Read Comics in Public Day on August 28

This Sunday, August 28 is International Read Comics in Public Day. The title says it all, but check out their site to see what it’s all about, plus events in cities all over the world where you can let passres by knwo of your unabashed devotion to sequential art, and meet fellow fans too. Awesome.

Most of my comics reading is done in public anyway, on the bus or train. It’s a good opportunity to let those around you know that yes, comics still exist, and this is what they look like. Go forth ambassadors!

The concept is fairly simple: we’re asking that everyone take an hour or two out of their day on August 28th (also the birthday of Jack “King” Kirby, incidentally) to read a comic book in a public setting–a park bench, a beach, a bus, the front steps of your local library (we do ask, however, that you be mindful of local loitering laws). Let strangers see you reading a piece of sequential art.

Take to the streets. Be proud. If someone asks what you’re reading, say, “a comic book” (the phrase “graphic novel” is also acceptable, but let’s face it, it sort of defeats the whole purpose). Heck, lend them a book, if you’ve got an extra–what better way to make a new friend and convert a new reader?

While you’re at it, why not get a friend to snap a picture of you reading? Send it along and we’ll post it up for you in our photo gallery and on our site.

It’s all pretty straight forward, of course, but if you’ve got any questions–or suggestions–feel free to drop us a line at readcomicsinpublic@gmail.com.

Incredible Hulk #1

This is a good time to be comic-curious, with a slew of #1s coming in the next few weeks. Here’s another one.

SMASH!

This October, Incredible Hulk #1 smashes into stores courtesy of Marvel Architect Jason Aaron & legendary artist Marc Silvestri, featuring all-new variant by acclaimed artist Ladronn (Planet Hulk)! Prepare for an Earth-shaking brawl for the ages that no fan of the Marvel Universe can miss—Banner vs Hulk!

Can’t wait to see what Aaron and Silvestri have planned for the Jade Giant? Join the conversation on Twitter with #HULK!

INCREDIBLE HULK #1 (AUG110584)

INCREDIBLE HULK #1 LADRONN VARIANT (AUG110587)

Written by JASON AARON

Art & Cover by MARC SILVESTRI

Variant Cover by LADRONN

ON SALE THIS OCTOBER!

MASScanvas, My Chemical Romance & Make-A-Wish

The lead singer of my Chemical Romance Gerard Way wrote the excellent The Umbrella Academy series from Dark Horse. That’s excuse enough to share this here video featuring the band and a competition they recently run in conjunction with MASScanvas. The band chose 5 shirts (and they’re all great), which are now available to buy right here. There are only 2019 made of each design and if you make a purchase before Friday, you automatically go into a draw for a VIP experience with the band or a signed guitar. The better news is that proceeds go towards helping the Make-A-Wish Foundation.

While we’re talking shirts, Slave Labor Graphics have just released a shirt featuring a long out of print design by Jhonen Vasquez. Check it out here.

Three Batman Previews

If you read the webcomic Gutters (and you should if you like fanboy humour) then you may agree with this amusing gag. That doesn’t mean DC’s current continuity can’t go out without a bang however, before next month’s relaunch.  DC have been pretty open with their most recent comics, stating in the editorials that the Flashpoint mini will lead into the relaunch, and even having some characters being all metatextual and actually referring to the relaunch (though not in those words) in the closing pages of their ongoing series.

Here’s some previews of this week’s issues that farewell Batman.

More from Batman Incorporated #8 here.

More from Batman: The Dark Knight #5 here.

More from Batman: Gates of Gotham #5 here.

 

The Sketchbook Project

I found this a while ago on arty site Abduzeedo and quickly signed up for it, not that I’ve done much drawing since my one year at art school years ago, and some more at Uni when I was studying Digital Film Making slightly less years ago.

The Sketchbook Project is, “like a concert tour, but with sketchbooks.”

Thousands of sketchbooks will be exhibited at galleries and museums as they make their way on tour across the world.

After the tour, all sketchbooks will enter into the permanent collection of The Brooklyn Art Library, where they will be barcoded and available for the public to view.

Anyone – from anywhere in the world – can be a part of the project.

It’s a cool idea. They send you a sketchbook, you choose a theme, you fill it up and send it back. Then it goes on a tour, gets into the collection at the Brooklyn Art Library and can be uploaded to their digital library.

Check out all the details at their site and go nuts with inspired, and inspiring, scribblings.

DC Art, Awards and Logos

Time flies. DC’s relaunch of its entire superhero line is now only days away, with the new Geoff Johns and Jim Lee Justice League #1 coming at us on August 31. Then September sees the remaining 51 #1 issues arrive. If you’re on Twitter, or even if you’re not, you may’ve seen some sneak peeks at some of DC’s new titles, and here’s what ‘s been released thus far, including pages from Nightwing, Teen Titans, Hawk and Dove, Animal Man and a few others.

An article at Hero Complex says the orders for Justice League #1 have reached 200, 000, making it the year’s most ordered single issue. Six other DC #1s have topped 100, 000. That’s good news, but of course it doesn’t really mean anything just yet. The important numbers will be what sales the second, and third, and so on, issues get.

“The walk-in, casual fans have gotten away from us,” DiDio observed. “We are down to just the die-hard buyers.”

Comic-book stores have become increasingly barren, with sales dropping consistently over the last three years and down an additional 7% so far in 2011.

Theories abound as to why. Some blame convoluted story lines, while others point to cynical publicity stunts like killing key characters only to bring them back a few months later. But the main culprit more likely lies beyond the page: Today’s youth is far more interested in spending its leisure hours in the digital worlds of YouTube, Xbox and Twitter.

The generational shift is not lost on DiDio and his associates at DC. For the first time, the comic-book company will now make each of its issues available on digital devices such as iPads the same day it arrives in stores — a jarring departure for many retailers that only have to look at the fate of record stores to see the dangers that digital downloads present to brick-and-mortar merchants.

The Harvey Award winners were announced at Baltimore Comic-Con. Blacksad, Scott Pilgrim, Daytripper, Darwyn Cooke. There’s some worthy victories. Get the full list here.

Finally, who doesn’t like a good logo? Check out all of DC’s new 52 logos here.

Walking and Halls Montages

Some very impressive editing here, consisting of clips from a bunch of films showing various characters walking and running and a similar one focused on hallways. Trust me, both are better than they sound.

 

The Woman in Black Trailer

Now this is how you make a creepy trailer. Starring Harry Potter’s Daniel Radcliffe and opening in February is this remake of a 1989 film (and also a book and stageplay), made by the rejuvenated Hammer Films, who also made the great Let Me In remake.

Relaunches Aren’t All Bad

Who doesn’t love a good, nostalgic list? We fanboys and girls sure do.

Here’s Newsarama’s list of so-called 1o Most Important Relaunches, including Valiant, Star Wars, Vertigo and more.

Torn OGN Review

This 120 page, black and white OGN from Aussie publisher Gestalt (Rombies, The Deep) puts a good twist on the werewolf tale. Sure, I know you’ve probably heard that before, but I actually found myself enjoying the simplicity and barbaric, full on take on offer here. Written by newcomer Andrew Constant, and with art by Joh James (whose work you may have seen in the new series I.C.E from 12 Gauge Studios), this reminded me of the kind of films I grew up loving in the ’80s. It’s bold and unapologetic and lets us know who the baddies and goodies are straight away, urging the reader to cheer for he sympathetic hero as he serves out toothy justice.

Nicola Scott (Secret Six) does the art for prologue and even though it features a half naked man, and a bloody battle, it all looks very pleasing to the eyes. Having James provide the bulk of the book’s art is an interesting choice, as his frenetic, hard edged line work is in spectacular contrast to Scott’s delicate pencils. It makes sense though, as Torn is, as the title suggests, a rip roaring action/adventure story. James’ slightly rough, sketchy style uses the page creatively and he creates diverse layouts and dynamic action scenes rather well. He uses things like texture, silhouettes, and a flowing design that doesn’t often rely on traditional approaches to panels in sequential storytelling. It’s a dirty, harsh world in the pages of Torn, but it looks great. I wouldn’t want to live there though.

The cast of characters is streamlined, meaning Constant can focus on the also streamlined story. There’s some deft discussions on identity as the lead character, whose narration guides us, loses someone he loves, before being changed from a lycanthrope to a long haired man, and discovering the dangers of the new city he inhabits. The wolf/man meets Sarah, a young homeless girl and gets embroiled in the danger and dirt of her life before his past claws its way back to him. Even though he hardly speaks, the pair hit it off and he begins to see the power of friendship and humanity, with the memories of death and brutality that he’s witnessed not far from his thoughts. It could’ve easily been over the top and soppy, but Constant keeps the dialogue grounded and although it’s often bleak, it’s not depressing.

Given the thumbs up by scribes Greg Rucka and Gail Simone, I hope this catches people’s attention on the shelves. Sure, I’m a sucker for Australian made comics, but Torn is another good example from Gestalt, in showing that horror, action and drama can all sit together in an entertaining brew.

Check out some great preview pages from Torn here. Also out now from Gestalt is the Western OGN, The Eldritch Kid: Whisky and Hate.

Extra Sequential Podcast #54-Genre Mash Ups

61 mins. We focus on genre mash-ups in comics. The movie trailer marketing for the DC 52 Relaunch, writer Brian Wood leaving DC, the workings behind film-rights at Vertigo, the Death of Hellboy, and our quick thoughts on the new Conan the Barbarian & Iron Man: Extremis motion comic. Also floating moustaches, zombie cows and Herman’s Head.

LISTEN TO IT BELOW, DOWNLOAD IT HERE OR ON iTUNES

You can email us at kris (at)extrasequential(dot)com and befriend us on the NEW ES Facebook page.

1:19 NEWS

The DC Comics ad at cinemas

Why Brian Wood’s DMZ didn’t become a TV show

Colleen Doran speaking at Sydney in November

Farewell Hellboy! (sort of)

Cola-Con – Comics and hip hop together at last

Ridley Scott directing another Blade Runner film

16:29 THEME: GENRES MASH-UPS

We yak about various properties that either ‘meet’ or ‘vs’ each other. Superman, Batman, Aliens, Predator, Tarzan, Judge Dredd, Frankenstein, Abbott and Costello, zombies, robots and many more.

Image’s Cowboy Ninja Viking

Geof Darrow’s Shaolin Cowboy

Abraxas and the Earthman

Heavy metal film – submit your ideas!

Robots vs Zombies

Pride and Prejudice and Zombies

Antarctic Press’ Pirates vs Ninja

Art & God

From here. Great stuff.

DC Fifty Too!

Fans have had their say over the last few weeks about DC Comcis’ superhero line wide relaunch in September. Now artists have their say – using artistic interpretations of new titles. I’d buy most of them based on the cover for sure, and the new Teen Titans costumes are much better than DC’s versions.

Go here to DC Fifty Too! and bask in the awesomeness.

DC’s Cinematic Ad

The ad to be shown in cinemas, that is. The ad itself isn’t that cinematic. It’s all part of DC’s plan to get next month’s onslaught of 52 new series in front of the face of comic book newbies. It of course makes sense. The execution however, is lacking. The music and lack of any info is what’s been most criticised, and rightly so, though individual comic shops will have the option of putting their info at the end of these ads shown at their local cinema apparently. I don’t know if these will be shown outside of America though.

Giving the comic art a slow motion look is an obvious choice, but more info would’ve been much better. There’s also an un-embeddable 2 minute version, but it’s more of the same and suffers from the same music/info-less direction. There’s no mention of creators, or DC’s digital releases, or even who the characters are, though they do use well-known superheroes. It’s a great step in the right direction, but what will this really mean to the intended audience, ie, people who haven’t read a comic in years, or ever? It does look pretty at least, but will that be enough?