X-Men Origins: Wolverine review

405px-Wolverinetheatricalposter_aWhen I saw the first X-Men film, way back in 2000, 2 Canadian girls sitting next to me audibly gasped upon seeing the bare chested Wolverine debut. And with good reason. Hugh Jackman cuts a menacing figure, and he’s only been getting buffer in every film. I say that from a strictly heterosexual point of view, by the way. So as the X-Men films continued to be released, offering increasingly spectacular action, and Marvel cameos, it was only  a matter of time until Logan received the honour of his own flick. It’s no surprise that Wolvie is the most popular X-Man, even headlining the recent (and excellent) animated series. He’s a bad boy.

This Gavin Hood directed film is a disappointment though. Wolvie deserves better. I’m happy to see that the humble Jackman has always respected his roots. This hairy character created his career, and he doesn’t forget it. Unfortunately the screen writers do. Now this film wasn’t produced by Marvel’s film studio, so it’s not as faithful to the source material as Iron Man, but it does it’s best with its constraints to give a nod to the fans. Certain lines that Wolvie says are some of his well-known quotes, and the cameos of other mutants, such as Gambit and Deadpool are welcome, but are barely screen-worthy.

I was expecting a film closer to the comics, but I also understand that Logan’s history is murky at the best of times. It’s only been in recent years that Marvel has offered a definitive version of the character’s origin, in the great Paul Jenkins & Andy Kubert Origin series. Fans of the X-Men films may well enjoy this, and see familiar, though again, unnecessary faces like Cyclops and a walking Professor X. The Weapon X project glimpsed in X2 is seen in more detail here and thanks to the 2 different alternate post-credits endings,we know that more Wolverine films (and a Deadpool) one are certainties. In the comics, Wolvie is a short, surly killer. He’s been cleaned up for the films and fans will wonder why. The main difference from the comics would be the fact that Sabretooth is Logan’s brother, while that has only ever been hinted at by Marvel.

Origin TPBThis really is bland action film, with no concern for Logan’s love life and no complete understanding of his motivations. The special effects are okay, Liev Scrieber as a lunging Sabretooth rocks and the ending makes sense to those who wondered upon seeing the trailer how Wolverine met Cyclops and Sabretooth, yet forgot them in the first X-Men film. At times, Logan’s claws are very fake looking and the character is really only referred to as Jim or Logan prior to his adamantium lacing procedure, rather than James Howlett as he was in the comics. There’s also no sense of a proper time-frame, though it should be set in the 1980s primarily.  At least he acknowledges his Canadian heritage though. Origins should’ve been better. Fanboys won’t be pleased and film fans won’t have any satisfactory answers. If you want more Wolverine in your diet, go to your local comic shop, or wait for the DVD of this film and the obligatory, but welcome doco on the history of the character.

New Transformers 2 and G.I. Joe Trailers

The new G.I. Joe trailer is now out, and the film hits cinemas on August 6. It uses some of the footage shown in the Superbowl teaser a while back, and the exo-suits concern me. It looks like a good actioner nonetheless. The Transformers sequel, Revenge of the Fallen also has a new trailer and it looks sweeet. It opens on June 24. More transforming robots, more explosions, more lingering shots of Megan Fox, more humour from Shia LaBeouf and more lens flare direction from Michael Bay. Yep, it’s gonna be a hit. 

Black Freighter/Under The Hood DVD Review

Available now is the double feature DVD tying in to Watchmen, and is a must for fans of the film or ground breaking comic series.

Black Freighter DVDTales of the Black Freighter

As Watchmen readers know, the pirate adventure Tales of the Black Freighter, was a comic within the comic. As an eager kid read it at a newsstand, sometimes the panels would spill over into the narrative of the Watchmen tale. Originally, film director Zack Snyder wanted to film Black Freighter in a manner similar to how he approached 300, but due to budgetary and time constraints, chose to make it a stand-alone animated feature instead. And it was a good choice as Black Freighter is a lush, engrossing story. Written by Snyder with Alex Tse, and directed by Daniel Delpurgatorio and Mike Smith, this 25 minute short film mirrors its printed inspiration beautifully. 300’s Gerard Butler is the primary voice, narrating the descending horrors faced by his sole survivor of an attack by the titular ship of ghouls. Washing ashore, he uses the bloated carcasses of his dead crew as a makeshift raft, fighting sharks and his own descent into darkness, to Davidstown. It is here that his wife and daughters live, and it is also the Freighter’s next target. At least that’s what the captain believes.

The mini-comic inside Watchmen gave me just as many memorable moments as Watchmen did, and it’s satisfying to see them on the screen. It’s filled with simple, yet bold colour choices and gross visuals such as seagulls eating brains and plucking eyeballs. Thus the R rating is understandable, compared to the PG of Under The Hood. The animation is superb and fluid and though not a lot happens, it’s still highly entertaining. You don’t have to look too far to see the allusions to Watchmen’s thematic explorations. Though at first a dark pirate tale may seem an odd companion to a superhero deconstruction, it does sit proudly on the same shelf, just like the other film included on the DVD.

Hollis MasonUnder The Hood

The live action Under The Hood is an imagined documentary about the life of Hollis Mason, who was the original costumed adventurer Nite Owl in the 1940’s world of the Watchmen. Played by Stephen McHattie, as he did in the film, it also includes interviews with Carla Gugino as Sally Jupiter/Silk Spectre, her agent and former husband, as well as bad guys (also seen in the film) Moloch, and the imprisoned midget Big Figure. Set in 1985 TV host Larry Culpeper (played by Ted Friend) introduces us to his 1975 report on Mason in an episode of the Culpeper Minute. He and Mason talk about Mason’s career as a baddie-basher, first as a cop, and then as Nite Owl, in the Gunga Diner. Dialogue from Alan Moore’s Under The Hood excerpt is used, and it brings a geeky smile to my face as Mason explains how he constructed his costume, his motivations for being a superhero (“because it was fun, and the right thing to do.”), how he was inspired by the mysterious debut of the first costumed do-gooder, Hooded Justice, and the assembling of the Minutemen (whose members are seen in authentic looking news footage).

Tying into DC Comics’ rich history, Mason mentions also being wowed by Superman’s first appearance in 1938 in Action Comics #1, and the Golden Age Green Lantern and Blue Beetle are also shown on comic covers.

The archival footage of WWII is used well, but we are only jarred out of the realism when obviously Photoshopped pics of the young Mason are revealed. The whole Hood doco really is well done though. The interviews look like they’ve been lifted directly from 1975, with their slightly grainy and faded look, without being distracting, and the 1985 ads for products such as Veidt’s Nostalgia fragrance, and Seiko’s cutting-edge LCD watches, just add that extra realism.

The actors are vital to these kinds of endeavours. All the cast sell the premise well. Sometimes these kinds of fake docos can be very unconvincing, but writer Hans Rodionoff, director Eric Matthies and the actors pull it off ably.

Special Features

The extra features are a nice touch too. Usually on straight to DVD experiences like this, the bonuses are usually just an afterthought from the marketing department. However, with Under The Hood, Black Freighter plus the extras the running time for the whole shebang comes in at a rather impressive 2 hours.

Story Within A Story – The Books Of Watchmen is essentially a combination of behind the scenes footage of Watchmen and Tales of the Black Freighter.  There are interviews with cast members (Stephen McHattie, Carla Gugino, Jeffrey Dean Morgan), DC creators of the original maxi-series (Jenette Kahn, Len Wein, artist Dave Gibbons and colourist John Higgins) and the director of Under The Hood, Eric Matthies. It’s not exactly a riveting 25 minutes, but is necessary viewing for those unaware of the importance of Alan Moore’s original extras, such as newspaper cutouts and prose pieces as well as the Black Freighter pirate comic that runs within, and alongside the Watchmen story. And if you feel like getting intellectual, influences of Black Freighter, such as German playwright Bertolt Brecht, are mentioned by a few of the interviewees.

Curiously, it also includes a behind the scenes look at the original Nite Owl, Hollis Mason attacking a punk in his home. I assume this will be on the Director’s Cut of the film.  Speaking of which, it’ll be interesting to see how director Zack Snyder manages to squeeze the Black Freighter into the film itself when the Director’s Cut DVD is released in July.

The other substantial extra is Chapter One of the Watchmen Motion Comic, which also runs at 25 minutes. I’ve seen so-called animated comics before, and the concept has been around for a long time, but this is far and above the best approach I’ve ever seen. The original Watchmen comic really does come alive, but I’ll say more once I check out the whole 2 discer Motion Comic soon.

The final inclusion amongst the special features is the first look at Green Lantern: First Flight, the next animated DVD release from Warner Bros./DC. It’s being released in July and it looks fantastic, and is a nice present for Hal Jordan, seeing as it’s the 50th anniversary of his creation this year.

Free Full Metal Alchemist Episodes

In what could be considered a nice Easter present, here’s some free anime for you. Press release below from Madman.

In an Australian first, Madman is presenting free online episodes of the hit new Japanese anime series, less than a week after its premiere broadcast in Japan, and months prior to any DVD release.
Full Metal Alchemist
FULLMETAL ALCHEMIST: BROTHERHOOD, along with a selection of other regularly updated anime episodes are available to watch for free at http://www.madman.com.au via Madman’s enhanced new “Screening Room +” area of the site. New episodes will be made available on a weekly basis.

Madman.com.au is the premiere destination for Australian anime fans, offering a massive catalogue of anime and manga, along with social features such as discussion boards, galleries, events, downloads and more. Madman is thrilled to offer its fans the opportunity to view full episodes on the site in a bold new direction for the company. 

FULLMETAL ALCHEMIST: BROTHERHOOD is a brand-new production from Japan which closely follows the original FULLMETAL ALCHEMIST manga series storyline. The series chronicles brothers Edward and Alhponse Elric and their epic quest for the Philosopher’s Stone, the only thing that can help them undo a terrible alchemic error, which tore their bodies apart.

Also… Check out more great episodes available to watch on www.madman.com.au including SCHOOL RUMBLEDEVIL MAY CRYBLACK BLOOD BROTHERS and DARKER THAN BLACK.

Saturday Morning Watchmen

Ah, the Watchmen parodies just keep on coming, but this one is right up my alley. My Gen-X, 80s cartoon loving alley. Imagine if the studio who gave the world the cheesy Ninja Turtles toon back in the day got their hands on Alan Moore’s and Dave Gibbons’ seminal work of fiction. Funny, funny stuff, including an amusing theme song, a dancing Nite Owl and Dr. Manhattan changing into a car. You can see the rest of creator Harry Partridge’s videos here.

saturdaymorningwatchmen

Killer Prayer Tips

Let it never be said that Christians don’t know how to laugh at themselves. This great mockumentary style video, by two guys called Johnny and Chachi is all about how to improve your prayer life. Look. Learn. Laugh.

Freedom Formula Film

Freedom Formula, from Radical Publishing is set to become a film. This is no surprise as it’s a great series. If you haven’t read it as yet, you can catch up on the sci-fi adventure when the Trade’s hopefully released in a few months. Bryan Singer may direct it, which scares me, but hopefully he’ll do a better job than he did with Superman. Press release below.

 

Set in the future where mechanized battle armor is used for high speed sport, Freedom Formula quickly made headlines across the film and comic industry during the 2008 San Diego Comic-Con International event when Variety reported that Bryan Singer (X-Men, Superman Returns) was attached to produce, with an eye to potentially direct, a film based on the underlying comic series. Today Variety has announced thatNew Regency has acquired Freedom Formula with a writer attached.

Singer Formula

Mike Finch, who just sold his spec script, Medieval, to New Regency with McG attached to produce and possibly direct, will pen the adaptation based on Radical Publishing’s 5-issue comic book series, Freedom Formula: Ghost of the Wasteland, written by Edmund Shern, CEO of Radical’s Singapore based sister company, Storm Lion.

This is Radical Pictures’ second development deal, following Universal Pictures and Spyglass Entertainment releasing Hercules: The Thracian Wars, based on the 5-issue comic book series by Steve Moore, with Peter Berg producing and potentially directing through his production company Film 44 with Ryan Condal (Ocean) scripting.

New Regency, Singer’s Bad Hat Harry Productions and Radical Pictures will produce Freedom Formula with Bryan Singer and Radical Publishing’s President and Publisher Barry Levine as producers along with Radical Publishing’s Executive Vice President Jesse Berger and Zoom Entertainment’s Michael Zoumas signed on as Executive Producers. Edmund Shern will be an Associate Producer.

When asked to comment, Barry Levine stated “Mike Finch came up with an incredible take that goes deeper into the mythology of the source material.” 

Jesse Berger continues “There is something very contemporary about a revolution and Freedom Formula’s adaptation for the screen will explore those concepts as well.”


Watchmen Review

watchmenposterfinalHollywood has been trying to make Watchmen ever since the lauded 12 issue series from DC Comics was released twenty years ago. With a variety of writers and directors attached, the adaptation kept going nowhere. Director Terry Gilliam (Monty Python,  The Brothers Grimm) was attached to the project in the late 80s, but soon gave up, after realising that Watchmen was unfilmable. Alan Moore, the writer behind the much loved series agreed with him, and after witnessing unfaithful Moore adaptations, such as V For Vendetta and The League of Extraordinary Gentlemen (Sean Connery’s last film before retiring), it became glaringy obvious that Moore’s works should remain on the page, not the screen.

However, as it was announced that director Zack Snyder was attached, after his faithful 300 film stuck close to Frank Miller’s comic, fans became cautiously optimistic. Snyder is a brave man though. Watchmen is revered, and rightly so. You’re not a fanboy unless you’ve read it. Alan Moore and artist Dave Gibbons’ masterpiece is to the medium of sequential art what War and Peace is to literature, or Citizen Kane is to cinema.  Yep, that’s how big a deal it is.

Of course, it’s really only those who have been reading comics for any considerable amount of time who know anything about Watchmen. That’s all due to change now though, and that’s a good thing. Those expecting just another standard superhero movie won’t find that here. It’s a good thing Watchmen wasn’t made twenty years ago, as superhero films weren’t the hot commodity they are today (and Watchmen subverts expected superhero clichés) and special effects have advanced greatly. So, what’s it all about then?

On the surface, Watchmen is about a group of retired superheroes set in 1985 who loosely reform when one of their own is brutally murdered, and it looks like every other superhero is a target. Gruff voiced vigilante Rorschach (named for his moving ink blot like mask), played by Jackie Earle Haley, discovers the death of The Comedian (Jeffrey Dean Morgan from TV’s Grey Anatomy and Supernatural) in the film’s brutal opener by a mysterious man. As Rorschach narrates throughout most of the film, he warns his former team mates, Silk Spectre II (Malin Ackerman), the unearthly Dr. Manhattan (Billy Crudup), Nite Owl II (Patrick Wilson) and Ozymandias (Matthew Goode) about the potential mask killer.

Watchmen

The film does an excellent job of creating a fully immersive environment. I can’t remember the last time I was transported to another world with such relish. Keeping the story set in late 1985 is a wise decision, with the U.S versus Russian threat of nuclear Armageddon being pivotal to the story’s structure.  The relatively unknown cast do a superb job with their distinctive characters, but Wilson as the slightly overweight Nite Owl II, pining for days of glory past, and Haley as the menacing anti-hero Rorschach stand out.

I won’t say much more, for those unfamiliar with the rest of the narrative, save to say that if you’re expecting another Spider-Man or Iron Man, don’t. Watchmen is far removed from any superhero film you’ve ever witnessed. It’s almost 3 hours long, and is riveting all the way. There’s some great dark humour and typical Snyder slow-mo action, and it’s all mixed up with some resounding themes about the meaning of humanity, the cost of peace and the skewed psychology of crime fighters.

The original 400 page book, which collects the 12 issue series, has been flying off the shelves lately, and is filled with extras that the film can’t capture, such as excerpts from diaries, memoirs and psychiatrist’s notes, all which serve to remind the reader about Moore’s brilliant dedication to detail. The other notable omissions from the film would be the catastrophic and bloody ending, and the Tales of the Black Freighter comic woven throughout the book, though an animated DVD of this will be released at the end of March. The main contention with the film, from loyal comics readers, has been the slightly different ending, but Snyder is extremely faithful to the comic, with literal dialogue used abundantly. The ending, as it is in the comic, would be jarring to cinema audiences, but the intent remains the same and doesn’t suffer for it’s variation from Moore’s creation.

This is a powerful film, and one that will definitely be shocking to some. The violence is brutal, the heroes aren’t what you expect (Rorschach kills, The Comedian shoots his pregnant lover, beats civilians, and much worse) and there is nudity, and raw sex scenes throughout. So, be warned, this isn’t intended for children. Watchmen is an adult film.

The music is great and helps sell the time period. Usually it works, such as the subtle use of Tears For Fears’ Everybody Wants To Rule The World, and at times mis-fires, such as with 99 Luftballoons, or The Sounds of Silence. It’s when choral or classical pieces are used that the effect really works.

Snyder should be congratulated for taking on this mammoth endeavour, and for doing the original proud. His hard work, and the studio backing, has paid off. Those unfamiliar with comics in general may be taken aback, but that’s a good thing. There’s a whole world of intelligent, intellectual comics out there, of which Watchmen sits atop the pile. The movie is its cinematic equal, and I never expected to say that.

Death Race Review

200px-death_race_posterThis is Paul W.S Anderson’s best film. Now, that’s not necessarily high praise, but the writer/director’s latest effort is far better than his previous films, like Resident Evil and Alien vs Predator. Death Race is a re-make of the 1975 film, entitled Death Race 2000 which was like a combination of The Fast and The Furious and the 80s Arnie actioner, Running Man. David Carradine, who starred in the original has a voice cameo in the newie’s opener.

Starring the chiselled Jason Statham, Joan Allen as the prison warden, and Ian McShane as the aptly named Coach this is a combo of tough inmates and tougher cars. Jason is a man set up for the murder of his wife and is soon enrolled in Death Race, a prison centered, televised sport involving mean men, meaner cars (with big guns) and attractive women. There’s no real surprises here, except the fact that I thought the film was too short. There’s no scenes set outside the prison really, apart from the ending, which is tainted with a schmaltzy and entirely unnecessary voice-over. Anderson uses the biggest budget he’s ever had creatively to ensure the action is maxed out with testosterone, and gory deaths but the film lacks any depth and is a one trick pony. He’s always been a better director than writer and his top notch films are the ones in which he performs the latter role only, like 1997’s Event Horizon. However, Death Race is a pleasant enough distraction, and Statham is the action man of the hour for a reason.

Watchmen Ending

This is pretty funny, but won’t mean anything to non-fanboys. If you know the ending of Watchmen (the comic series) and the uproar in the comics community about the altered cinema ending, then this re-done clip from a recent Hitler film will make you laugh. I’m seeing Watchmen on Saturday and am quite excited about it. Director Zack Snyder knows what he’s doing, the studio is surprisingly behind him, and so far I have yet to read  a bad review. Plus, it’s drawing people into comic shops and bookstores to buy the 1986 original that inspired the film. Anyway, check out the video below, but beware of subtitled profanity and spoilers.

Terminator Salvation’s New Trailer

It opens on May 21 and it looks bleak, but action packed. Christian Bale as John Connor, lots of new tech and machines – it’s looking like  a good film thus far.

Lost Boys: The Tribe Review

lostboys2dvdThe 1987 film, Lost Boys is a classic piece of genre cinema. It starred the hot actors of the day, like Kiefer Sutherland, Jason Patric and the two Coreys (Feldman and Haim). The vampire flick was filled with action, humour and class and put director Joel Schumacher on the map, before Batman and Robin took him off it.

A sequel has been in development since the first one wrapped and now it’s here. However, it wasn’t worth the wait.

Chris and Nicole are siblings who move to Luna Bay after the deaths of their parents. Shane Powers is an ex-pro surfer, like Chris and he invites him and his sis to a party. Nicole falls for Shane. Chris tries to protect her, and soon learns that Shane and his pals are vamps. He enlists the aid of vamp hunter Edgar Frog (Corey Feldman reprising his role from the first film) and a battle ensues. That’s basically it. It’s a simple story, but so was the first one, yet that one worked, whereas this film does not. That’s essentially because The Tribe lacks any subtlety. It tries to tie in with its predecessor, with a reference to The Goonies (another classic 80s film starring Feldman), has some mild humour, and also has original actors Corey Haim and Jamison Newlander in two different post-credits scenes. It also has a cameo by special effects guru Tom Savini (who played a vamp in From Dusk Till Dawn, and himself in the Simpsons) as well as a new version of the memorable Cry Little Sister song from the original.

However when the cast’s main stars are Kiefer Sutherland’s half-brother and the guy who played Stifler’s brother in an American Pie film, warning bells go off. Now that doesn’t necessarily mean they make the film bad. Unknown actors can do wonders in any film, but they don’t here. The charisma is lacking from the first film and it just feels like a straight to DVD feature, which it is. The special effects are OK, but the story lacks any charm and just makes the original appear in greater regard. It seems to attempt a modern update by throwing in unnecessary gore (including decapitation and intestine spillage) and nudity and sex scenes. It doesn’t help the cause at all.

Feldman is a treat though and doesn’t look like he’s aged twenty years. Avoid unless you’re an 80s junkie, otherwise, like so many sequels these days it may just ruin the magic of the first film for you.

Resident Evil: Degeneration Review

51zhg4hufrl_ss500_Well, not so much a review as just a general thumbs up really. I can’t say that I’m familiar with  the Resident Evil video games, being an XBOX gamer. However, the film trilogy is a pleasant enough distraction. I am a fan of CGI films though. Final Fantasy Advent Children, Appleseed, etc. They don’t always make sense to me as someone mildly aware of Japanese pop culture creations, but they sure know how to produce quality CGI films that make your jaw drop.

Apparently Degenration is set between games 4 and 5 of the RE game series and stars familiar characters Leon Kennedy and Claire Redfield. I wasn’t expecting to enjoy it, but I certainly did. Like one long cut scene from an awesome next-gen game the films is essentially Die Hard with zombies.

The first half is like Die Hard 2, with it’s airport setting, while the second half is like the original, set in a massive luxury building. There’s minor scenes focused on the military intervention and government cover ups that seem to be mandatory in films of the undead, but the impressive action takes up the majority of the 96 minute running time. If you like beautiful people, aswell as ghoulish creatures, with lots of shooting and running – grab it. Preview below.

I Watched Watchmen – Now What?

Now this is a good idea DC! A hearty pat on the back from me to you. Watchmen opens next month in cinemas everywhere, but it’s really only fanboys that know, and revere, the classic 12 issue series from Alan Moore and Dave Gibbons. Many cinema goers won’t necessarily have any idea of the film’s roots as a classic revolutionary epic. Official press release below regrading a wise incentive that will hopefully change that.

DC COMICS ANNOUNCES “AFTER WATCHMEN, WHAT’S NEXT?” PROGRAM

watchmen_poster2The excitement surrounding the upcoming WATCHMEN feature film has brought new readers to the graphic novel format. Now that they’ve read WATCHMEN, where do they go next? Help point them in the right direction with DC Comics’ “AFTER WATCHMEN, WHAT’S NEXT?” program. 

DC Comics has developed a marketing campaign that spotlights several award-winning, best-selling titles from our various imprints. Each book reflects an aspect of WATCHMEN’s broad appeal — including other works by Alan Moore, science fiction tales, post-modern super hero action and sophisticated titles for mature readers — and is a great entry point for both new fans just discovering graphic novels and established readers looking to try something new.

The program is supported by an extensive marketing campaign including five promotionally-priced reprint Specials which are rush solicited below. 

The marketing campaign includes:

Five “AFTER WATCHMEN, WHAT’S NEXT?” Specials featuring a cover price of just $1.00:

• SAGA OF THE SWAMP THING #21 SPECIAL EDITION 
• TRANSMETROPOLITAN #1 SPECIAL EDITION 
• PLANETARY #1 SPECIAL EDITION 
• PREACHER #1 SPECIAL 
• IDENTITY CRISIS #1 SPECIAL 

Please see below for more information on these Specials. 

Print:
• 32-page booklet to be given away at conventions, comics shops and book stores
• House ads in the DC Universe, Vertigo and WildStorm titles
• Editorial page promotions in Vertigo: On the Ledge, DC Nation and WildStorm Stormfront columns
• Trade ads

Online:
• E-mail Blasts
• National Consumer Online Banner Advertising Campaign
• Retailer Tools on DC Comics retailer page on diamondcomics.com
• Checklist, Header Card, Shelf Talker and Bag Slick
• Bag Stuffer for DC Retailer page for Direct Market retailers

Identity Crisis #1Social Networking:
• AFTER WATCHMEN, WHAT’S NEXT? MySpace Group
• AFTER WATCHMEN, WHAT’S NEXT? Facebook Group

Conventions:
• Ad pages in Convention Program Guides
• 32-page Booklet distribution at DC booth
• Bookmark distribution at DC booth

DCCOMICS.COM:
• Website at www.readwatchmen.com
• Showcase titles on the homepages of DC, WildStorm and Vertigo throughout February, March and April to capture new WATCHMEN readers
• Articles on DC, Vertigo and WildStorm homepages

Co-op:
• Co-op Movie Slide
• Co-op Ad Slick

**********

DC COMICS RUSH SOLICITS FIVE “AFTER WATCHMEN, WHAT’S NEXT?” SPECIALS

Tying into the new “After Watchmen, What’s Next?” program, DC rush solicits five key titles priced at just $1.00 each! 

These titles will arrive in stores weekly beginning March 11, and prominently feature the “After Watchmen, What’s Next?” branding and trade dress. Each is offered to all Diamond retailers at a special “C” discount code of 60% off. 

Retailers may order these issues by contacting their Diamond Customer Service Representative or DC Sales Representative, or by email atreorders@diamondcomics.com

The “AFTER WATCHMEN, WHAT’S NEXT?” Specials are:

SAGA OF THE SWAMP THING #21 SPECIAL EDITION (JAN098009)
Written by Alan Moore
Art by Stephen Bissette & John Totleben
Cover by Tom Yeates
On sale March 11; 32 pg, FC, $1.00 US • MATURE READERS
Final Order Cutoff date: February 19

TRANSMETROPOLITAN #1 SPECIAL EDITION (JAN098010)
Written by Warren Ellis
Art by Darick Robertson & Jerome K. Moore
Cover by Geof Darrow
On sale March 18; 32 pg, FC, $1.00 US • MATURE READERS
Final Order Cutoff date: February 26

PLANETARY #1 SPECIAL EDITION (JAN098011)
Written by Warren Ellis
Art and cover by John Cassaday
On sale March 25; 32 pg, FC, $1.00 US
Final Order Cutoff date: March 5

PREACHER #1 SPECIAL EDITION (JAN098012)
Written by Garth Ennis
Art by Steve Dillon
Cover by Glenn Fabry
On sale April 1; 48 pg, FC, $1.00 US • MATURE READERS
Final Order Cutoff date: March 12

IDENTITY CRISIS #1 SPECIAL EDITION (JAN098013)
Written by Brad Meltzer
Art by Rags Morales & Michael Bair
Cover by Michael Turner
On sale April 8; 48 pg, FC, $1.00 US
Final Order Cutoff date: March 19