Ramblings For Early July

Some random thoughts that need escaping from my mind to my keyboard.

Bad Kids Go To Hell #1I read Antarctic Press’s Bad Kids Go To Hell #1 on the train today. It was the name that caught my eye when I saw it in Previews 2 months ago. AP are a great little publisher and with titles like David Huthchison’s Biowulf and Rod Espinosa’s excellent Prince of Heroes they deserve to be noticed. Bad Kids is not of the same ilk, but it’s good to see AP branch out from their manga flavoured digests. It’s written by Matt Spradlin (or Spadlin according to the intro) with art by Anthony Vargas. The premise is The Breakfast Club meets Buffy’s Hellmouth. A construction crew opens up a portal of some sort and then 3 years later the Crestview Library opens on that spot. Six students are brought in on a Saturday morning for detention. It’s an extra-sized debut but there’s no real smattering of the horror to come just yet, and all of the students are somewhat stereotypical (jock, goth, nerd,etc) but when they’re not swearing and talking about sex the dialogue’s not bad. 4 issues should pretty much say all there is to say with the concept and Vargas’ work is realistic enough in this context.

Rapture #2 from Dark Horse is great. The first issue was a splendid intro and Mike Avon Oeming and Taki Soma’s tale of separated lovers in the apocalypse works well. It could just as well work without Evelyn’s calling and her mystical spear and guide, but the emotion really comes through. Oeming is always a master of the page and with this series he looks to be trying different styles throughout the issues, and it works a treat.

Scott Pilgrim Volume 1The Definitive Edition of Codeflesh from Image is far too expensive. $40 for a Hard Cover on flimsy paper? Nah. It’s an OK tale, by writer Joe Casey and artist Charlie Adlard and it’s good to see the series not suffer from its sporadic publication. The tale of a masked bail bondsman chasing jail skipping freaks is a grand idea and Adlard’s art is dark but not jaw dropping.

Alex Robinson’s black and white digest Too Cool To Be Forgotten from Top Shelf. It’s a slow start and the plot is almost straight out of a Disney film, but Robinson takes the tale of a middle-aged man who gets hypnotised to stop smoking and relives his high school years instead a realistic and un-corny tale. It goes beyond the simple art to poke the heart, kinda like that Adam Sandler film, Click.

I read the first two digest sized volumes of Bryan Lee O’Malley’s Scott Pilgrim series from Oni Press in quick succession. Girlfriends with names like Bond girls, a healthy respect for comedic timing, retro video games and a dose of fantasy. I can’t wait to see how all this translates to film. If Kevin Smith was a comics creator instead of a film maker, he’d be making books like Scott Pilgrim.

Comic Zone On CBR

Comic Book Resources is one of the best and brightest comic related sites on the net, and I have an article on there! Yay for me! CBR writer Greg Burgas recently started a new series entitled My Comic Book Shoppe, which highlights local comic shops and opened it up for CBR visitors to submit their own, so I did. Here you can find the article on Perth’s own Comic Zone, complete with photos and interesting facts. Thanks Greg!

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Saw Director’s New Comic

Comic-Con is only weeks away, and I’ll be there rubbing shoulders with pop culture fans and generally introducing myself to everyone in a desperate attempt at making friends. Radical Publishing will be there of course (one of my fave new comic companies) and Darren Bousman (director of a few Saw films) will be tagging along to reveal his new comic. Press release below.

Darren BousmanAt SAN DIEGO COMIC-CON INTERNATIONAL 2009, Radical is proud to announce Darren Bousman, the acclaimed director of Saw II, Saw III and Saw IV, at the Radical Publishing booth #3735 as he signs both a limited edition poster and copies of Radical’s San Diego Comic-Con 2009 Exclusive Preview Book which features Bousman’s chilling, supernatural upcoming release Abattoir.

Set for a 2010 debut, Abattoir chronicles real estate agent Richard Ashwalt, assigned the impossible task of cleaning up after a brutal massacre takes place at a mansion. As he cleans the blood-soaked grounds, a twisted old man journeys to the house with a sinister and terrifying purpose, and Richard is drawn into a web of shadows, murders and massacres that will shatter him to his very core…and make him run for his life.

“We’re ecstatic to showcase Darren’s work at this year’s Comic-Con International,” said Radical Publishing’s President and Publisher Barry Levine. “In addition to being a director on the cutting edge of Hollywood horror, Darren is an accomplished writer with an incredibly thrilling story to tell. We’re proud to have Darren at our booth for this year’s Comic-Con.”

Bousman’s directing credits include the horror epics Saw II, Saw III, and Saw IV as well as 2008’s Repo! The Genetic Opera. His writing credits include Saw II, 2000’s Butterfly Dreams and 2001’s Identity Lost.

Darren Bousman will be signing on Saturday, July 25th at the Radical Publishing booth.

Radical Publishing booth #373

Saturday

3:00 P.M. to 4:00 P.M.