Hop, Skip – Jump(er)

As I’ve been reading Get Smart’s reviews this week it has become obvious that some reviewers all go to the same well of uncreativity. Every single one either started or ended with the show’s catchphrase to sum up it’s disappointment-“Missed it by that much.”

The same could be said about this film, “No, it’s not a documentary on knitwear,” “It will pull the wool over your eyes,” etc. So I promise, no lame jokes here, at least not deliberately.

This really should’ve been a better movie. Somewhat based on the first in a trilogy of books by Steven Gould, Jumper concerns youngster David (Hayden Christensen) as he learns he is a “jumper,” ie, someone who can teleport at will. He eventually learns he’s not the only one and his selfish world of robbing banks and travelling the world in freedom is shattered. Roland (Samuel L. Jackson) is the leader of a mysterious group called Paladins whose mission is simply to hunt and kill jumpers. They do quite a good job too, with all their fancy gadgets. David partners with a more experienced Jumper, Griffin (Jamie Bell), he meets high school sweetheart Millie (The OC’s Rachel Bilson) and lots of jumping and running follows. It looks good and has more exotic locales than all the Bond films combined, but there is no real depth here. Millie simply follows David and we are given no reason as to why. The pair are supposedly in love (or at least, sleeping together, which in Hollywood is apparently the same thing) The opening scene sets up their relationship as children when David first discovers his gift, but there is no sense that they were nothing more than classmates, not life long friends and the rest of the film does nothing to add to this. Griffin is simply an annoying character and with Jamie Bell’s thick accent you may be reaching for that Subtitles button on your remote. We learn Griffin has been jumping since he was five, but don’t wait for any wise mentor-naive student vibe here. Griffin is the same age and hates David almost as much as the Paladins. It’s a nice surprise, but one character whom we could sympathise with would’ve been a great idea. Diane Lane also has a cameo (which I won’t spoil) and the film ends with the potential for more, which there may be. The Jumper book series is a trilogy as this film is intended to be, but I have my doubts after seeing this one. It may go some way to explaining why the film is light on exposition though – the producers are saving those details for two more films. There is no satisfying explanation as to how the jumpers can do what they can do, or why Paladins hate them so much, and no glimpse in to the history of their apparently millenia old war. The making-of feature on the DVD explains that the writers have created such details, but just didn’t put them in the screenplay. I’d also recommend watching the deleted scenes which show the better direction this film could’ve gone in.

Jumper is high on geek cred – it re-unites Star Wars actors Christensen and Jackson, it’s written by Jim Uhls(Fight Club) Simon Kinberg (X-Men: The Last Stand) and David Goyer (Blade, Batman Begins) and directed by Doug Liman (The Bourne Identity) but the problem is it tries to focus so much on making jumping look cool that it relegates all the important stuff, such as back story and character to the blurry background, though if you want that stuff, there is alway the novels and the Oni Press comic series, entitled Jumpscars. It also mentions Marvel Team-Up, twice, when David attempts to convince Griffin that’s what they should do. However a few nerd moments isn’t enough to save this film. If you’re looking for great teleporting visuals with a story to boot, see Nightcrawler do his “Bamf”ing thing in X-Men 2.

Comic Previews

Not previews of comics, but if you want some, here you go.

As promised, after looking at all the cool novelties and assorted strangeness that the monthly catalogue Previews offers up, now we’ll have a look at comics. Comics make up the bulk of the roughly 500-600 glorious pages of each edition of Previews. These are broken down into the main publishers, such as Dark Horse and DC, while Marvel get their own because their books are so awesome that they need a separate tome so as not to be infected by the sub-par efforts of their competition. By the way, what you just read was a sweet use of sarcasm. Let’s look at some new books perfect for new readers.

Well, first up, I must get my hands on the Joker HC. Timed well to coincide with The Dark Knight, this 128 pager won’t come out until October, but the movie publicity will surely get many people ordering it. This hardcover book by writer Brian Azzarello and artist Lee Bermejo is a thematic follow-up to their previous mini-series, Lex Luthor: Man of Steel, that gave readers a Lex-perspective on the Last Son of Krypton. Now, it’s Joker’s turn. With Gotham being shared by a range of mob guys and costumed freaks, the Joker gets jealous. He wants his city back, and he’s not willing to share. With Azzarello’s gritty story telling and Bermejo’s creepily realistic visuals, this should be a very good tale.

Image Comics have really expanded their publishing scope over the last few years, going beyond just superheroes and giving us every genre imaginable. Four Eyes is a good example. It’s a new on-going series set in 1930s Brooklyn where a desperate boy wants to aid his mother during the Great Depression. But no! This is not some hard-luck story (well , maybe it is) but it also involves well-trained dragons fighting each other. Sounds like an interesting combo. I’ve been a fan of writer Joe Kelly since his days on Action Comics scribing Superman and Max Fiumara’s art as seen in the sample pages in Previews looks action packed and intense.

Finally (though I’ve actually ordered much more than these 3 books) is Ursa Minors! Volume 1:The Collected, Wait-For-The-Trade Edition from Amaze Ink/Slave Labor Graphics. With a nifty name that long it’s got my attention. I have heard of this series before however and thought I’d do what the title suggested, and wait for the Trade, which collects the black and white four issue mini-series in 112 pages. It’s about three bears with hi-tech suits who aren’t really interested in being heroic, but would rather  focus on, “comics, beer and comics about beer.” By Neil Kleid, Paul Cote and Fernando Pinto. I hope it makes me laugh.

Memoirs of a Fanboy

Super Powers FirestormI’m proud to be a geek. There was a time, though, when those of us with nerdish tendencies had to suffer in silence. But the last few years have placed amazing advancements such as the internet, next generation gaming and mobile phones in to the hands of the everyman, and woman. It’s no longer just the geeks who can push buttons. Today, you’re uncool if you’re not tech savvy. Hollywood has helped too. Major films based on cartoons and comic books have opened the eyes of the mainstream to those imaginative art forms and bought new audiences with them. Comic books can be bought at bookstores, American university courses are built around them, and libraries carry them for children and adults. When I was first enveloped in this wonderful medium, I never would have dreamed that such saturation and acceptance was possible.
My comics reading life was originally one of extreme limitations. Growing up in the early 1980s in an undeveloped town in Western Australia was not the prime hub of comic fandom. Thankfully my mother was, and still is, a very well read woman. Because we grew up relatively poor, her hunger for literature was filled with frequent library trips where not a cent need be spent. With my Dad working all day, myself and my two younger brothers went with her everywhere. Our library trips were met with boredom. There were no comics in libraries in those days. However an oasis soon appeared only a few metres away. “Beth’s Book Exchange.” Mum could pick up 20c treasures in novel form, and for the first time in our lives we were excited to go to “that place with all the books in it.” That was because little old Beth in her wisdom also had a stack of comics in her large shop. We were happy to kneel down and rummage through them like we were looking for a lost lottery winning ticket. Finally, a world we were interested in. Granted, her comics collection was paltry at best. But it was a sliver of a world we couldn’t get enough of. There was no rhyme or reason to what unkempt titles lay there in a heap, under old photography and car magazines. But we loved them all. And Mum was generous enough to give us a distraction. In our frequent return trips we grabbed whatever we could. We ignored all the little war Commando books and anything that looked too kiddie for our tastes. We left the Archie books for kids far less discerning than us.

Superheroes. That’s what we wanted. The 1980s were a veritable treasure trove for pre-pubescent power fantasies. And they usually occurred on Saturday morning TV. Transformers. He-Man. M.A.S.K. COPS. Dinoriders. Thundercats. Rock’N’Roll Wrestling. Centurions. We even put up with the Pac Man cartoon. From 8am till lunchtime my brothers and I sat entranced in front of this glowing adventure box. We even loved the ads, usually for action figures related to the shows, and would argue about which ones we wanted to get. Our favourite show was Super Friends, and its successor, Super Powers. (Check out this awesome site for nostalgic goodness) This was a show with not only one, but a whole heap of DC Comics’ superheroes. Of course, we were familiar with Superman, Batman, and Wonder Woman. But this was something new. Heroes I’d never heard of, each with costumes and powers better than the last. Firestorm. The Atom. Flash. Green Lantern. Aquaman. Hawkman. And baddies like Gorilla Grodd, Sinestro and Cheetah. Whenever we played in the backyard these were the characters we became.
Each Christmas and birthday we were even more ecstatic to receive our beloved toys. Our superheroes in 3D form. They were even more real to us now. And the best part of all? The Super Powers toys came with original mini-comics. Even better than the toys themselves, these palm sized, full colour escapades cemented our fascination. I still recall reading them with unblinking eyes, marvelling at new characters, the cities in which they worked, their secret identities, their real jobs. And when I saw Flash running across water, or up the side of a skyscraper? Or Wonder Woman flying an invisible jet? Or Superman getting advice from a levitating, meditating Doctor Fate? Forget about it. A life long addiction was born. I clung on to them, for at the time, they were the only taste of the wonderful world of comics we had. I remember getting in trouble from my teacher when she caught me reading an illustrated version of “The Count of Monte Cristo” during reading time instead of a “proper book” like The Hardy Boys or some “young adult” book like everyone else. I didn’t want to read a book about teenage detectives and fast cars and ghostly mansions. Puh-lease. Alien invasions, bullets bouncing off chests, alternate dimensions. That’s what I wanted. And still do.
During my youth in the 1980s was also the prime time for the comic book industry. The decade saw the publication of perhaps the two greatest works in comics history – Watchmen and The Dark Knight Returns. These two tomes deconstructed the superhero genre and showed what comics as an art form were truly capable of. Comics creators were becoming celebrities and the direct market was born, allowing fans to get their fix at stores solely devoted to comics. Now they had a place to get whatever they wanted and meet others with a similar passion. Of course, all this was happening in the United States, which for me was as far away as Metropolis or Paradise Island. I was still scrounging for dodgy “Australian Editions,” which were cheap black and white imprints of the originals, part of a seemingly random publishing schedule. The benefit of these older issues, however was that they were stand alone stories, a rarity today. It wasn’t until 1988 that I first bought a current, original comic from our local newsagent. Uncanny X-Men Annual #12. It was 64 pages long, full colour, and contained 3 stories to boot. The legendary Chris Claremont crafted a fast paced story and the also legendary Art Adams supplied crackling art. Inside were a whole host of X-Men, including the new member Longshot, whose trippy power was extreme good luck, and even had the team venturing to Australia. My first real exploration into the true world of comics. After that, newsagencies were my prime source for new material until my Dad took my brothers and I to a closing down sale at a comic shop. We found the ad in a local newspaper and begged him to take us the considerable distance and were delighted with all we saw there. Then on a camping trip in 1993 my brother found the Death of Superman trade paperback, and thanks to the 90s boom in the comics industry I saw a TV ad for a new comics shop in the heart of the city. I have been going there ever since. My love affair with comics runs deep. Posters decorate my room, as do toys and import DVDs. I’m always showing my faves off to friends. Whenever I visit a waiting room of any kind, I make sure to leave behind a handful of comics in the pile of old gossip mags. Particularly in Australia, comics have not received the mainstream focus they deserve, and enjoy in places like Europe, Japan and America. It is my dream to show people out there what they’re really all about. And what they’re all about is fun.

Simone’s Spore

Nightcrawler by Simone BianchiOne of the beauties of comics is the collaboration. Writers and artists working in tandem. I always like reading how they work together and have always had a fascination with the creative process in any medium. That’s why I watch the behind-the-scenes extras on DVDs. It’s educational and inspiring. In some instances in the wonderful world of sequential art, sometimes the main creators don’t even meet each other for years, or even speak the same language, yet their vision still remains intact. Writer Brian Azzarello and Argentine artist Eduardo Risso’s 100 Bullets is a good example. The new Astonishing X-Men series may also be a good one, as writer Warren Ellis lives in England and artist Simone Bianchi (a guy) resides in Italy. They are replacing Buffy creator Joss Whedon and John Cassady’s popular run on the title. The new duo’s first issue is this month’s #25. To the left is a design of Nightcrawler from Bianchi’s talented hand, with more Leonardo Da Vinci like sketches to be seen here. They include pics of Cyclops, Beast, Colossus and Storm, and even Dazzler!. All your faves. (Well, maybe not that last one) Bianchi has a distinctive look, and coupled with Ellis’ quirky style, this could be an interesting take on the X-Men.

Spore looks like an somewhat different game. I saw actor Robin Williams play a demo at a games expo show on TV. He’s a friend of the game’s creator and was offering his usual ribald commentray as he was building and moving strange looking creatures. You can download a demo of the Creature Creator and get into all kinds of fun. I guess. It’s not really my cup of tea. I prefer my games to include running, dodging for cover, lobbing grenades and the menacing joy of taking an enemy out with a sniper rifle. Oh yeah! But if you’re into games like The Sims this may be for you, especially as it’s created by the same guy, Will Wright. It’s set to be released on September 5 and is a massively single-player on-line game, for PC and Mac.

Purveyor of Previews

Previews. What a joyful gift it is each month. Almost 500-600 colour pages of pop culture glory. It’s basically a phone book sized catalogue including  comics, action figures, novelties, posters, books, magazines, collectibles, games and DVDs. Stuff you would generally not find anywhere else. It’s all good stuff. Well, most of it. Both comics shops and their customers order from the same catalogue. If you see something you like in there, you tell your favourite comics outlet, they’ll order it for you and then you wait two months (or longer) for it to arrive. That’s not because it’s coming across the seas on a viking ship manned by short-limbed asthmatics. That’s because, well, I don’t know why really, but it gives fans plenty of notice. 90% of the items in every Previews will be available 2 months later, so July’s stuff will reach us in September. I give my Previews away each month after I’m done with it (after I’ve torn out anything that would make a nifty poster) It’s a great blessing to those who are interested in pop culture and you’ll discover all the latest TV and movie toys way before your less informed friends. This advance warning will allow you to mock them relentlessly I’m sure. Each issue has an introduction on how to use it, a few nice articles and interviews and a Top 100 Best Sellers list. (Unsurprisingly April’s top comic was Marvel’s Secret Invasion #1) This month the theme is horror, with a few top picks of the genre. Each of the major comic publishers have their own section – Dark Horse, DC, Image, Top Cow, Marvel and magazine publisher Wizard. Their most popular books have a page each, with the creators listing, cover art, story summary, page count and price and maybe a preview of a page or two. Oh and Marvel get their own little catalogue inserted into Previews. Cause they like to be different. Previews is distributed by Diamond, a company who pretty much has a monopoly on distributing English language comics and related goodies worldwide. If you’re curious about this whole comics things, Previews is a good place to start. It’s cheap ($4.50 US) and stored up near the front counter. If you see anything of interest, ask your friendly comics shop worker-drone to order it. If you don’t find anything, you’ll at least have lots of nice pictures to drool over.

Let’s dive into the current issue, shall we? Skipping past all the comics for now, let’s go to the Magazines section towards the back. I have to order Back Issue #30. This ish is all about the Saturday Morning Heroes, ie, TV and ‘toon superheroes, like the 70s Captain Marvel show and Space Ghost. The highlight for me would have to be the Super Powers feature, which was an awesome cartoon/action figure tie-in from DC Comics. In Books, The Ten-Cent Plague leaps out at me. It’s a 400 page look at the most interesting period in comics history, when they were public enemy No. 1. Those rascally publishers had apparently gone too far and churches and governments shut them down. This’ll be a fascinating read. The Toys/Statues/Models section is usually the first one I go to each month. Where else could you find a life-size Thor hammer, a cute Admiral Ackbar (exclusive to Previews) or a vampire skull?! I could make a great movie with those three props. Star Wars fans have the best pick of novelties though. For example, a talking Darth for your PC/Mac and a cuddly Chewie for your back.
There’s a little intro into the world of comics via the world of Previews. Later on in the week, we’ll take a gander at some cool comics hidden in the depths of July’s Previews.

The X-Men Film of 1984

Sometime in the mid 1990s I recall reading about a proposed X-Men film that was to involve at least two actors who would’ve represented their comic characters more faithfully. Arnold Schwarzenegger was tipped to play the metal-skinned Colossus (complete with Russian accent) and Mel Gibson was to play Wolverine, in all his short-statured fury. I remember this because I was just starting to get into the X-Men at the time, and was quite excited by the prospect of this cinematic adventure. Of course, years before that I was excited upon learning of a He-Man film with Dolph Lundgren. Those were the days before the internet, where we had to wait to be disappointed until we could see the film on the silver screen. Or VHS. Now we can learn every maddening detail on-line and save our dashed hopes for other things, such as our local sports team.

1984 X-Men FilmA few years before the 90s X-Men film there was this one, or there could’ve been. Comics writers Roy Thomas and Gerry Conway wrote a script for a proposed film of Marvel’s favourite super group, but as is often the case in Hollywood, a script doesn’t necessarily mean a movie. An interesting discussion between the pair, as well as a brief history on the project is available for free at TwoMorrow’s site. The publisher has been around since 1994 and focus their magazine, book and DVD efforts on comics history and discussion from the 1970s to today. Back Issue is one of my fave reads. It’ll mean a lot to nostalgic fanboys. Draw! and Write Now! are also full of useful advice from pros to all wannabe creators. Look for the Comics Go Hollywood PDF, fill in some details and the 36 pager is all yours. It also includes an examination of the storyboards of the new Justice League: New Frontier DVD, an interview with writer/producer Jeph Loeb (Smallville, Lost, Heroes, lotsa comics) a look at legendary artist Jack Kirby and Hollywood, and the Joker’s transition from page to screen. It’s well worth a look for comics history buffs, or those who’d like to know more. I must say the X-Men film is a highlight. With giant nostrils, a walking Professor X and no mention of the word “mutant,” it’s a good thing this film was never made.

Station #1 Review

I saw a few interesting things today as I went to my LCS (local comics shop). Firstly, there were a few more people there than usual, which was fantastic. I guess most of them heard about the place from the Supanova expo. I love it when people discover comics for the first time. I firmly believe that there is a comic, or series, or writer, or artist out there for everybody. You just gotta find it. Secondly, I saw Supanova’s guest artists, Howard Chaykin and Joe Jusko there too, chatting it up with the employees and getting there photos taken. Topics discussed included TV Hulk Lou Ferrigno’s lactating nipples and Punisher War Journal’s Jigsaw story arc conclusion coming in September. (Click here for the alternate cover. You’ll go ape for it!) But comics are a minefield. Many of my friends feel initially daunted when going to the LCS for the first time. Where’s the latest Superman issue? What are all these surnames doing on the covers? What in the world is a TPB? It’s a confusing world. Well, fear not, I’m here to help. Starting from the review below, I’ll be attempting to guide you through the muddy waters of the comic book universe. Look for new pages, and a new category, entitled, New To Comics? for articles and reviews for the newbie. By the way, TPB is a Trade Paper Back, a hard cover collection of a previously published series, much like a DVD box set of a TV show you’ve seen before, but with extras and no ads. See, you’re learning already.

Space is a great setting for stories beyond straight sci-fi. Films like the original Alien, Solaris and last year’s Sunshine showed us that it isn’t always extra terrestrials that are the greatest threat. Paranoia and claustrophobia can play their part in creating terror too. With astronauts cut off from their loved ones and the strange sensation of zero gravity, normality is thrown out the window.

Station from relatively new publisher, BOOM! Studios’ continues this tradition. The first issue of a four part monthly series kicks things off with a bang. Well, not a bang really, but an immediate sense of desperation.

The international space station is a gleaming example of scientific advancement and a unified humanity. That is until the latest batch of multi-national astronauts take up residence in its cramped quarters.

It’s not long before Nicolay the cosmonaut is murdered. Not in a brutal manner, but certainly an effective one; rendered with such despair as he floats away. Dedicating two pages of almost blackness to this pivotal plot point works extremely well. Nicolay is captured by the endless space, and there is nothing his colleagues can do but watch his terrified face get further and further away. Nicolay’s death was, of course, no accident, and of all the people on the station, his work was the apparently the most earth changing.

As Dr Karen James, one of the astronauts remarks, “That’s the thing about being on a space station. There’s no place to hide. Everything comes to the surface sooner or later.” And it appears the murderer on board has only just begun their work.

Writer Johanna Stokes comes from TV, and her character work here is excellent. With only three issues left to tell this story, she has her work cut out for her, but she’s off to an intriguing start. At this point, the killer could be anyone. There are genuine chills here with a moody pace. Leno Carvalho’s artwork fits well in this context. Realistic in the style of Ultimates artist Bryan Hitch with a mix of 90s Aquaman penciller Jim Calafiore, with a good eye for the technical details of the station and the expressions of the increasingly desperate people aboard it. A whodunit in a floating sardine can is a brilliant premise. So far this series lives up to it.

TobyMac: Alive and Transported DVD/CD

TobyMac LivedcTalk helped me become a Christian. I used to mock their cheesy and outdated Christian Television Association ads over a decade ago, then I saw their Welcome to the Freak Show live concert on VHS and couldn’t believe they were a Christian band. Surely Christian music had guys in braces playing harps and singing, “Hallelujah,” all the time. Right? Wrong-thankfully. I loved that album and listened to the tape so many times I destroyed it. Then when Jars of Clay, Newsboys and delirious came along all my misconceptions about Christianity were swept away. Contemporary Christian music has been an integral part of my life since.

dcTalk’s last album of new material, 1998’s Supernatural, was certainly a fitting swansong from the groundbreaking boys, and the demand for an immediate re-union was high. I don’t think many people expected TobyMac to be the most successful solo artist after the split. With the soaring voices of Michael Tait and Kevin Max “that guy that does all the rapping” had to work hard to get noticed. But he did, and it paid off.

With his three solo albums (Momentum, Welcome to Diverse City and Portable Sounds) each better than the last, and his own label Gotee Records, he continues to shine in the hip-hop arena.

Alive and Transported is his first live DVD/CD. He looks as young and as energetic as he did when he first made an impression on me all those years ago. With the hits from his albums, plus dcTalk’s anthem, Jesus Freak, this 20 song collection won’t allow you to stop grooving. The CD and DVD collect the same songs, but the DVD has a nifty bonus; an almost one hour long doco on the man himself as he discusses life, touring, family and the sometimes mundane, sometimes extraordinary ways he met his current band mates. Toby’s voice sounds more powerful than ever and he never loses a beat throughout the concert’s entirety on memorable beats like Boomin’, Made To Love and Extreme Days. It must be exhausting, but moved by the adoration of the huge crowd and his passion for Christ, the guys just keeps rocking, and rapping. It doesn’t have the fancy multimedia of a U2 show, or the fancy footwork of a Justin Timberlake show, but these guys (and girl) know how to party.

The DVD needs big speakers and a big TV to really show the power and enthusiasm coming from the stage. The editing adds much colour and motion to the event and it is a feast for your eyes as well as ears. Though he has had moderate success in the mainstream music scene, with songs being used in TV ads and films, Toby doesn’t shy away from his Christian roots. He’s not ashamed of the gospel, and like his friend and collaborator, the equally awesome Kirk Franklin, he spills out spiritual authenticity along with his creativity. One of the greatest blessings of being a believer is that we have music like this, that honours God and gets your body moving.
And, just so you know, I used one of his songs on the Supanova Perth video seen below. Like me, you may just be surprised that there’s no harps and Hallelujahs here, but you won’t be disappointed. Give it a shot.

Supanova Perth

The geek trumpet sounded this weekend in the most isolated city in the world, and the geeks answered. And how. I’ve gotta say, I wasn’t sure of what to expect. The Supanova pop culture convention has been successfully operating on the other side of Australia for a few years now. (I went to the Gold Coast one in 2004) but I wasn’t sure how many people would turn up in little old Perth. I was pleasantly surprised. On the train to Claremont in the morning, I saw a few girls befriending each other as one of them boldly got into (some kind of anime) costume. That put a smile on my face, along with a few other commuters. My joy grew further as the train stopped and a gaggle of geeks departed. Though, none of them looked like geeks. We marched noisily through the eerily departed Showgrounds towards the convention site and got on the end of a queue. We weren’t there for long though and thankfully the rain didn’t intrude. The number of people in costumes was quite inspiring. Apart from a few Naruto and Star Wars get-ups, I didn’t know who most of the characters were. That cos-play craze is getting everywhere these days.

Supanova Stamp

We then got our wrists stamped, like some underground disco, except, it was in the daylight and no-one could dance. I spent three hours there doing laps and inspecting the goods. Games, old and new comics, action figures, busts, novelties and DVDs were all well represented. Both on-line and inter-state retail outlets had a presence and Perth’s comic and toy shops managed to make their presence known to new customers. Hellboy 2 trailers were looping, and the new Indy Jones Lego, Dragonball Z and Metal Gear Solid games had many thumbs and fingers delving into their worlds. I didn’t stay long enough to see Star Trek and Heroes actor, Nichelle Nichols and I wasn’t really interested in talking to the Stargate and Firefly actors either. I waited about 30 minutes to get painter Joe Jusko to sign my X-Men print, but saw him do two great Hulk sketches as I did so. Jusko’s almost as buff as the characters he draws. I mentioned that I had his Fleer trading cards from back in the day and he said he’s been singing those his whole life. Howard Chaykin signed all 6 issues of my City of Tomorrow mini-series and my Hawkgirl TPB. He was a funny guy and was firing one-liners to everyone he saw. He, Jusko, local lad Ben Templesmith and David Yardin all looked like they were having fun chatting to fans and talking about their work. I didn’t buy much as I must save up for next month’s San Diego Comic-Con, but I easily could of. At least I ended the day with a free coffee.

All in all, a good day. The future of pop culture fandom is in safe hands in Perth. Most of the gathering were high school kids and there was a general excitement in having that many people loving the same thing, in the same place. Next year’s will surely be better, now that it’s off to a good start. Next month I’ll be going to the world’s largest comic convention in San Diego. It’ll be like going from a paddling pool to the Pacific Ocean I’m sure. This is a nice warm-up though. Perth fanboys and girls-you can pat yourself on the back. You did us proud.

Artist Michael Turner Dead

The global comics community is still small enough that writers and artists who I’ve never met, somehow seem like old friends. I grew up reading artist Mike Wieringo’s fun and energetic pencils on Flash and Spider-Man and when he died last year, I was quite emotional. I felt the same way upon discovering Michael Turner’s death. His pencils on the new Supergirl’s introduction in the pages of Superman/Batman re-energized me about the DC Comics Universe. His covers have been seen everywhere over the last few years from Identity Crists to Marvel’s powerhouse Civil War. You noticed his work on the stands, and with his own studio, Aspen Comics and properties like Fathom, his creative output for a man suffering from cancer since 2000 is extraordinary and a testament to his dedication.

Condolences be sent to:

Aspen MLT, Inc.
C/O Michael Turner
5855 Green Valley Circle, Suite 111
Culver City, CA, 90230

Revere Trailer

The comic biz is a hard one to break into. Most small publishers know that to compete directly with the Big Two (Marvel and DC) is foolishness, but their superhero stranglehold is fandom’s gain, as we get diverse publishers like ASP. Though they are (openly) in the midst of a restructure at the moment, some of their best books continue, including The Engineer and Mouse Guard. I can’t wait for the next ish of Miranda Mercury to arrive though. Revere: Revolution in Silver is an interesting concept involving the American Revolution and a bunch of scary looking werewolves. You can see what I mean by checking out the trailer, and it comes with a great tagline: Yes, the British are coming. But the werewolves are worse.

Nice one.

REVERE: REVOLUTION IN SILVER is a 128 page hardcover collecting the four-issue series originally published by Alias, with an expanded ending and epilogue.

Tori Amos’ Comic Book Tattoo

Kiss have done it (a few times). So has Alice Cooper, even New Kids on the Block. Now it’s Tori Amos’ turn. That’s right – musos and comics. What a combo! Almost as good as my favourite mix-up, chocolate and coffee. Mmm…mocha. Comic Book Tattoo is a massive 480 page anthology book, releasing on the 23rd of July. An impressive roster of 80 creators including David Mack, Colleen Doran, Pia Guerra and Jock expand upon Tori’s stable of songs in their own style. Long-time fan and Sandman creator Neil Gaiman scribes the introduction. Official details here, and more perty pics here.

X-Men and the Power of Community

You’ve seen the sketch variants for the 500th issue below, now you can see a few interior pages right here, free of those annoying words that only get in the way. The crowded cover is also quite appropriate to my newest article, now on Sight magazine. It’s all about the power of community, and that is one thing comics are certainly not short of. To teams of side-kicks (Teen Titans) to magicians (Shadowpact) reformed villains (Thunderbolts) kids (Runaways) and chemical compounds come to life (Metal Men) there’s a team for everyone.

Sometimes we may think that life would be better without all those people that are slightly different from us (especially if you work in retail!) but honestly, those people help us grow. When others rub us the wrong way, sure, sparks can fly, but like sharpening knives, you end up with a sharper, more useful instrument. Wow, deep. Anyway, read on….

The X-Men, Fantastic Four, Justice League, The Avengers, The Outsiders, Teen Titans, Green Lantern Corps. The list goes on and on.

The team concept is one of the comic industry’s best sellers and will undoubtedly continue to be. With extra characters come extra story possibilities due to all the varied interactions and personality clashes. Marvel’s Punisher would be the most obvious anti-team player in comic books. He sees himself as a hero; a man picking up the slack of the paltry legal system, whereas DC’s Batman has often worked with the Gotham City Police Department. The Punisher sees himself as the only man worthy to dispense justice. All of his rage and frustration spews forth from his fists and gun barrels. Batman knows that in order to dispense true justice, his methods and motivations must be in direct contrast to the odd assortment of criminals he fights.

Both men are self-made warriors, soldiers of immense focus and endurance. But they see the world and their place in it very differently. And it stems from the people they have around them, or the lack of, in Punisher’s case. If it were not for Alfred Pennyworth, Bruce Wayne’s English butler, the young orphan could easily have turned in to a mirror image of the Punisher. Frank Castle had no-one to offer him guidance and comfort , but Bruce Wayne had someone to at least tell him right from wrong, a father figure in the shape of a loyal servant. Alfred’s influence on the identity of Bruce Wayne can not be understated. He has also offered the various Robins over the years the kindness and moral support that Batman never could, or wanted to.
Pennyworth’s inner light has always cast a strong influence over the Wayne mansion, and the cave underneath it. To the church in Corinth, Paul advised that “bad company corrupts good character.” Bad guys rarely hang out together. Dirty deeds are done in the dark, alone, not in the light with others. In his letters to other churches Paul’s frustrations showed to the early church. They were easily being led astray. Lack of unity and leadership made these churches all too vulnerable. Paul took charge, and left for us a treasure trove of godly advice regarding everything from marriage to finances. The epistles are an amazing account of practical Christianity and down- to-earth spiritual wisdom.

We often hear that people lose their virginity too early or become drug takers simply because of peer pressure. Similarly, others attribute their run-ins with the law to “falling in with a bad crowd.” But the opposite can also be true.

With the proper influence and good examples to follow we can become holy people; God pleasers rather than only people pleasers. Heroes such as the X-Men Rogue, Psylocke and Gambit were once villains, but were then reformed by Professor X. Nightcrawler was raised by his mother, the villainous shape-shifter Mystique yet also joined the heroic X-Men. However other characters such as Sinestro started life as a member of the galactic peace keeping force Green Lantern Corps, yet left and became evil. Each day we make choices for good or evil. So too we must choose our friends and their influence over us with Godly wisdom. God has created the church as a community. We are all different parts of the same body. Within that body we can offer help and support to one another. Sometimes being heroic means not only helping others, but also asking for help from those around you when you need it.

Xanadu’s X-Men Squadron

Don’t worry if that title doesn’t make sense. It will.

Madame Xanadu is a classic DC Comics character who has come back in to a sort of prominence in the last few years. She’s a powerful, blind sorceress, and now she has a new limited series written by Matt Wagner (creator of Mage and Grendel) and pencilled by the creator of the manga, Fool’s Gold, Amy Reeder Hadley. Hadley is a newcomer to mainstream comics like this, but her work as seen in this 6 page preview is absolutely luscious. She has that clean, wispy style reminiscent of Fables cover artists James Jean. The story is tailored towards mature readers and with the subject matter covering tarot reading and the like, it’s obviously not going to be for everyone. But that has always been DC’s strength over Marvel – their diversity, as seen in their Vertigo line of books that are an intriguing haven to readers who prefer to steer clear of all those crazy superheroes.

It’s no surprise that Wolverine is the most popular X-Man. He’s tough, has a great costume, mysterious past and a bad attitude. The short Canadian gets his own film soon, with the spinoff currently shooting with Hugh Jackman as the hairy anti-hero. Now it’s time for him to get animated. I fondly recall the X-Men’s cartoon series in the early 90s, trying to watch as much as I could before I had to leave for school, and a surprising number of people first became aware of Marvel’s mutant team through it, before the first film adaptation in 2000. The ‘toon was surprisingly faithful to the comics, often using direct plots from the most well loved stories, it was chock full of guest stars and had a catchy theme tune. The new series, entitled Wolverine and the X-Men won’t air until next year, but those hard core fans (such as myself!) who are going to the San Diego Comic-Con next month will see the three part premiere. For now, the new trailer will have to suffice. It looks action packed and has the usual faves such as Rogue, Colossus, Cyclops, Nightcrawler, Iceman and even White Queen. With Professor X out of the picture, it’s up to Wolvie to lead the way. Go Wolvie!

And finally, the squadron part of the title. Writer/artist Howard Chaykin discusses the Squadron Supreme, Ultimate Nick Fury (that guy in the Iron Man film cameo!) and other stuff on Marvel’s latest podcast. It’s an interesting chat and at least now I know what Chaykin sounds like before I (hopefully) get to meet him this weekend at the Supanova convention in Perth.