Witchblade Volume 5 Review

I can count the issues of Witchblade that I’ve actually read on one hand, but with the TV show from a few years ago, and the relatively new anime adaptation, plus the upcoming feature film, it’s not like I’ve been unaware of the series. I guess I had unfair expectations laid upon it, as it was one of those books that began in the mid 1990s, when the bad girl craze was sweeping the comic reading public into a hormonal frenzy. Characters like the star of this book were lumped together with Lady Death, Vampirella and many more whose sole function seemed to be to titillate prepubescent readers.

Witchblade was also a character created by four different creators, so that didn’t necessarily help find its focus. However, in the last few years, publishers Top Cow have wisely started to integrate and expand their roster of characters. This move can be seen clearly in this volume, with guest stars from other Top Cow titles and the history of the Witchblade becoming deeper. Recently this series has begun revealing numerous wielders over the years of this powerful mystical gauntlet that is the ultimate girl power accessory, which opens up even more story possibilities.

This TPB is a hefty one, as it collects the Cow x-over mini-series, First Born as well as issues #110-115 of the ongoing Witchblade series. There’s also an introduction from The Walking Dead and Invincible creator, Robert Kirkman and a dazzling cover gallery. All in all this tome contains all 226 colour pages. That’s a lot, and the best thing I can say about it is that I read it all in one sitting. Believe me, that’s high praise indeed. I barely got out of my seat as I flicked through these glorious pages. It had my attention and wouldn’t let go, and that’s something I wasn’t expecting.

Basically, the first few issues of this adventure are focused on cop, and former Witchblade wielder, Sara Pezzini, as well as mob boss Jackie Estacado, AKA The Darkness, the holy warrior Magdalena, Dani Baptiste, a dancer and current Witchie owner and baddest of the bad girls, Celestine AKA The Angelus.

This book starts off with a handy one page guide, which explains all the characters in this world in a pleasantly succinct way. The beauty of this tale is that it’s intense and epic, but not overly complicated, which is more than we can say for most of what’s on offer from The Big Two. Even if you’ve never read an issue of Witchblade before, you won’t feel scared off by this volume.

Written by one of my favourite writers, Ron Marz (Green Lantern Kyle Rayner’s creator) this book details the war fought for Sara’s upcoming baby, of whom the origins are mysterious, though the details are eventually revealed. Lots of running and hiding and fighting ensues as the pregnant Sara, her lover, fellow cop Patrick Gleason (I keep thinking of the GL Corps penciller of the same name!) and sometime ally Jackie Estacado gang up to defeat Angelus’ winged warriors. As Estacado tells Detective Gleason, “In real life, the bad guys don’t always wear black and the ones with wings aren’t always the good guys.” That sums up the supernatural/spiritual/primal themes pretty well. The three manage to fight the hordes (that look like something director Guillermo del Toro would’ve imagined) and escape, after Gleason somehow survives a brutal stabbing. Jackie takes Sara and Dani straight to a secret cavern, where Magdalena shows up. Sara gives birth and the battle begins anew as the Angelus and her followers struggle to keep the baby all to themselves for the sake of the Balance. The newborn, later dubbed Hope brings a surprising victory, which also leaves the Witchblade split in two, for Sara and Dani.

After this battle concludes, things change pace somewhat abruptly. Sara adjusts to life as a new mother, Dani finds a budding romance with a shop owner called David Worthy, yet the girls still manage to find action, or rather, it finds them as they take Hope for a stroll in the park and find that evil forces still want the baby for their own purposes. Both girls also manage to run into different muggers while shopping at different times, which makes the action in the second half seem more forced than the first. The last few issues are akin to Buffy Lite; lots of girls talking casually, new relationships forming, but with short bursts of fighting interspersed throughout. Some may find all the dialogue a bit annoying after the hectic first half, but Marz is a gifted writer and handles it naturally. With this much going on, the fact that there is no lengthy exposition or narration is pretty impressive.

This is a light read, despite its burgeoning cast of characters and lengthy history and its very easy to keep track of what’s going on at all times. I can’t go any further without mentioning the art. It’s beautiful and I don’t mean the fact that all the girls look like supermodels (and so do the guys, come to think of it) Stjepan Sejic is the primary artist. His pages are luscious. Obviously tinkered with computer to look like paintings, he has a skill that deserves more work. Look at the cover gallery included and you’ll see what I mean. There’s enough pretty pictures (even his ugly monsters look gorgeous) to fill a Metallica fans bedroom walls. In every panel, the light, textures and backgrounds are all rendered with such detail; a rarity in the posing superheroes against blank backgrounds in a lot of comics today. If I was on the Cow’s marketing team, I’d create ads from these pages in every heavy metal mag I could get a hold of. Long haired head bangers would lap this art up I’m sure.

More traditional and seasoned pencillers such as Luke Ross, Stephen Sadwoski and Rick Leonardi fill out the remainder of this volume, but the change is not jarring from one ish to the next. There is also a preview of The Darkness ongoing series, which details its supernatural origin effectively.

There is some profanity here and themes that won’t be everyone’s cup of tea, but I was impressed by this series and would be curious to see where it goes next. All the hard work building this universe has paid off. Jaded fanboys and newcomers alike will find something to sink their teeth into here, and probably will want seconds. Surprisingly recommended.

Broken Trinity Lithograph

Top Cow Productions, Inc. announced today it will make available a limited number of lithographs of Jeffrey Spokes’ triptych image created for the company’s Broken Trinity summer event. The image features the Trinity of the Top Cow Universe – Witchblade, The Darkness and The Angelus.

The image was broken into three parts and initially appeared as alternate covers for the Broken Trinity tie-in issues published by Top Cow. Broken Trinity is a three-part mini-series with three tie-in books in which at least one established character dies and new characters with permanent ramifications for the Top Cow Universe are introduced. The three main books are by the Witchblade team of Ron Marz and Stjepan Sejic with Phil Hester providing layouts, while the three tie-in books include work by writers Marz and Phil Hester (The Darkness), and artists Jorge Lucas (The Darkness), Brian Stelfreeze (Batman: Black and White) and Nelson Blake II (Black Vault).

Jeffrey Spokes’ comics work outside of Broken Trinity includes covers for Virgin Comics’ Sahdu: The Silent Ones and Devi. He has also done commissions for Star Wars, X-Men and Hellboy, and his original works have appeared in The New York Times, all showcasing his highly sought-after work. More examples of Spokes’ fantastic artwork can be found at his website.

“We were introduced to Jeffrey Spokes’ work by Broken Trinity writer Ron Marz and I was immediately taken by his incredible sense of design and artistry,” says Top Cow Publisher Filip Sablik. “We’re incredibly proud to offer Jeffrey’s three covers for Broken Trinity as the unbroken, beautifully iconic piece he originally envisioned.”

The 11″ x 17″ lithograph is available in October and comes in a protective sleeve with a certificate of authenticity. The lithograph retails for $29.99. Fans who wish to pre-order the item should provide their comic shop retailers with Diamond Item number AUG082283.

Pretty Pics

Here’s a look at some snazzy artwork from Marvel. First up is a text-free gander at the cover and the first 3 pages of Mighty Avengers #18, a look back at the disappearance of the eye-patch wearer himself, Nick Fury, as he begins training his Secret Warriors for the Skrull Invasion. This tie-in to the colossal Secret Invasion storyline is written by Brian Michael Bendis, with art by Stefan Caselli, with a cover by Marko Djurdjevic. Mighty Avengers #18 goes on sale on September 17.

Secondly, there’;s the cover of Amazing Spider-Man #569, the second part of the New Ways To Die storyline, and the first appearance of the Anti-Venom. It’s written by Dan Slott and pencilled by John Romita Jr. The Adi Granov villain close-up is the variant cover and is on sale now.

Marvel Pics (& News) Galore

Over at the always informative MySpace ComicBooks  (become their friend! They’re lonely and in desperate need of companionship) you can check out a free issue of The Luna Bros’ new series, The Sword, and check out the trailer for novelist/comics scribe (Identity Crisis)  Brad Meltzer’s new book, The Book of Lies. Lies is an intriguing tale, which weaves humanity’s first murder, (when Cain killed his brother Abel in the Old Testament) with the little-known story of Superman co-creator Jerry Siegel’s father’s unsolved murder.

Marvel head honcho, Joe Quesada also continues answering fans burning questions about Spider-Man’s New Ways to Die story arc, and the new DVD toon, Next Avengers, which centres on the kids of Captain America and his fellow Avengers teaming up with an ageing Hulk and Tony Stark (Iron Man) to take down the future Ultron.

A good starting point, though it may be too kiddie for hardcore Marvel zombies.

Radical Trailers

No, I’m not attempting to describe caravans in 1980s vernacular, but rather shine the light on a few trailers from new publisher, Radical Publishing. These trailers for their new comic series had their debut at July’s Comic-Con, and I gotta say, they all look very impressive. I’ve seen a few dodgy comic book trailers in my day, but these are very well crafted. First up is the fantasy Mateki: The Magic Flute, followed by the Western, Caliber: First Canon of Justice and lastly, there’s the sci-fi of Shrapnel, which is being released in 2009. You can also check out my review and the trailer for Freedom Formula here.

War Machine Pics

With Iron Man occupied in the  Savage Land , the Skrulls may think they’ve eliminated their armored opposition, but War Machine (ie, Tony Star’ks mate, James Rhodes) is out to prove them wrong in this must-read Secret Invasion tie-in! Iron Man: Director S.H.I.E.L.D #33, from acclaimed Thunderbolts writer Christos Gage and fan favorite artist Sean Chen (Nova), kicks off “War Machine: Weapon on S.H.I.E.L.D,” which redefines War Machine’s place in the Marvel Universe as a result of Secret Invasion…and setting the stage of his upcoming ongoing series! A major new chapter in Tony and Rhodey’s history begins right here!

The ish goes on sale September 17. A preview art of the first four interior pages below, and the cover by Adi Granov, courtesy of the fine folks at Marvel.

The Art of Marc Silvestri

Those Image Comics founders sure know how to draw. Without those mad pencilling skills, there’s no way they ever could’ve jumped Marvel’s ship back in 1992 and bring a whole lotta fans with them. Silvestri is one of those original rebels and his pencils on his own creations like Witchblade, Cyberforce and The Darkness (also a freakily good console game) are things of equal beauty and horror. He has returned to Marvel over the last few years to perty up the pages of X-Men, primarily during the Messiah CompleX series.

The Art of Marc Silvestri book covers the Top Cow CEO’s whole career and also features commentaries by fellow artists Dave Finch, Brandon Peterson, Billy Tan, Mike Choi and Michael Broussard.

The full colour 96 page hard cover book goes on sale August 20, for $US29.99. It’d make a great coffee table book for art lovers or fans of superheroes and villains and the tight bodies that they all possess. See what I mean by checking out a few luscious pages below.

Simpsonised Superheroes

The Simpsons is a wonderful creation. Able to merge all facets of pop culture effortlessly the longest running animated series is a fanboy haven of in-jokes and parodies. The tie-in comics by Bongo have been written by one of my fave writers, Chuck Dixon, and an issue of Simpsons Comics even featured a fight between writers Grant Morrison and Mark Millar.

And now, there’s this. The product of artist Dean T. Fraser, Springfield Punx takes some great characters from the halls of pop culture and re-designs them as they would appear on The Simpsons. There’s much more at his blog, but here’s a few of my faves – Superman, Batman, Nightwing (AKA Dick Grayson, the first Robin), Robin III (AKA Tim Drake in his cool new costume), Joker’s main squeeze, Harley Quinn, amputee Aquaman from his morose days in the 1990s and finally, Lion-O, leader of the Thundercats. Still hungry for more? Then you can also check out Project Rooftop, which is filled with even more wild re-imaginings of superhero costumes from a gaggle of talented artists.

Pretty Pics

Because the inter-web is chock full of pop culture pearls, here’s a look at a this week’s pictures. First up is the cover of Gigantic #1 from Dark Horse, who have this to say about the November launching 5 issue mini-series:  It was a beautiful spring day in downtown San Francisco before a gigantic armored alien appeared from out of nowhere and began smashing things all to hell! Who is this invader? Why is he being attacked by strange alien beings? And why is he so GIGANTIC? A twist on The Truman Show, Gigantic focuses on a brainwashed, alien superhero deposited on Earth to be the spotlight of an intrusive, around-the-clock television program being filmed without his knowledge.

Critically acclaimed writer Rick Remender (Fear Agent, The End League) teams up with groundbreaking artist Eric Nguyen (X-Men, Sandman) in the merging of big, visually exciting art with a story examining America’s consumer-based culture.

Sci-fi thrills and superhero action from the one and only Rick Remender!

This is the cover to the third part of the awesome Braniac storyline currently running in Action Comics, by the always reliable Geoff Johns and Gary Frank. #868 is out tomorrow.

The last two are covers from Marvel, namely this week’s Captain Britain & MI 13 #4, and the second printing variant cover of Hulk #5, featuring the Thortastic art of Ed McGuiness.

The Core Review

Jonathan Hickman is the flavour of the month year. As he should be. Like David Mack, he seems to approach sequential art with wide eyed optimism. Perhaps he’s grown up reading superheroes his whole life like most other creators, but he doesn’t bring a stifling love affair of superhero conventions with him. What he does bring is a sense of bold experimentation to every project he works on that seems to push comics into a new realm.

Image Comics’ Nightly News is the prime example. Granted, it took me a while to adjust to its unique two-tone design and conspiracy laden journalistic themes, but it was different enough to be noticed. In his other books since, such as Transhuman and Red Mass for Mars, he has restricted himself to one credit – that of writer and has left the art duties to others, which has been hit and miss. But Hickman as either writer or artist is a hard act to follow. Even when he’s not creating the look of the interior pages, its obvious his intelligent eye is behind it. The Core is Hickman’s best looking book in which he has been scribe only. His collaborator here is Kenneth Rocafort, best known from his work with Paul Dini on Madame Mirage, also from Top Cow.

The Core is part of the Cow’s second Pilot Season event, in which fans are presented with 6 one-shots to choose from. The most popular two, as voted by fans on Top Cow’s MySpace page (complete with previews), are then given their own series. It’s a great idea for the fans and a wise one from the publisher, as it lessens the risk of publishing multiple titles somewhat. Twilight Guardian, Alibi, Lady Pendragon, Genius and Urban Myths are the other choices. I would expect Myths and The Core to win, but you never know.

The Core is seemingly familiar territory to Hickman fans. Thrown straight in to a galactic battle, a young human soldier becomes the next elite member of a Special Forces team. The tale is told primarily from his point of view as he relates his adventures to his father, upon whom a nice twist centres on in the last few pages. Hickman reminds me of George Lucas, except he’s a much better writer. The guy doesn’t know how to write small – his ideas are grandiose and there’s no better form of expression for big ideas than sequential art. Voting is now open for Pilot Season and the first five pages of The Core are below, in case you’re not sure of which way to vote. Rocafort isn’t afraid to use plenty of white and use eye catching layouts. His alien race and ship designs are also pleasing to the ocular cavities. See for yourself.

Jonathan Hickman’s official site

Top Cow’s Pilot Season

Marvel Pics

A few select pictures to satisfy your eyeballs. The third printing cover of Wolverine #66 as part of the future-set Old Man Logan storyline by the Civil War team of Mark Millar and Steve McNiven, the second printing of the Secret Invasion tie-in of Black Panther #39 by Jason Aaron and Jefte Palo, with a cover by Jason Pearson and finally a few pages from X-Force #6 by Christopher Yost, Craig Kyle and Clayton Crain.

Astonishing X-Men Pics

Here’s a look at the second and third covers from the new Astonishing X-men penciller, Argentine Simone Bianchi. Issue #26 features a stylised design of one of my favourite X-guys, Beast, and #27’s black and white art features the fave of many others, Wolvie doing his thing in front of Scott Summers AKA Cyclops. The new creative team’s debut, #25, with acclaimed writer Warren Ellis sold out quickly, so keep an eye out for these covers on the 13th of August and the 17th of September respectively. Below those two pics are the Terry Dodson cover and a few preview interior pages from the first issue of Secret Invasion: X-Men. The four ish mini is written by Mike Carey with art by Cary Nord and follows the X-dudes as they beat up the Skrull army currently invading the Marvel Universe.

Mice Templar #5 Review

I’ve been following this series since it began. It doesn’t have the traits of my usual picks, ie, no spandex, or space ships, or surprising resurrections. It doesn’t even have any secret identities! But what Mice Templar does offer is great story telling, and that’s enough to make it stand out from the superheroes crowding the racks.

Writer Bryan J.L Glass (Magician: Apprentice) and artist Mike Avon Oeming (Powers) are crafting this series in to the next great epic in sequential art. I’d compare it to Lord of the Rings since it deals with a dirty fantasy world rich in textured history, but it can also win favour with the Narnia crowd in the way it wraps deceptively cute anthropomorphic adventures in a cloak of adult themes. It would undoubtedly be a more engrossing experience reading the complete series, once finished, in collected form, but thankfully each issue has a handy reminder of what’s come before to refresh the memory. Since this is a bi-monthly series, this addition is particularly welcome and the casual reader should find enough with any issue to be hooked immediately, and the handy MT web-site will also fill you in on all you need to know.

The story told thus far concerns Karic, a young mouse who is rising up to become the next Templar, a long lost group of holy warriors who destroyed themselves long ago. After Karic’s village was raided and his family lost, he managed to rescue and befriend that old fantasy favourite-the mentor, and his rise to glory and greatness continues unabated. Actually, that’s not entirely true, which is what makes this series so exciting. There is always a sense of dread when reading Mice Templar, as betrayals and deaths and bloody battles drag the story to it’s unknown conclusion. Rats and owls and bats all seem horrendously fierce in a world where your best weapon is a lack of trust and a quick pair of legs. Karic’s earnest desire to fulfill the Fish Gods prophecy for him leads him to meet other Templars, such as Pilot (whom he rescues) and the bitter Cassius. Each issue ends on a cliff hanger as every rousing tale should and this one is no different, in which Karic must question his motivations thus far. Is his hope and admiration for the Templars a deserved one, or is he just way too naive and in over his head?

With rats tormenting Karic’s captive family, together with danger and disappointment wherever he turns it appears Karic has a hard road ahead, but it’s certainly a joy to watch him walk it. Like the young legend-in-training, we too never know what’s around the corner.
It’s also a joy to look at, as these preview pages attest. Oeming’s artwork never fails to delight and here resembles Mike (Hellboy) Mignola in his use of hard edges and prominent use of shadows, but with a more versatile approach to bold layouts. His eye for page design is frequently inventive and matches the varying pace of the story’s rhythm. Wil Quintana’s colours can not be ignored either. From sunlight pouring in to caves, to moonlit battles and cities illuminated by torches, it’s a luscious book to behold. Thanks to these two artists every page looks vibrantly different and demands more than just a cursory look. Really, this is what good, or rather, great comics are all about – engrossing characters risking it all who take readers with them on a dangerous journey. I’m not exactly sure where the road will end, but, like driving in the dark with a mumbling hitchhiker, it’s scary and uncertain but definitely entertaining.

More of Tori & More from Image

My third Tori Amos post! I promise no more after this. Probably. Here’s the CSN Comic Book Tattoo I mentioned yesterday for your reading pleasure. It’s a lengthy interview and a big file (6mb). It is hastily scanned and I’ve tried my darndest to flip the pages, but to paraphrase Homer, if something is hard work, it’s not worth doing!

Enjoy, and also for those of you that don’t like reading, there’s also some pictures from Comic Book Tattoo publisher, Image Comics, such as Perhapanauts #3 and the latest issue of the always fun to read Mice Templar (a review of which will be coming soon). There’s also looks at Frank Frazetta’s Swamp Demon, Joe Casey’s Charlatan Ball and Screamland.