Think of this title as Reverse Chucky. Instead of a doll terrorizing children, and adults alike, we have a teddy bear helping them.
From Andrew Cosby and Johanna Stokes, who have written the excellent BOOM! series Eureka and Station, respectively, comes this impressively cuddly debut. It had me smirking and fondly recalling my own carefree days of playing with my He-Man figures and G.I Joes. Ah, good times. This is a boy’s own adventure – literally, but it does have a healthy dose of dark humour and adventure. Like BOOM!’s other series, such as The Incredibles, or The Muppet Show Comic Book, this is something parents could read with their kids, with both getting enjoyment from it.
It begins with a scientist running from the agency he works for. Upon creating Artificial Intelligence, he flees from his nefarious employers and runs to the closest toy shop, where he swaps his CD with that of an interactive teddy bear. At the same time, David, a bath salesman recently separated from his fed up wife, is taking his son Zach out for a bit of shopping. After waving masculine gifts infront of his face, Zach decides to go for Mr. Stuffins instead. The rest of the issue is focused on Zach as he discovers his teddy’s unique skill set and gets frustrated with his lack of singing and bed-time story telling abilities. After all, that’s what the box promised! It’s like a premise of a classic 1980s film that was never made.
I could hear Mr. Stuffin’s gruff, take charge voice every time he spoke. He ties up a lifeless pink bunny for interrogation, beats up school bullies and mocks Zach’s parents. Yet he’s a loveable rascal. While elements of Buzz Lightyear and the 1998 film Small Soldiers may be apparent to some, this is still a refreshing concept. Zack is old enough to know that a teddy bear with military skills is not normal, yet young enough to just accept him as a new, though reluctant, friend.
I can see why this was a sell-out when it first appeared, and now that it’s returned with new art by Axel Medellin, it will surely garner new fans. Medellin draws with great expression. His figure work is simple, yet fluid enough and from the moment Mr. Stuffins’ eyes alight and he sits up, fully aware, I was sold on the approach. It has some great pacing and truly witty lines, that I won’t do the disservice of spoiling here. Let’s just say that I haven’t been entertained with cuddly toys for many years, yet I now want a Mr. Stuffins for Christmas.
The tech-mag Wired appears to be ramping up its comic book cool factor lately. You can check out 
This is a big comic in every way. It’s hard to imagine any other publisher than 
Now, granted this story isn’t going to be welcomed into the bosom of every fanboy. It’s old-timey dialogue and instantly detestable protagonists will throw some people off, but it is a simple narrative and engaging to boot. Two criminal brothers, Finn and Egil are thieves, killing and selling the goods of their victims. They’re tough guys, but with a love for their family. Between their last raid and their next, they face retribution of a swift and terrible kind, which lays the ground for the next issue well. Interspersed is a nice sequence involving a rich king and his lovely, carefree daughter. She desires adventure, and I’m sure when her path crosses with the brothers, that’s surely what she’ll find.
Okay, here’s a look at 3 recent indie first issues.
IDW’s American McGee’s Grim is a new series bringing the apparently popular game character to the printed page. Grimm is a surly pirate-like dwarf who runs amok through fairy tales, jumping on things wit his butt to put the darkness back into the tales. Yes, that’s right. I’ve heard of American McGee (yep, that’s his real name), and his games such as Alice, and Scrapland, but never played them. Grimm is currently being released weekly through GameTap.com. Written by Dwight L.Macpherson, each issue of this mini-series is focused on Grimm’s intrusion into a different genre of comics. Naturally, first up are do-gooder superheroes. I didn’t laugh once. There’s just not enough room to play with. It’s a vaguely interesting concept, as Grimm empowers the assorted baddies to defeat the ever-victorious Freedom Friends, but it’s all been done before. Lobo, the recent Bizarro arc in Action Comics, or even Justice League International have all run with this idea, but they were given more than 22 pages. Once Grimm has introduced himself in the first 6 pages, the remaining 22 are just a one-sided battle during a parade through the streets of Megalopolis. There are over a dozen costumed characters – all the obligatory homages to popular characters, but none are obviously given the time to develop character. Superheroes being surprised that they’re getting beaten just isn’t funny, by itself. Grant Bond’s art does work though, with its loose Mike Allred style and Golden Age colouring, and having Grimm rendered in a style separate from the rest of the universe is a nice touch. I’m sure MacPherson is an accomplished writer, as he’s been doing this for a while but he’s not given a lot to work with here.
The team behind Beach Studios, and 
I went to one of my comic shops yesterday and was aghast to discover that 5 books I ordered in February were now cancelled. Thanks 
Image’s 
This is one of those books I ordered from Previews simply because it looked like something different. And it certainly is. 
I have a soft spot for indie comics. At least a third of everything I order from Previews is from relatively small self-publishers. Two things struck me about this book; the gloomy yet intriguing cover and the fact that it’s from a Xeric Award winner. Published by Passenger Pigeon Publishing, Chronicles is a simple, black and white 96 page one-shot. Writer/artist Felix Tannenbaum clearly has some skills. However, what is also clear is that he’s a far better writer than an artist. Judging by the work on
Just in case you haven’t heard, DC’s new venture is entitled Wednesday Comics (as new comics come out every Wednesday in the U.S). The concept was launched from the brain of artist and Art Director Mark Chiarello. Every weekly issue is only 16 pages, but will be filled with superb art from some great storytellers, and it will be big art too. Bigger then the average comic size, it will be like a large tabloid, newspaper supplement. It’s a bold direction but it should pay off. There are some great artists in the industry that will take gleeful advantage of this. Below is a preview of John Arcudi and Lee Bermejo’s Superman story and a Batman tale from the 100 Bullets team of Brian Azzarello and Eduardo Risso. Also included in the upcoming 12 part series will be a Metamorpho tale by Neil Gaiman and Mike Allred, Supergirl by Kimmy Palmiotti and Amanda Conner and Joe Kubert on Sgt. Rock. Creators such as Kurt Busiek, Dave Bullock, Walt Simonson, Ryan Sook, Dave Gibbons and Paul Pope are also involved. Look for the first oversized issue in July. Awesome news.
This third volume of the League of Extraordinary Gentlemen opens at the bedside of a sweating man with feverish dreams involving a young lady swimming naked and cloaked cult members’ ambitions to create a Moonchild, whatever that may be. As the man, Tom Carnacki, the ghost finder wakes he speaks of his night-time adventures to his fellow team-mates, Orlando, A.J, Mina Murray and Allan Quartermain. Thus we are introduced to the latest batch of “gentlemen.” This has been an extraordinary series from the outset. Well, mostly. Writer Alan Moore (Watchmen, From Hell) and artist Kevin O’Neill unleashed their concept of famed adventurers from the annals of literature upon the world in 1999. Mina Harker, from Bram Stoker’s Dracula was tasked by British Intelligence to form a team and gathered Allan Quartermain, Dr. Jekyll, Captain Nemo and others along the way to saving London. The second volume was a great tie-in to H.G Wells’ War of the Worlds while the third was a stand-alone graphic novel entitled The Black Dossier. Dossier was not the high point that the first two series were, mainly due to its varied narrative and frequent use of Moore extras such as prose pieces, letters, maps and the like. The greatest asset throughout the series has been the constant relationship of Harker and Quartermain in the different time periods. Dossier was light on that but did fill in some details about other incarnations of the League, reminding comic readers again that Moore is no slouch when it comes to research.
Writer/artist 
Tales of the Black Freighter
Under The Hood
comicbookjesus 