Con panel, this is Simmons’ show all the way. Considering this is his first comic as both writer and artist, he’s off to a good start. Hopefully with his name attached, and its manga flavour, many non-regular comics readers will pay attention and give Incarnate the chance it deserves.

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Justice League: Cry For Justice #2 Preview

With this new 6 part mini-series by writer James Robinson and excellent artist Mauro Cascioli, plus the unique format of Wednesday Comics, let alone sending Superman away from Earth and killing Bruce Wayne, DC are taking some bold steps as of late. It seems to be paying off. Now, on to some pages from this week’s Justice League: Cry For Justice #2.

JLA Cry For Justice #2 Cover

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Vengeance of the Moon Knight #1 Preview

On sale on September 2 is a new Moon Knight series, with a new man under the mask, and covers by Leinil Francis Yu, Alex Ross and a variant by Tim Sale.  Official skinny below.

The White Knight Strikes Back in Vengeance of the Moon Knight #1!

Revenge is a dish best served at night, and Moon Knight has a fresh serving for Norman Osborn in the extra-sized Vengeance of the Moon Knight #1! The red hot team of writer Gregg Hurwitz and artist Jerome Opeña unleash an all new Moon Knight on the streets of New York City with a flurry of high tech weaponry in his vengeful arsenal! Exiled by Osborn’s rise to power, how does Moon Knight bring law and order to Norman ’s Dark Reign? From whom did he acquire his stunning new armor? And does he still kill criminals? One thing’s for sure, there’s something very different about this Moon Knight! Don’t miss covers by Leinil Francis Yu, Alex Ross and Tim Sale!

Marvel urges retailers to check all orders of Vengeance of the Moon Knight as it continues to garner significant buzz from all corners before its release! Marc Spector might be gone, but Jake Lockely is back in town, and he has a bone to pick with Norman Osborn. With new weapons, a new vehicle, and a new attitude, the extra-sized Vengeance of the Moon Knight #1 is a must read!

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Mr. Oblivious

One of the great things about Comic-Con is the massive amount of undiscovered talent on show. On my last day, with time dwindling I went for a last look down the Small Press aisles and browsed, and grabbed a few cards and flyers for later perusing on-line. Mr. Oblivious is one such discovery. The brainchild of Mark Gonyea, Mr. Oblivious is a regular web toon. The great thing about it is that the majority of the silent strips take a bit of thinking before the laughing commences, and all are accompanied by his initial sketches and thoughts. The wit on display is greater than the simple artistic approach may suggest. Gonyea is a talented guy and besides his Mr. Oblivious work, has also done graphic design, Story Posters and has released two books on design. Snoop around his site for a look at some unique art and a few chuckles.

Mr. Oblivious Canoe

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Green Lantern: First Flight Review

Green Lantern: First Flight DVDGreen Lantern: First Flight is the best looking DC animated film yet and should easily convince anyone that the live action film is well deserved. Writer Alan Burnett, who has been working with Superman and Batman in comics as well as animated form over the last few years, does a tremendous job of offering a streamlined version of this much loved space opera.

At the moment Green Lantern is one of the hottest characters around, thanks to Geoff Johns and his epic building Blackest Night event. The focus in this animated adventure is not about such complexities, as one film wouldn’t be enough, but it does a great job of providing all the information needed for the Lantern curious.

It’s essentially Hal Jordan: Year One but there’s no Rocky-style training montage. Less than 10 minutes after the film begins Jordan has received his ring from the dying alien Abin Sur and is off to Oa, where he’s partnered with veteran Lantern, Sinestro. It’s been described elsewhere as Training Day in space, and that’s a tidy fit. Hal is the first earthman to receive a power ring, which enables its wearer to make constructs of whatever they can imagine. The Green Lantern Corps (an intergalactic peace keeping force) have been around for aeons, thanks to the Guardians, a race of little blue creatures who fashioned the rings and oversee the Corps.  Jordan’s not a popular new recruit, and the myriad of aliens know Earth doesn’t have a good track record. However Sinestro offers to show Jordan the ropes. This is when Jordan grasps what the ring is capable of, and its weakness to the colour yellow, as well discovering that Sinestro is sick of the system and has secretly been trying to take over the Guardians’ job as rulers of the universe.

gl hologramThe problem with this film is the same thing that makes it so enjoyable for fanboys. It is a non-stop ride. Viewers will get more from it if they’re already somewhat familiar with the GL concept. The basics are offered, but with no real explanations. The bonus features offer more answers to the mythos though, with Geoff Johns chiming in about Blackest Night, and summaries of the Guardians and Sinestro. There’s also an excellent look at September’s Superman/Batman: Public Enemies film, which looks rocking. It re-unites the original animated voices of Superman, Batman and Lex Luthor and sticks closely to the first few issues of the Jeph Loeb and Ed McGuiness series. With its ramped up action and guest stars galore, this could possibly be the best of these movies. Also included are previous looks at the earlier films, Justice League: New Frontier, Batman: Gotham Knight and Wonder Woman, the latter of which GL director Lauren Montgomery also directed. Trailers for Harry Potter and the Half-Blood Prince, Ban 10: Alien Force, Bakugan and Batman: Gotham Knight round out the extras on the first disc.

Disc 2 has the best extras, with more Geoff Johns, but this time he reveals his history on the character and how he sees Hal and co. This feature also includes heaps of eye candy, with art from Ivan Reis, Dave Gibbons and others. It’s an interesting, though brief, look at Johns, as he mentions the doubts many had on Hal’s future, his research at Edwards Air Force Base, and how he got his internship with Superman director Richard Donner. The classic Green Loontern episode from the Duck Dodgers in the 24 ½ th Century TV toon from a few years ago is here too. Duck Dodgers accidentally receives a Lantern suit and ring from the drycleaners and must rescue the Corps from the clutches of Sinestro. It features many light hearted cameos, including Kevin Smith as Jordan! What is becoming a regular extra is Bruce Timm Presents, where the veteran animation producer and character designer chooses two fave episodes from the DC animated banks. Here it’s the Once and Future Thing Part One and Two from Justice League Unlimited. This is a welcome extra, but an introduction by Timm on who he is and why he chose these episodes would make sense.

Each Lantern suit is slightly different not only from its comic book counterpart, but also from each other. Carol Ferris, Tomar Re, Ch’p, Arisia, Kilowog and The Guradians appear the same in both appearance and personality, but other familiar characters are strangely different, such as the Weaponers of Qward, Abin Sur, Kanjar Ro and Boodikka, voiced by Tricia Helfer.

gl lit scream 2I can see this film being one which separates audiences. It’s perhaps too much for DC novices, but it looks splendid,  and is filled with action and many (off-screen) deaths. 77 minutes isn’t long enough for an introduction into the sprawling GL mythos, though the extras help reveal more. The music by Robert Kral is the best of these movies, and I’m glad to see Sinestro eventually get his fancy yellow suit.

The voice acting is great too. Christopher Meloni (Law and Order: SVU) handles Jordan well, as does Michael Madsen with Kilowog, and Victor Garber (Alias) is pitch perfect as Sinestro, with menace and arrogance in equal measure. Garber’s role is the largest one in the film and he steps up with relish.

First Flight won’t be for everyone, but it’s close to the comics for the most part and its mix of space faring adventure, cop show and dazzling visuals should be enough for fans of DC and good animation. Considering this is the second direct-to-DVD release from DC this year, with one more to come in 2009, its pretty impressive. They keep churning them out with no loss of quality.

Green Lantern: First Flight is available on DVD, Blu-Ray and On Demand now.

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This Week’s Ramblings

Dellec #1Beast Boy from the Teen Titans appears in Batman: The Brave and The Bold #7, the series based on the amusing cartoon. This issue centres on the original Doom Patrol and gives succinct origins for each member, and Beast Boy, or Changeling as he’s sometimes known, is along for the ride. However, why does he wear a mask? Odd.

Dellec #1 is the kick-off for this new series from Aspen Comics. They’ve wisely branched out their properties lately, so their books aren’t all about Fathom and Soulfire. The teaser Dellec #0 didn’t offer any answers to the direction of this new series, and we are not given any more clues here. What we do know is that Dellec is a tough guy who fights evil, with elements of faith thrown in for good measure. This issue opens splendidly with the hero’s fight against a gang calling themselves the Kongs, because they dress up as primates. The art by Micah Gunnell is awesome, and a perfect fit for this action packed book. Writers Frank Mastromauro and Vince Hernandez really need to start revealing more though, especially considering there’s only 7 more issues to go. So far it’s all noise and blood, but with very little substance, but it does have plenty of room to move and is graphically designed very well.

The best line this week would have to come from Dynamite’s Sherlock Holmes #3 written by John Reppion and Leah Moore. Ready? Here it is.

“Oh my giddy Aunt! Will you look at that?”

Classic. I’m going to slip that into my conversations from now on.

This Week’s Marvel Stuff

As usual, there’s a bunch of Marvel goodies going on sale this week, including New Avengers #55, the Dark Reign: The Goblin Legacy one-shot and Dark X-Men: The Beginning #2. For the complete list see the link below.

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Superman, Batman And Batgirl Motion Comics

The Watchmen Motion Comic is awesome, and now more are on the way. Full skinny below.

WARNER PREMIERE CONTINUES TO LEAD THE MOTION COMICS CATEGORY WITH THE DEBUT OF “SUPERMAN: RED SON,” “BATGIRL: YEAR ONE” AND “BATMAN: BLACK AND WHITE” COLLECTION 2

First Episode of Superman: Red Son Available for Free via iTunes for Limited Time – Click here now.

Complete Motion Comics Series for “Batgirl: Year One” and “Batman: Black and White” Collection 2 Debuts

RED_S0N_IMAGE1Warner Premiere and Warner Bros. Digital Distribution today announced three new additions to the best-selling Warner Premiere Motion Comics slate. Classic graphic novels Superman: Red Son and Batgirl: Year One, as well as graphic album Batman: Black and White Collection 2 entered the digital age as Warner Premiere Motion Comics on the iTunes Store. Also announced today comrades everywhere, for a limited time, can download the first glorious episode of Superman: Red Son for free and see how Stalin’s most powerful weapon swayed the balance of power during the Cold War.

Continuing to lead the motion comics experience, Warner Premiere’s Motion Comics connect comic fans to authentic DC characters through short-form content. The Motion Comics slate draws on a deep reservoir of source material to bring a visually engaging experience to life through the use of subtle movements, voice-overs, sweeping music scores and stunning comic book artwork.

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“Last year we debuted our Motion Comics slate and saw the voracious appetite graphic novel fans had for this digital content,” said Diane Nelson, president, Warner Premiere. “One of the reasons for our success is Warner Premiere working closely with DC Comics to determine if a story naturally lends itself to becoming a motion comic. Another key is the process we use to select the studios that ultimately create these motion comics. They are very passionate comic book fans so creating these motion comics really are a labor of love. We’re very proud of our success and look forward to bringing more titles to comic fans in the future.”

Superman: Red Son

RED_SON_IMAGE2Warner Premiere Motion Comics is proud to bring “Superman: Red Son” to its Motion Comics slate. Based on the Eisner Award-winning graphic novel written by Mark Millar and drawn by Dave Johnson and Kilian Plunkett “Superman: Red Son” takes viewers back in time to the Cold War between the United States and the Soviet Union where Superman is fighting for the Communists. In this alternate universe, Superman lands in Russia rather than the United States andSoviet Union’s greatest weapon as the world is transformed into a communist state opposed only by a crumbling capitalistic AmericaLex Luthor. Now as Superman stands on the brink of ultimate power, three heroes, Batman, Wonder Woman, and Green Lantern, each make a valiant stand to destroy the reign of the Man of Steel. The Superman: Red Son Motion Comic was animated by New Zealand-based Karactaz.

For a limited time, the first episode of Superman: Red Son is now available on iTunes for free. To download, visit here or here. Future episodes will debut once a week and fans are encouraged to sign up for a Season Pass to automatically receive future episodes.

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The Art Of Top Cow Preview Part 5

And this concludes our daily sneak peek at the 352 page gallery that is The Art of Top Cow coffee table book. The book is out now. If you want to induce drooling, it’s worth grabbing.

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Punisher R.I.P

On sale on August 19 is Punisher#8 written by Rick Remender and art by Tan Eng Huat (Doom Patrol). It’s described by Marvel like this: 

Dark Reign The List brings the most dramatic changes ever to Punisher! Dark Wolverine faces off against Frank Castle and the Punisher’s (after)life is altered forever! Beginning with Punisher #8, don’t miss four special Rest In Pieces Variants, all clues to the startling changes ahead for the Punisher! 

And if that doesn’t perplex and excite you, check out the John Romita Jr. promo below.

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