Dragon Prince #1 Review

Starting any comic with a wounded crimson dragon being attacked by gun wielding motor cyclists in an ancient rice filed is certainly attention grabbing. Writer Ron Marz (Green Lantern, Witchblade) is no stranger to the worlds of mysticism coupled with heroism, and here he distinguishes himself from the pack yet again by offering another creator-owned adventure. We soon learn that the man versus dragon battle is being relayed by a single mother to her young son, Aaron. The boy seems vaguely interested in such bed-time tales, until the next day at school, when his regular bullying gets him all riled up, triggering a transformation within him in which he vomits fire and turns pale green. How embarrassing. Running away from school, leaving a crispy bully in his wake, he arrives home to find his mother, who is not surprised at all by these life changing events. In fact, she expected them. She tells Aaron that it was only a matter of time until his true heritage would be shown. With elements of teens becoming something other than human and manifesting new powers it resembles early X-Men, and together with the whole “My Dad’s a dragon?!” vibe, there’s also a tinge of Phil Hester’s Firebreather. And that’s a good thing. Lee Moder’s art is superb as always, giving both the home/playground settings as much familiarity as the more fantastic realms, but with a dynamic nature evident in both worlds. Where the series goes from here will be an interesting lesson in patience. Hopefully Marz manages to pull a few surprises from his hat to keep both newbies and jaded fanboys entranced until the final issue. A kid-friendly, simple story with a cool looking tattooed dragon hunter and a boy on the run, and in way over his head. Dragon Prince will be an oasis to those seeking relief from the “edgy,” and mature epics currently clogging the shelves.

Witchblade Volume 5 Review

I can count the issues of Witchblade that I’ve actually read on one hand, but with the TV show from a few years ago, and the relatively new anime adaptation, plus the upcoming feature film, it’s not like I’ve been unaware of the series. I guess I had unfair expectations laid upon it, as it was one of those books that began in the mid 1990s, when the bad girl craze was sweeping the comic reading public into a hormonal frenzy. Characters like the star of this book were lumped together with Lady Death, Vampirella and many more whose sole function seemed to be to titillate prepubescent readers.

Witchblade was also a character created by four different creators, so that didn’t necessarily help find its focus. However, in the last few years, publishers Top Cow have wisely started to integrate and expand their roster of characters. This move can be seen clearly in this volume, with guest stars from other Top Cow titles and the history of the Witchblade becoming deeper. Recently this series has begun revealing numerous wielders over the years of this powerful mystical gauntlet that is the ultimate girl power accessory, which opens up even more story possibilities.

This TPB is a hefty one, as it collects the Cow x-over mini-series, First Born as well as issues #110-115 of the ongoing Witchblade series. There’s also an introduction from The Walking Dead and Invincible creator, Robert Kirkman and a dazzling cover gallery. All in all this tome contains all 226 colour pages. That’s a lot, and the best thing I can say about it is that I read it all in one sitting. Believe me, that’s high praise indeed. I barely got out of my seat as I flicked through these glorious pages. It had my attention and wouldn’t let go, and that’s something I wasn’t expecting.

Basically, the first few issues of this adventure are focused on cop, and former Witchblade wielder, Sara Pezzini, as well as mob boss Jackie Estacado, AKA The Darkness, the holy warrior Magdalena, Dani Baptiste, a dancer and current Witchie owner and baddest of the bad girls, Celestine AKA The Angelus.

This book starts off with a handy one page guide, which explains all the characters in this world in a pleasantly succinct way. The beauty of this tale is that it’s intense and epic, but not overly complicated, which is more than we can say for most of what’s on offer from The Big Two. Even if you’ve never read an issue of Witchblade before, you won’t feel scared off by this volume.

Written by one of my favourite writers, Ron Marz (Green Lantern Kyle Rayner’s creator) this book details the war fought for Sara’s upcoming baby, of whom the origins are mysterious, though the details are eventually revealed. Lots of running and hiding and fighting ensues as the pregnant Sara, her lover, fellow cop Patrick Gleason (I keep thinking of the GL Corps penciller of the same name!) and sometime ally Jackie Estacado gang up to defeat Angelus’ winged warriors. As Estacado tells Detective Gleason, “In real life, the bad guys don’t always wear black and the ones with wings aren’t always the good guys.” That sums up the supernatural/spiritual/primal themes pretty well. The three manage to fight the hordes (that look like something director Guillermo del Toro would’ve imagined) and escape, after Gleason somehow survives a brutal stabbing. Jackie takes Sara and Dani straight to a secret cavern, where Magdalena shows up. Sara gives birth and the battle begins anew as the Angelus and her followers struggle to keep the baby all to themselves for the sake of the Balance. The newborn, later dubbed Hope brings a surprising victory, which also leaves the Witchblade split in two, for Sara and Dani.

After this battle concludes, things change pace somewhat abruptly. Sara adjusts to life as a new mother, Dani finds a budding romance with a shop owner called David Worthy, yet the girls still manage to find action, or rather, it finds them as they take Hope for a stroll in the park and find that evil forces still want the baby for their own purposes. Both girls also manage to run into different muggers while shopping at different times, which makes the action in the second half seem more forced than the first. The last few issues are akin to Buffy Lite; lots of girls talking casually, new relationships forming, but with short bursts of fighting interspersed throughout. Some may find all the dialogue a bit annoying after the hectic first half, but Marz is a gifted writer and handles it naturally. With this much going on, the fact that there is no lengthy exposition or narration is pretty impressive.

This is a light read, despite its burgeoning cast of characters and lengthy history and its very easy to keep track of what’s going on at all times. I can’t go any further without mentioning the art. It’s beautiful and I don’t mean the fact that all the girls look like supermodels (and so do the guys, come to think of it) Stjepan Sejic is the primary artist. His pages are luscious. Obviously tinkered with computer to look like paintings, he has a skill that deserves more work. Look at the cover gallery included and you’ll see what I mean. There’s enough pretty pictures (even his ugly monsters look gorgeous) to fill a Metallica fans bedroom walls. In every panel, the light, textures and backgrounds are all rendered with such detail; a rarity in the posing superheroes against blank backgrounds in a lot of comics today. If I was on the Cow’s marketing team, I’d create ads from these pages in every heavy metal mag I could get a hold of. Long haired head bangers would lap this art up I’m sure.

More traditional and seasoned pencillers such as Luke Ross, Stephen Sadwoski and Rick Leonardi fill out the remainder of this volume, but the change is not jarring from one ish to the next. There is also a preview of The Darkness ongoing series, which details its supernatural origin effectively.

There is some profanity here and themes that won’t be everyone’s cup of tea, but I was impressed by this series and would be curious to see where it goes next. All the hard work building this universe has paid off. Jaded fanboys and newcomers alike will find something to sink their teeth into here, and probably will want seconds. Surprisingly recommended.

Broken Trinity Lithograph

Top Cow Productions, Inc. announced today it will make available a limited number of lithographs of Jeffrey Spokes’ triptych image created for the company’s Broken Trinity summer event. The image features the Trinity of the Top Cow Universe – Witchblade, The Darkness and The Angelus.

The image was broken into three parts and initially appeared as alternate covers for the Broken Trinity tie-in issues published by Top Cow. Broken Trinity is a three-part mini-series with three tie-in books in which at least one established character dies and new characters with permanent ramifications for the Top Cow Universe are introduced. The three main books are by the Witchblade team of Ron Marz and Stjepan Sejic with Phil Hester providing layouts, while the three tie-in books include work by writers Marz and Phil Hester (The Darkness), and artists Jorge Lucas (The Darkness), Brian Stelfreeze (Batman: Black and White) and Nelson Blake II (Black Vault).

Jeffrey Spokes’ comics work outside of Broken Trinity includes covers for Virgin Comics’ Sahdu: The Silent Ones and Devi. He has also done commissions for Star Wars, X-Men and Hellboy, and his original works have appeared in The New York Times, all showcasing his highly sought-after work. More examples of Spokes’ fantastic artwork can be found at his website.

“We were introduced to Jeffrey Spokes’ work by Broken Trinity writer Ron Marz and I was immediately taken by his incredible sense of design and artistry,” says Top Cow Publisher Filip Sablik. “We’re incredibly proud to offer Jeffrey’s three covers for Broken Trinity as the unbroken, beautifully iconic piece he originally envisioned.”

The 11″ x 17″ lithograph is available in October and comes in a protective sleeve with a certificate of authenticity. The lithograph retails for $29.99. Fans who wish to pre-order the item should provide their comic shop retailers with Diamond Item number AUG082283.

Coming Your Way

Here’s a bunch of words from various companies espousing some of their upcoming releases, namely some Vlad action from Top Cow, a creepy art book from artist Ben Templesmith and IDW, and finally, the unusual I Hate Galaxy Girl from the fine folks at Image.

Top Cow Productions, Inc. announced it will publish the first, complete story arc of William Harms’ Impaler in a new trade paperback that will debut this October, and then will launch a new series for the property in December.

The first three issues of the series were initially published by Top Cow parent company Image Comics in 2006-2007, but was never completed. The Impaler Vol. 1 trade paperback collects those three issues plus the final, three never-before-seen issues of the initial story arc. Top Cow was so excited by this series that it also greenlighted a new ongoing to follow the collection.

In Impaler, a derelict cargo ship is found adrift offshore during a terrible blizzard in New York City. When New York’s Finest is sent to investigate the missing crew, an unspeakable horror is unleashed that quickly spreads all over the snow-covered borough, as a vampire plague quickly moves through the city’s population. The people’s only hope lies in Vlad Tepes, the real-life historical inspiration for the vampire legend, Dracula. Vlad the Impaler arrives to defend the city from the ever-growing vampire horde, but how much can one man do against an army of thousands?

Impaler Vol. 1 boasts a stunning cover by John Paul Leon (Earth X) and features artwork by Nick Marinkovich (Nightwolf), Nick Postic (Underworld) and Francis Tsai (Marvel Comics Presents). The introduction is written by noted science fiction and horror writer F. Paul Wilson, who is responsible for the popular Repairman Jack series of novels and such horror books as The Keep, Midnight Mass and The Touch. Extras in the collection include script pages from unused scenes and bonus artwork.

In December, Top Cow will launch Impaler as an ongoing series, featuring art by British newcomer Matt Timson (Popgun).

“One of the nice things about having the break between the Image series and the new series is that it really gave me time to nail down where the story is headed,” revealed Harms. “I have the next couple arcs already plotted, and I think fans of the book will really dig where things are going.”

“William Harms has managed to put a truly unique spin on ‘the vampire story’ by taking Vlad the Impaler and making him a vampire hunter,” said Top Cow Publisher Filip Sablik. “This trade collection gives birth to this original idea but the upcoming ongoing series from Harms and Matt Timson will really keep you up at night!”

IDW Publishing will release Ben Templesmith’s Art of Wormwood: Gentleman Corpse on August 27.  The book collects all the notable art plus a large amount of sketches, unpublished ideas and never-before-seen paintings from his semi-regular, off-beat serial Wormwood: Gentleman Corpse. It includes an original Wormwood short story.

Templesmith’s visual approach, which has been described as “daring, horrific, and sometimes just plain perverse” has gained a cult following for his work in graphic novels including 30 Days of Night, Fell,  Wormwood,Gentleman Corpse and more recently Welcome to Hoxford.  He has said he is influenced by the science-fantasy cosmos of H.P. Lovecraft’s Old Ones and the work of H.R. Giger.  Templesmith’s black sense of humor, his delicate yet vigorous style, his nuanced but bold use of color, and knack for finding just the right detail to make a panel or page come to life have given Wormwood a huge fan base.

“Wormwood is really just me having fun and trying to throw in as many disgusting perversions of my old childhood influences.  I call it my riff on Doctor Who, if it were more demonologically oriented and written for very juvenile adults with a sick sense of humor”, says Templesmith.

Every underdog gets their day this November as newcomer Kat Cahill and BRAT-HALLA’s Seth Damoose take a stand in Shadowline’s newest three issue superhero mini-series, I HATE GALAXY GIRL!

“While I HATE GALAXY GIRL was originally Kat Cahill’s runner-up for our ‘Who Wants To Create a Super Heroine Contest’, Shadowline Editor Kris Simon and I loved the concept so much we had to put it on the fast track to becoming its own series,” Shadowline Publisher Jim Valentino said. “When Kat saw Seth’s upcoming work on BRAT-HALLA, she knew he was the perfect artist to capture the mood she was going for. We really can’t help but agree!”

Based on skill alone, Renee Tempete should be the new Galaxy Girl. Instead, a buxom blonde with no actual powers holds the title. As events unfold, Renee struggles not only against monsters, criminals and giant robots, but also a society that desperately wants to keep her in her place.

Cahill added, “The core of I HATE GALAXY GIRL is Renee finding the self-confidence to achieve her dreams despite constantly being told to give up. The experience is something I think just about anybody can relate to while the overall story is still a heck of a lot of fun!”

I HATE GALAXY GIRL #1, a 32-page full color mini-series for $3.50, will be available in-stores November 12th.