Never Back Down & The Mist Reviews

The comparisons to The Karate Kid, Fight Club and The O.C are obvious ones with the skinny teens surrounded by babes beat-em-up that is Never Back Down. Anyone who grew up loving Ralph Macchio and Pat Morita in The Katate Kid will see many similarities, with a single mother raising an outsider while moving to a new town and quickly getting on the wrong side of the popular jock/bully. It’s not new. It’s just a lot flashier. Character motivations are weak, the ending is way too happy and the statements about the YouTube generation are none too subtle. It starts strong with a rather disturbing portrayal by Cam Gigandet of mixed martial arts champ Ryan McCarthy when he first challenges newbie Tyler to a brawl at a party. Sadly it’s all downhill from there. Lots of training montages, stealing the bully’s girl – that sort of thing. The unusual highlight for me though was the music. Both tobymac and Mute Math, two of my favourite artists both feature, though I’m sure it was their record companies that allowed this, not the artists themselves. Still, hopefully they might find a greater audience through this average film.

The Mist is much better. Starring The Punisher himself (Thomas Jane why aren’t you in the sequel?) it’s an adaptation of a Stephen King novella about a trapped community facing a strange mist, inhabited by stranger creatures. Written and directed by Frank Darabont who also worked with King on The Shawshank Redemption and The Green Mile, this film is a chiller. Highly entertaining, with just enough blood thrown in. It reminded me of Lord of the Flies and Dawn of the Dead, but here the humans are just as scary as the monsters and it has some interesting statements about what fear does to us. Apparently the book had no ending, but the film sure does. And how. It’s an ending you won’t see coming, but the ending after that ending you probably will. Watch it and you’ll see what I mean.

24 Hour Comics Day Movie

Last weekend 24 Hour Comics Days were held all over the globe. I was in Fremantle, Western Australia. Here’s how it looked. There were some very impressive creations knocked up, and you can buy copies of them at the Northbridge Festival which is on November 1 and 2. In the meantime, you can cast your peepers on some of the groovy finished goods at deviantART here and here.

Wolverine Trailer

Well, this is exciting. The first (shaky) look at the Wolverine trailer, right here. If you can move past the bad English, the blog may very well be the first place to see this. The film, entitled X-Men Origins: Wolverine is a spin-off set in the X-Men movie universe and a prequel starring the hairy Canadian, played again by Hugh Jackman. It’s not released until May next year but the trailer may be enough until then. With a look at the Weapon X programme that gave him an adamantium skeleton, to his days in WW II and meetings with other Marvel characters such as Blob, Deadpool (if Ryan Reynolds can’t play The Flash at least he still gets to play one red-suited comic character), Gambit (for whom the greatest cheers were reserved for), Emma Frost and old pal Sabretooth, played by a surprisingly mean Liev Schrieber. I’m sure the film will end with someone asking him to meet “some guy named Xavier,” or perhaps it will even tie in to the upcoming Magneto spin-off. My greatest hope? That Captain America will appear in the WWII scenes. Go here for a full cast list.

Doomsday and Eagle Eye Reviews

There’s not much to say about either of these films. They’re both…passable. Doomsday is written and directed by Brit Neil Marshall, whose two previous films as director are far better than this. Both Dog Soldiers and The Descent are great genre-twisters with genuine surprises and suspense. Doomsday is like a Michael Bay film without all the pretentiousness and glitz. It does have the Marshall marks of brutal violence, English lead characters, high-speed action and lots of brown, grimy world creating. These were used to great effect in his past films, but here there is nothing truly original. With elements of Mad Max: Beyond Thunderdome, the recent BBC Robin Hood series and 28 Days Later all thrown in, it screams familiarity. It is entertaining, just not stimulating. There are also some thrilling chases and Rhona Mitra has never seemed like such an impressively scary woman. With it’s plague centred story that brings about the end of the world, sort of, plus two different tribes, an isolated London and the military that turns its back on its people, it just isn’t as intriguing as I’ve come to expect from Marshall. His next film, Drive, is released next year and stars Hugh Jackman as a Hollywood stunt performer who has a contract put on his life. Let’s hope it’s better than Doomsday.

Eagle Eye has the same, “Haven’t I seen all this before?” vibe. If you’ve seen Tony Scott’s (Ridley’s brother) 1998 film Enemy of the State starring Will Smith as a lawyer on the run, then, yes, you sort of have. By the way, watch Tony Scott’s great Brad Pitt/Robert Redford film Spy Game for some genuine drama and action. Anyway, Eagle Eye is directed by D.J Caruso (the far better Disturbia) and involves Shia LeBeouf and Michelle Monaghan running and shouting a lot and being amazed at the tech gone awry that constantly saves their lives while killing everyone else around them. The plot is almost laughable, as is one scene that involves a guy being killed by wayward power lines, and vanishing in a puff of smoke. The simplistic plot involves a computer that gains sentience and wants to rule the world (again, not an original concept). Its voice is female however and seems like 2001’s Hal’s sister. Apart from the, “yeah, right” moments the other annoyance is the extreme close-ups. Billy Bob Thornton has never looked so old and Rosario Dawson has never looked so pale. The usually attractive cast looks quite different here, with every pore and bump and blemish visible. It won’t be so noticeable on DVD of course, but certainly is on the big screen. If you can switch your brain off and accept everything that big budget cinema can throw at you, including cars that explode on the smallest impact, then these two films may be your cup of tea.

Hellboy 2: The Golden Army Review

From my review at Sight:

There will undoubtedly be more than a few concerned Christians who will dodge any film dealing with supernatural themes, especially one with , “hell” in the title. I’d suggest those people give Hellboy 2 a go however. Appearances can be deceiving, especially in this case, as there is much to recommend here.

A sequel to the first film from 2004, Hellboy 2: The Golden Army retains that film’s main cast including Ron Perlman as the titular hero, Selma Blair as pyrokinetic Liz Sherman and the dry wit of Jeffrey Tambor as their frustrated boss, Tom Manning. It is also directed by Hellboy’s helmer, Guillermo del Toro.

The most noticeable change is the absence of David Hyde Pierce’s (Niles from TV’s Frasier) voice for the amphibious agent Abe Sapien. Christian actor Doug Jones portays Abe (under all the make-up and prosthetics) as he did in the first film, and alos has the honour of voicing him. When Abe first speaks, that absence is noticeable but Jones is such a great actor, who also plays two other characters here, that it soon fades. Jones’ voice was also forgotten when he portrayed the Silver Surfer in last year’s Fanatstic Four sequel, to be replaced by Matrix actor Laurence Fishburne, so it’s about time he received his due. However Jones, along with Perlman and Blair did perform voice duties for the two fun Hellboy animated films, Sword of Storms and Blood and Iron. For those of you who are keeping track of useless trivia, here’s some more; Jones also worked with Del Toro on Pan’s Labyrinth, as did Perlman and Hellboy 2’s villain, Luke Goss in Blade 2.

Back to the story at hand. This sequel begins in Christmas, 1955 when an amusingly young Hellboy is told by his adoptive father, Professor Broom (John Hurt) about a battle long ago between humans and creatures of myth, which is effectively relayed to us via wooden puppets. King Balor had a multitude of goblins create a Golden Army for him, comprising of “70 times 70” clockwork warriors. Due to the devastation on both sides, however a truce was called and the crown that controlled this Golden Army was shared between the humans and elves. We cut to the present where, you guessed it, King Balor’s son, Prince Nuarda (Luke Goss) wants no part of this truce nonsense and reclaims the crown in order to raise the Golden Army once more.

Much has changed since the last time we saw Hellboy and crew. “Big Red” is now living with Liz Sherman in the B.P.R.D complex, (That’s the Bureau of Paranormal Research and Defense, who the team work for) and as Abe finds out, Sherman is pregnant, which throws her relationship with Hellboy in even greater disarray. This superheroic romance, and the accidental public outing of the B.P.R.D operatives to the general populace provide the film with its numerous laughs. It is a funny film, certainly moreso than the first one, and the addition of new agent, Johann Krauss, basically a German ectoplasmic spirit in a containment suit helps. Voiced by Seth McFarlane his non-nonsense bureaucratic mindset is a great foil for the cigar loving slob Hellboy.
The characters mesh so well together and the cast seem like old friends all at ease with just being themselves. And it is simply luscious to look at. Del Toro is perhaps the most visionary director working today, (and because of such is currently making The Hobbit film, with executive producer Peter Jackson.) When the team visit the Troll Market, all manner of freaky monsters appear, reminscent of a hyped up version of the Mos Eisley cantina scene from Star Wars. The battles here are hectic, but not overly violent and the reliance on puppetry and old school visual trickery rather than elaborate CGI is a welcome bonus.

The film isn’t as epic as I thought it would be. Those expecting massive Lord of the Rings style battles will be disappointed, and the romantic scenes between Hellboy and Liz, and later with Abe and Nuada’s sister, Princess Nuala may be too much for some. However, I am a fan of this series. Different from the comics that inspired it, it may well be, but del Toro adores the source material and worked closely on this original story with creator Mike Mignola, bringing such a clear vision to this outing. The environmental message, the nature of love and sacrifice all mean that this film has more depth than its predecessor, but those themes don’t feel shoehorned. Yes, there is a lot of talking and perhaps not enough action, but with characters birthed from fantasy, there is also great realism in their interactions. No matter what we look like, or what we can do, this film subtly teaches us that there is always a greater need than ourselves, and that all differences are unimportant when trouble erupts.

Next Avengers – Transform!

IDW presents The Transformers Animated: The Arrival #1;  the first of a series of five original comics. The story arc takes place in the continuity of the first season of the “Animated” TV show, airing on Cartoon Network.

In “Dispatches,” Animated series head writer Marty Isenberg, along with artist Dario Brizuela take a brand-new look at the story behind the AUTOBOTS’ arrival on Earth. You’ve seen the Animated movie, but do you know the whole story? You will as ULTRA MAGNUS, SENTINEL PRIME, STARSCREAM, BLACKARACHNIA, and many more tell their sides of the story that started it all! The TRANSFORMERS Animated series will also feature OILSLICK, who was originally intended to be a toy-only character, but the creators found a place to fit him into the comic.

On a similar note, the Next Avengers direct to DVD animated film is now out. Getting a hold of these kinds of DVDs here in Oz is painfully difficult, but I will review it when I get a copy. For now, you can read Newsarama’s review here and ComicVine’s here. I had my doubts about this “kiddifying” of the Marvel U, but so far the reports seem positive, and the DVD looks like it has some great bonus features, including peeks at the two upcoming “Hulk Vs” films, where he faces off against Thor, and Wolverine, and a doco on the current kids roaming the streets of the Marvel U.

Captain Kung-Fu

This is what has kept me busy over the last few weeks. Made for a church anniversary, it screened last weekend. Because of YouTube’s 10 minute limit, I had to cut off the stuff at the end which made it make sense in a church context. (It was basically mentioning that Jesus is the ultimate superhero – even though he doesn’t have a costume)

It was a blast to make, and I have a lot of extra footage, which will become the basis for an extended edition, but that’s a few months away yet. For now, enjoy this short mockumentary and behold the dodgy wigs, razor sharp wit and nonsensical ramblings of Captain Kung-Fu.

Marvel Pics (& News) Galore

Over at the always informative MySpace ComicBooks  (become their friend! They’re lonely and in desperate need of companionship) you can check out a free issue of The Luna Bros’ new series, The Sword, and check out the trailer for novelist/comics scribe (Identity Crisis)  Brad Meltzer’s new book, The Book of Lies. Lies is an intriguing tale, which weaves humanity’s first murder, (when Cain killed his brother Abel in the Old Testament) with the little-known story of Superman co-creator Jerry Siegel’s father’s unsolved murder.

Marvel head honcho, Joe Quesada also continues answering fans burning questions about Spider-Man’s New Ways to Die story arc, and the new DVD toon, Next Avengers, which centres on the kids of Captain America and his fellow Avengers teaming up with an ageing Hulk and Tony Stark (Iron Man) to take down the future Ultron.

A good starting point, though it may be too kiddie for hardcore Marvel zombies.

Radical Trailers

No, I’m not attempting to describe caravans in 1980s vernacular, but rather shine the light on a few trailers from new publisher, Radical Publishing. These trailers for their new comic series had their debut at July’s Comic-Con, and I gotta say, they all look very impressive. I’ve seen a few dodgy comic book trailers in my day, but these are very well crafted. First up is the fantasy Mateki: The Magic Flute, followed by the Western, Caliber: First Canon of Justice and lastly, there’s the sci-fi of Shrapnel, which is being released in 2009. You can also check out my review and the trailer for Freedom Formula here.

Justice League Film?

When I first heard about the Justice League film I was excited like most fan boys. Then I learned it was to be helmed by director George Miller (Happy Feet) and would star a bunch of almost unknown actors. As I then reflected upon Warner Bros. history of screen adaptations of their DC heroes (Catwoman) I prayed that the JLA film would never be made. With the writer’s strike, it’s all been up in the air anyway, but Variety has an interview with DC VP Gregory Noveck and WB dude Jeff Robinov regarding this potentially awesome/potentially disastrous film. In their words:

Either way, there’s no question Warner Bros. will produce more superhero pics. The question is when.

“These are big, iconic characters,” Noveck says. “So when you make them into a movie, you’d better be shooting for a pretty high standard. You’re not always going to reach it, but you have to be shooting for it. We’re going to make a Justice League movie, whether it’s now or 10 years from now. But we’re not going to do it and Warners is not going to do it until we know it’s right.”

At least they’re smart enough to know not to rush it. Marvel will surely beat them with Avengers in 2011 anyway, but us DC fans know how to be patient.

Justice League On Film

Flash Gordon

Not to be confused with the DC Comics character who runs fast and wears a red costume, (that’s The Flash), Flash Gordon is the creation of comic strip artist, Alex Raymond. Conceived by Raymond in 1934, the character went on to star in three film serials in the 1930s and 40s, a TV series in the 50s, (and a recent, unpopular version) with a few cartoons along the way too. For many pop culture lovers (including painter Alex Ross), and Gen-Xers however, Flash’s most well loved incarnation would have to be the 1980 film. Who could forget Queen’s awesome theme song, the garish costumes, winged warriors, evil Timothy Dalton and a bald Max Von Sydow as Ming the Merciless? High camp has never been so much fun! CBR has a great round table discussion with the original creators and cast, involving the Star Wars inspiration, the film’s limited American success, and chasing dwarves around on set. Let the nostalgia wash over you. And while you’re reminiscing about awesome 80s films that flew under the radar, check out Krull from your local high quality DVD purveyor. Like Flash Gordon, it’s a film with fantasy and sci-fi elements, swash buckling and derring do, but Krull is much darker, with surprising deaths throughout. Check out the trailer below to either refresh your memory, or be introduced to another classic.

Star Wars: The Clone Wars Review

The Star Wars universe is a vast one. The six live-action films would be all that most people would know of George Lucas’ most famous creation, but they are a drop in the ocean, compared with the complexities of the ever expanding saga. The dozens of books and comics plus numerous video games have broadened the scope beyond Luke, Leia, Han and co. to millenia either side of their cinematic adventures.
Along with next month’s awesome The Force Unleashed console game, Clone Wars is the latest to add details to the events between the two film trilogies.
Directed by Dave Filoni (episodes of TV toon, Avatar) and written by three virtual newcomers, the film certainly has Lucas’ imprint in it, namely family friendly action and light hearted humour.

From the first few seconds however, it’s obvious that this isn’t a typical Star Wars film. The traditional theme music has been slightly altered and the text crawl is lacking, replaced by a narrator explaining the set-up. Also, despite Samuel L. Jackson (Mace Windu), Anthony Daniles (C-3PO) and Christopher Lee (Count Dooku) reprising their roles, the rest of the prequel’s cast is absent. Not that it matters.

Clone Wars is essentially the pilot of an upcoming half hour animated TV series. When George Lucas saw these first few episodes, he decided it looked too beautiful for the small screen, and deserved a cinematic release in their own right. Lucas is right. This is a great looking film. Today’s CGI effects are well suited to the expanding Star Wars mythology with the multitude of alien races, planets and vehicles, and the numerous space battles are grand, though not comparable to the excellent opening scenes in Episode III.

It’s with the scenes of humans (and humanoids) interacting that the CGI look may be a let down to some, expecting a Pixar level of sheen. The characters’ visuals are simple, as are the textures when examined closely. Don’t expect hyper-realism here, as the look of the film is based on the two series of cartoons that ran on the Cartoon Network from 2003 to 2005. The film is a continuation of that series, set in the time period between Episode II and Episode III. In other words, Anakin is not yet Darth Vader, his lover, Padme is still alive, and Luke and Leia are yet to be born.

The plot involves primarily lots of fighting (either with swift light sabre moves, or swift space craft moves) and the race to capture Jabba the Hut’s son, Rotta, otherwise known as Stinky. Anakin Skywalker receives a surprising padawan, ie, apprentice in the form of “youngling” Ahsoka Tano. This is a novel concept and the friction and eventual respect between the two Jedis is the highlight of the film. From their crafty defeat of Dooku’s force’s shield generator, to the protection and delivery of Rotta, the new duo’s initial friction gives way to respect as they fight an assortment of droids, drones and a dual-sabre wielder, in the form of Asajj Ventress, Dooku’s new partner in crime. Of course, Dooku’s and Jabba’s alliance is nothing of the sort, as the Jedis must prove their innocence in the greater fight for the vital trade routes for the ongoing war. When Anakin and his new student arrive on Tatooine, Anakin’s home planet (and scene of his Tusken Raiders massacre in Episode II) only then do we see a hint of his darkness that is central to the whole Star Wars saga. General Obi-Wan Kenobi flies to Jabba’s palace to assure him of his peaceful attentions and runs in to Ventress and Senator Amidala takes another route in assuring peace – meeting Jabba’s greedy uncle, Ziro the Hutt in Coruscant and gets duly punished for her good deed.

Star Wars purists will be disappointed with Clone Wars. It can’t compete with the more sophisticated CGI films on offer these days, and its roots as a TV show quickly become evident. It just doesn’t have the usual epic Star Wars film feel stamped on it. No doubt the kids will enjoy it, but some may be lost, without prior knowledge of the characters. I’d recommend watching the original Clone Wars cartoons on DVD over seeing this, but the continuation of this film onto our TV screens should be worth watching, as that is the format its designed for.

From Hard Candy to Hard Cover

Hard Candy is an awesome film. Directed by Brit David Slade in 2005, it was his first film, before going on to make the 30 Days of Night adaptation. (Go here for my interview with 30 Days artist Ben Templesmith) Hard Candy stars Juno’s Ellen Page and Patrick Wilson and is a mature, squirm inducing cat and mouse game between two mysterious people. The roles of villain and victim are always in question and a deft hand guides it throughout. Well worth watching. It’s just two people talking, but is more mesmerising than anything Michael Bay creates. It also has some fanboy cred, as the two stars have both played comic book heroes – Page as Kitty Pryde (Shadowcat) in X-Men: The Last Stand and Wilson as Nite Owl in next year’s Watchmen. Well, IDW is just about to release Slade’s weird animal creations in the Fubear HC. From IDW’s official press release:

What is Fubear? Fubear is the schism that exists between “funny ha-ha” and “funny-strange.” At least that’s what creator David Slade tells us.

Coming this August from IDW Publishing, Fubear is a nice, small, square hardcover collection of the illustrations which served as inspiration for the animated comic/horror short “Meatdog: What’s Fer Dinner”, a short film that premiered at Comic Con in July 2008 and will play to the over seven million users of Xbox LIVE this fall.

David Slade, the man behind the bear—Fubear Studios that is— is a motion picture director best known for his 2005 thriller and cult hit Hard Candy, as well as the 2007 movie adaptation of the IDW graphic novel 30 Days of Night, which opened at No. 1 at the box office. Slade, who originally trained in fine arts in his hometown of Sheffield, England, works not only in film and animation, but is also known as a brilliant graphic artist.

“Making films, dark thrillers, sometimes you need some light, but it has to be sincere,” says creator David Slade, “so I set off in search of my psyche in just my underwear, taking with me a handgun, a crutch, a pencil, and a shovel. In the end they all came to play, but mostly just the pencil. The pencil became a computer and various printing techniques, and that most recently became animation. I love learning craft and technique, and I delve into my psyche to get the meat.”

Fubear Studios brings a collection of Slade’s characters to life with his vivid illustration style. Included are “Meatdog” himself (a dog made of meat cuts); “Bearleftbear” (obsessive-compulsive bear in a car); the “Alienbears” (hungry, carnivorous octarian creatures from another universe); “Drumming Dogs,” “Hazmat Bears” from a chemical psychoverse, and many more.

In “Meatdog”, the animated short for Xbox, Slade sends a church of evil occult pigs, a carnivorous rabbit, and a slobbering hound in pursuit of Meatdog, pitting our unlikely hero against, well, unlikely villains.

Fubear Studios’ Site

Below is the trailer for Meat Dog’s XBOX Live adventures. It’s…interesting, kinda like a more arty and abstract version of Happy Tree Friends.

Saving the Superman Films

MTV’s new comic-centric web site is smart enough to go to the right people for opinions on DC’s film adaptations of their beloved characters. Now, if only Warner Bros. could wisely do the same!

Novelist/comics scribe Brad Meltzer (who was interviewed with writers Mark Waid and Grant Morrison about how to save the Superman films) had this to say:

“Superman is a character more recognizable than Abraham Lincoln or Mickey Mouse,” Meltzer said. “But no one knows crap about Mickey Mouse. He’s a symbol. Understanding a soul is much harder. So don’t treat him like a walking American flag.”

To understand Superman, Meltzer says, you have to know why Superman was created in the first place — because a young Jerry Siegel’s father was shot and killed in 1932 (a fact first uncovered by Gerard Jones in “Men of Tomorrow: Geeks, Gangsters and the Birth of the Comic Book”).

“Superman was created not because America is the greatest country on earth, not because Moses came to save us from Krypton, but because a little boy lost his father,” Meltzer said. “In his first appearances, he couldn’t fly. He didn’t have X-ray vision. He was only bulletproof. So Superman’s not a character built out of strength, but out of loss.”

Read the full article at MTV’s Splash Page here.