Groom Lake #1 Review

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My latest review is up at Broken Frontier. It’s all about a unique four issue mini-series from IDW Publishing that centres on UFOs, government cover ups and all that craziness.

Written by Chris Ryall, with art by Perth lad done good, Ben Templesmith (30 Days of Night) it doesn’t take itself too seriously.

The first issue is released in March, but for people who find The X-Files too serious and Men In Black not gory enough, this is the book for you!

Check out my full review here.

Dr. Who For You

 

Dr. WhoOfficial press release below from IDW about their new 32 page Dr. Who one-shot and its cool inspiration.

In this special one-shot, Dr. Who, The Whispering Gallery, superstar artist Ben Templesmith tackles his first full Dr. Who project, alongside comic book writers Leah Moore & John Reppion. In The Whispering Gallery, the TARDIS lands in a maze-like gallery filled with thousands of talking pictures, and the Doctor and Martha discover they’ve come across a planet where showing emotion has been outlawed. The inhabitants have good reason for their supression, but it wouldn’t be like the Doctor to leave them in fear of truly living. Married writing team Leah Moore and John Reppion have been fans of “Doctor Who” for nearly as long as they can remember, and pitched IDW Publishing on their story idea for the classic British sci-fi hero after Leah had a dream about a two-page spread one night. Leah Moore said the couple had a hard time initially thinking up an original storyline. “Everything we could think up had already been done, or was not the right kind of story. We went off to bed one night after brainstorming fruitlessly for hours, and I went to sleep worrying that we’d not be able to think of anything and miss out on writing it altogether.” After the dream, Leah says she woke up knowing clearing what they would do for Dr. Who, and got the story turned around very quickly after that. Moore and Reppion became involved in the project after being approached by artist Ben Templesmith, an admirer of their work. “Ben actually approached Leah via the modern miracle of Twitter and asked her if we’d be interested in pitching for a Dr Who one-shot with him as the artist,” explained Reppion. “Naturally, we were thrilled and said yes immediately. Ben is a fantastic artist and we both really admire his work, so it’s great to be able to work with him on such a brilliant little project. Doctor Who: The Whispering Gallery hits stands February 29 from IDW Publishing.

Coming Your Way

Here’s a bunch of words from various companies espousing some of their upcoming releases, namely some Vlad action from Top Cow, a creepy art book from artist Ben Templesmith and IDW, and finally, the unusual I Hate Galaxy Girl from the fine folks at Image.

Top Cow Productions, Inc. announced it will publish the first, complete story arc of William Harms’ Impaler in a new trade paperback that will debut this October, and then will launch a new series for the property in December.

The first three issues of the series were initially published by Top Cow parent company Image Comics in 2006-2007, but was never completed. The Impaler Vol. 1 trade paperback collects those three issues plus the final, three never-before-seen issues of the initial story arc. Top Cow was so excited by this series that it also greenlighted a new ongoing to follow the collection.

In Impaler, a derelict cargo ship is found adrift offshore during a terrible blizzard in New York City. When New York’s Finest is sent to investigate the missing crew, an unspeakable horror is unleashed that quickly spreads all over the snow-covered borough, as a vampire plague quickly moves through the city’s population. The people’s only hope lies in Vlad Tepes, the real-life historical inspiration for the vampire legend, Dracula. Vlad the Impaler arrives to defend the city from the ever-growing vampire horde, but how much can one man do against an army of thousands?

Impaler Vol. 1 boasts a stunning cover by John Paul Leon (Earth X) and features artwork by Nick Marinkovich (Nightwolf), Nick Postic (Underworld) and Francis Tsai (Marvel Comics Presents). The introduction is written by noted science fiction and horror writer F. Paul Wilson, who is responsible for the popular Repairman Jack series of novels and such horror books as The Keep, Midnight Mass and The Touch. Extras in the collection include script pages from unused scenes and bonus artwork.

In December, Top Cow will launch Impaler as an ongoing series, featuring art by British newcomer Matt Timson (Popgun).

“One of the nice things about having the break between the Image series and the new series is that it really gave me time to nail down where the story is headed,” revealed Harms. “I have the next couple arcs already plotted, and I think fans of the book will really dig where things are going.”

“William Harms has managed to put a truly unique spin on ‘the vampire story’ by taking Vlad the Impaler and making him a vampire hunter,” said Top Cow Publisher Filip Sablik. “This trade collection gives birth to this original idea but the upcoming ongoing series from Harms and Matt Timson will really keep you up at night!”

IDW Publishing will release Ben Templesmith’s Art of Wormwood: Gentleman Corpse on August 27.  The book collects all the notable art plus a large amount of sketches, unpublished ideas and never-before-seen paintings from his semi-regular, off-beat serial Wormwood: Gentleman Corpse. It includes an original Wormwood short story.

Templesmith’s visual approach, which has been described as “daring, horrific, and sometimes just plain perverse” has gained a cult following for his work in graphic novels including 30 Days of Night, Fell,  Wormwood,Gentleman Corpse and more recently Welcome to Hoxford.  He has said he is influenced by the science-fantasy cosmos of H.P. Lovecraft’s Old Ones and the work of H.R. Giger.  Templesmith’s black sense of humor, his delicate yet vigorous style, his nuanced but bold use of color, and knack for finding just the right detail to make a panel or page come to life have given Wormwood a huge fan base.

“Wormwood is really just me having fun and trying to throw in as many disgusting perversions of my old childhood influences.  I call it my riff on Doctor Who, if it were more demonologically oriented and written for very juvenile adults with a sick sense of humor”, says Templesmith.

Every underdog gets their day this November as newcomer Kat Cahill and BRAT-HALLA’s Seth Damoose take a stand in Shadowline’s newest three issue superhero mini-series, I HATE GALAXY GIRL!

“While I HATE GALAXY GIRL was originally Kat Cahill’s runner-up for our ‘Who Wants To Create a Super Heroine Contest’, Shadowline Editor Kris Simon and I loved the concept so much we had to put it on the fast track to becoming its own series,” Shadowline Publisher Jim Valentino said. “When Kat saw Seth’s upcoming work on BRAT-HALLA, she knew he was the perfect artist to capture the mood she was going for. We really can’t help but agree!”

Based on skill alone, Renee Tempete should be the new Galaxy Girl. Instead, a buxom blonde with no actual powers holds the title. As events unfold, Renee struggles not only against monsters, criminals and giant robots, but also a society that desperately wants to keep her in her place.

Cahill added, “The core of I HATE GALAXY GIRL is Renee finding the self-confidence to achieve her dreams despite constantly being told to give up. The experience is something I think just about anybody can relate to while the overall story is still a heck of a lot of fun!”

I HATE GALAXY GIRL #1, a 32-page full color mini-series for $3.50, will be available in-stores November 12th.

Ben Templesmith Interview

Ben Templesmith has hacked out quite an eerie niche for himself since his breakout art work on IDW’s horror comic, 30 Days of Night, and has since become a formidable creator on books like Singularity 7 and Wormwood: Gentleman Corpse, for which he received an International Horror Guild nod. He’s had two art books released, (Tommyrot and Conluvio), has been nominated for an Eisner for the last four years, and along with superstar writer Warren Ellis created a new comics format with their FELL series. And if that wasn’t enough, he’s also an Aussie. What a guy!

Ben, when you were growing up in Perth, were you an avid comic fan with ambitions to work in the industry. Was that always the dream?

Yes, my one burning ambition was to get published telling stories in Anglo-American comic books basically. Since I was about 13.

Your style is very distinctive. Was it equal parts experimentation and admiration for other artists that brought you there?

Everyone has influences and usually they’re much more prominent when you’re first starting out. I guess you could say my current style is the end product of loving people like Ash Wood, Victor Amrus, Richard Searle and Ralph Steadman, and the fact I have to do what I have to to meet a deadline. That forces you to streamline a process quite a bit too. Especially on the computer side of things.

What’s the reaction when you tell people you create comics for a living?

Usually a blank look. Then they assume I mean Superman or Spider-Man or something. Then once I’m past the “No, I create my own comics, things without the guys in tights you’ve heard of,” I have to explain how comics are actually made from the ground up as most people are largely ignorant of anything to do with comics in general. I never do, but I should probably just shut up and say “Yeah, like Batman and stuff,” and leave it at that, rather than try to fight perceptions and stereotyping.

Were you able to play much of Dead Space while working on the comic tie-in? Are you a hardcore gamer who throws things at the TV when you’re frustrated, or do you just pick up the controller every now and then?

No, I didn’t play any. I watched others. I could have played some when I was up at EA headquarters. Nope, I’m not a hard core gamer. I just got an XBOX actually. I’ve long preferred strategy games on a PC more than the console shooters, though they’re good for a bash when in the right mood for sure. There’s a helluva lot of artistry in them these days and that attracts me as an artist now as much as anything.

30 Days of Night was undoubtedly the book that gave you your first taste of huge mainstream success. With all the attention that the film bought, how did you react to that level of interest?

The movie did little to nothing for my comic book career. That was all started by the movie optioning hype 5 years before the film came out. But since the film, I’ve now got somewhat of a profile among the types that look to make movies, so it’s a good way to springboard into other media thanks to the movie I guess, but I don’t think it really made too much difference to my core work, which is comics, as I love them. Wormwood: Gentleman Corpse and FELL, with Warren Ellis have really developed that audience far, far more I think.

Moving from artist to writer, as you have done with Singularity 7 and Wormwood: Gentleman Corpse must be quite satisfying. Would you like to continue with that dual-creator role or will you always be a penciller at heart?

I was always thinking of my self as a “creator”, not just an artist who gets told what to draw. It just so happened I started out as only a work for hire artist. After that one book (Hellspawn for TMP) I’ve been doing creator owned, or part creator owned work that I own
a piece of for the most part ever since. It’s trying to create new things that you yourself own a stake in that drives me. I just like feeling personally invested, (apart from trying to tell stories and have an audience for them, which is why I love comics in general) and I’m lucky enough that IDW Publishing are willing to give me and a few like minded creators a home like that.

I should add that I’ve never been a penciller. I produce complete artwork. I’m an artist. I do the lot. Pretty much at this point the only thing I don’t do is the lettering, and I’d love to start lettering my own books too. Man, pencillers have it so easy! Especially now colourists are expected to be full painters, fleshing everything out far more than in earlier years. Colourists deserve more credit on a lot of books as far as I’m concerned.

You moved to San Diego only a few months ago, from Australia. What are the major differences that you’ve had to adjust to?

The timezone. The higher taxes. Absurd health care costs, absence of public transport, lack of intelligent planned city development and disorganized disfunctional bureaucracy, both public and private. Hey, you did ask! Perspective from other countries is a wonderful thing I reckon. Other than that though, San Diego and the US is a great place, full of opportunity, wonderful people and things I grew up with as a kid only seeing on TV.

IDW Publishing has been your creative home for the last few years. Would you like to eventually draw spandex clad superheroics for Marvel or DC at any point?

IDW Publishing have been fantastic to me and very supportive. I’d happily work on some spandex clad superheroics at Marvel or DC. They’d just have to ask. I’d still rather make up new characters though, rather than service existing ones. I could could even do that at IDW at some point, who knows.

How has working with Warren Ellis on FELL changed you as a creator?

Yes. I now cry myself to sleep every night. Warren had changed me long before I was even working in comics. Thanks to his vocal nature on the way of all things comics, as well as his work on things like Transmetropolitan, I’d already pretty much agreed with his idea of
the way things should work. Thanks to FELL though, I think I had a brand new audience get exposed to my work, some of which has followed through onto other things, which was an added bonus. I also got to grips on how comics storytelling, pacing, etc can really work, much more than before. ( FELL being a 9 panel grid thing ) I owe Warren muchly, not least for working on a book fantastically written, breaking a format in and being critically acclaimed.

I’m guessing you’re a horror fan? Any favourite films or books of that genre?

I’m more into dark sci-fi fan than horror. I don’t like to squirm. I like to think and squirm at the same time. So stuff like Aliens, The Thing, Dark City I really dig. Huge historical epic fan too though, even if they never get the history right. I really should go and see Mongol.

Lastly, are there any hidden talents you possess that the Templesmith fans of the world should know about, like do you make a mean lasagne?

Well, I make a mean powered baby chowder but I’m not meant to say that in public apparently. My lawyers get upset, what with the murder trial coming and all.

Ben Templesmith’s Blog Welcome to Hoxford Preview

Thursday at the Con

I’m not ashamed to say I left the Perth winter behind to visit the sun drenched shores of San Diego. From what I’ve seen thus far, it’s a nice place. Compared to the often surly staff at LAX, I’m glad to say everyone here is in a nice mood, which is also good news for all the Con vendors. You can’t move very far within the sprawling Centre without knocking into someone and I wasn’t the only one juggling multiple bags today. I’m glad I don’t have any kids. I’d easily sell them all for more goodies. Everything any fanboy or girl could ever want is here. I firstly visited one (of three) clothing outlets. I could’ve easily blown my entire fortune just on shirts. Stuff I’d never find in Oz is all around me. I picked up two shirts (Kingdom Come Superman, and a Green Lantern) a Batman belt buckle (to make my look mean-I might need two) and a Superman hoodie. Throughout my walking investigations, I also picked up 7 TPBs and almost managed to bump into TV Hulk/man mountain Lou Ferrigno and saw everyone’s favourite 80s guy, Corey Feldman doing obligatory autographs for Lost Boys: The Tribe. I saw new Astonishing X-men artist Simone Bianchi next and picked up a print. Well, I assume it was him. It’s hard to tell what these artists actually look like sometimes. It’s not like their plastered on billboards and constantly on TV. I tried to engage him in conversation but he doesn’t speak English. This isn’t the first time this has happened. When I tried to buy my “medium” hoodie, the shop guy thought I said, “Canadian.” Eventually, I saw a familiar face, of sorts. 30 Days of Night artist Ben Templesmith recognised my accent when I was in-line for a signing. I tried to meet him at Perth’s Supanova, but never got the chance. We talked briefly about Perth, where he grew up and how quickly it’s changing. He now lives in America, which is good sense since his career is on fire. I got him to sign my 30 Days: Dust to Dust freebie, which was handed to me by a scary looking she-vamp, and Image Comics’ Dead Space, which looks great. It could very well be this year’s Gears of War – a game franchise that builds into something more. I saw game play footage and it reminded me of Gears, crossed with the scares of Doom 3. It’s released on PS3, XBOX 360 and PC DVD on October 21, followed a week later by Downfall, a tie-in animated prequel DVD. While we’re talking games, I also saw Ghostbusters, the new game that is effectively no. 3 on the film series, with all the original movie cast reprising their roles. The next-gen visuals look great. So does Lego Batman and DC Universe On-Line. With Jim Lee as art director, they had an excuse to put up massive posters of his glorious work all around the booth. I wonder what they’ll do with them all after the Con ends? Some thankful DC employee will give them a nice home, I’m sure.

I haven’t even attended any panels yet, but my 15 minute power nap took longer than that. Next year, I’ll have to arrive at least a day earlier to allow my jetlagged body time to catch up. There’s so much to see and so little time. My main priority is just buying rare comicy stuff, since I won’t be able to do that back in Perth. What a well programmed consumer I am! Below are some photos taken today. Today’s themes are Star Wars and gaming, including a gaggle of Ghostbusters.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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