500 Days of Summer. Man, Juno has a lot to answer for, as my mate Mladen will gladly tell you. Though I did enjoy the film, I’m also unsurprised at its numerous imitators. 500 Days is very much one of them. It stars Zooey Deschanel, who amps up her irresistably cute girl shtick and indie star of the moment (and possible future Joker, though I hope Batman 3 moves to a different villain) Joseph Gordon-Levitt. Zooey plays arty, flighty and frankly selfish girl Summer who JGL seems drawn to. He is nowhere near as charismatic or as interesting as her, but she takes him into her heart, or her version of one anyway, and the film then flashes to and fro the titular number of days their ill-defined relationship goes through. I hoped for more from this film, but it appears to be a cobbled together script from a bunch of inspired art students who just want to make a quirky film. Yes, there’s songs from bands you’ve never heard of to add arty credence, “witty” dialogue and scenes like playing house in Ikea that get dangerously close to making this film what it should’ve been, but alas, the two leads just have no chemistry, and the finale makes Summer quite the dislikeable character. Then again, it does have a great dance number, complete with an animated blue bird and an interesting approach, but that’s undone by the obvious attempt at cool points. I seem to be one of the rare people who didn’t like it however.

The Road. Another film I’ve been looking to seeing, and one that didn’t disappoint. Based on the Cormac McCarthy novel, The Road is directed by John Hillcoat (great Aussie flick, The Proposition). It has little dialogue and rests on the weary shoulders of Viggo Mortensen and Kodi Smit-McPhhe, who both do a fine job as father and son in this inhospitable world. Robert Duvall and Guy Pearce appear as unrecognisable survivors, and Charlize Theron is seen only in flashback. The pair travel the wasteland that is now America thanks to some great war. Ash, empty buildings and falling tress fill the dangerous landscape, which dad and kid must navigate with fear and caution to find food and avoid the roaming gangs of armed cannibals. It’s like Mad Max by way of Lord of the Flies. Gripping, scary and edge of your seat stuff.

Viggo carries a gun at all times, ready to kill his only son if need be, rather than give him up to the cruel flesh eating killers that roam the land, and aims to get all naivete out of him so he can fend for himself when the time comes. It’s a stripped back film, with minimal action and direction, but is extremely effective, and at times depressing, though the end offers a glimmer of hope.

Uncity Nation. I have my younger brother to thank for expanding my musical horizons as of late. I never listen to the radio, and though I was involved in community radio for 5 years, those days are long behind me. Discovering a new band I like is therefore quite similar to picking up a new comic on a whim; it gives me the pleasure of discovering something fresh, and the fact that many, many people may have discovered it before me only really adds to the satisfaction. Good artists deserve an audience, no matter their choice of media.

French band International Hyper Rythmique consist of 3 siblings with an impressive and diverse background in all manner of art forms. They’ve been performing since 2007. Uncity Nation is their first full length album. Now, I’m not a music critic, but all I can say is that it’s perfectly chilled out, serene listening, and yes, it’s in English. Plug your ears into their site to hear more from their 11 song debut.

May 30, 2010
Categories: Movies, Music, Reviews . Tags: sci-fi films . Author: Kris Bather . Comments: Leave a comment