Man of Steel Poster

The second poster for next year’s Superman film starring Henry Cavill is a surprising turn, and certainly not the heroic look we’re used to, but I like it. I assume those handcuffs are Kryptonian, but even if they’re not, Superman is a law abider, so would just play along anyway.

I really hope this film will be awesome.

Man of Steel Poster

Extra Sequential Podcast #84-Strange Team-Ups

57 mins.  Strange x-overs you never knew existed! Unusual team-ups you tried to forget! Dodgy pronunciations of ‘moustache’ and ‘oeuvre.’ This one has it all, including a detour involving celebrity cameos and Jeff Goldblum movies.

LISTEN TO IT BELOW

DOWNLOAD IT HERE

GET IT ON iTUNES HERE

You can email us at kris (at)extrasequential(dot)com and befriend us on the NEW ES Facebook page.

WHAT WE’VE BEEN READING

R.E.B.E.L.S Vol. 1: The Coming of Starro. Vril Dox is one manipulative, green skinned leader.

Killeroo: Gangwar. A cool Aussie comic starring a tough roo/human hybrid.

David Mack’s Kabuki: Metamorphosis. Read it slowly to get the full effect.

Justice: League: Doom. A fitting, action packed tribute to the late, great writer Dwayne McDuffie.

10: 35 NEWS

Teenage Mutant (or Alien?) Ninja Turtles!

Mark Waid’s new digital comic

15: 37 THEME – STRANGE TEAM-UPS

Lobo/ The Mask. Highly detailed scenes of ultra violence and lovely insanity.

Tarzan vs Predator: At Earth’s Core.

Muggsy Bogues vs Mothra. Um, I mean Charles Barkley vs Godzilla.

Superman/ Tarzan: Sons of the Jungle.

Superman meets He-Man in Eternia, and Sgt. Rock in WWII.

Spawn #10 featuring Dave Sim’s Cerebus. Also, a meta-comic.

Batman vs Predator III: Blood Ties. Featuring two Seinfeld easter eggs, and Mr. Freeze denying children ice-cream.

Upcoming team-ups such as Star Trek: TNG/ Dr Who from IDW, and team-ups that didn’t happen such as Cerebus and X-Men, a resurrected Princess Di in X-Statix, and Dr Who and Sherlock.

As an added bonus, here’s an excellent fan-made Prognosis: Negative film trailer.

Superman vs The Elite

DC’s next animated film is based on one of my (and many others’) favourite Superman story, from Action Comics #775 by Joe Kelly and Doug Mahnke. Kelly has written the screenplay and here’s an interview with him.

The film premieres at WonderCon on Friday and hits DVD and Blu-Ray…sometime soon.

SUPERMAN VS. THE ELITE WORLD PREMIERE THIS FRIDAY AT WONDERCON

Superman vs. The Elite, the next entry in the popular, ongoing series of DC Universe Animated Original Movies, will receive its World Premiere as WonderCon’s featured evening event for Friday, March 16 in Anaheim.

Produced by Warner Premiere, DC Entertainment, Warner Bros. Animation and Warner Home Video, the all-new, PG-13 rated film will screen at 6:30 p.m. in the Anaheim Convention Center Ballroom.  The screening will be followed by a panel discussion amongst filmmakers and voice
cast members. Award-winning comics writer Joe Kelly and versatile voice actor Robin Atkin Downes (Justice League: Doom) are among the confirmed panelists for Friday. Additional panelists will be announced as they are confirmed.

Kelly has adapted the story from his original 2001 DC Comics release, “What’s So Funny About Truth, Justice and the American Way?” into the taut, thrilling screenplay for Superman vs. The Elite. The single-issue comic, Action Comics #775, was lauded by Wizard Magazine as the “Greatest Superman Story of All Time,” and ranked the epic tale at No. 21 on its list of the “Top 100 Comics of the last 30 years.”

In Superman vs. The Elite, Superman’s effectiveness as a super hero comes into question when a new group of super powerful crusaders, known as “The Elite,” appear on the scene.  As super heroes, the Elite know no bounds, and are more than willing to kill, even on a massive scale, to stop villainy — putting them on a collision course with the ever-ethical, yet preferably non-lethal Man of Steel.

George Newbern (Father of the Bride) reprises his Justice League animated television role as Superman, and primetime television star Pauley Perrette (NCIS) provides the voice of Lois Lane. Downes steps in as Manchester Black, leader of The Elite. David Kaufman (Justice League: Doom) also reprises his Justice League TV series role as Jimmy Olsen.

The film is directed by Michael Chang (Batman: Brave and the Bold). Bruce Timm (Batman: Year One) is executive producer, and Alan Burnett (Green Lantern: Emerald Knights) is producer.

Superhero Stuff

Here’s the just released, second trailer for May’s The Avengers film, although it’ll now be called Avengers Assemble in the U.K to avoid apparent confusion with that bad Avengers film from the ’90s based on the classic spy TV series. Here’s the poster too.

It’s Superman’s birthday on February 29! Kind of.

Speaking of The Last Son of Krypton, here’s the cover for DC’s next animated film, Superman vs The Elite, based on one of the best Superman stories ever created – Action Comics #775. The film premieres at WonderCon on March 16.

In the film, Superman’s effectiveness as a superhero comes into question when a new group of super-powerful crusaders, known as “The Elite,” appear on the scene. As superheroes, the Elite know no bounds and are more than willing to kill, even on a massive scale, to stop villainy – putting them on a collision course with the ever-ethical, preferably nonlethal Man of Steel.

The voice cast is led by George Newbern (Father of the Bride), reprising his Justice League/Justice League Unlimited role as Superman, NCIS star Pauley Perrette as Lois Lane, and versatile voice actor Robin Atkin Downes (Batman: Year One, Star Wars: The Clone Wars) as Manchester Black, the leader of The Elite. Award-winning comics writer Joe Kelly has adapted his original story from the heraldedAction Comics #775 (“What’s So Funny About Truth, Justice & the American Way”) into a script directed by Michael Chang (Batman: Brave and the Bold) and executive produced by Bruce Timm (Batman: Year One).

Finally, here’s an interesting excerpt from the new Tales from Development Hell book, which looks at films that took a long time to get made, or that never get made at all. You can read the complete chapter of the thankfully never made Batman vs Superman film right here. It may not be new info to everyone, but has some fresh tidbits to offer.

The story begins five years into Bruce Wayne’s life post-Batman, having put his costume back into the closet following the death of Robin. He has settled down, married a woman named Elizabeth, and is happier than ever. Over in Metropolis, however, Superman has not been so lucky in love, having been dumped by Lois Lane due to the myriad difficulties of being Clark Kent’s girlfriend. When The Joker, previously thought dead, kills Elizabeth with a poison dart, Bruce takes it hard. First, he blames Superman, because the Man of Steel saved The Joker from a fatal beating just before the murder; second, he resumes the mantle of Batman — not, this time, under any pretense of metering out justice, but for the sheer cathartic pleasure of beating up bad guys. Superman, who has been busy wooing his first love, Lana Lang, in Smallville, tries to talk Bruce out of his vengeful ways, an act which ultimately pits the two heroes against each other. Eventually, it transpires that Superman’s nemesis Lex Luthor was behind The Joker’s return, hoping that Batman and Superman would kill each other. Instead, the two heroes unite to defeat first The Joker, and finally Luthor, the man fundamentally behind Elizabeth’s death.

Bryan Hitch’s Superman: The Movie Intro

Comics artist Bryan Hitch (The Ultimates, the April releasing America’s Got Superpowers) recently spoke at a screening of my fave film, Superman: The Movie. Most of his speech won’t be new to fans of the classic movie, but the transcript is a good read.

It was to be a fee of a million dollars for two movies and star Marlon Brando, Gene Hackman and Nick Nolte.

The first problem Donner tackled was the script, bringing in Tom Mankiewicz to do a complete rewrite. Though they both stated that nothing had been used from the Puzo-Newman script, Mankiewicz was denied a writing credit by the Writers Guild of America and so appears on the film only as “Creative Consultant.”

It was Mankiewicz who suggested the individual Kryptonian Crests on each of the council members to justify the “S” emblem on Superman. It was he who created the whole Judeo-Christian aspect of the Superman mythology, with Jor-El as God who, after casting out Lucifer/General Zod’s evil, sends his only son to earth; extending the metaphor further in the second movie as Superman gives up his power, dies, for Lois only to be resurrected three days later.

Donner was determined that though the film could and should be fun, it should also be serious. It should feel real. The production’s buzz word was verisimilitude; the appearance of truth or reality and with Mank’s new script and Production designer John Barry extraordinary sets, the film was in good hands.

Read his whole speech here.

Tim Daly Interview for Justice League: Doom

On Feb 16 the West Coast Premiere at the Paley Centre takes place, but on Feb 28, Justice League: Doom, the latest animated DC Comics film, will be released on DVD and Blu-Ray. Below is an interview conducted by Warner Bros. with regular Superman voice actor Tim Daly.

The quintessential voice of the Man of Steel – primetime television star Tim Daly – once again returns to his original animated role of Superman in JUSTICE LEAGUE: DOOM, the next entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies.

Daly set the standard as the voice behind the world’s ultimate super hero for Superman: The Animated Series as well as in several animated movies and video games. While fanboys hail his vocal performance as their point of recognition, the Emmy nominated actor is known well throughout the world for his primetime television series roles, including eight seasons on Wings, an intense recurring role on The Sopranos, a memorable turn on HBO’s landmark mini-series From The Earth To The Moon, and his current ABC hit series, Private Practice.

QUESTION: What’s the crux of JUSTICE LEAGUE: DOOM from Superman’s perspective?

TIM DALY: Well, as usual, it’s all about saving the planet. But first, the Justice League has to save the Justice League. Batman disappoints his colleagues in the Justice League by having a plan to stop any rogue Justice League member, and by allowing those plans to be stolen. Superman understands Batman, though – he really has created these contingency plans for  a pretty noble reason.  He’s trying to protect the world by inserting some checks and balances into this system, realizing that the Justice League has an incredible amount of power, and he wants to make sure that they always use that power in a way that’s not destructive.

QUESTION: Are you able to turn on and off the Superman voice without hesitation, or is there some sort of warm-up involved – mentally or vocally?

TIM DALY: There’s just a lot of technical things to keep in mind. You get warmed up like you do with anything and, after a little rehearsing, it’s all second nature. That doesn’t mean I didn’t want to go back and do a few lines over again – you want these things to be just right. But you don’t necessarily jump straight back in. I mean, it’s not like I walk around being Superman in real life.  But when you read the script and put yourself in the position that Superman is in – I mean, he’s always saving the planet, for God’s sake. When you realize that, it’s not difficult to take the gravitas of the situation and make your voice do what it needs to do.

QUESTION: As well as you know this character after all of these years, are you ever shy to offer suggestions about how certain dialogue might be presented or altered?

TIM DALY: Usually the writing is pretty great, but then again, I can’t keep my mouth shut.  If I think something can be better, I’ll speak up and say so. But I will explain why I’m making the suggestion. I actually find that writers respond very well to being asked questions.  “Why would Superman say that?”  “Would it be better if I said it this way?” You don’t just want to be critical – that doesn’t benefit anyone. The best creative work usually comes from a collaboration.

QUESTION: Have you ever found yourself using the Superman attitude or voice in real life?

TIM DALY: I did a little bit when my kids were young.  And I found that it worked much better on my daughter than my son.  I would say to her, (beefs up his voice), “Stop that right now.” And she would be suitably taken aback. But my son, he didn’t really care.

QUESTION: Has providing the voice of Superman helped you learn anything about yourself or changed you in any way?

TIM DALY: Maybe a little bit.  Maybe some of what gets you through your walks in the world is attitude.  Certainly Superman has a lot of power and he doesn’t have to be showy, rather he carries that confidence quietly.  He knows what he can do. I certainly am not capable of pulling that off in my own life.  But knowing that, I can fake that attitude to help me out now and then.

QUESTION: What Superman memorabilia have you collected over the years?

TIM DALY: I have a beautiful wooden Superman statue with a removable cape – I really love that piece. I have a cel from the original Superman series cartoons.  And I have a gold Superman “S” pin. And then there’s my tights, uh, but don’t tell anymore.

QUESTION: TV and film is usually a one-way experience for you.  You don’t really get to see the final product with an audience very often.  But you’re coming back to the Paley Center in Los Angeles for the premiere of JUSTICE LEAGUE: DOOM – and this will be your second time seeing one of the DC Universe animated movies alongside the fans. What was your experience like watching Superman/Batman: Apocalypse last time?

TIM DALY: It was really great because the fans were so into it.  Fan reaction is really wonderful to experience in person, especially fans of this genre. They’re so passionate. And it was also fun because it was just my voice and Superman’s image.  Usually when I see myself in a film or on television, there’s about a six-month period where I can’t look at it because all I’ll see are the mistakes. I’m just appalled by the person that I see.  The camera sees me from angles that I’ve never seen myself, so I never think it’s me.  I look at that and I think, “My God, that’s me.” But with these films, I can look up and it is Superman on the screen.  So I don’t have to go through all that. He has no flaws.

QUESTION: What’s the magic of working with dialogue director Andrea Romano?

TIM DALY: The great thing about working with Andrea is that she loves it so much, and she’s so positive about it.  You can’t fake that.  Even after all this time, doing 41 shows at a time, all the series and films, she’s right there with the same enthusiasm and love for the material. I don’t know how she keeps it all straight. Plus, she really loves actors – you always feel like she’s rooting for you.  And that makes it very easy.

 

Batman and Superman: Earth One Pics

In 2010 the OGN, Superman: Earth One was a huge, if controversial, success. Of course a sequel was always going to happen and we’ll get it this year and here are two just released pics from the same creators – J. Michael Straczynski and Shane Davis, and here’s what the pair say about their new project.

“The overwhelming success of volume one of SUPERMAN: EARTH ONE – 37 weeks on the New York Times Bestseller list for graphic novels – meant we had to ensure that Volume Two was even better,” said Straczynski. “We couldn’t just rest on our laurels. (And does anyone actually rest on laurels? Are there gatherings of laurel-resters? If so, why haven’t I been invited? These are the questions that keep me up at night while the rest of the world dreams.) Thematically, if Volume One was about Clark figuring out where he belongs, then Volume Two is about Superman trying to figure out where he belongs in all this, even as the world does the same at their end. How far can he push his power before he becomes something other than what he intended to become? In the midst of all this Clark gets his first apartment, becoming entangled with a beautiful woman next door, Lois starts trying to figure out what it is about Clark that doesn’t add up, and a new and terrifyingly strong version of the Parasite is born from what was previously a serial killer…and now Superman has to confront someone who is not only as strong as he is, but can drain his power completely. In the aftermath of one of the massive battles that threatens to tear apart Metropolis, Clark for the first time feels what it’s like to be normal, to be mortal, to be vulnerable…to be us. In the end, Volume Two is about power: its use and abuse, and its place in the world, to be used for good or for evil.”

“Working on VOLUME TWO gave me a chance to re-create one of Superman’s villains, the Parasite,” said Davis. “In doing so, I decided to develop the character in stages as the fights progress throughout the book. There are three stages of evolution: going from frail to the strongest villain Superman has ever faced. EARTH ONE Parasite is one of the most complicated and disgustingly beautiful characters I have ever designed! I came at VOLUME TWO in more of a movie sense, choreographing the fight scenes differently from one another, adding a little more muscle to Superman this time around as he is a practicing superhero, while drawing the “Geek” Clark Kent, who loves a sweater! I always kept the old in mind while bringing in the new. SUPERMAN: EARTH ONE – VOLUME TWO is the book of 2012, so save those pennies!”

 

Batman: Earth One by writer Geoff Johns and artist Gary Frank will also arrive this year. Below are pics (yes, that’s Alfred) and here’s what the creators have to say.

“Gary and I are tackling BATMAN from the beginning, before he knows what he’s doing and with a very different ultimate goal in mind,” said Johns. “He’s never left Gotham. And our Gotham and the people in it are very gray. Our heroes unlikely. Our villains hidden. Our story is only beginning with volume one.”

“It’s essentially the first piece of the jigsaw,” said Frank. “He’s not the Batman people know, but he might be one day. He’s certainly not yet a superhero. The fun is to watch him piece the persona together drawing on his experiences and the influences of those around him and, at this stage, the idea of becoming a ‘superhero’ hasn’t even entered his head.”

Lastly, on sale February 28 is the DVD and Blu-Ray of DC’s next animated film, Justice League: Doom, and here’s the back cover showing the usual impressive array of extras.

Super ’70s and ’80s

I’ve been meaning to mention this for a while now, but essentially, author Marc Tyler Nobleman’s latest project is a great one, which focusus on some forgotten players in pop culture in the 1970s and 1980s. Here’w how he describes it.

To bridge the gap between my book Boys of Steel: The Creators of Superman (which made the front page of USA Today) and my upcoming book on Batman/Bill Finger (2012), I found and interviewed 100 “lost” stars of superhero/cartoon entertainment of the ’70s and ’80s – from more than 40 Sea World water skiing superheroes to the pimp in Superman: The Movie to the original singer of the Scooby-Doo theme to the voice actors of the Wonder Twins. (Scroll down for the link and a list of the 10 subseries.)
The interviews are sometimes hilarious and often poignant; many of these people have not been interviewed before and had no idea they have fans. You will also see many previously unpublished “then and now” photos and rare documents and mementos from various private collections.
I am posting one interview per day between now and 10/12/11, with a few gaps for my blog’s “regularly scheduled content.”
10 subseries.
71 posts.
88 days.
100 interviews.
The 10 subseries (mark your calendar!):
Super Friends (1973-86)
28 interviews (15 voice actors, 7 writers, 2 animators, 4 other production staff)
launched 7/17/11
Sea World superheroes water ski show (1976-79)
45 interviews (37 skiers, 1 boat driver, 1 high diver, 2 announcers, 4 production staff)
launched 8/22/11
Superman: The Movie (1978)
3 interviews (all actors)
Legends of the Superheroes (1979)
5 interviews (3 actors, 1 deceased actor’s niece, 1 director/producer)
Batman and Robin Meet Dr. Danger (circa 1979)
2 interviews (both performers)
launches 9/26/11
Bugs Bunny Meets the Superheroes (1979-81)
6 interviews (all performers)
launches 9/27/11
The Plastic Man Comedy Show (1979-81; repackaged with live-action host in 1984)
2 interviews (1 actor, 1 director/producer)
launches 9/28/11
Superman (Ruby-Spears animated series, 1988)
1 interview (voice actor)
launches 10/2/11
Scooby-Doo, Where Are You! (seasons 1-2: 1969-71)
7 interviews (2 voice actors, 2 theme song singers, 1 music producer, 1 songwriter’s widow, 1 songwriter’s son)
launches 10/4/11
And a wild card:
Mick Smiley (“Magic,” Ghostbusters, 1984)
1 interview
launches 10/12/11

The amount of research is very impressive and for those like me who grew up in those awesome 2 decades, this is a pretty intriguing project. In fact, I didn’t even know there was a Plastic Man cartoon, or that Bugs Bunny and his pals teamed up with a few DC Comics characters for stage show.

 

See? Great stuff, including interviews with the 2 actors who played Clark Kent before Christopher Reeve grew up in my fave film, Superman: The Movie, and a chat with the pimp who first comments on Superman’s outfit! ( “Say, Jim—whoa! That’s a bad out-fit! Whoo!”)

Check out Marc’s site right here.

Superman Film Costume Pics

Here’s the first, good look at the costume on actor Henry Cavill from the currently filming Superman reboot. Yep, no red undies, some annoying texturing and some kinda interesting black edges. See more right here.

First Henry Cavill Superman Image

British actor Henry Cavill (The Tudors, Immortals) is Superman in Zack Snyder’s (300,Sucker Punch) 2013 Superman reboot. Laurence Fishburne was officially cast as his boss at The Daily Planet, Perry White. Yes, White is..white, but I can see Fishburne in the role.

The suit is obviously textured, for easier special affects use I’d assume, and there’s no sign of the famous spit curl or red undies. The cape looks huge too, but overall, I like it. It’s darker, like the original comics costume, and the smashed safe wall seem to allude to a powerful fight for the Man of Steel. Finally!

The noticeable thing is that by the time this gets to the screen, the new comics costume, as designed by Jim Lee, will have already been out for 2 years, but I guess this film costume is what most people associate with the Man of Steel, plus the more armoured new comics version would probably look rather odd in action.

Digital Superman Sale

This weekend DC Comics are offering 99c classic Superman stories.

Everybody’s been talking about Superman over the past few weeks, and here’s one more reason. This weekend only we’re offering fans a chance to download their favorite issues for $.99 during the Superman 101 digital comics sale.  We’ve got all those classic issues on sale in the digital collection, along with modern acclaimed stories including “Superman: Secret Origin” by Geoff Johns and Gary Frank, “All-Star Superman” by Grant Morrison and Frank Quitely and “Superman: For Tomorrow” by Brian Azzarello and Jim Lee.  Be sure to download your favorite issues soon, the $.99 prices are only good through Sunday.

The Superman 101 digital sale includes:

Classic Tales of the Man of Steel

  • Action Comics #1 (first appearance of Superman and Lois Lane)
  • Action Comics #6 (first appearance of Jimmy Olsen)
  • Action Comics #23 (first appearance of Lex Luthor)
  • Action Comics #252 (first appearance of Supergirl)
  • Superman Annual #11

Whatever Happened to the Man of Tomorrow?

  • Superman #423
  • Action Comics #583

See the full list on offer right here and below is a handy infographic to keep track of who’s who in Superman’s world.

Multiple Supermen by Dennis Culver

Comics Alliance has a great post featuring 19 different evil Supermen (and some women and boys). Yes, there’s some whacky Superman-centric villains from the Man of Steel’s past, but artist Culver makes them all look great. Below are three of my faves – The Negative Superman, Draaga and Saviour.

See the rest here and Culver’s great art blog here. I bet Culver could even make Superman’s new underwear-less, armoured costume look good.

How Smallville Should End

First up, I should admit that I’m not a regular Smallville watcher. I wasn’t interested until it left the high school villain of the week plots for the grander, DC guest star scenarios of the more recent seasons. I’ve only watched 2 complete series, and here in Australia the show hasn’t screened for years. In fact, the 9th season has only just been released on DVD, and season 8 is back on the air, at a rather unflattering and often changing timeslot. However, since the show’s final, 10th season is only days away from ending (on Friday, in the U.S at least)  it’s been getting a lot of deserved attention, including how it won’t end. I was daydreaming at work, so I typed this up quickly. It’s only 2 scenes, with hints at the growing DC Universe with Batman, a guest star that was never realised in the show, although it was originally a young-Bruce Wayne-grows-up premise before the studio big wigs settled on Clark Kent. Chloe, portrayed by Allison Mack was always a proto-Barbara Gordon/Oracle too.

The last line will be important in this show, and we know Tom Welling will whack on the Superman suit. We also know actor Michael Rosenbaum’s back as Lex Luthor after years away, so a memorable throwdown between the two has to be inevitable.

So, here’s my brief and largely unedited, script, with the dialogue appearing mid-scene. Yes, I know the formatting may be off, and I’m happier with my first scene rather than the not-quite-there last, but I just thought I’d share it anyway. After all, how often does a decade running show on Superman end?

METROPOLIS STREET – DAY

ORACLE (laughs)

You misunderstand me, Miss Sullivan. We don’t need your help. I’m offering you a job.

CHLOE

A job? Thank you, Barbara, but I’d rather not be a mindless cog in WayneTech’s corporate machine, especially if it means moving to the hellhole of Gotham. No offense.

ORACLE

None taken, but you wouldn’t have to move. Gotham has a set of eyes and ears already – me. What we need is another pair of both, here in Metropolis.

CHLOE

Okay, I appreciate the cloak and dagger, but if you don’t start bringing some clarity to this conversation, I’m going to be on my formerly merry way.

ORACLE

Here’s the deal. I know all about your…nocturnal activities.

CHLOE

(interrupts) I…

ORACLE

Please. Hold the witty comments. Myself and my…boss need a woman of your skills. You know, almost as well as we do, that our world is on the brink of something terrifying and glorious. Your Wall of Weird was cute and all, and the Watchtower was a step in the right direction, but I’m here to tell you – you haven’t seen anything yet.

CHLOE

And you want to show me this big, bad world. Is that right?

ORACLE

Absolutely.

(hands her a business card)

Don’t let your curiosity fade into ignorance and regret. Here’s where you can reach me – 24/7 and on the other side – that would be your starting salary. I look forward to working with you Chloe.

METROPOLIS STREET – DAWN

Lex in his classic purple and green power suit is facing Superman in his classic costume. Both men are hovering above the city’s skyscrapers, facing each other. Lex is defiant and filled with hate. Superman is heroic, preparing himself for what he sense will be the first of many violent encounters with his nemesis.

LEX

This is my city. Mine. No alien will dictate terms to the human race. You’re either my subordinate, as you should be, or you get out of my way.

SUPERMAN

That’s ridiculous. I’m not your competition Luthor. I’m just here to help.

LEX

The human race has proved time and again that it can help itself. We have achieved wonders. Miracles. We have perfected ourselves by sheer genius and determination and yes, I have plenty of both.

SUPERMAN

True, and the misguided pride to use them in all the wrong ways.

LEX

I didn’t land here with a pristine costume and the powers of a god! I turned myself into this! You can’t take fate from my hands alien. This city, this world is mine… and I’m not sharing.

SUPERMAN

In another life, we could’ve been friends. Don’t force my hand.

LEX

(laughs)

You don’t belong here. It’s as simple as that.

SUPERMAN

You know what’s simple Luthor? There is a right and a wrong in the universe, and the distinction between the two is not that difficult to make.

LUTHOR

The bumper sticker ideology of a fool.

SUPERMAN

I know who I am Luthor, and I know that my fight against evil is just beginning. It’s a never ending battle.

Lex screams. The two men leap at each other. The action freezes just before they collide. John Williams’ Superman: The Movie theme rises.

End

 Well, you get the idea.

In related Smallville news, there’s this from Warner Bros.

Prepare for the SMALLVILLE Series Finale!

Relive each heroic moment by downloading the series now on iTunes.

To celebrate Warner Bros, Digital Distribution is giving fans the chance to get FREE Downloads of all 10 season premieres in HD and discounts on seasons 1-9, now for a limited time on iTunes.

Extra Sequential Podcast #38-Body Image

67 mins. This week we talk about body image in superhero comics, plus the Spice Girls, the Royal Wedding and sagging shelves.

DOWNLOAD IT HERE, LISTEN TO IT BELOW OR ON ITUNES

2:45 NEWS

Dark Horse Comics’ Digital Store

Shannon Wheeler ‘s I Thought You Would Be Funnier can now be read for free online

Captain America and The Avengers film info

Free Comic Book Day on May 7

8: 28 WHAT WE’VE BEEN READING

Portal 2

Brightest Day #24 – John Constantine and Swamp Thing travel from Vertigo to the DC Universe

Avengers #12.1 – Spider-Woman gets captured by the evil smarty pants team, The Intelligencia. The Avengers rescue her and meet Ultron, who then vanishes. Not for newbies but great art by Bryan Hitch.

Action Comics #900 – The controversial landmark issue in which Superman renounces his American citizenship, plus some other cool tales.

The Complete Peanuts Vol. 1 1950-52 – Charles Schulz’s classic and funny work with Charlie Brown and co.

A Lesson Is Learned But The Damage Is Irreversible – an experimental webcomic

34:15 FEATURE TOPIC – BODY IMAGE

We look at the sexy spandex brigade and how male and female characters are treated differently.

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