Abin Sur Cast

The Green Lantern cast is expanding. According to Empire Online, New Zealander Temuera Morrison (Jango Fett from the Star Wars prequels) is playing Abin Sur, the alien who crashes on Earth and passes his ring to test pilot Hal Jordan (played by Ryan Reynolds). Taika Waititi (apparently also known as Taika Cohen) who starred in and directed comedy fave Eagle vs Shark is playing Jordan’s best pal (assumedly that’d be mechanic  Thomas Kalmaku, from the comics).

Filling out the main cast is Mark Strong (Sherlock Holmes) as Sinestro, Blake Lively (Gossip Girl) as Carol Ferris and Peter Sarsgaard as Hector Hammond. It started filming today, in New Orleans and is directed by Martin Campbell (Casino Royale).

Green Lantern opens June 17 next year. With Marc Guggenheim (Flash) and Michael Green (Superman/Batman) as co-writers lending the film some solid comic book credibility, this could be the film to prove that Warner Bros. know how to make a good film based on a DC Comics character who doesn’t have pointy ears and an annoyingly gruff voice.

The Handsome Men’s Club

From TV show Jimmy Kimmel Live and featuring a bunch of Hollywood hunks mocking themselves. Must be seen.

Let’s Hear It For The Girls!

Marvel’s Girl Comics is a 3 issue mini-series created by a team of talented ladies. It’s also a good idea. Now I know every now and then a comic company will scratch their head over just how to get girls to buy comics, and from what I understand, the number is growing, particularly in manga. DC tried a noble attempt a few years ago with their Minx line, which unfortunately never took off the ground. However, there are a lot more female characters in the spotlight in the pages of both companies superhero books. In May alone Spider-Girl returns again, Dazzler gets a one-shot, as do the many loves of the Amazing Spider-Man in a book of the same name, Galacta: Daughter of Galactus hits, Black Widow’s new series continues, Emma Frost gets an origin spotlight special, and Marvel Her-oes continues with its focus on teen female Avengers. Plus let’s not forget all the female spandex wearers in the various X-Men and Avengers titles. Of course, giving more female characters series doesn’t mean more female readers, as I’m sure there’s a fair amount of appeal to both sexes with superhero stuff, but it’s a good step in the right direction.

Now, about Girl Comics. I’m a sucker for anthology books, and this appealed. Not all of the 7 short tales contained within are good, but they represent a great diversity. Most don’t feature females as leads, but are just slices of superheroes from different perspectives. Willow G. Wilson (Vertigo’s excellent Air) and Ming Doyle present a simple tale of Nightcrawler saving a perfromer in what looks like a WWII cabaret bar, Valerie D’Orazio and Nicki Cook show Punisher in a subtle, yet creepy tale of child protection and by far my favouritre – Head Space by Devin Grayson and Emma Rios (whose art I’ve loved since BOOM!’s Hexed). The other tales fall kinda flat for me, but that’s the lottery of an anthology. I’ll certainly pick up the remaining two issues, just to see what talent lies on offer. The creator biographies and and spotlights on Marvel employees Flo Steinberg and Marie Severin are a superb touch too.

Street Fighter Legends: Ibuki from Udon Comics is another new series with a female focus, though a different endeavour from the book above. Like any Gen Xer I paved my way through high school via button mashing on Capcom’s classic game, but I haven’t followed the franchise in the years since. Udon produce lovely, kinetic comics though, so this was a purchase on a whim. Written  by Jim Zubkavich with art by  Omar Dogan, who worked on the Chun-Li Legends series, this premiere ish mixes light high school drama with face kicking action. I’m unexposed to the newer Street Fighter characters, but this explains Ibuki in a very likeable fashion.

She’s a Japanese teen in a ninja school who also goes to a regular school and uses a mobile phone and has too many clothes for a stealthy fighter and this issue balances both of her lives well. There’s also a new arrogant girl at school who challenges Ibuki to a fight, a secret cabal of ninjas called Geki and a conclusion that reveals next issue’s addition of another SF character. The whole tale bounces along well, with a great touch in pacing from  Zubkavich and suitably light yet frantic action scenes from Dogan.

Since we’re talking about girls – Whiteout. I saw the Kate Becksinale starring film recently and it wasn’t as bad as the critics led me to believe. Based on the 1998 Oni Press OGN from Greg Rucka and Steve Lieber, it tells of a U.S Marshall trying to solve the first murder in Antarctica before a deadly storm crashes on their doorstep. It’s a bit long and not full of surprises, and there a few changes from the book, but it was entertaining enough. Kinda like 30 Days of Night without the bloodsuckers.

Tron Legacy Trailer

Thanks to my mate Mladen who gave me the heads up on this, and here’s me lazily linking to his post on his own love affair with the film. It’s a great looking trailer for the sequel to the 1982 film, which opens in December and will now star an Oscar winner thanks to original star Jeff Bridges.

I love the pared back simplicity of it all, which mirrors the original’s look. Too many sci-fi films these days are bombastic and colourful. This is a bold move, but so far, anticipation is high.

Second Iron Man 2 Trailer

Opening on May 7 is this hotly anticipated superhero sequel. The cast and crew have loaded up the film with even more fanboy treats than the original by the looks of things. Apart from War Machine, Whiplash, et al, there’s also what looks like a bunch of Crimson Dynamos and the classic armour-in-a-suitcase from the comics years ago. Awesomeness is only weeks away.

Empire Picks Flash

My fave movie magazine, Empire has a quick rundown regarding fantasy casting for The Flash film, starring recently revived Barry Allen. They have some interesting choices from Neil Patrick Harris to Josh Lucas. Check out the other 6 candidates here.

United Moon Destination

Time for 3 quick movie reviews.

The Damned United tells the true (though embellished here) tale of manager Brian Clough’s disastrously short tenure leading hugely successful English football team, Leeds United. Taking over from much loved manager Don Revie, Blough’s non-nonsense, honest approach to playing made him no fans, or won his team any matches. Now, I’m certainly not a huge fan of soccer in the ’70s, but this is a riveting and dramatic film. Michael Sheen, after proving he has playing real life characters down pat in the excellent Frost/Nixon, does so again here. He’s confident, charismatic and unavoidably sympathetic. The closing credits and extras reveal what a great manager and showman Clough really was. This is what a sports film should be like – not the endless ‘uplifting’ gridiron fluff America trots out, but engrossing, surprising and real.

An indie sci-fi film directed by David Bowie’s son does not scream potential. However, ignore that doubtful voice. Moon is a revelation. First-time director Duncan Jones shows he can stretch a thrifty budget and expand upon concepts often visited in this genre. Sam Rockwell carries the film as its protagonist and solo performer, for the most part. He is brilliant and allows the film’s surprising narrative to hang on his shoulders with great skill. He acts besides himself, unravels a conspiracy and talks to his computer GERTY, as voiced by Kevin Spacey. This is the kind of film that science fiction can do so well, but rarely does.

The Final Destination is the last entry in this series that began in 2000. The 3 previous films are superior to this one, as they welcomed the dark comedy and grisly deaths. This film (in useless 3D) tries hard but doesn’t reach the same horror heights. The subtlety of death as an invisible character is gone here too. Objects move on their own, not seemingly affected by gravity and bad accidents. There’s the usual cookie cutter teens who get picked off one by one, but none of them are really worth caring about.

Purge + Audit Blog

My mate Mladen has finally started a blog. The long haired man with a stranger name than me certainly has some eclectic interests and his awareness of quirky sci-fi films, classic novels and music I’ve never heard of is most impressive. He unleashed his blog, The Drowning Machine last month. Check it out now. He’s always been a good writer and it’s encouraging to see him put it to good use. Right now, you’ll see a deleted scene from Terminator 3, a review of Crime and Punishment and some dazzling videos. Yep, eclectic. You can also check some of his own music out right here. Yes, he’s a musician and a writer. Thankfully, he can’t dance and this keeps him humble.

Best Fictional Sports

With the Winter Olympics now over, here’s a quick look at some awesome sports from the halls of pop culture to distract us.

Jugger

Introduced in Salute of the Jugger by writer/director David Webb Peoples (screenwriter of Blade Runner and Unforgiven) this 1989 action pic starring Rutger Hauer is known as The Blood of Heroes in the U.S. Set in a post-apocalyptic world, people eat dogs and barter with whatever trinkets they discover just to survive. In this harsh realm Sallow (Hauer) is accompanied by his assorted team-mates (including characters played by Joan Chen, Delroy Lindo and Vincent D’Onofrio)  who play the nation’s favourite past-time, simply known as The Game (no, not the Michael Douglas movie). The players, known as juggers, manage to meke out an existence by travelling to different settlements and challenging the locals. The premise of The Game is a simple, yet brutal one. Two teams of four armoured players attempt to place a fancy dog skull on the enemy’s goalpost. Every player is armed with an assortment of wild and whacky weapons, except the person playing the role of the Quick. It’s their job to live up to their name, and run as fast as possible, being protected by their 3 team-mates and attempting to dodge a fatal bludgeoning or impalement along the way, while holding the aformentioned canine brain case. In fact, this sport is so well loved it has now become a reality, originating in Germany. The first international tournament took place in 2007 in Hamburg. A latex dog skull was used.

Deathball

As seen in the second direct to DVD Futurama film, The Beast With A Billion Backs, this game involves bare legs, spandex suits and fleeing from a giant ball, in the best Indiana Jones tradition. Old-timer scientific rivals Professor Farnsworth and the pony-tailed Dr Wernstrom form teams and compete in Deathball for the right to launch an expedition to discover the cause of a recent space anomaly. Players of Super Monkey Ball or the Wii’s Kororinpa will be somewhat familiar with the mechanics of the game, which is a life-sized version of the classic Labyrinth. Players run around a huge maze-like course, avoiding falling into holes, and the rolling steel marble, while the opposing team controls both the horizontal and vertical axis from an elevated viewing area. Hilarity ensues. So do crushed vertebrae of the slow runners.

Car Soccer

Now I’m not a fan of cars, but I am a fan of Top Gear and sure, this sport isn’t fictional exactly, but it’s not appearing on the Sports Channel anytime soon either. The crazy British trio of Jeremy Clarkson, Richard Hammond and James May have so much fun every week with motor vehicle shenanigans that the BBC series never fails to induce giggles. Some of their amusing stunts such as using a Volvo to jump over a line of caravans, or turning average cars into boats, or even a space shuttle can’t be considered sports, but they’ve covered those too. Hammond and May once captained opposing sides, ably assisted by stunt car drivers in red and blue teams driving Toyota Aygos and the biggest football you’ll ever see. In their Winter Olympics Special, the duo revisited the concept, using Suzuki Swifts in an ice hockey match.

Rollerball

This is more than director John McTiernan’s worst film.  It’s also a fast paced full contact sport, as seen in the 1975 original of the same name, starring James Caan, and based on a short story by William Harrison. Cann plays Jonathan E, the legendary Rollerball player for the Energy Corporation. The ruling conglomerates of this 2018 future want Jonathan to retire at the height of his fame, while simultaneously altering the rules of the sport to make it appeal to the public’s bloodlust while hiding their own agendas. The film has certainly influenced many other fictional sports, and movies based around them, while itself being influenced by the popular Roller Derby game which rose to prominence in the 1970s and has seen a recent revival thanks to athletic female players with a goth/punk fashion sense, as seen in the new film, Whip It. Similar to Derby, Rollerball also uses two teams on roller skates on a circular track, but Ball incorporates only one ball, a cannon, three motorcyclists (which can tow team-mates), two catchers per side, and a magnetic goal on the track’s outer rim. It also incorporates orange jump suits, but those aren’t mandatory.

Holochess

George Lucas has given the world many great treasures, but he well knows, that no future world is complete without a made up sport. Sure, holochess is more of a hobby than a sport but any excuse to mention Star Wars is a good one. As seen on the Millennium Falcon in A New Hope, this game is a hi-tech version of chess, complete with interactive holographic aliens as pieces and a round table, rather than a square one. Also known as dejarik, the pieces resemble real and imaginary species in the Star Wars universe and act accordingly during play, becoming aggressive when used, or acting bored during times of inactivity. There are variations including multi-tiered boards and armies of characters, and a gruesome version created by Yuzzhan Vong warmaster Tsavong Lah involving living creatures as pieces.

Perhaps the most valuable lesson we can learn comes from Han Solo. As he reminds C-3PO while playing against sore loser Chewbacca, Wookie’s can rip their opponents arms off so it’s always a good strategy to, “let the Wookie win.”

Quidditch

Time for a less violent game, and one which the whole family can enjoy, as long as they’re not afraid of heights. The high-flying game, was developed by author J.K. Rowling and has been featured in every Harry Potter novel except the final one. Like Rollerball, but with flying broomsticks replacing skates, the aim of Quidditch is to um…throw a ball into one of three hoops. Or something. With names like bludgers, keepers, chasers, beaters, keepers, quaffles and goldens snitches, it’s probably easier to just read Quidditch Through The Ages. Published in 2001 and written by Rowling (under the pseudonym of fictional Quidditch expert Kennilworthy Whisp) it tells you all you need to know about the game, which is probably the most realized fictional sport ever produced. But if you really want to get the authentic experience, or as close to it, you could play any of the video games, or find a local Muggle Quidditch league. Sadly, it’s played on the ground.

Thunderdome

Think of it as the steel cage match of the future – the post-apocalyptic future, naturally. In the last outing of Mad Max, 1985’s Beyond Thunderdome, we follow Max (Mel Gibson) across the desert landscape, where he eventually lands in Bartertown, becoming a pawn in a power play between Aunty Entity (Tina Turner) and the vicious double act known as Master Blaster. The pair derives their name from the midget Master who rules from atop the hulking shoulders of the masked mute Blaster. Max faces the lone Blaster in the spherical cage, as a swarm of grubby onlookers cling to it’s frame and begin to chant the only rule – “Two men enter, one man leaves.” Hoping to be that one man, Max combats Blaster in a swinging harness, and then finally on the ground, using weapons placed inside the dome, as well as those handed to him by the bloodthirsty patrons. After a hard earned victory, Max uncovers Blaster’s true face and is shocked (as are we) to discover that it’s a mentally disabled man staring back at him. Max swims against the harsh tide of Bartertown and lets his opponent live.

The Running Man

Similar to Rollerball and Death Race, The Running Man is a televised sport in which the competitors fight for their lives. Based on a 1982 novel by Stephen King, under his sometimes-pen name, Richard Bachman, it became a film 5 years later. In it, Arnold Schwarzenegger plays Ben Richards, a military pilot who refuses to fire on unarmed civilians, and is then imprisoned for it. Managing to escape with two friends, he is recruited by the show’s sleazy producer. Richards is told that if he doesn’t participate his fellow escapees will compete in his place. Richards reluctantly agrees, but soon learns that he’s been lied to. Running for his life through an earthquake ravaged L.A, he attempts survival against gimmick-laden stalkers, such as the ice-skating Subzero, lightning wielding Dynamo, chainsaw revving Buzzsaw and Fireball, who uses a jetpack and flamethrower. With each grisly death caught live on TV, Richards becomes more popular than the men created by the network. The obligatory resistance fighters soon recruit Richards and a happy ending ensues, one that couldn’t be further from King’s original novel.

Gina Torres is Superwoman

So Justice League: Crisis on Two Earths is available now, in the US at least. Here in Oz we have to wait a little longer, but by all accounts it’ll be worth it. The 7th animated DC film has been getting great praise for its epic story and dazzling fight scenes, and the 70s-flavoured bonus short focusing on The Spectre is getting lots of attention too. Expect a full review once I get my impatient hands on a copy. Hopefully that’ll be soon. For now, here’s an official interview with Gina Torres from the film.

ACTRESS GINA TORRES PUTS A SEXY SPIN ON EVIL AS SUPERWOMAN IN JUSTICE LEAGUE: CRISIS ON TWO EARTHS

Gina Torres mixes equal parts evil, sexy and powerful of conjure the hypnotic voice of Superwoman in Justice League: Crisis on Two Earths, an all-new DC Universe Animated Original PG-13 Movie arriving TODAY, February 23, 2010 from Warner Premiere, DC Comics and Warner Bros. Animation.

In Justice League: Crisis on Two Earths, a “good” Lex Luthor arrives from an alternate universe to recruit the Justice League to help save his Earth from the Crime Syndicate, a gang of villainous characters with virtually identical super powers to the Justice League. What ensues is the ultimate battle of good versus evil in a war that threatens both planets and puts the balance of all existence in peril. Torres plays Superwoman, the evil doppelganger to Wonder Woman and one of the leaders of the powerful Crime Syndicate.

Torres had an unanticipated assist in bringing about the powerful, yet sultry voice of Superwoman, coming into the booth in the final days of a bad flu that slightly lowered her vocal range and added a smoky sexiness to the outstanding performance. Even more impressive is her perfect match with the voice of Owlman, James Woods – considering the two actors recorded on opposite coasts, weeks apart, and have never met each other.

She is well known throughout the fanboy realm for her standout roles in Joss Whedon’s Firefly/Serenity and Angel, her performance at Cas in The Matrix Reloaded and The Matrix Revolutions, as well as 28 episodes in Cleopatra 2525. Torres has since been a mainstay across primetime television with recurring roles on 24, Alias and Standoff, in addition to guest appearances in CSI, Without a Trace, Boston Legal, Bones, Eli Stone, Pushing Daisies, Criminal Minds, Dirty Sexy Money, The Unit, FlashForward, Gossip Girl and The Vampire Diaries, to name just a few. Torres has also spent some time in the animated world, working with Warner Bros. Animation as Vixen on Justice League.

Justice League: Crisis on Two Earths is an original story from award-winning animation/comics writer Dwayne McDuffie (Justice League). Bruce Timm (Superman Doomsday) is executive producer, and Lauren Montgomery (Wonder Woman, Green Lantern: First Flight) and Sam Liu (Superman/Batman: Public Enemies) are co-directors. The full-length animated film will be distributed by Warner Home Video as a Blu-Ray™ and Special Edition 2-disc version DVD, as well as single disc DVD, On Demand and For Download.

Torres spent a few minutes after her recording session – and last week during the Los Angeles premiere of the film at the Paley Center for Media – to chat about her performance as Superwoman, the importance of strong female role models, the acting strengths of Whedon alums, her childhood obsession with Wonder Woman, and the fun of allowing her evil side to come out and play. Listen up … or else.

QUESTION: As you stepped into the sound booth to voice Superwoman, were you actually feeling wickedly sexy, delightfully cruel and ultimately powerful … or was that all just acting?

GINA TORRES: I’m so glad they called me to do Superwoman, (she laughs) because I was in the mood to get back in there and be a badass. Superwoman is one of those super heroes that knows her power, and is very comfortable in her power. And it’s all cat – it’s no mouse with her. She likes to bat around her prey and she really enjoys what she’s doing. In the booth, you sort of have to become this person. When you’re not on stage with other actors and you’re not on camera, you really get to free up your body and do all kinds of things that maybe aren’t as pretty on camera. You get to have a good time getting your whole body involved in the interpretation.

QUESTION: Have you ever had a relationship with comic books?

GINA TORRES: Do the Archies count? (laughs) I was a big Archie fan. I love Veronica – I want to look like Veronica. Betty was great, but Veronica was the girl. And that whole “Sugar, Sugar” (singing) thing was great. I’m telling my age – I’m really only 28. My sister is older (laughs). I was listening to her 45s.

I don’t want to disappoint any comic book fans out there, but I’m a girl so I really wasn’t reading the super hero comic books much. But it’s done great things for my marriage. The husband loved the idea of me playing Superwoman. And my girlfriends said, “Well, that’s just kind of you every day, isn’t it?” So I’m happy.

QUESTION: So there was no super hero role playing games when you were a kid?

GINA TORRES: I absolutely played Wonder Woman when I was a kid. I had the lasso, the whole bracelet thing, I even had my twirl down. I just knew that I was going to be taken back to Paradise Island, because that’s really where I belonged. I was this small little Amazon just waiting to express myself, waiting for my true mother to come and get me. (laughs)

QUESTION: Can you give me an idea of what Superwoman’s motivations are in this film?

GINA TORRES: Let’s see. Superwoman is motivated by power and money and sex, and sex and money and power. Who can’t relate to that?

QUESTION: Good answer. Not that Superwoman is a role model, but do you feel like women have enough super hero representation these days?

GINA TORRES: What do you mean Superwoman is not a role model? Isn’t she a role model? She rules the world (laughs). She’s Superwoman! (laughs). What I love about super heroes, and Superwoman in particular, is that in that comics world they’re all curvaceous. There aren’t really any skinny bitches in the world of comic books. They’ve got muscle. I like that. I appreciate that. They’re strong. And it’s important to have strong images of women out there, women who aren’t afraid of expressing themselves, women who aren’t afraid of taking chances, women who aren’t afraid of their own power. Unfortunately, being a woman in society means that sometimes you have to sort of quell what is instinctually broad and magnificent and magical about you. I think a lot of people feel that way. I don’t know if that’s necessarily relegated to being a woman, because we’re all so worried about fitting in and not sticking out. So what’s great about this whole genre is that it’s all about sticking out. It’s all about being magnificent to the highest power.

QUESTION: You’re a terribly nice person by everyone’s perception. What’s your trick for turning on the villainy in a performance?

GINA TORRES: Oh, there is no trick to capturing villainy. (laughs) The rumor is that I’m a nice person. I love that rumor. Everybody has different sides to them. Everybody has that inner villain that you want to break out and express. It’s a good time going out there and letting her come out. Lock good Gina in the closet … and have evil Gina come out and play.

QUESTION: You’ve been in this universe before, most notably as Vixen for Justice League. Do you have an attraction to the medium or just when the situation presents itself?

GINA TORRES: I love voiceover work. It’s wonderful, it’s expressive. It’s a way of using a part of my instrument that I’m comfortable and familiar with. The voice is such a vital part of crafting a character. I’m so pleased that I have the kind of voice that prints well and that people want to hear. I’ve had friends actually say, “You know, I was in the kitchen, and the television was on and I heard you.” I love hearing that there’s something familiar about my sound, and that to some people it’s soothing.

QUESTION: The DC Universe animated original movies have been blessed with numerous members of the Joss Whedon alumni association – from Adam Baldwin and Nathan Fillion to David Boreanaz and James Marsters, to name just a few. Is there something about the Joss experience that lends itself to this universe?

GINA TORRES: Joss has an attraction to a certain kind of actor. Obviously, we’re all so very different in our own way. But when he’s choosing a world, he really does inhabit it quite completely. I mean, it is an entire universe. It is a Whedonverse, which is why I believe he’s so successful when he creates these worlds that one can get lost in.  All the inhabitants in it require, without sounding self-serving, a kind of intellectual whimsy. You have to understand where you are and be true to it and at the same time let it go and let it fly and enjoy it for what it is – for the maniacal, for the fantasy, for the tragedy of it. I think all of these actors have lent themselves to these kinds of projects because we’ve been in that place. And so we can come here and say, “Yeah let’s have fun. I know where we are and let’s just go and have a good time.”

QUESTION: You’ve got significant sci-fi fantasy experience. Is that by choice or happenstance?

GINA TORRES: I would say that I was dragged into the sci-fi genre. (laughs) I wouldn’t say kicking and screaming. I actually went willingly. But it wasn’t something that I sought out. I grew up in New York, born and raised, and cut my teeth in the theatre. I did a lot of off-Broadway, and some Broadway. Sci-fi was certainly not where I thought I’d be making my bread and butter for this period of time. It’s been a pleasant surprise, certainly. I find that it’s a niche that I’m comfortable with. What else are you going to do with a strong, almost six-foot girl? Give her a gun. Give her superpowers. (laughs) And you give her a hefty belt with things attached to it. Yeah!

QUESTION: Can you quantify the passion of the fanboys out there?

GINA TORRES: That passion of the fanboy is immeasurable. And it is priceless. And it is necessary when you’re doing these things because you don’t quite realize while you’re doing the work that you’re in a bubble. And it’s not until you’re released into the world that you realize that you’re making an impact and that you’re making somebody’s day brighter and someone’s universe broader. It is great fun to be confronted with these guys and gals.

Persian Centurion

Below are 2 new trailers for upcoming (very) old school action films. The Super Bowl teaser for the game adaptation Prince of Persia reveals the grand SFX and a buff Jake Gyllenhaal. Prince of Persia: Sands of Time is directed by  Mike Newell (Harry Potter and the Goblet of Fire) and written by the character’s creator Jordan Mechner and is out on May 28. Mechner also has an OGN coming out from First Second Books in May, titled Solomon’s Thieves, which looks rather intriguing too.

Centurion is directed by Neil Marshall (Dog Soldiers, The Descent) and is released on April 23 and stars Dominic West (The Wire, Punisher War Zone) and a mute Olga Kurylenko (Hitman, Quantum of Solace). Both films look awesome, I must say.

Clash of the Titans Posters

The remake of the 1981 classic opens the day after April Fool’s Day, in the current cinematic fad of 3D. To see all 7 posters go here. When I look at them I can’t help but think this is what a Harry Potter film would look like if they made another one in 10 years after the kids have all grown up. Clash is directed by Frenchman Louis Leterrier (Transporter 2, The Incredible Hulk) and is written by Lawrence Kasdan (The Empire Strikes Back, Return of the Jedi).

Justice League: Crisis on Two Earths Clip

Here is the latest glimpse into the Feb 23-releasing animated film from DC Comics and Warner Bros. The more I see of it, the more I like it. Details and clip below.

Justice League: Crisis on Two Earths is an original story from award-winning animation/comics writer Dwayne McDuffie (Justice League) rooted in DC Comics’ popular canon of “Crisis” stories depicting parallel worlds with uniquely similar super heroes and villains. Bruce Timm (Superman Doomsday, Green Lantern) is executive producer. Lauren Montgomery (Wonder Woman, Green Lantern) and Sam Liu (Superman/Batman: Public Enemies) are co-directors.

The movie features an all-star voice cast led by Mark Harmon (NCIS) as Superman, James Woods (Ghosts of Mississippi) as Owlman, Chris Noth (Sex and the City, Law & Order) as Lex Luthor, William Baldwin (Dirty Sexy Money) as Batman, Gina Torres (Serenity, Firefly) as Superwoman and Bruce Davison (X-Men) as the President.

Warner Home Video will distribute the full-length animated Justice League: Crisis on Two Earths on February 23 as a Special Edition 2-disc version on DVD and Blu-Ray™ Hi-Def, as well as single disc DVD, and On Demand and Download.

While we’re on the topic of DC, here’s a look at Series 3 of the JLA Classified Classic action figures. Yes, they all look the same, but you gotta dig those washboard abs! Looks like 6 sticks of butter. That’s courtesy of artist Ed McGuiness and his interpretations of Professor Zoom, Red Superman, Green Lantern Hal Jordan and The Atom.

Finally, it appears as though Batman Begins and The Dark Knight director Christopher Nolan will help Warner Bros reboot Superman. I remain cautiously optimistic. Just please don’t try and be ‘revolutionary’ WB and make Superman dark and brooding. It does not work.

Frozen

Looking for a good film for this weekend? Then check this out. Frozen from writer/director Adam Green is similar in approach to the great Open Water from a few years ago, in that it’s an indie film with few characters as they unravel while facing possible death. It stars Shawn Ashmore  (Iceman from the X-Men films) and the poster and trailer are below. It’s been quite widely praised and you can see if it’s playing near you (if you live in the States) by checking out the official site.