The Example Review

The-Example-Cover-Final-1I discovered this snappy little book from local publisher Gestalt Publishing (well local to me in Perth, Western Australia anyway) when I read about it in an article in The Australian newspaper. Written by Tom Taylor, and based on his award winning play, with art by 200AD’s Colin Wilson, this is a prime example of how to create something intense with a surprisingly simple premise. Two people, strangers actually, are waiting for a slow train to arrive. As a man (that we never see) leaves the station, he also leaves behind the hook behind this tale – a suitcase.

The young, bespectacled girl Sam and the older, more distinguished Chris soon break the ice while wondering what exactly the suitcase is and what they should do about it. To say any more than that would be to ruin what’s a truly engrossing short story, including the origin of the title. For anyone new to comics, this is a great entry. For any wannabe writers, this is a great lesson in pacing and suspense. For wannabe artists, this is a great lesson in panel design. Like Watchmen, it uses a simple 9 panel grid on almost every page, but you won’t even notice. I mean, this is just two people talking at an empty suburban space, yet you’ll be lost in the world it creates. If you are I also recommend watching other engrossing tales with two, such as Alfred Hitchcock’s 1948 film Rope about two murderers at a dinner party, Richard Linklater’s film Tape, or the Before Sunrise, and Sunset films.

It’s obvious that Taylor and Wilson have thought long and hard about every line (created by the keyboard and the pencil) in creating this standalone drama. At only 11 pages of actual story, space had to be used wisely and is. Extras include a few more pages of character sketches by Wilson as well as musings on the creation of this project by Taylor, Wilson and publisher Wolfgang Bylsma.

The Example

You can pick up this excellent issue and their recent Flinch anthology at any good comic shop, or at Gestalt’s site.

We Kill Monsters #1 Review

We Kill Monsters #1 CvrThis new series was previewed in Red 5’s recent Free Comic Book Day offering, but if you didn’t pick it up – fear not! It’s available here, and it’s still free.

This six issue mini-series is off to a good start. From Red 5, the fine folks who have given us Atomic Robo and Neozoic, We Kill Monsters tells the story of two brothers and their extracurricular activities, as summed up in the title.

Jake and Drew are mechanics at the Basher Bros. Auto Repair and Body Shop. After another day fixing cars, they head to their usual haunt for a few drinks. The brothers lives are soon interrupted by more than Vanessa, the pretty barmaid however. After calling it a night, the somewhat sullen Drew is faced with two horrors – Vanessa’s new boyfriend and a terrifying beast leaping from the shadows. Thankfully, his bro’s got his back, and with a shovel to the face and some blood loss on both sides, the brothers emerge victorious, but not unchanged. They drag the horned corpse to their shop after seeing another creature following them and soon realize that their problems are just beginning.

I wasn’t expecting much from this book. It’s not a revolutionary concept or anything. However, I liked what I read. The cartoony art may be too jarring for some, considering its forlorn characters and such, but Brian Churilla (The Engineer from Archaia) conveys the inner feelings of the characters well, considering the few lines he uses. Christopher Leone’s script moves things along at a brisk pace, but it never feels like its rushing to get all the talking out of the way until the monster shows his face. He shows the awkward concern that the brothers have for one another, and how that affects the relationships around them. I expect a war between Drew and Jake on one side, with their handy skills and new abilities and knowledge and a horde of ugly creatures on the other, but six issues is a long tale to tell, so there may yet be further surprises in store. Hopefully they’ll come from the brothers and how they interact with each other while battling baddies. I think that a family drama in the midst of invading evil will set this series apart from just another ‘average guy saves world from aliens’ type adventure. Hopefully I’m right.

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The Blade of Dracula

I interviewed partners Leah Moore (yes, Alan’s daughter) and John Reppion regarding their great new Sherlock Holmes series from Dynamite. Now, from the same company and same creators is The Complete Dracula. It’s a very faithful retelling of Bram Stoker’s legendary horror novel for comic fans. My interview with the pair is here and my review of the latest issue of the impressive Witchblade monthly is here.                                                

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Star Trek Review

Star Trek movieI loved watching the original series from the 1960s. They repeated them very late at night when I was a teenager and I lapped those three seasons up. They were astronomically ahead of their time, and the characterisation and themes were grand. Gene Roddenberry created something very special with Star Trek and it continues to resonate with all generations. I also loved the films with the original cast made primarily in the 1980s and I’m not ashamed to say I cried when Spock died in the second film.

The franchise was due for an update. It deserves to loom large in pop culture once more and unfortunately the series that followed Kirk, et al, didn’t justify another big screen outing. J.J Abrams was the perfect choice. He helped create Alias and Lost and knows how to do conduct grand action, as seen in Mission Impossible 3. The only other logical choice would’ve been Joss Whedon.

Written by Transformers writers Roberto Orci and Alex Kurtzman and directed by Abrams, Star Trek goes back to its fun roots, but misses the deeper meanings and social commentary the TV series was known for. However, that’s not a bad thing. With its pretty young cast and sense of fun, it’s a joy to witness. It looks great, with its clean, sleek interiors and lens flares and doesn’t suffer too badly from the handheld fight scene direction that’s all the rage these days.

Star Trek cast

I hope this film introduces Star Trek to new fans. It has enough nods to the classic show to be appreciated by fans, but isn’t hindered by it. With it’s time travelling Romulan villain Nero (Eric Bana), emotional Spock (Zachary Quinto from Heroes) and initially purposeless Kirk (Chris Pine) it touches on themes of destiny and courage with restraint. The simple costumes and gadgets such as phasers remain almost identical, while the beaming has been slightly modified. Captain Pine’s (Bruce Greenwood) ultimate fate and Karl Urban’s portryal of Dr. ‘Bones’ McCoy were also nice nods to the past. Simon Pegg is great as Scotty though Anton Yelchin’s Chekov accent is perhaps too much.

The beauty of this film is that it’s an acknowledgment of all that’s gone before it, and really, it had to be. The original Spock, Leonard Nimoy’s screen presence is more than the cameo I expected and his inclusion means this film is essentially not canon, but rather an alternate timeline. It works well. The sequel is due in 2011 and I wouldn’t be surprised if Shatner shows up too. It makes me want to watch all those older films again.

The Unwritten Stuff

The Unwritten #1This new series from the Lucifer team of Mike Carey and Peter Gross is different in a number of ways. Firstly it stands out from the other “Un” series launching this month (Unknown and Unthinkable from BOOM! Studios) by being bigger. Not bigger in format, but bigger in its story and by its very approach to the concept of storytelling. This debut issue has extra story pages, so you can feel a little heft when picking it up from the shelf. It’s also only $1! Thanks Vertigo/DC. They’ve had success with similar cheap launches, such as the After Watchmen…What’s Next? series of re-prints. This is a wise marketing move, and will only help give this series the attention it deserves.

So ,what’s it all about then? Imagine Harry Potter was real. That’s the basic premise. Of course, it’s not as straightforward as that, but basically Tom Taylor is a grown man trying to live away from the shadow of the fictional boy wizard Tommy Taylor, the hero of a series of much loved books by Tom’s father, who has been missing for a decade. It’s a very well constructed first issue and barrels along at a nice pace. It takes itself seriously but isn’t melodramatic about it. With clever use of web-site comments, news casts and journal excerpts it becomes obvious that this creative duo have thought long and hard about the story they’re building.  There’s an insightful interview with the creators at Broken Frontier and you can also find Carey’s commentary on the issue at the same site.

If you’re looking for something fresh, with just enough nods to pop culture to make you feel smart, then pick up this ish.

Fusion #1 Review

FUSION001_interiors_Page_01It’s been a while since the comics biz had had a good x-over. In the 90s we couldn’t get enough of them. Batman teamed up with everyone. Spider-Man teamed up with everyone. Punisher and Archie teamed up with each other.

Now the concept is back. In grand fashion. Two teams from Marvel and two teams from Top Cow in the same book is a great way to start. Of course, Top Cow artists have been doing cover and interior work for the House of Ideas recently, so this is no big stretch. Fusion debuts spectacularly, with plenty of cool costumes and powers to please any fan of superheroes. This issue primarily focuses on the Mighty Avengers and Ripclaw, but with two more issues to come, the balance should be restored.

It begins with a lone man named Ellis (from Hunter-Killer) sitting at the ancestral home of Ripclaw (from Cyberforce) before taking us to the Quinjet where we meet the Mighty Avengers, who in this time frame, have only been together for a week. Setting this between Civil War and Dark Reign was a smart move on the part of frequent writing partners Dan Abnett and Andy Lanning. Out of the four teams in this series, The Avengers have the most complicated recent history. They wisely steer away from assuming readers are familiar with the happenings of this assortment of characters, and the two page intro for each costumed character is a welcome aid.

In the Quinjet, where the word “celebritard” is introduced, Wonder Man, Ms. Marvel, Wasp and Black Widow of the Mighty Avengers get attacked by a mad Ripclaw before leading them to an investigation focused on the who and why.

Not much happens in this issue, but it’s impressive that for a series that will contain over 20 characters, this first ish isn’t complicated or overbearing. Abnett and Lanning keep things simple. After the fight with Ripclaw, the Thunderbolts watch the aftermath from a distance, before attacking Ripclaw after another Hulk-out. Then the Mighty Avengers venture to a lighthouse that isn’t what it appears to be before seeing Ripclaw again. I can only assume that there’s more than one crazy Ripclaw out there, due to the absence of time and place transitions, and I guess the Hunter/Killer crew is involved in that.

As is to be expected, the fighting begins right away as the heroes – or at least Ripclaw, isn’t his usual self. Perhaps the two of the teams will join up and fight the other two, or all four teams will become allies and take the battle to a new enemy.

The book looks suitably fast paced and daring. Tyler Kirkham’s style may have early “Image house style” written all over it, but it works, and the use of three different inkers doesn’t show. There’s also no desperate attempt at trying to explain away how these teams meet through a parallel universe or some such, so ths story can focus on lots more pummelling. For fans of any of these teams, or those who know none of them, this superhero smorgasbord is a good entry into two vibrant companies properties.

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Sherlock, Soulfire & Daredevil

Over at the new, and very spiffy, Broken Frontier my interview with writers Leah Moore and John Reppion over their new Sherlock Holmes series is up. As is my interview with writer Alexander Irvine about his Daredevil Noir. Lastly, my review of Soulfire: New World Order #1 is also at BF, and you can also check out a nifty commentary of that very issue with artist JT Krul.

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The Unknown #1 Review

The Unknown #1 CvrNot that Mark Waid needs to prove himself anymore. Long ago he elevated himself into superstar status but since leaving The Big Two, and taking up residency with BOOM! Studios, the writer has varied his output considerably. Moving away from his mastery of superheroes (though he still has something to say on the topic, as can be seen in the astonishing Irredeemable), he seems to be embracing every genre he can get his hands on, from crime in Potter’s Field, to kid-friendly adventure in The Incredibles and now to the mysteries of science in his latest series.

The Unkown is a 4 ish mini that follows Catherine Allingham. Apparently she’s a very smart woman – the world’s smartest person in fact, though we are only given hints as to why. The take charge private eye only has 6 months to live, thanks to an incurable, and growing, brain tumour. She seems very confident and as focused as a laser beam, assumedly because of her limited time left on this earth, but perhaps she was like that before her death sentence.

The first few pages aren’t a flattering start. They’re staged quite awkwardly, with page transitions that need to be re-read to get a sense of time. Catherine wakes up to a hallucination (that occurs again, twice) of a creepy Frankenstein lookalike, before making it disappear thanks to some pills. She’s then called into a murder scene and deduces the culprit almost immediately before heading home. On the way she meets James Doyle, a perceptive bouncer. Before Doyle knows it, he’s teaming up with the famous detective and on a plane with her to Vienna. It is there that the new partners find twin scientists working on a huge machine. The Faderbauer brothers claim they are victims of the world’s first quantum crime, while Catherine discovers what their machine is capable of measuring.

This left me unimpressed. It’s a great premise, to be sure. The world’s best investigator chasing down the world’s last mystery – life after death. Well, this mission isn’t stated in this story, but that’s what the promos tell us. Presumably, Catherine is on a quest to grasp what has eluded mankind since it first discovered death – what happens next. Motivated by the tumour that’s robbing her remaining days, she’s in a hurry. That makes sense and is intriguing. The problem here is that we not given any real glimpse into who Catherine is. Hopefully that will come in future issues, but I found myself wanting to know more about Doyle than her. The way Waid handles Catherine kind of reminded me of how some writers handle Batman. To prove his proficiency, they make him always appear to be the smartest person in the room. He easily solves dilemmas and dashes to the next one, leaving those in his wake appear helpless. Catherine is not so much a character as a force of nature, merely a blur of multi-tasking self-reliance. Now that can work, but there’s no anchor to her humanity. She’s not aggressive, or rude or cocky, which in the hands of a lesser writer she easily could have been. It’s just that there’s no awareness of her as a real person.

Minck Oosterveer’s art is great though. Similar to John Paul Leon, with his use of blacks and muted textures, he can draw pretty much anything. It all looks real and never awkward. Felipe Martin’s colouring is perhaps too restrained however, though it does add a noir feel with the use of shadows and silhouettes.

I’d be a foolish man to give up on Waid. He knows what he’s doing and BOOM! has had a superb recent history with strong female characters, such as with Hexed. Hopefully Catherine Allingham can be one more, but it’s not immediately obvious just yet.

Dead Romeo #2 Review

DR2 CvrAs promised, I have given this series another shot. I’m glad I did. This issue is slightly better than last month’s debut. Unfortunately one of the areas DC falls down compared to Marvel, is their lack of an introduction page. So, if you haven’t read Dead Romeo #1, this won’t mean much of anything to you. However, here’s the skinny: Romeo is a vampire recently revived from far too long in hell. He’s now trying to avoid going back there,which means avoiding satisfying his bloodlust. The white haired hero meets a sassy virgin, Whisper and falls head over heels for her far too quickly, though he does wonder why at least. Romeo’s old gang also return from the grave and they’re a motley crew of nasties. They want Whisper too. Now Romeo must make a choice -kill her and save himself, or save her and kill himself. Last issue we were introduced to the man characters, while this issue is effectively a 22 page run and fight feature, bringing him closer to a fateful decision.

There’s more blood, some predictable gangsta speak and not much characterisation. There’s 4 more issues to go, so Romeo and Whisper have to fall in love and defeat the baddies while somehow living to live a happy life. Of course, writer Jesse Blaze Snider may just manage to avoid those cliches and pull out a few surprises. Let’s hope so. Thus far, it’s a mix of Blade, Twilight and The Crow with it’s vampire in love battling fellow vamps while trying to avoid damnation flair going on. Those influences aren’t obvious ones however,and Snider, along with artist Ryan Benjamin, has put considerable time into making each character distinct. I only hope it pays off in the long run.

For a preview of this ish, go here.                                                                                                       DR2 prvw

X-Men Origins: Wolverine review

405px-Wolverinetheatricalposter_aWhen I saw the first X-Men film, way back in 2000, 2 Canadian girls sitting next to me audibly gasped upon seeing the bare chested Wolverine debut. And with good reason. Hugh Jackman cuts a menacing figure, and he’s only been getting buffer in every film. I say that from a strictly heterosexual point of view, by the way. So as the X-Men films continued to be released, offering increasingly spectacular action, and Marvel cameos, it was only  a matter of time until Logan received the honour of his own flick. It’s no surprise that Wolvie is the most popular X-Man, even headlining the recent (and excellent) animated series. He’s a bad boy.

This Gavin Hood directed film is a disappointment though. Wolvie deserves better. I’m happy to see that the humble Jackman has always respected his roots. This hairy character created his career, and he doesn’t forget it. Unfortunately the screen writers do. Now this film wasn’t produced by Marvel’s film studio, so it’s not as faithful to the source material as Iron Man, but it does it’s best with its constraints to give a nod to the fans. Certain lines that Wolvie says are some of his well-known quotes, and the cameos of other mutants, such as Gambit and Deadpool are welcome, but are barely screen-worthy.

I was expecting a film closer to the comics, but I also understand that Logan’s history is murky at the best of times. It’s only been in recent years that Marvel has offered a definitive version of the character’s origin, in the great Paul Jenkins & Andy Kubert Origin series. Fans of the X-Men films may well enjoy this, and see familiar, though again, unnecessary faces like Cyclops and a walking Professor X. The Weapon X project glimpsed in X2 is seen in more detail here and thanks to the 2 different alternate post-credits endings,we know that more Wolverine films (and a Deadpool) one are certainties. In the comics, Wolvie is a short, surly killer. He’s been cleaned up for the films and fans will wonder why. The main difference from the comics would be the fact that Sabretooth is Logan’s brother, while that has only ever been hinted at by Marvel.

Origin TPBThis really is bland action film, with no concern for Logan’s love life and no complete understanding of his motivations. The special effects are okay, Liev Scrieber as a lunging Sabretooth rocks and the ending makes sense to those who wondered upon seeing the trailer how Wolverine met Cyclops and Sabretooth, yet forgot them in the first X-Men film. At times, Logan’s claws are very fake looking and the character is really only referred to as Jim or Logan prior to his adamantium lacing procedure, rather than James Howlett as he was in the comics. There’s also no sense of a proper time-frame, though it should be set in the 1980s primarily.  At least he acknowledges his Canadian heritage though. Origins should’ve been better. Fanboys won’t be pleased and film fans won’t have any satisfactory answers. If you want more Wolverine in your diet, go to your local comic shop, or wait for the DVD of this film and the obligatory, but welcome doco on the history of the character.

Irredeemable #2 Review

irredeemable_002aSure, the first two issues of this excellent series from BOOM! Studios have sold out, but second printings will be available very soon. I heaped my praise on the first issue (as did many others) and will do so again now.

Irredeemable is a new series from writer Mark Waid. If you have any interest in comics, you owe it to yourself to Google that name and pick up whatever you can find with his name on it at your LCS or bookstore. Waid is legendary. The classic Kingdom Come is as good as he gets, though it means more to long-time readers, though he’s proved with all the monthly assignments he’s had over the years, (The Flash, Captain America, etc) that he knows how to welcome newbies too. Irredeemable will satisfy both parties.

Issue 1 was a great set up. It’s such a simple premise, that I’m certain it’s been done before, but surely without such panache. Waid knows superheroes. The mindset, philosophies, the grand soap operas, the relationships in constant turmoil. All that stuff, plus fist fights between spandex clad characters is the glue that makes superhero comics great. With Irredeemable Waid respects those conventions, yet shatters them at the same time. His skill lies in not being too flamboyant and in yoir face, like other superhero ‘re-examinations’ such as The Authority or Kick Ass attempt. Waid is a gentleman, and doesn’t resort to nudity, profanity and blood letting to get his point across. However, saying that, as BOOM!’s marketing ploy reminded us weeks ago, “Mark Waid is evil.”

So here’s the story – The Plutonian was a great do-gooder; a costumed inspiration in the vein of Superman. Now he’s turned bad and is swiftly executing his former Paradigm team-mates. As is the trend of story telling these days, it’s told in a non-linear fashion. We are given glimpses of the past (during sunnier times, when the cracks started to show in the heroic visage) and mainly of the present with the world’s most powerful man on a vicious rampage. Kaidan, one of The Plutonian’s former allies,  seeks The Plutonian’s initially surly girlfriend for answers. She tells Kaidan of their romance, and how the only villain he ever feared was Modeus, and gives hints to his background.  I won’t spoil anymore than that. There’s a tremendous sense of urgency in this issue. We are never shown The Plutonian in the present. He exists only in flashbacks, yet Waid builds the menace like a crafty architect.

If you’ve ever enjoyed superhero tales for any length of time, you must grab this series. Sure, the characters are all new, but we recognise them instantly. It seems to me that over all the years Waid has been writing comics, he’s been storing away ideas for this series in the dark corners of his notepad. He unleashes blistering pages with ease. The highlight of this issue is an unpleasant, yet realistic, twist on the classic secret identity concept. It’s obvious Waid has really thought about this whole superhero thing and just what it means as part of a practical, daily existence, with all the desperation, responsibility and horror that accompany it.

Peter Krause’s art is suitably dark and frightening, and grounded in reality. It’s a perfect match for what Waid is up to. There really is a tremendous piece of fiction being unveiled here, with precision and fury. Don’t miss out on this series. It’s one of the very few that have me looking forward to each astonishing instalment.

Broken Frontier – New & Improved

bf_b_120x600Now this is a press release I can get excited about. The comics website, Broken Frontier has just received a classy facelift. BF has been around since 2002 and why there may be many comics sites out there, the Frontier has always given coverage to the spandex clan as well as indie gems. And why am I excited about that, you ask? Becuase I write for them! Yay for me. I’ve got heaps of stuff on the new site now, including reviews for Buck Rogers #0, Ultimate Wolverine vs Hulk #5 and Battle for the Cowl: The Underground. I’ll also be blogging there regularly, such as this article on how to improve the DC title, Green Arrow/Black Canary. And if that’s not enough, here’s my interview with writer/artist Scott Kolins about his new Solomon Grundy mini-series. Press release below.

Premier comic book website Broken Frontier is proud to unveil its new look and features. Broken Frontier is going back to its roots, while at the same time making the big bold leap into web 2.0. In addition to its own blog, Broken Frontier will launch several production blogs where readers get inside information on the development of a selected number of comics projects, straight from the creative team’s mouth. And of course, the regular wave of articles, interviews, columns and reviews will keep on coming. The most innovative feature in this regard is Post Your News Now!, a unique and user-friendly tool that allows all of BF’s registered members to post news, rumors and scoops directly to the front page. “I think this will be a great feature for smaller companies and self-publishers to put their projects in the spotlight,” adds Broken Frontier Editor, Frederik Hautain. “But at the same time, it’s a great opportunity for our members to grab their chance and do some comics reporting of their own.

In October of 2002, the site launched with the baseline ‘Where Fans Come First!’. In those days, before the existence of blogs and ready-made websites, Broken Frontier gave its readers an opportunity to submit their own articles, making it possible for the average comics fan to contribute to comics criticism. Now, a little over 6 years later, Broken Frontier is making its community as much of a focal point as its comics coverage. “BF has made a name for itself by way of the diversity of our coverage,” Hautain explained. “While we’ll continue to explore every corner of the comics universe, the new BF was built with the clear intention of putting the community back at the heart of the site.”

Looking beyond the new design and improved site technology, the biggest improvements have been made on the community end. Previously limited to nothing but a forum, the community is now keyed on on-site reader interaction by placing each individual member at the center of its site experience. Hautain commented, “I hope everyone will get a good vibe when they visit the new and improved Broken Frontier. Everyone on our staff is psyched now that we’ve started the engine of our new rocket ship. Full speed ahead!”

Mr. Stuffins #1 Review

Mr. Stuffins #1Think of this title as Reverse Chucky. Instead of a doll terrorizing children, and adults alike, we have a teddy bear helping them.

From Andrew Cosby and Johanna Stokes, who have written the excellent BOOM! series Eureka and Station, respectively, comes this impressively cuddly debut. It had me smirking and fondly recalling my own carefree days of playing with my He-Man figures and G.I Joes. Ah, good times. This is a boy’s own adventure – literally, but it does have a healthy dose of dark humour and adventure. Like BOOM!’s other series, such as The Incredibles, or The Muppet Show Comic Book, this is something parents could read with their kids, with both getting enjoyment from it.

It begins with a scientist running from the agency he works for. Upon creating Artificial Intelligence, he flees from his nefarious employers and runs to the closest toy shop, where he swaps his CD with that of an interactive teddy bear. At the same time, David, a bath salesman recently separated from his fed up wife, is taking his son Zach out for a bit of shopping. After waving masculine gifts infront of his face, Zach decides to go for Mr. Stuffins instead. The rest of the issue is focused on Zach as he discovers his teddy’s unique skill set and gets frustrated with his lack of singing and bed-time story telling abilities. After all, that’s what the box promised! It’s like a premise of a classic 1980s film that was never made.

I could hear Mr. Stuffin’s gruff, take charge voice every time he spoke. He ties up a lifeless pink bunny for interrogation, beats up school bullies and mocks Zach’s parents. Yet he’s a loveable rascal. While elements of Buzz Lightyear and the 1998 film Small Soldiers may be apparent to some, this is still a refreshing concept. Zack is old enough to know that a teddy bear with military skills is not normal, yet young enough to just accept him as a new, though reluctant, friend.

I can see why this was a sell-out when it first appeared, and now that it’s returned with new art by Axel Medellin, it will surely garner new fans. Medellin draws with great expression. His figure work is simple, yet fluid enough and from the moment Mr. Stuffins’ eyes alight and he sits up, fully aware, I was sold on the approach. It has some great pacing and truly witty lines, that I won’t do the disservice of spoiling here. Let’s just say that I haven’t been entertained with cuddly toys for many years, yet I now want a Mr. Stuffins for Christmas.

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Viking #1 Review

Viking #1This is a big comic in every way. It’s hard to imagine any other publisher than Image stamping this on the stands. I get the feeling that Viking, the self described, “9th century crime book” is going to be one of those series that people will be hungry for. Like Scalped, or Incognito, Viking is a series that seems to come from left of centre, yet is filled with a dominant sway that will topple the spandex adventures beside it. If you have any doubt about the entertainment value of a series by two virtually unknown creators that has no spandex inside it, such uncertainity will be pulverised to nothingness after turning the last page.

So, Viking is a big comic. Big in concept and big in production. What Image craftily kept to themselves was the size of this bad boy. It stands out from its funnybook brethren. Viking is slightly larger than the avergae monthly; not by much, but just enough to be noticeable. It’s a great surprise and I can foresee many readers like me, who ordered this book based on the preview art alone, having this thump down on the counter from their pull box, and being genuinely taken aback. Thank you Image – seeing this for the first time was a pleasant surprise. And more than that, thank you for the contents within the larger pages. It lives up to the time and effort that’s been put into it. Of course, better paper and a laregr size mean nothing if the story within is a waste. Thankfully, it’s not. Writer Ivan Brandon and artist Nic Klein have declared themselves to be true talents with this book.

vikingpreview4Now, granted this story isn’t going to be welcomed into the bosom of every fanboy. It’s old-timey dialogue and instantly detestable protagonists will throw some people off, but it is a simple narrative and engaging to boot. Two criminal brothers, Finn and Egil are thieves, killing and selling the goods of their victims. They’re tough guys, but with a love for their family. Between their last raid and their next, they face retribution of a swift and terrible kind, which lays the ground for the next issue well. Interspersed is a nice sequence involving a rich king and his lovely, carefree daughter. She desires adventure, and I’m sure when her path crosses with the brothers, that’s surely what she’ll find.

This issue has just sold out, but Image are rushing a second printing, for release on May 6. Issue 2 is out on June 13. Once you cast your peepers on the art, you’ll understand why. Nic Klein’s work deserves the larger format, and as Ivan Brandon mentions in his afterword, Klein solidified what Viking was and brought it to a new place. Klein’s artwork is rustic, and dirty and filled with blood and grime. Yet it all looks very beautiful. At times it resembles the large-dot style of the Golden Age and other times he turns his attention to a particular panel and paints it splendidly. It’s not a mish-mash of techniques, and it all blends well, thanks to his restrained layouts and colour choices.

Some may find the conversations hard to follow at times, and despite its fairly straight forward narrative, you will need to concentrate when reading it. It’s such a pleasure to actually hold in your hands though, and even if the story isn’t for you, the artistic approach must be admired.

Preview pics of #2 below.

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