9/11 Heartbreaker Review

This short but emotional tale is definitely worth a look. To be honest, some may be put off by its somewhat crude renderings but writer/artist Craig Staufenberg does an admirable job of keeping the tale focused, which is not easy considering its dealing with memories rather than any strict narrative.

9/11 Heartbreaker is Staufenberg’s first book, and as a 28 page one-shot it holds up well. It follows an unnamed young woman and her reflections on the tragic events of September 11. There’s no dialogue as all the text is conveyed through captions. It may be hard to believe that Staufenberg took 2 years to create this as it’s not an intricately realised book, at least visually, but there is a sense that every word was chosen with great care and each page does have a certain resonance. Of course, 9/11 was such a universal day for the world, regardless of where you were and Staufenberg wisely shows no images from the day and avoids all the politics behind it all. What he does bring to the surface is the power of quiet reflection, but it’s not a depressing book to read.

The young woman at the centre of this tale meets Peter, a photographer at a karaoke bar who records students’ recollections of 9/11 for his site. Most of the plot here is driven by the woman’s inner thoughts, but also memories of others, including a student from Peter’s site and her friend Mary, who wonders why signs on the subway ask passengers to be alert for any suspicious activity, when the subways are so run down, that they shouldn’t even bother protecting them.

Inspired, the woman travels to various locations and takes photos of places and statues of historical significance. Like I said, it’s a somewhat quaint book, where not a lot necessarily happens. However, I couldn’t help but be charmed by it and the last few pages are surprisingly touching. I hope Staufenberg continues writing stories, as there’s some obvious talent on display and although some may be put off by the hand lettering and simple (though colour) art, I found it added to the project as a whole, making it seem real and relatable.

Mice Templar Vol. 3 #1 Review

Up at Broken Frontier is my review of this week’s new issue of Mice Templar by Bryan J.L. Glass and Mike Avon Oeming. In summary – it’s great!

Extra Sequential Episode Twenty One

35 mins. No news, and no what we’ve been reading. It’s our most streamlined, aerodynamic episode yet, and it’s all about Christmas themed comics. Also, singing cats, Angelina Jolie’s tattoos, Under Siege and a dodgy Christopher Walken impersonation.

LISTEN TO IT BELOW, DOWNLOAD IT HERE, ON ITUNES OR MIXCLOUD.

Fables #56 in which Santa Claus is a natural fit, and he explains just how he visits kids the world over all in one night!

1980’s DC Super Star Holiday Special. Large format, 5 stories.

Vertigo’s 3 issue Winter’s Edge mini-series. Now re-printed!

JLA #60 which shows Plastic Man recounting a tale in which Santa Claus joins the Justice League.

The classic Lobo Paramilitary Christmas Special. Poor, poor Santa. And yes, there was a two issue Lobo/The Mask cross-over a decade ago.

The Tick Big Yule Log Special from 1997. Spoooon!

Batman Returns. Yes, it’s a festive superhero film, with lots of snow, nose biting and awkward speeches.

Dear Dracula. It’s a kids’ book showing young Sam writing to his hero Dracula instead of Santa. From Silverline Books.

Starstruck Audio Drama Review

I must confess I’m not an avid listener of audio dramas. I did, however, listen to 2 BBC CDs from the ’90s focused on the KnightFall saga in which Batman broke his back and The Death of Superman. Those two epics helped cement my love of comics in my 20s and I’ll always have fond memories of them. I can’t say the same about the audio dramas. Both are 3 CD sets and were as equally cheesy and disappointing as each other. In some parts they were just embarassing, but perhaps for someone who isn’t as much a fanboy, they could really appreciate it. What I’ve heard of GraphicAudio’s dramatisations of DC’s 52 and Infinite Crisis series sounds much more intriguing.

Now, onto Starstruck, the latest audio drama I played on my daily commute over a few days. I’ll admit I’ve never heard of the original comic that this is based on, but I was curious nonetheless.

The press release explains the unique project it better than I can, so here goes.

Elaine Lee and Michael Kaluta’s science fiction comedy masterpiece comes to the world of radio drama as The AudioComics Company announces their debut full-cast audio production of Starstruck on compact disc and pay-per-MP3 download; the show will also air on selected radio stations throughout the United States, beginning with WMPG FM in Portland, ME. The recording of the play that became the critically-acclaimed independent comic book series comes just after the completion of the re-mastered 13-issue Starstruck comic series from IDW Publishing, which will be available as a 360 page hardcover collection in February of 2011.

Produced by The AudioComics Company in association with Portland Community Radio WMPG, the audio adaptation of the original off-Broadway production was adapted for the medium of audio by co-creator Elaine Lee, and directed by AudioComics Company co-founder William Dufris. (Bill is best known to audiences as the voice of “Bob the Builder.”) The recording also employs composer Dwight Dixon’s re-recorded music from the original 1980’s stage productions, as well as several new compositions.

Set many years after the events of the comic book series, Captain Galatia 9 and the crew of the Harpy are on a mission for the United Federation of Female Freedom Fighters. When the Harpy runs into a living ship inhabited by a team of galactic evildoers, including Galatia ’s insidious sister Verloona Ti, the outcome of the battle may well decide the fate of the free universe!

I wouldn’t describe it as a comedic masterpiece, but I have to say, I’m very tempted to get IDW’s Feb-releasing hard cover collection, or the TPB that was released in September with new colours by Lee Moyer and art b the talented Michael Kaluta. I think not being familiar with Starstruck had me at a disadvantage, as there were no visual descriptions and as I listened to mp3 without any CD case, I had no idea what any of the characters looked like. To me, they were just disembodied voices speaking into my ears, though the occasional exposition and brief character history from the authoritarian English narrator does work well and appears naturally through the course of the madcap story.

The voice acting is well and never veers into pantomime overacting. A pleasure droid who sounds like Marilyn Monroe, a tough talking ex-nun, an evil woman who reminds me of Futurama’s Mom, etc. It’s pretty impressive how much just a voice can conjure up a character and even with a somewhat large cast, it never gets confusing as to which character is speaking.

As it’s a sci-fi comedy, there’s some wild ideas (a spaceship blob made from Galactic Girl Guides), authentic sound effects and made up technical words and alien races and the story is easy to follow, if perhaps a little longer than necessary. Although it’s not outrageously hilarious, I did chuckle out loud more than a few times, and the flashbacks, witty dialogue and comedic timing, plus the deadpan delivery of the narrator all add up to something with its own charm.

There is some profanity littered throughout the 2 Acts, but it does have a child like sense of fun, almost at times veering to the levels of Batman on TV in the ’60s. Definitely for fans of similar sci-fi craziness like Red Dwarf and Hitchiker’s Guide to the Galaxy, Starstruck is available from The AudioComics Company as a two-disc CD set and pay-per-MP3 download through CD Baby, ZBS.org. and The AudioComics website. Downloads are available through iTunes and Amazon MP3 too.

BTW, here’s IDW’s enticing description of their TPB.

STARSTRUCK HC

Elaine Lee (w) Michael Kaluta (a & c)

The classic, galactic-spanning saga of Starstruck, the renowned stage play/radio drama/heady science fiction classic, continues! Collecting all 13 issues of the completely remastered Starstruck series by Elaine Lee and Michael Wm. Kaluta. 280 pages of Starstruck and Galactic Girl Guides adventures, covers, pin-ups, glossary, postcards, and so much more! The first truly comprehensive collection of this material in a grand, over-sized hardcover edition. This beautiful book features some of the finest art ever by put to paper by Kaluta, including many pages that were never printed in the original run. Additionally, Kaluta painstakingly added approximately 20% of art to NEARLY EVERY PAGE to ensure the aspect ratio of the comic would be consistent and correct. The end result is unlike anything you’ve ever experienced, a head-spinning, synapse-snapping, soul-searing ride to a world like no other… the world of Starstruck.

Extra Sequential Podcast Episode Twenty

70 mins. Our Tron: Legacy special in which we dissect the 3D sequel to the classic 1982 film and the latest comic news and reviews. Also, sexy angst, inner beauty and the Star Wars planet naming method.

DOWNLOAD IT HERE, LISTEN TO IT BELOW OR ON ITUNES OR MIXCLOUD.

1:10 NEWS

Your chance to appear as an artist in Udon’s upcoming Mega Man tribute book, Japanses creators band together in protest against new ratings, Crossgen comics launch from Marvel in March, Mark Waid leaves BOOM! Studios, BOOM! to publish Michael Moorcock’s Elric series, the first Marvel TV series to focus on spy/mother Jessica Jones.

18:10 WHAT WE’VE BEEN READING

The bad Jonah Hex film, Dexter Season 5, Sandman: Book of Dreams short story collection, Magus #1 from 12 Gauge Comics and Black Panther: The Man Without Fear #513.

39:15 FEATURE REVIEW – TRON: LEGACY


The Alchemist Review

Could this be the harshest review I’ve ever written? I think so. Here’s a snippet.

One of the best selling books of all time, the 1988 novel The Alchemist by Brazilian author Paulo Coelho has been translated into 71 different languages and has so far sold 40 million copies, or 65 million according to Wikipedia. There have been talks in the last few years of big budget movie adaptations, and Coelho himself has encouraged readers to download it, which has only helped generate even more sales.

All that however doesn’t mean much when this adaptation has too many flaws to make it as widely loved as the book, which I confess I have never read.

Read the rest of the review at Broken Frontier here.

This Week’s Winners

The New Avengers #7. Man, what a fun comic. Brian Michael Bendis knows how to do the kind of stories that intertwine casual, charming dialogue and world ending crises. I suppose the closest writer to his approach would be Geoff Johns and his Green Lantern work at DC, but Bendis has a lot more fun. He does entertaining dialogue so well, which means that for an issue like this that’s all talk, big fight scenes aren’t even missed. Stuart Immonen’s pencils make everything look ultra cool and his facial expressions add much pizazz to the humorous words. Basically, the “new” new Avengers, consisting of Luke Cage, his wife Jessica Jones, Ms. Marvel, Thing, Iron Fist, Spider-Man, Wolverine, Dr. Strange and Mockingbird move into Avengers Mansion, given the keys and free rein by the resurrected Captain America.

It opens with nervous discussions and frank realisations about the damage to the Mansion, before some sincere encouragement gets thrown towards the uncertain Dr. Strange and a roll call of lesser known superheroes apply for the job of nanny for Luke’s and Jessica’s baby. Those two pages of close ups are the highlight of the ish, with characters like D-Man (“Does Captain America ever talk about me?”) and Hellcat (“Well, I don’t like babies, per se, but…) showing up as well as others I’m not familiar with (“I can change into a large, ape-like creature, but I don’t necessarily have to if you think that will scare the baby.”). As always, characterisation is great and everyone doesn’t revert to witty one-liners if it’s out of character. Spider-Man’s anger at having former Osborn aide Victoria Hand on the team is great and having new nanny Squirrel Girl hint at a romantic relationship with Wolverine (or James as she calls him) is another masterstroke.

Lady Mechanika #1. Like Image’s Skullkickers, this is another broad, fun series that shouldn’t be dismissed due to its slightly off-center initial appearance. After the #0 issue a few weeks ago, I knew I’d be back for more of this steampunk gal’s adventures. Joe Benitez does everything except the letters and colours here and it shines with a singular vision. An attractive design sense permeates these pages, from  the title page  to the bordered captions and the return of steampunk themed recipes first introduced in #0. Set in and around the cutting edge city of Mechanika in 1879, the titular heroine investigates the death of a girl who, like herself, is part machine and part flesh. Lady Mechanika searches for answers as to her origin and forges relationships with a doctor and his daughter, and Mr. Lewis, a security consultant with whom she sees as more of a nuisance than a friend.  The ish is striking and detailed throughout and it’s obvious that much care has gone into the creation of this world, including Mechanika’s many costumes, which would cause Lady Gaga to be envious. Apparently there’s a chance to appear in LM #2 in Feb, but there’s no mention of it on the sites given just yet.

Pood #2. From Big If Comics and definitely for mature readers comes the next issue in this large format anthology series. We discussed the premiere issue in the very first episode of our podcast and were both impressed. Wisely opening with Jim Rugg’s and Brian Maluca’s USApe parody, next up is a Terry Gilliam-like pastiche of old photos and comics in a nonsensical display by Geoff Grogan, followed by Joe Infurnani’s colourful Ultra-Lad tale. 13 more stories on 13 pages by different creators follow, and as is to be expected in any anthology, they’re not all gold, but most of the creators here make full use of the newspaper size format. Think of it as an indie version of DC’s Wednesday Comics and that’s what you have. Some are in colour, some aren’t, but they are all pretty much experimental. Most aren’t concerned with telling a story as such, but in tales like Cochlea and Eustachia by Hans Rickett they’re just so visually delicious, that it doesn’t matter. For readers who want something very different or art students looking for inspiration.

The Frontiersman #16

Out now is the FREE digital PDF of Broken Frontier’s nifty magazine, The Frontiersman. Inside is a great interview with Charles Burns (Black Hole, X’ed Out), a look at Next Men, Thunderbolts, my review of the Hawks of Outremer TPB, an exclusive preview of Secret Warriors #23 and so much more. Check it out right here.

Extra Sequential Podcast Episode Nineteen

61 mins. It’s Christmas time! Well, almost. Mladen and I throw out a few suggestions for present buying. Let’s call it our Generous Geek Goodies Giving Guidelines. Or something. We also yak about the manga 2001 Nights, two titles from GG studio and a lesser known character from the creator of Conan.

LISTEN TO IT BELOW, DOWNLOAD IT HERE, ON ITUNES OR MIXCLOUD.

1:35 NEWS

No Two-Face or Joker in The Dark Knight Rises, Tron: Legacy soundtrack is now available, the trailer for Transformers 3, Anthrax’s Scott Ian is writing The Demon for DC Comics, superheroes become samurai in Marvel’s 5 Ronin mini-series due in March.

17:20 WHAT WE’VE BEEN READING

Twilight: Eclipse, Hard Candy, the original Spartacus film, Kull: The Hate Witch #1 from Robert E. Howard, manga 2001 Nights from Viz Media, A Skeleton Story and The One from Italian publisher GG Studio.

42:34 GEEK CHRISTMAS GIFTS

Mladen and I give you some guidelines for Christmas purchases. If you want to buy something for the fanboy/fangirl in your life, or if you’re a fanboy/girl who wants to get something for the comics curious person in your life, then have we got some great tips for you?! Yes, yes we do.

Secret Origin: The Story of DC Comics Review

DC has always had an interesting history when compared to Marvel. Celebrating their 75th anniversary this year, though they’ve kept it quite low key, is this new documentary from the producers of the excellent Spellbound doco. Written and directed by Mac Carter and narrated by Green Lantern actor Ryan Reynolds, this 90 minute look at the publisher’s past and present is entertaining. There are better books out there that offer more exhaustive examinations, including the recent mammoth tome written by Paul Levitz, but considering this is a film made by the very subject it’s about, it was always going to be a cheery look rather than a dirty expose.

It’s no surprise that it’s the best looking doco of its kind, with plenty of pretty pictures from comics new and old and interviewees in professionally lit environments. Speaking of interviewees, the producers have lined up some rather impressive names including the expected writers and artists such as Neil Gaiman, Mark Waid, Len Wein, Louise Simonson, Gerard Jones, Jim Lee, and Dwayne McDuffie, Vertigo editor Karen Berger, designer Chip Kidd fans, head honcho Dan DiDio and fans at San Diego Comic-Con.

Many would expect this to be a glowing account of the awesomeness of DC, but it’s surprisingly frank at times. It does skip over the legal battle between Superman and Captain Marvel, and dismisses Major Malcolm Wheeler-Nicholson’s exit from the company he helped build, but it also has Neal Adams calling Jay Garrick, the original Flash “stupid” and stating that the DC offices in the ‘70s were filled with hippies “ whose hair was longer than their careers.” Classic.

Denny O’Neill, the writer whose output with Adams gave DC a more realistic edge in their ‘70s Green Lantern/Green Arrow tales admits that in the decade previous DC were floundering when compared to Marvel’s much more fresh titles, with Spider-Man, X-Men, Fantastic Four and more exploding from the shelves. While Batman and Superman were still having zany sci-fi adventures, a relic from the harsh Comics Code form the ‘50s, Stan Lee, Jack Kirby and co. were creating a new age of superheroes.

I did chuckle at two Wonder Woman anecdotes when O’Neill admitted, “boy did I screw that up” when referring to the depowering/white suit karate phase of the Amazonian’s life and hearing that her TV series ‘ theme tune had lyrics such as, “in your satin tights, fightin’ for your rights.” Seeing all the mania that existed over the past few decades during the TV and film adventures of Superman, Batman and Wonder Woman around the world is great too, as is some of the merchandise surrounding those characters. Plus footage of actual events such as comic book burning in the ‘50s and news footage of Superman’s death in 1992 never gets old, and this is also the first time I’ve seen actual interviews with Jerry Siegel and Joe Shuster, Superman’s creators.

Two other things I did learn however are that Frank Miller is 1 of 7 kids and Neil Gaiman almost gave up his dream of writing comics after a disbelieving career counsellor suggested accountancy instead. Yes, not revolutionary facts, but having read books on DC’s history before, most of the info that Secret Origin presents, I was already aware of. I did still enjoy it though as a well presented documentary on a fascinating few decades of DC Comics and newbies will find a lot of great trivia amongst all the great visuals.

Unfortunately there are no extras, not even trailers for DC’s existing animated films, which all the other DC films have, and the trailer below makes it seem like it’s mainly made up of TV and cartoon adaptations, which it isn’t.

Extra Sequential Podcast Episode Eighteen

Now old enough to vote, here’s our 18th podcast!

Listen to it below, download it here, or on iTunes or Mixcloud. 66 Mins.

1:05 NEWS

The continuing woes of the Spider-Man musical after it’s mixed debut performance, the death of director Irvin Kershner, Mark Millar and Dave Gibbons working together on a secret project.

6:44 WHAT WE’VE BEEN READING

I’ll Give It My All…Tomorrow by Shunji Aono, Secret Origin doco on the history of DC Comics, early vertigo one-shot Mercy, new all-ages series Marineman by Ian Churchill, Batwoman #0 by J.H Williams III (otherwise knwon as J.H Williams the 3rd), Flesk Publications’ new collection of Xenozoic tales by Mark Schultz and Arnie’s first film Hercules in New York.

38:20 THEME – DEFINITIONS

We attempt to define the difference in terminology between comics and graphic novels. Mladen and I have different thoughts on just what term should be used for what type of sequential art. Is it related to format? Theme? Who knows? We do, or so we think. Let the lively debate begin!


The Frontiersman #15

Co-edited by yours truly is the latest, FREE issue of the digital Frontiersman magazine. Get it at Broken Frontier.

Inside its 46 pages is a feature on Fables and an interview with its creators, writer Jim Zubkavich on his great and popular Skullkickers, a look at Superboy’s history, an exclusive preview of January’s Who Is Jake Ellis? from Nathan Edmondson and Tonci Zonjic, and more.

This Week’s Winners

It’s been too long since I’ve done one of these, but here’s the best new comics I read this week.

Star Wars: Blood Ties #4

It’s a week of endings, as Kevin Smith’s run on Green Hornet finishes, as do Batman Beyond and the great Ghost Projekt from Oni Press. I realised last month when two of writer Tom Taylor’s Star Wars issues came out on the same day (Blood Ties and Invasion) how good a scribe he actually is. Of course I (and many others) already knew that, but the diversity and consistency with which Taylor approaches the material is impressive. Star Wars at its best has always managed to successfully blend epic life or death adventures with more light-hearted cheekiness. While Invasion centres more on the serious side of things this entertaining mini-series is all about the cool, “oh yeah!” moments that made me recall the thrilling escapism of the original trilogy. Both Invasion and Blood Ties could almost be written by two different people; both of them good. However, Taylor is just one man with the seeming ability to switch writing brains with skill. This final issue of Blood Ties is hung upon a resonant question spoken on the first page, ie, “How do you make a dead man proud?” With Boba Fett getting to know his travelling companion/hostage/bounty, Connor Freeman and the link the two men share even more, this has been a series with cheeky action and dramatic dialogue, and even humour at the expense of the ever dwindling “league” of bounty hunters (now just one angry man). With Chris Scalf’s exquisite renderings adding much visual panche, this is like old-school Star Wars with a sense of fun and menace and it helped me forget the mediocre Force Unleashed II game. You can see Scalf at work here.

Batwoman #0

This was worth the wait, even though this long-promised series doesn’t actually start until February. This primer is a solid intro to the latest spandex wearer in the Bat family. Told solely, and well, through narration this issue is only 16 pages long with a 4 page sketchbook by writer/artist J.H Williams III, who showed fans what he could do with the character in Batwoman’s run in Detective Comics. With co-writer Haden Blackman, Williams forges a sharp, focused story which gives the reader all the info they’ll need on the red-haired crime fighter, as Batman tails her to confirm her identity as Kate Kane. With dynamic action scenes and an absolutely luscious visual style rarely seen in spandex books, this is a must get. Amy Reeder’s more cartoony artwork runs parallel to the Batwoman sequence with a look at Kane’s civilian life. Williams never lets this story telling device get out of control and it’s fluid and easy to grasp all the way. Plus, he throws in some dynamic page layouts that remind us of the power a comics page can reveal.

Uncanny X-Men #530

I’m not a regular reader of this series, and haven’t read the issues before this, but it was fairly accessible and filled with intriguing ideas. Part 1 of the aptly named Quarantine arc by Matt Fraction and Greg Land, it tells of a virus working its way through the mutant population of the island Utopia. Meanwhile an uneasy team consisting of Emma Frost, Kitty Pryde and Fantomex have captured Frost’s former mentor Sebastian Shaw. Two other parallel tales tell of an Asian mutant in what looks like a patriotic gymnast’s outfit using words like, “collective,” “comrade” and “capitalist,” as he scares Chinatown into doing things his way and a new drug that allows humans to become powerful mutants, with a nice payoff at the end showing 5 new versions of the founding X-Men. Fraction’s streamlined plot and Land’s realistic pencils combine for a dramatic and dangerous story.

Extra Sequential Podcast Episode Seventeen

Because WE demanded it! Two podcast episodes in one week! Actually, we’re just changing the day on which we record our show, so we can have more time to properly digest new comics.

49 mins. After our sweet sixteenth episode, comes our sour seventeenth episode. It’s not that sour really, but we do run the gamut of topics as usual. Apart from comics, films and manga news and reviews, we also discuss Mladen’s dodgy pronunciation of “news,” the Back to the Future game and unfunny Ricky Gervais films.

LISTEN TO IT BELOW, DOWNLOAD IT HERE, ON ITUNES OR MIXCLOUD.

2:25 NEWS

Pretty boy actor Matthew Goode as a possible Clark Kent/CGI Superman, the Locke and Key TV series based on the hugely popular horror comic, San Diego Comic-Con online registration crashes again and the film based on Daniel Clowes’ Wilson.

11:40 WHAT WE’VE BEEN READING

Manga Ooku by Viz Media set in feudal Japan, Call of Duty: Black Ops,  Star Trek II and III, El Borbah by Charles Burns, the fun, time travelling Rift Raiders OGN, Dynamite’s relaunch of Vampirella and Firebreather Vol.3 #1 from Image Comics.

45:38 CONCLUSION