DC Art, Awards and Logos

Time flies. DC’s relaunch of its entire superhero line is now only days away, with the new Geoff Johns and Jim Lee Justice League #1 coming at us on August 31. Then September sees the remaining 51 #1 issues arrive. If you’re on Twitter, or even if you’re not, you may’ve seen some sneak peeks at some of DC’s new titles, and here’s what ‘s been released thus far, including pages from Nightwing, Teen Titans, Hawk and Dove, Animal Man and a few others.

An article at Hero Complex says the orders for Justice League #1 have reached 200, 000, making it the year’s most ordered single issue. Six other DC #1s have topped 100, 000. That’s good news, but of course it doesn’t really mean anything just yet. The important numbers will be what sales the second, and third, and so on, issues get.

“The walk-in, casual fans have gotten away from us,” DiDio observed. “We are down to just the die-hard buyers.”

Comic-book stores have become increasingly barren, with sales dropping consistently over the last three years and down an additional 7% so far in 2011.

Theories abound as to why. Some blame convoluted story lines, while others point to cynical publicity stunts like killing key characters only to bring them back a few months later. But the main culprit more likely lies beyond the page: Today’s youth is far more interested in spending its leisure hours in the digital worlds of YouTube, Xbox and Twitter.

The generational shift is not lost on DiDio and his associates at DC. For the first time, the comic-book company will now make each of its issues available on digital devices such as iPads the same day it arrives in stores — a jarring departure for many retailers that only have to look at the fate of record stores to see the dangers that digital downloads present to brick-and-mortar merchants.

The Harvey Award winners were announced at Baltimore Comic-Con. Blacksad, Scott Pilgrim, Daytripper, Darwyn Cooke. There’s some worthy victories. Get the full list here.

Finally, who doesn’t like a good logo? Check out all of DC’s new 52 logos here.

Torn OGN Review

This 120 page, black and white OGN from Aussie publisher Gestalt (Rombies, The Deep) puts a good twist on the werewolf tale. Sure, I know you’ve probably heard that before, but I actually found myself enjoying the simplicity and barbaric, full on take on offer here. Written by newcomer Andrew Constant, and with art by Joh James (whose work you may have seen in the new series I.C.E from 12 Gauge Studios), this reminded me of the kind of films I grew up loving in the ’80s. It’s bold and unapologetic and lets us know who the baddies and goodies are straight away, urging the reader to cheer for he sympathetic hero as he serves out toothy justice.

Nicola Scott (Secret Six) does the art for prologue and even though it features a half naked man, and a bloody battle, it all looks very pleasing to the eyes. Having James provide the bulk of the book’s art is an interesting choice, as his frenetic, hard edged line work is in spectacular contrast to Scott’s delicate pencils. It makes sense though, as Torn is, as the title suggests, a rip roaring action/adventure story. James’ slightly rough, sketchy style uses the page creatively and he creates diverse layouts and dynamic action scenes rather well. He uses things like texture, silhouettes, and a flowing design that doesn’t often rely on traditional approaches to panels in sequential storytelling. It’s a dirty, harsh world in the pages of Torn, but it looks great. I wouldn’t want to live there though.

The cast of characters is streamlined, meaning Constant can focus on the also streamlined story. There’s some deft discussions on identity as the lead character, whose narration guides us, loses someone he loves, before being changed from a lycanthrope to a long haired man, and discovering the dangers of the new city he inhabits. The wolf/man meets Sarah, a young homeless girl and gets embroiled in the danger and dirt of her life before his past claws its way back to him. Even though he hardly speaks, the pair hit it off and he begins to see the power of friendship and humanity, with the memories of death and brutality that he’s witnessed not far from his thoughts. It could’ve easily been over the top and soppy, but Constant keeps the dialogue grounded and although it’s often bleak, it’s not depressing.

Given the thumbs up by scribes Greg Rucka and Gail Simone, I hope this catches people’s attention on the shelves. Sure, I’m a sucker for Australian made comics, but Torn is another good example from Gestalt, in showing that horror, action and drama can all sit together in an entertaining brew.

Check out some great preview pages from Torn here. Also out now from Gestalt is the Western OGN, The Eldritch Kid: Whisky and Hate.

DC Fifty Too!

Fans have had their say over the last few weeks about DC Comcis’ superhero line wide relaunch in September. Now artists have their say – using artistic interpretations of new titles. I’d buy most of them based on the cover for sure, and the new Teen Titans costumes are much better than DC’s versions.

Go here to DC Fifty Too! and bask in the awesomeness.

DC’s Cinematic Ad

The ad to be shown in cinemas, that is. The ad itself isn’t that cinematic. It’s all part of DC’s plan to get next month’s onslaught of 52 new series in front of the face of comic book newbies. It of course makes sense. The execution however, is lacking. The music and lack of any info is what’s been most criticised, and rightly so, though individual comic shops will have the option of putting their info at the end of these ads shown at their local cinema apparently. I don’t know if these will be shown outside of America though.

Giving the comic art a slow motion look is an obvious choice, but more info would’ve been much better. There’s also an un-embeddable 2 minute version, but it’s more of the same and suffers from the same music/info-less direction. There’s no mention of creators, or DC’s digital releases, or even who the characters are, though they do use well-known superheroes. It’s a great step in the right direction, but what will this really mean to the intended audience, ie, people who haven’t read a comic in years, or ever? It does look pretty at least, but will that be enough?

 

Moriarty TPB Out in September

Image have been putting out so many widely praised new series lately that I find myself Trade waiting instead of ordering a bunch of new #1s. Moriarty is on my Trade list, as it’s had nothing but thumbs up all round, and has an intriguing premise (as detailed in the trailer below.)

Image Plots Collected Edition of Moriarty

Moriarty Gets Collected in September

MORIARTY is an exciting new science fiction adventure series from Image Comics that follows the misdeeds of the original supervillain, Professor James Moriarty, arch nemesis of Sherlock Holmes. From the grimy streets of London to the haunting British countryside, underground lairs and superscience labs, Professor Moriarty must forge has way through a world without Sherlock.

This September, Image Comics proudly presents the first trade paperback volume of MORIARTY, entitled MORIARTY: THE DARK CHAMBER, collecting the first four super-sized issues of the ongoing series. MORIARTY is written by Daniel Corey (PROPHET), with art by Anthony Diecidue (Stan Lee’s TIME JUMPER), colors by Perry Freeze and letters and design by Dave Lanphear.

It is 20 years after the death of Sherlock Holmes, and Professor James Moriarty is a lost man. MI5 blackmails Moriarty into finding Holmes’ long-lost brother, Mycroft, but what at first appears to be a routine case leads to a web of intrigue that involves a psychic box and its creator, a woman from Moriarty’s past, as well as a new villain that threatens to be greater than Moriarty ever was! See how Moriarty deals with love, loss, war and death rays in the critically acclaimed Image Comics series MORIARTY.

Here’s what reviewers and influential comic creators are saying about MORIARTY:

“MORIARTY is a book that should be mentioned in the same breath as THE WALKING DEAD, CHEW and HACK/SLASH when it comes to the best comics coming out of Image.” — Horror Haven Reviews

“I love MORIARTY. Most of all, I loved how in a world without Holmes, that it’s only in the mystery, the unanswered questions, that life for Sherlock’s arch enemy can begin again. Insightful, exciting and cool – with gritty, atmospheric art to match.” — Jim Krueger (EARTH X, JUSTICE, FOOTSOLDIERS)

“MORIARTY: THE DARK CHAMBER is irresistible. Professor James Moriarty, Sherlock Holmes’ arch-nemesis, drawn from retirement and off on his own death-defying adventure? It’s one of those simple, perfect ideas you kick yourself for not thinking of first, and Corey and Diecidue carry it off in fine style.” — Scott Tipton (ILLYRIA: HAUNTED, STAR TREK: INFESTATION)

“Even with characters that lead a pretty sad existence, there is a drive for something greater or at least a sense of discovery. It moves the piece along at a thrilling pace that respects, but expands upon Sir Arthur Canon Doyle’s fiction in a way that is thrilling and smart.” — The Daily Blam!

“Corey spins a wonderful world of conspiracy, despair, and even science fiction.” — IGN

“…this is a perfect example of a great collaboration of story and artist.” — Newsarama

“[MORIARTY] takes an intriguing look at that relationship between good and evil.” — USA Today

“…this is a damn good comic book.” — Bloody-Disgusting.com

MORIARTY: THE DARK CHAMBER, VOL. 1 TP, a 128-page full-color paperback, will be on sale in stores September 14th for $14.99 and is available to order in the July 2011 edition of Diamond Previews (JUL110470, ISBN: 978-1-60706-450-3). For more information, please visit www.professorjamesmoriarty.com and www.facebook.com/daniel.corey.

 



American Dark Age

There’s always cool stuff to be found on funding site Kickstarter. I have it bookmarked to see what unique, arty and ambitious projects are getting attention and money to make them spring to life. American Dark Age is one such project I discovered, amongst the plethora of cool comics vying for attention. It has until Sunday September 4 to reach its goal of $2600. So far it has $2470 so its promising. Below is the lowdown on the project and here’s where to discover more. Oh, and here’s where to see some preview pages.

Megabrain Comics brings you the first series in their neo-medieval, apocalyptic trilogyAMERICAN DARK AGE which takes place in a near future when a mysterious event renders all combustion based machinery, weapons and electrical technology impotent and useless. The story focuses on Katherine Brody, a young punk singer from Oregon and her rise as an unlikely warrior in a world that no longer recognizes itself.

AMERICAN DARK AGE thrusts the reader in to this archaic landscape and asks not only who you were before “The Blackout” but who will you be after, with so much righteous destiny and sinister opportunity laid before you to be picked at with the tip of a sword.

Brody’s journey takes her and a small band of Marine Corps “Knights” from the bloody shores of California across the now harsh and lawless landscape of the United States to an end that will change the face of a nation forever.

Filled with political intrigue, character drama and ultra-violent sword clashing battle scenes, AMERICAN DARK AGE takes a new look at the American spirit and what people can achieve and destroy when they set their mind to it.

The story by Jean Michel is epic!
The art by Jacqueline Taylor is bloody amazing!!
The production by Megabrain Comics is slick!!!

But, this much awesome isn’t free, people.
We need $2600 to get issue #1 off the ground and on to the shelves, but exceeding our goal will allow us to put additional content in the book or print variant covers. Plus we’ll be able to offer more rewards and one-of-a-kind goodies.

That is why we’ve come here today to give you, stalwart Kickstarter philanthropist and you, loyal and ravenous Mega-Fan, the opportunity to be a part of all the magic…with your money.

Paul Grist’s Mudman

This looks kinda cool, from the creator of Kane, and Jack Staff. Not that I’ve read much of either but this sounds like an entertaining combination of superheroics and drama.

HIS NAME IS MUD
Acclaimed Cartoonist Paul Grist Brings New Superhero to Image Comics in Mudman

After self-publishing for much of the ’90s, Paul Grist brought two critically acclaimed original titles to Image Comics in 2002: the crime drama KANE and then the eclectic superhero series JACK STAFF. Recently, Grist has been using his sparse, signature style to develop a new superhero that will be introduced to the world this November with the debut of MUDMAN.

“This is my ‘Back to Basics’ superhero comic,” explained Grist. “It’s not about alien menaces or cosmic powers (though they may pop up once in a while); it’s all about growing up and finding your way in the world, and how the decisions that you make can affect others. In a way, it’s probably the most autobiographical comic I’ve ever done. But with added mud.”

“Paul has been one of my favorite creators since writer Robert Loren Fleming turned me onto KANE back in the ’90s,” said Image Comics Publisher Eric Stephenson. “His style looks deceptively simple, but he’s a master of his craft, capable of some of the cleverest storytelling in comics. It’s a big thrill for me that Paul’s part of Image, and I can’t wait to see what he does with MUDMAN.”

In MUDMAN #1, the new school year is just beginning, and it isn’t starting off well for teenager Owen Craig. His day just keeps going from bad to worse: He gets run over, he gets detention, and then he learns his father has actually been taken hostage by armed bank robbers. But that’s only the beginning of his problems. Now his body appears to be turning into mud! 

Hellboy: The Fury #3 Preview

This week is a huge one for Hellboy. Creator Mike Mignola and publisher Dark Horse have been quietly spreading the word that this is going to be one of those, “things will never be the same” stories that we read so much about. However, this time, it actually means something.

He’s already lost his eye, and now he’ll lose a lot more. Below is a snazzy preview of this week’s finale, along with an official description.

The word is out that today’s release of The Fury #3 will rock the comics world to its very core! With word leaking out over the last week that big changes are in store for Dark Horse’s most recognizable character, this third issue has sold out before even arriving on shelves.

In response, Dark Horse has rushed through reprints of all three issues of this critically acclaimed story arc. These reprints are available for reorder now, with an on-sale date of August 17, just one week after Hellboy: The Fury #3 goes on sale.

Hellboy: The Fury marks the dramatic conclusion to the epic story line by Mike Mignola and Duncan Fegredo that began in Darkness Calls back in 2007. This final three-issue story pits Hellboy against the Queen of Blood one on one, leaving behind a war-torn battlefield strewn with the bodies of monsters and knights. In this dramatic conclusion, the fate of the world, and of Hellboy himself, lies with the Ogdru Jahad, his greatest foe, culminating in one final battle for the ages.

Ultimate Spider-Man Designs

New Spidey artist Sara Pichelli’s opened up her sketchbook to reveal her initial thoughts on the new man under the Ultimate Spider-Man mask, Miles Morales. Check them all out right here.

Dark Horse August Variants

Here’s a look at some of Dark Horse’s variant covers for August. Here’s all of them.

 

Behind the Scenes of Animal Man

Animal Man is one of the 52 new series DC is releasing in September, as part of their massive relaunch. Grant Morrison made the character his own when he wrote the series from 1988 to 1990 and now Jeff Lemire (Top Shelf’s excellent The Essex County Trilogy) is having a go at the adventures of Buddy Baker.

Here’s his original proposal as seen on DC’s blog, The Source.

ANIMAL MAN monthly series, September 2011
Talent:
Jeff Lemire, writer
TBD, artist

The high conceptFamily man or superman? With the power to absorb the traits of any animal Buddy Baker has made a career as a part-time superhero. But when his young daughter begins to develop incredibly dangerous powers of her own, the Bakers will have to give up their quiet suburban life and go on the run across America.

The Cast:

BUDDY BAKER: Animal Man. Father, husband and part-time superhero.
ELLEN BAKER: Buddy’s supportive wife. Her strength keeps the family together.
CLIFF BAKER: 12-year old son, rebellious and jealous of his sister.
MAXINE BAKER: 8-year old daughter. Possibly the next avatar of The Red and the most dangerous living creature on Earth.
THE TOTEMS: CONFIDENTIAL
THE HUNTERS: CONFIDENTIAL
SOCKS: Avatar of The Red from the 1950’s.

Overview:

Buddy Baker’s superhero career is a part-time concern at best. And aside from flirting with an acting career in arthouse indie films, Buddy seems to be doing little to pull in a steady income, putting undo stress on his already tumultuous marriage. To make matters worse, Buddy and Ellen’s young daughter, 8-year old Maxine, is exhibiting incredible and dangerous powers, powers she’s too young to understand or control.

Outline:

For our purposes we’ll skim over all of his involvement in 52 and Countdown. That stuff happened, but let’s move on and get back to Buddy as a suburban family man, rather than cosmic globetrotter.

Basically we start with Buddy’s best days as a superhero behind him. But, Buddy has found a bit of a second life. His past exploits, his politics and his involvement in various animal rights groups have made him something of a hipster icon. The young, left wing college crowd has latched onto the image of Animal Man as if he were something of an indie/alt icon of the 90’s. Unfortunately, that really isn’t helping to pay the bills.

As our series opens Buddy is actually reading an interview he did in a “Believer-type” magazine at the kitchen table as Ellen makes diner (the first page of the first issue is actually an excerpt from this interview, complete with the little illustrated headshot of Buddy, which catches readers up on Buddy’s recent past and his lessening involvement in super heroics, and his re-emergence within youth culture). There is clearly stress in their marriage. Buddy is doing little to help make ends meet and Ellen’s career as an illustrator is drying up.

We establish their quiet suburban life and routine and reintroduce readers to their three kids: Cliff, is now fourteen, anti-social and rebellious. Maxine is an introverted and shy ten-year old, and four-year old Josie is clearly the apple of Buddy’s eye.

As our story begins, Maxine begins to develop powers of her own. Buddy tries his best to help Maxine, but instead he accidentally sets into motion an ancient evil that will send The Baker family on the run across the dark and dangerous underbelly of modern America and right into the hands of [CLASSIFIED]. And there may be only one being who can save them…Alec Holland.

You can find the script from pages 9-12 of Animal Man #1 right here. You can also see pencilled pages from artist Travel Foreman and inked pages of the same.

Fusillade Review

Released last month was this anthology from creator Howard Shum. His name might be familiar to some as an inker for various Marvel, DC and Dark Horse titles over the years as well as the writer of Image series such as Gun-Fu, and Gazillion. Here, he’s the writer of 8 short stories, all illustrated by different artists. That’s a good idea, especially as he’s chosen well (from all over the world), making sure every story is a visual delight.

Don’t be fooled by the kinetic, and charming art though, as it’s not an all-ages book, with its occasional blood letting and profanity.

My favourite tale is Water Lily with art by Antonella Dalena. It focuses on two young, attractive strangers on a plane. She, being the daughter of a wealthy man, gets kidnapped when they land, and he, being a former soldier, grabs his best buddy and sets out to rescue her, guns blazing. It’s a simple story, but the dialogue works well as does the intrigue in the closing pages. The twist from possible romance to tense actioner works well.

LoveQuest with art by Regis Donsimoni is the funnest, and funniest story within Fusillade. Set in a medieval world, bored Zaf wants to impress Sira by fighting village bully Raguur. He soon realises that reading a book on fighting just doesn’t cut it and undergoes training from Master To. He’s a slow learner, and To is most amused by his hapless efforts, but when three monsters tougher than Raguur show up, the real fight begins.

There’s also a gory Western tale, a tense action epic involving super powered cops and government experiments battling in L.A, opening and closing stories involving kid adventurers and more. All are easy to follow and are written well, with Shum showing great skill at creating life-like dialogue and likeable characters. Each story reveals a nice balance in humour and drama and with most of these, I’d like to see what happens next. That is one of the biggest problems though. There’s no “To Be Continued,” or intro from Shum stating that he’ll revisit these tales, and although some have more closure than others, hints from Shum about the future of Fusillade would’ve been nice, especially seeing that this could easily be someone’s first comic.

There is an obvious issue with the extra 25 non-story pages included too. Perhaps it made financial sense to bring the book up to 144 pages for printing purposes, but an explanation would’ve been nice, although I always enjoy seeing character sketches.

Half of the tales involve characters who are, or who dream of, having a career in Hollywood, and since Shum wrote and directed an indie film 5 years ago (The Secret World of Comic Book Artists), it makes sense that he’d have ties to the cinema world. It’d be nice to at least have an introduction as to why there’s 15 pages of interviews with actors Krysten Ritter, and T.J Miller and cinematographer Larry Fong though. They are very interesting reads, particularly the latter 2, but come from nowhere as the interviewees had nothing to do with the tales in the preceding pages, as far as I can tell. Unfortunately the issue of grammar/ spelling mistakes (I counted at least 6) that show up in some of the story’s text also continue in the chats. Yes, I’m being nitpicky, but it is noticeable.

Obviously this is a passion project for Shum, and it is something that could easily be given to anyone new or old to comics, who wants pretty pictures with engaging, stories with equal parts action and character, and the occasional laugh. Seeing as there’s a “1” printed on the spine, I’d only hope that the presentation issues could be resolved before volume 2.

You can check out 3 preview pages from each of the 8 stories within Fusillade right here.

 

The New Ultimate Spider-Man Is…

A new character, but he’s not white, as was suspected. Read more at USA Today which includes writer Brian Michael Bendis explaining the motivation behind the new man under the red mask.

Here’s Marvel’s press release plus a few pics from this week’s issue debuting the new Spidey, though I suspect Superman may object Spider-Man being described as, “the world’s greatest super hero icon.”

Marvel Reveals New Ultimate Comics Spider-Man

Meet Miles Morales, the all-new Spider-Man debuting in Ultimate Comics Fallout #4  in stores tomorrow

Pop culture history will be made tomorrow as Ultimate Comics Fallout #4 hits shelves and introduces readers to the all-new Ultimate Comics Spider-Man! That’s right, for the first time ever, someone other than Peter Parker will be Spider-Man! But, after the death of Peter Parker, who will rise up to defend the Ultimate Universe? Meet Miles Morales, a seemingly normal teenager from New York who will soon discover  that with great power comes great responsibility…and even greater danger! But just what are the secrets behind Miles’ shocking abilities? What’s his connection to the original Spider-Man? And just why does he wear that costume? Courtesy of superstars Brian Michael Bendis and Sara Pichelli,Ultimate Comics Fallout #4  begins the story that’ll have everyone talking for years to come!

“When the opportunity arose to create a new Spider-Man, we knew it had to be a character that represents the diversity—in background and experience—of the twenty-first century,” said Axel Alonso, Marvel Editor in Chief. “Miles is a character who not only follows in the tradition of relatable characters like Peter Parker, but also shows why he’s a new, unique kind of Spider-Man—and worthy of that name.”

With its inception in 2000, the Ultimate Comics Universe reimagined the world’s most popular super heroes for a new generation and has been critically lauded for its bold, resonant stories. In particular, Ultimate Spider-Man #1 is widely considered one of the most important comics of the century, setting records for trade paperback sales and introducing one of the most popular versions of Spider-Man ever. With the death of Peter Parker in June 2011, all eyes were once again on the Ultimate Comics Universe, as mainstream media and fans alike speculated just who Marvel would put under the mask of this beloved hero. Now, the chart-topping team of Bendis and Pichelli begin the next major chapter of the Ultimate Comics Universe with September’s historic Ultimate Comics spider-Man #1, giving readers a chance to learn the origin of the most important new character of the century.

“The chance for the world to join a new Spider-Man as he discovers what that means in this modern world is one of the most challenging and crazy fun opportunities I’ve had as a writer,” explained Bendis. “The Ultimate Comics Universe according to Miles is completely unique.  I can’t wait to write every issue and I can’t wait for people to start reading them.”

Pichelli added, “I promise, you will fall in love with Miles– I already did. ‘Nuff Said.”

The world’s greatest super hero icon is about to undergo the most groundbreaking reinvention in comic book history—where will you be when the mask is lifted? Pick up Ultimate Comics Fallout #4 tomorrow at your local comic shop or digitally on the Marvel Comics App for iOS devices.

ULTIMATE FALLOUT #4 (JUN110612)

Written by BRIAN MICHAEL BENDIS, JONATHAN HICKMAN & NICK SPENCER

Art by SARA PICHELLI, SALVADOR LARROCA & CLAYTON CRAIN

Cover by MARK BAGLEY

ON SALE TOMORROW!

ULTIMATE COMICS SPIDER-MAN #1 (JUL110605)

Written by BRIAN MICHAEL BENDIS

Penciled by SARA PICHELLI

Cover by KAARE ANDREWS (Cover will be POLYBAGGED)

Variant Cover by SARA PICHELLI

FOC—8/22/11, On-Sale—9/14/11

ULTIMATE COMICS SPIDER-MAN #2 (JUL110607)

Written by BRIAN MICHAEL BENDIS

Penciled by SARA PICHELLI

Cover by KAARE ANDREWS

FOC—8/29/11, On-Sale—9/21/11

 

Extra Sequential Podcast #51-Eisners & Old City Blues

49 mins. We discuss this year’s Eisner Award winners, including some surprises and a few faves, plus examine the recent OGN from Archaia, Giannis Milonogiannis’ sci-fi mash-up Old City Blues. Also, Home Alone 2, Garfield, the exclusion of Jedis and more.

LISTEN TO IT BELOW, DOWNLOAD IT HERE OR ON iTUNES

 

 

You can email us at kris (at)extrasequential(dot)com and befriend us on the NEW ES Facebook page.

3:26 NEWS

The rather subtle DC Relaunch protest at Comic-Con

New Judge Dredd film images

Marvel gets the film rights back to Blade and Punisher

Nerdcore duo Kirby Krackle’s new album, Super Powered Love is now out

Brian K Vaughan and Fiona Staples’ Saga

New DC animated films

Jack Kirby’s estate loses court case to Marvel

Captain America: The First Avenger is awesome. Here’s my full review

19:07 EISNER AWARD WINNERS

See the full list here

27:03 FEATURE REVIEW – OLD CITY BLUES

Set in Greece after a devastating flood, this sci-fi tale wears it influences proudly on its sleeve.

More info here and behind the scene commentary from writer/artist Giannis Milonogiannis here.

 

 

 

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