Witchblade Volume 5 Review

I can count the issues of Witchblade that I’ve actually read on one hand, but with the TV show from a few years ago, and the relatively new anime adaptation, plus the upcoming feature film, it’s not like I’ve been unaware of the series. I guess I had unfair expectations laid upon it, as it was one of those books that began in the mid 1990s, when the bad girl craze was sweeping the comic reading public into a hormonal frenzy. Characters like the star of this book were lumped together with Lady Death, Vampirella and many more whose sole function seemed to be to titillate prepubescent readers.

Witchblade was also a character created by four different creators, so that didn’t necessarily help find its focus. However, in the last few years, publishers Top Cow have wisely started to integrate and expand their roster of characters. This move can be seen clearly in this volume, with guest stars from other Top Cow titles and the history of the Witchblade becoming deeper. Recently this series has begun revealing numerous wielders over the years of this powerful mystical gauntlet that is the ultimate girl power accessory, which opens up even more story possibilities.

This TPB is a hefty one, as it collects the Cow x-over mini-series, First Born as well as issues #110-115 of the ongoing Witchblade series. There’s also an introduction from The Walking Dead and Invincible creator, Robert Kirkman and a dazzling cover gallery. All in all this tome contains all 226 colour pages. That’s a lot, and the best thing I can say about it is that I read it all in one sitting. Believe me, that’s high praise indeed. I barely got out of my seat as I flicked through these glorious pages. It had my attention and wouldn’t let go, and that’s something I wasn’t expecting.

Basically, the first few issues of this adventure are focused on cop, and former Witchblade wielder, Sara Pezzini, as well as mob boss Jackie Estacado, AKA The Darkness, the holy warrior Magdalena, Dani Baptiste, a dancer and current Witchie owner and baddest of the bad girls, Celestine AKA The Angelus.

This book starts off with a handy one page guide, which explains all the characters in this world in a pleasantly succinct way. The beauty of this tale is that it’s intense and epic, but not overly complicated, which is more than we can say for most of what’s on offer from The Big Two. Even if you’ve never read an issue of Witchblade before, you won’t feel scared off by this volume.

Written by one of my favourite writers, Ron Marz (Green Lantern Kyle Rayner’s creator) this book details the war fought for Sara’s upcoming baby, of whom the origins are mysterious, though the details are eventually revealed. Lots of running and hiding and fighting ensues as the pregnant Sara, her lover, fellow cop Patrick Gleason (I keep thinking of the GL Corps penciller of the same name!) and sometime ally Jackie Estacado gang up to defeat Angelus’ winged warriors. As Estacado tells Detective Gleason, “In real life, the bad guys don’t always wear black and the ones with wings aren’t always the good guys.” That sums up the supernatural/spiritual/primal themes pretty well. The three manage to fight the hordes (that look like something director Guillermo del Toro would’ve imagined) and escape, after Gleason somehow survives a brutal stabbing. Jackie takes Sara and Dani straight to a secret cavern, where Magdalena shows up. Sara gives birth and the battle begins anew as the Angelus and her followers struggle to keep the baby all to themselves for the sake of the Balance. The newborn, later dubbed Hope brings a surprising victory, which also leaves the Witchblade split in two, for Sara and Dani.

After this battle concludes, things change pace somewhat abruptly. Sara adjusts to life as a new mother, Dani finds a budding romance with a shop owner called David Worthy, yet the girls still manage to find action, or rather, it finds them as they take Hope for a stroll in the park and find that evil forces still want the baby for their own purposes. Both girls also manage to run into different muggers while shopping at different times, which makes the action in the second half seem more forced than the first. The last few issues are akin to Buffy Lite; lots of girls talking casually, new relationships forming, but with short bursts of fighting interspersed throughout. Some may find all the dialogue a bit annoying after the hectic first half, but Marz is a gifted writer and handles it naturally. With this much going on, the fact that there is no lengthy exposition or narration is pretty impressive.

This is a light read, despite its burgeoning cast of characters and lengthy history and its very easy to keep track of what’s going on at all times. I can’t go any further without mentioning the art. It’s beautiful and I don’t mean the fact that all the girls look like supermodels (and so do the guys, come to think of it) Stjepan Sejic is the primary artist. His pages are luscious. Obviously tinkered with computer to look like paintings, he has a skill that deserves more work. Look at the cover gallery included and you’ll see what I mean. There’s enough pretty pictures (even his ugly monsters look gorgeous) to fill a Metallica fans bedroom walls. In every panel, the light, textures and backgrounds are all rendered with such detail; a rarity in the posing superheroes against blank backgrounds in a lot of comics today. If I was on the Cow’s marketing team, I’d create ads from these pages in every heavy metal mag I could get a hold of. Long haired head bangers would lap this art up I’m sure.

More traditional and seasoned pencillers such as Luke Ross, Stephen Sadwoski and Rick Leonardi fill out the remainder of this volume, but the change is not jarring from one ish to the next. There is also a preview of The Darkness ongoing series, which details its supernatural origin effectively.

There is some profanity here and themes that won’t be everyone’s cup of tea, but I was impressed by this series and would be curious to see where it goes next. All the hard work building this universe has paid off. Jaded fanboys and newcomers alike will find something to sink their teeth into here, and probably will want seconds. Surprisingly recommended.

Massive Top Shelf Sale

Top Shelf is one of the grooviest indie publishers on the planet. For those looking for something a little different, go to the Shelf. My favourite book of theirs would have to be Craig Thompson’s Blankets. It’s a hilarious, touching, life affirming phonebook-sized rumination on love, youth and faith – and now it’s only $25! Bargain! I also picked up The Surrogates and Tales From The Farm from their Comic-Con booth, but have yet to work my way towards them.

The sale is on until Friday September 12 and there are 90 comics available for only $3 too. This is a great opportunity for some diverse reading. There’s over 125 items on sale, and all the Shelf asks if that you spend a minimum of $30 before shipping.

Too easy.

You can see the complete list here.

Superman/Batman #51 Review

From my review at Sight. I’ve also posted the full version of the gorgeous Ryan Sook cover under the review. It’s so cute, even your girlfriend will love it! What’s that? You read comics? Um…it’s so cute even your Aunt Beryl will love it!

DC’s current gallery of books is hardcore, with more convoluted stories than usual. Final Crisis and it’s truck load of tie-in issues has our heroes facing their darkest day (apparently), and with Batman:R.I.P, which has the Dark Knight’s existence seemingly coming to an unexpected end, the DC Universe is not the simplest or happiest world to visit. However, they still know how to entertain and in recent months DC have given me much more mirth than usual, thanks in part to Tiny Titans, a simple book with short tales, chock-full of fanboy in-jokes. It always puts a smile on my face. Now there’s this Superman/Batman two-parter. I don’t think I’ve laughed out loud so much in a single issue. A pleasant change from last month’s issue #50, which presented a far-out tale where the parents of our titular heroes may have met decades ago, this story is just plain fun, with no need for previous knowledge. Mike Johnson continues his writing duties on this title, from last month, with Michael Green (who also writes TV’s Heroes) who launched an excellent story arc in issue #44 which had the superhero pair hunting down all of earth’s Kryptonite. During that run, Superman was exposed to some Silver K, which gave him hallucinations of pint-sized versions of his costumed friends. It was a brief, but amusing moment. Here, the kid heroes return, thanks to the reality warping powers of that troublesome imp, Mr Mxyzptlk. He confesses that his aim was simply to lighten up the superhero pair, as both heroes have been in dark times indeed as of late, just like us faithful DC readers.

Mirth inducing moments abound in this ish, from Lil’ Bats punching the real deal in the kneecap, to the tiny versions of the Justice League of America, including a Supergirl toddler who cries at the drop of a hat, and similar versions of Wonder Woman, Vixen and Black Canary experiencing love at first sight when the teen Robin enters the Batcave.

I’m so glad to see DC mock their own creations with such recklessness. Superman and Batman are two of pop culture’s greatest creations, and like superheroes in general, are ripe for parody, though it’s really only insiders who can do it with any sense of wit. When films or TV shows attempt to do the same, their parodies come across as cringe inducing. Us fanboys are sick of “underwear on the outside” jokes, but we can laugh at ourselves with ease. The highlight here for me would have to be the pre-pubescent versions of Superman and Batman recounting their origins. Instead of the two gunshots that killed “our” Bruce Wayne’s parents that fateful night, the younger version’s parents experienced, “Two shoves. And nothing was ever the same again. I swore that night that no one would ever be bullied in Gotham City.” Similarly, instead of seeing Krypton’s destruction give birth to Superman, his counterpart’s parents rocketed their only son to earth just to save him from a rainy day. These origins have been told many times over these characters’ 70 plus years of history, and to see them retold here in such a refreshingly different manner is great.

The introduction of similar de-aged versions of the pair’s main villains on the final page is a hoot (Two-Face has a cake covering half his face, and Mr Freeze is armed with an ice-cream gun) and bodes well for more laughs in next month’s conclusion.

There’s sheer entertainment here for both hardcore readers who’ll get the parodies, and something for newbies too. Rafael Albuquerque is the perfect choice for artist. His deft pencils make all the characters seem so adorable and aid greatly in making this issue such a joyful romp. Now I just need to start a petition for DC to create plush toys based on these Lil’ Leaguers.

Save Superman’s House

I started watching Rocky Balboa again tonight. I love Sylvester Stallone’s films, and he’s created two of pop culture’s heroes in the Italian Stallion and Rambo. Especially with Rocky, there is so much that the general public remember – the theme music, “Yo Adrian!”, meat punching, running up steps, etc. And to top it all of he got his own statue in Philadelphia.

And all that is fantastic. Really. But what isn’t is that Superman’s creators are largely forgotten. The only comic creator that the general public really know is Stan Lee, and that’s OK. But even the Marvel man himself submits to Jerry Siegel and Joe Shuster’s timeless creation. Superman debuted in 1938 in Action Comics #1 and immediately took the world by storm, and virtually created the comic book industry. His place on the landmark of fictional story telling can not be denied. Unfortunately his real life origins can be.

Novelist/comics scribe Brad Meltzer recently visited the Cleveland house in which Superman was born and was shocked by what he saw. From the article at CBR:

While conducting extensive research for his latest novel, “The Book of Lies,” (in stores today), Meltzer visited Siegel’s boyhood home, where Superman – one of the world’s most recognized heroes – was created.

Much to his dismay, the house was in extreme disrepair.

Immediately, he knew he had to do something to honor the legend.

So he called up a few of his friends (and when you are Brad Meltzer, you have some pretty cool friends) and started collecting one-of-a-kind art and memorabilia, which is available now for bidding on his new philanthropic website, www.OrdinaryPeopleChangeTheWorld.com.

The auction runs through 11:59 p.m. on September 30, 2008.

“When I saw that the house where Superman was created was in disrepair, it just seemed wrong. The house where Google was created is saved. The farm where Hewlett Packard was founded is preserved. The Superman house deserves the same respect,” explained Meltzer.

“We’ve always relied on Superman to be there when we needed him. This is our chance to be there for him.”

This is a fantastic idea and it’s awesome that fans and professionals of the comics industry can recognise a need and do something about it.

Zombie Tales #4 Review

One of BOOM’s newest titles, the aptly named Zombie Tales continues to shamble to success. Those crazy undead have regaled comics (and films, games, etc) for decades and can adapt into any genre with ease, such as plain out horror to comedy. They’re a resourceful bunch, those brain hungry walking corpses, with no shortage of manic adventures to share. This issue is the first from Wanted screenwriter Chris Morgan, and his brother Terry. Entitled Zaambi it’s divided into three parts, with a different artist for each. Set in a remote village, young Toshiro, wishing to become a man becomes more adept at zombie killing, proudly presenting a bag full of heads to his father to prove his worth. His father is displeased however at his lack of honour for the dead and his training continues, as it does with the other boys of Honchu village, whom must graduate from the harsh school of zombie killing. Toshiro and his rival, Kenji-Tango soon realise how serious the encroaching flood is.

Part 2 shows us the nineteen year old Toshiro who is now a weary zombie destroying machine; a man who hates the forever growing horde almost as much as he does the evils of his fellow man. The final part involves Toshiro as he follows advice from a Chinese captive, seeking to kill the zombie menace once and for all. As his crew travel the countryside, they come across the famous terracotta warriors of old, and must make a heart wrenching decision (literally) to see their goal come to pass.

One of the marks of a great writer is brevity. The Morgan brothers certainly have that. There are a bundle of great, blood soaked ideas in this stand-alone issue, but the story never comes across as overwhelming or convoluted. It’s tight scripting with descriptive narration, and an ending that I didn’t see coming, but one that works beautifully. The artists, namely Gabriel Hardman, Minck Oosterveer and Jason Ho have very similar styles. Having three artists in less than thirty pages is usually jarring, but BOOM! have chosen these three well. They all sketch in a rough fashion reminiscent of Joe Kubert or Lee Weeks, perfectly complimented by Cris Peter’s muted colours and Marshall Dillon’s subtle calligraphic lettering. I was gladly surprised by the effective crafting of this adventure. Zombies in an ancient eastern setting is a concept I haven’t seen before, and with its “I Am Legend” one man’s POV against the world vibe it’s a perfect fit.