Harker #4 Out

Those crazy gents from Ariel Press have released the brand spanking new issue of the awesome crime series, Harker. You can order it as a PDF or hard copy from their website. I interviewed the creators behind the unique British crime title for the second issue of Extra Sequential, starting on page 32. Writer Roger Gibson and artist Vince Danks have really created something special with Harker, as you can see by the text-free pics below. The TPB collecting the first 6 issues is due for release in September.

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Bleeding Cool Launches

bclogoOne of the best regular features on comicbookresources.com was Rich Johnston’s Lying In The Gutters column. Every week for 7 years Rich broke down the latest happenings around the comics biz and it was usually the place to hear things first. Last week was the final LITG column, but fear not highly devoted fanboys and girls. He’s now moved to a new site – Bleeding Cool, and has taken a few mates along with him. It’s brand new and minty fresh. Rich’s last LITG column is a casual look back at his unique niche, and there’s also a great interview with him in the new Tripwire magazine superhero special.

Power Up Review

Power Up CoverThis must be the funniest book I’ve read all year. Doug TenNapel is no newbie to making people chuckle though. This is the guy that created the video game Earthworm Jim back in the 90s after all. Since then he’s been fairly prolific as a creator of unique OGNs such as Creature Tech and Monster Zoo, as well as dabbling in film, TV and music.

His broad, sketchy style is immediately recognisable but his true skill lies in his perfection of timing. It’s always more difficult to make comics as funny as a cartoon or anything live action. Obviously, there’s no motion or sound effects to assist in the bringing forth of chortles. TenNapel’s not bothered by that however. He knows exactly what he’s doing.

Power Up is a 126 page black and white adventure  from Image focused on Hugh Randolph. He’s just a normal guy, with an encouraging wife, a son who wants to be a professional paintballer and a cat who has the propensity to sit on his face. He works at Kopyko’s for a thankless boss, who soon “promotes” him in order to fire the elderly Mr. Wembly, and his attempt at doing so is one of the book’s most amusing scenes. Together with his co-worker, the somewhat dim Doyle, he dreams of working for Electronic Artisans on their new game, Earth Dog Jim. Yes, gamers will easily spot those references. His Eastern European boss isn’t too pleased with this distraction, or as he puts it, “No monkey around with the tetris-pong mario! You keep mind on work!”

One fateful trip home Hugh discovers an old gaming console on a front lawn, products of a deceased inventor, now being sold by his widow. Hugh snaps them up and tries to entertain his son with them, but he’s unimpressed by the game’s 8 bit graphcis and apparent lack of gameplay. After some perseverance however, Hugh discovers what the game is truly capable of. Hilarity ensues. Really. Thanks to a secret button on the hefty joystick, Hugh becomes the recipient of various power ups that launch themselves at him from inside the game itself. He soon fills a bag with newfound spheres, such as forcefields, invisibility and so on, using them for his own gain in amusing ways. Hugh also gains the power of a free life from the game, which leads to shenanigans the likes of which were seen in the Michael Keaton film,  Multiplicity.

Almost every other page has a laugh in this book, from Moby the cat’s expression as he slides down an invisible shield to Doyle’s hairy chest revealing antics. This is the first book of TenNapel’s I’ve read. I have his Earthboy Jacobus OGN on my “I’m getting to it” shelf, and now I have to pick it up, after enjoying this.

Power Up’s beauty lies in its simple, yet heartfelt story. It’s humorous, to be sure, but it also has a powerful message between the laughs. It reminded me somewhat of the Adam Sandler film Click in the way it shows a man in love with his recent abilities while neglecting his loved ones. Also like that endearingly amusing movie, it shows the importance of family towards the end of the story.

It’s quite impressive that TenNapel can convey the emotions he does. At first glance the art looks almost too sketchy. It’s not, but that reveals his cartooning background – the ability to show a lot of expression in few lines.

This is a book for Gen X gamers looking to share something with their kids, or those who simply want an enjoyable comic that’ll make them laugh. A lot.

Irredeemable #3 Review

Irredeemable #3 CoverBasically all you need to know about this series is that it is centered on The Plutonian. He used to be a great goodie and he’s turned into an evil baddie. It’s a great and simple premise, but writer Mark Waid has fashioned it into quite the complex tale. As any scribe knows, or is at least told, no-one wakes up in the morning and decides, “I think I’m going to be evil today!” Every well crafted villain, especially in comics is motivated by what they see as a genuine cause. Lex Luthor is motivated by his ego, Magneto is motivated by belief in mutant superiority, and so on.

The beauty of Irredeemable is that we are given glimpses into The Plutonian’s reasons for turning evil; the emotional erosion that gradually forced him to turn from humanity. As he says here he lives in “a world of miserable, bitter, ungrateful paramecium who lash out at you in a state of perpetual rage for not solving their problems fast enough.” It’s part of a great speech and gives concrete words to the years of frustration he’s obviously felt as the world’s most loved superhero.

This ish opens with a voyeuristic, though unrevealing, sex scene. Apparently the ex-hero likes to watch, and has lost someone dear to him. Like the previous issues, there is carnage here as his former team-mates from The Paradigm discover a Batcave-like hideout of Inferno, one of The Plutonian’s friends. After Inferno’s death, his secret identity became public, so the Paradigm members go there in the hopes of finding some clues as to how to stop The Plutonian’s rampage.

A few supervillains have the same idea, and just when it looks like The Plutonian will team up with them, he shows that he’s not really that interested in making any friends.

Peter Krause’s art is freshly realistic, but not overly so. Some of his costume designs seem somewhat outdated, but it must be difficult to come up with new superpowered analogues. We’ve seen a lot of them, and Mark Waid has created a many over the years.

This isn’t the best issue of the series, but it does move the tale forward. The danger would be in not humanizing The Plutonian, while only throwing us tantalizing glimpses of the past, a la Lost. However it’s obvious that Waid has thought about the past, present and future of Irredeemable and is having as much corrupted fun throwing it at us as we are with reading it.

Astonishing X-Men #30 Preview

That Astonishing X-Men sure is one pretty series. The final issue of its Ghost Boxes story arc by writer Warren Ellis and awesome artist Simone Bianchi hits shelves on June 24. Below are a few random pages.

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I just ran in to the rather humorous comic strip below on Dark Horse’s site. There’s plenty more at creator Jon Adams’ site. That’s the joy of the internet for ya. There’s so many hidden gems that it’s like Christmas every day.

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Obama vs Monkey

ObamaStory1That Barack fella just shows up all over the place these days. He’s the biggest hit in comics since the zombie craze. He’s shown up with Spidey, Youngblood and has had a few biographical stories from various publishers too. Even his dog is showing up in Marvel’s Lockjaw and the Pet Avengers. Now he’s got his very own children’s book. This 207 page book written and drawn by T.S Lee comes to a hapless world from Korean publisher Dasan Studios, and their new U.S imprint, Joyful Stories Press. It’s titled The Obama Story: The Boy with the Biggest Dream! and is the first in a series of manga biographies.

See below and cringe, or be inspired to make your own dream come true. Or perhaps ponder what the next page will be as “Barry” fights a wild monkey. Now that’s entertainment.

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The Aliens of Olympus

Aliens #1 CvrI’ve been working my way through the excellent 8 disc Alien Quadrilogy box set as of late. Every film in the franchise is so distinct yet it manages to tie-in to an overall story structure, which is impressive. This year is the 30th anniversary of the first Alien film by Ridley Scott and to celebrate, long-time holders of the franchise in comics form, Dark Horse are releasing a new Aliens series. Written by John Arcudi (who also launches next month’s new Predator series), with art by newcomer Zach Howard, I was impressed by this premiere. It wasn’t until the last page that I realised, very little of the aliens were shown, yet I didn’t care. Arcudi creatively introduces us to a new crew and in a shock that made me laugh with its audacity, dispatched them all in a swift  bloodbath. With its references to the events on the planet LV-426, where the first two films were set, it may very well become more closely linked with the mythos. It looks great, and as always in any Aliens story, the humans are the main players and there’s a scientific/military conspiracy at play, but this is only set up here. 

Howard’s art is is clean, yet murky and dark when it needs to be.  I suspect this tale may read better in completed Trade form as the plot appears disembodied at this point. Not being a huge fan of licensed properties in comics however, this bold entry made an impression. Go here for a neato preview of this issue.

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olympus1Olypmus is a new 4 ish mini from Image. Written by Nathan Edmondson with art supplied by Christian Ward, it’s focused on two brothers who are now eternal, thanks to the greek god Zeus. It reminded me of another new series by Image, the great Viking. That series also has two brothers coming to grips with the warring world around them and is daring in its visual approach. Whereas that tale is gritty and medieval, Olympus is light and sleekly modern. Some may be turned off by Ward’s art, which is kind of like Tommy Lee Edwards (who supplies the variant cover) in it’s sparseness, but it works well within the rambling, yet coherent, nature of the story.

It starts brilliantly with Pollux and Castor casually shooting each other at a New Year’s celebration, before flashing back to the pair chasing the winged Hermes and his staff through the city streets.  Most of the dialogue is centred on leaving Olympus, what immortality really means and defying the gods, but it never appears as high-falutin’ exposition. The brothers aren’t really immortal apparently, but they do get a free vacation every year in the underworld, ie, where you and I reside. This is a refreshing take on Greek mythology and the crazy shenanigans that go with it. It’s the pared down concept of  Blade Runner with a healthy does of mythology, and the extra pages consisting of Ward’s sketches and a well written prose piece assumedly by Edmondson complete this ably crafted adventure. This series is off to a grand and rollicking start.

Preview of this issue here.

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Archaia Returns

They used to be known as ASP or Archaia Studios Press. Now it’s just Archaia. They’ve been out of regular comics production for over a year, but are now back, with new and resumed series, such as The Engineer and Robotika, and that’s good news. Right now, on Broken Frontier, there’s a couple of cool Archaia updates. I reviewed David Petersen’s Mouse Guard: Winter 1152 #6. It’s the first issue I’ve read and I was quite impressed. It’s beautiful to look at. There’s also an in-depth roundtable interview with 3 of the guys behind the revamped Archaia, which offers some good (and rare) insights into the decisions behind an indie publisher.

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The Spirit Review

The SpiritFrank Miller is a legend in the comics biz, and rightly so. As writer/artist he re-invigorated Daredevil for Marvel and Batman for DC in the 80s then went on to give the world his own creations such as 300 and Sin City. The film adaptation of the latter is the most faithful comic movie ever made, and Miller used his co-directing credit to launch a career in Hollywood. With The Spirit, it’s Miller’s show all the way, as both writer and director he helms this film. The trailer made it look like Sin City 2, with it’s black and white imagery and over the top action. Sadly, that’s exactly what this film gives you. It’s not individual in its approach, because it’s been done so much better with Sin City. That film is fun, funny and adventurous. The Spirit has none of that. It’s just – dull.

Will Eisner was a legend in comics long before Miller and when he gave the world The Spirit, he used the strip as a groundbreaking tool for sequential storytelling. This film is the opposite of that – disappointing and uninteresting, only because Sin City has already taken the similar green screen manipulation approach and wowed us. The story here is also flat and involves resurrected cop Denny Colt AKA The Spirit and explains his origins, tied in with arch enemy The Octopus and his chase for immortality. Bringing the tale to the modern day doesn’t help. Staying in the 1940s would’ve cemented its noir influence more effectively. There’s a bevy of beauties  with cool names, such as Sand Saref and Lorelei, but even Scarlett Johansson lacks any charm and Samuel L. Jackson as baddie The Octopus (a character whose face was never revealed in the original newspaper strip) is typically boisterous. Nothing saves this film. The CGI backgrounds have been done before, the dialogue is bland and strangely repetitive and The Spirit, played by Gabriel Macht, has the annoying propensity to offer gruff voice-overs, and talk straight to camera. If you want to really know what The Spirit is like, check out DC’s collection of archive editions, or their new Spirit series by new creators.

The best thing about the DVD is a 15 minute feature called Miller on Miller, in which he discusses his comics career and gives a brief history on the artform, with beautiful art dispersed throughout. Here’s a tip – hire the DVD and just watch this doco instead. Miller’s next film project is another adaptation of a classic character – Buck Rogers. I wish he’d just leave Hollywood and come back to comics.

Impaler #3 Review

impaler3At Broken Frontier is my review for this week’s Impaler #3 from the fine folks at Image. What’s it all about you ask? Basically, Vlad the Impaler comes to our century to help the overwhelmed military kill as many vampires as possible. This has been a great series so far, and certainly not one for the kids. Blood and profanity flow freely, and it looks superbly gothic thanks to artist Matt Timson. This is the kind of comic you read while listening to Metallica, if you’re into that sort of thing. Here’s a peek at my review.

Vlad’s stoic resolve seem to project an aura of confidence, but never arrogance. Harms writes him as the only man to rely upon to escape the bloody mess and his old school, low-tech existence doesn’t jar at all with the gung-ho military boys. His inclusion is more than a gimmick, but as he’s connected so deeply to the menace attacking his new home, he’s essentially the subtle driving force behind this series. Vlad appears very little, considering it’s his name on the cover, yet when he does appear it’s always at just the right moment.

Read the rest here and see a few pages of the art here.

Perty Pics For You

For your ocular pleasure, below are a few of this week’s new release covers from Marvel, as well as the variant cover for Image’s Olympus #2 out late next month, which is by new Batman and Robin artist, Frank Quitely.

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James Jean Art Book Preview

PR3 CoverFrom AdHouse books (purveyors of fine looking arty books) comes another impressive product. Arriving in July is The Hallowed Seam PR Vol. 3. If you’ve seen James Jean’s delicious Fables covers for DC/Vertigo or his other PR (Process Recess) books, then you’ll drool over this. 284 pages of sketches, experimental paintings and more. I’m a sucker for these kind of journal/sketchpad/creative process books.

See a few pages below and you may understand why. Perhaps it’s my fascination with the creative process or my fond memories of art school. Either way, I like the look of it. There’s also a limited edition (of 200) available, with more details to come.

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Olympus and Praetorian

At Broken Frontier is my interview with Nathan Edmondson, the writer of Image Comics’ new series, Olympus, which centres on two eternal brothers. There’s also my review of the Praetorian OGN. Praetorian is written by Jason M.Burns with perty art by Ramon Espinosa. It’ not bad and uses elements of the thriller and supernatural and cop show genres well. Plus, it also has a few eternal guys running around.

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