Irredeemable #1 Review

Irredeemable #1Wow. Just – wow. I’ve never doubted Mark Waid’s mad skills behind the keyboard. The guy knows how to write good superhero comics, and has done so for years. Anyone who’s read Kingdom Come will agree. Now that he’s the EIC of BOOM! Studios, he appears to be ramping things up, free from the tight editorial reigns that The Big Two can sometimes choke a writer’s potential with.

With the clever marketing campaign stating “Mark Waid Is Evil,” fans were curious. The guy’s not exactly a squeaky clean comics writer. Those days haven’t existed since Batman was dancing on TV. Nor is he Warren Ellis though. However, with this new series, he seems to be exploring the darkness of costumed adventuring to a greater degree than he ever has before. The whole premise of this book is the slow corruption of a good superhero (the first and the best actually) before he begins to hunt down his terrified team-mates. Peter Krause’s art is suitably realistic and vicious and the terror is palpable. Waid – you’ve done it again.

To say more than that would be to ruin the wonderful slam dunk that this debut issue is. Anyone who’s read superhero comics for any length of time needs to read this. It’s a quick read (with an afterword by Grant Morrison and a preview of The Unknown), and not many details are offered, save that The Plutonian has now turned and his fellow spandex wearers are helpless. Imagine if Superman had enough of the human race. If all our stupidity and constant bickering and evil just made the most powerful creature on earth snap. And there was nothing we could do about it. That is Irreedemable, and it’s great stuff.

Hear Mark Waid

Official press release below about BOOM!’s EIC, and legendary writer Mark Waid and his new podcast. He’s a helpful guy that Waid, so if you’re a wannabe writer, check out what he has to say.

15minuteswithwaidBOOM! Studios today launched the weekly “15 Minutes with Waid” podcast, where you will be able to get your weekly dose of Mark Waid ruminating on the hot topics of today’s comic industry and talking about the latest creative endeavors of the inimitable Mark Waid. 
Called “15 Minutes with Waid,” the podcast wil be limited to 15 minutes and is hosted at the newly launched MARKWAID.COM, which premiered last month. 

BOOM! Studios Editor-In Chief Mark Waid, award-winning writer of such series as KINGDOM COME, EMPIRE, 52, and AMAZING-SPIDER MAN and a longtime industry veteran, hits the keyboard to blog regularly at MARKWAID.COM about his years of experience in the field. Updated daily with new content, MARKWAID.COM features free webcomics, podcasts, vlogs, script tutorials, rants, and special guests on a regular basis. 

Waid’s new series, IRREDEEMABLE, launches this April and will feature variant covers by John Cassaday (ASTONISHING X-MEN, PLANETARY) and Barry Kitson (AMAZING SPIDER-MAN) in a 75/25 split and a special afterword by Grant Morrison. It is currently available for pre-order from the Diamond Previews Catalog with an order code of FEB094134.

“In superhero comics, pretty much everyone who’s called upon to put on a cape is, at heart, emotionally equipped for the job. I reject that premise,” said series writer and BOOM! Studios Editor-in-Chief Mark Waid. “IRREDEEMABLE is, in a way, my third and most complex chapter on the cost of superheroics – a pulp adventure tale of horror exploring how the lessons we learn about right and wrong as children can become warped and twisted when challenged by the realities of the adult world.”

Mr. Stuffins Returns

Now I’ve never heard of this series about the secret agent teddy bear, but apparently his debut two years ago was quite popular. Now he’s back in a 3 ish mini, starting in April. Official press release below.

MR. STUFFINS IS BACK!
MY TEDDY BEAR’S A SECRET AGENT!
With covers by MOUSE GUARD’S David Peterson

mstuffins_001aMr. Stuffins returns featuring covers by MOUSE GUARD”s David Peterson! Written by EUREKA creator Andrew Cosby and EUREKA staff writer Johanna Stokes, MR. STUFFINS is a tale of intrigue and suspense, and all before bedtime! For fans of TOY STORY and BURN NOTICE, MR. STUFFINS will have you wondering if your toy’s kung fu grip is for real!

David Petersen of MOUSE GUARD acclaim will be supplying all the A covers for the entire three issue run. MR. STUFFINS #1 will be shipping this April.

MR. STUFFINS follows the saga of a talking teddy bear that has been accidentally implanted with a chip, granting him the skills of the deadliest secret agents and mercenaries on the planet! Mr. Stuffins has to protect his new owner, Zachary, as evil forces hunt Mr. Stuffins down to steal his powers. Can this super-secret teddy bear save the day?

The original first issue of MR. STUFFINS shipped nearly two years ago, in April of 2007. All over the country, the original sold out at convention after convention as fans asked the question, “When will issue #2 come out?” Unfortunately, a second issue didn’t follow. “It’s totally my fault, I’ll take the blame,” said BOOM! co-founder Ross Richie. “That year BOOM! really started to boom, and we grew out of control. Thankfully, Mark Waid came in as Editor-in-Chief in 2008 and helped us correct problems like this and get an infrastructure.” Now the bear is back in a completely re-drawn and re-colored first issue with all new art from Axel Medellin, on-time and on-schedule!

The first B cover features a re-colored version of the Joe Abraham original. The B covers for issues 2 and 3 are by Matt Cossin, who worked on METAL HURLANT.

“I’m thrilled to return to the story of MR. STUFFINS,” said MR. STUFFINS co-writer Andrew Cosby. “One of the reasons why EUREKA is so successful is due to its ability to blend the absurd with the realistic, turning the campy into a vehicle for entertainment and, if there’s time, maybe a serious message or two. MR. STUFFINS also scratches that itch!”

MR. STUFFINS #1 (New Edition) features two variant covers in a 50/50 split by David Petersen, Joe Abraham with a Diamond Order Code of FEB094133 and ships this April.

Zombie Tales #11 Review

zombietales_011a_3Proving again that the number of tales starring the undead is limitless, BOOM!’s latest issue of its zombie anthology offers another diverse trilogy of zombie action.

Kicking things off is a Civil War adventure in which the forces of the South are cut off and facing certain defeat, until a surprise turn of events gives them a much greater advantage. The weary General is called to witness a dead child who is raised to life thanks to the witchery of a slave woman. This gives the South an edge in battle and they use the corpses strewn across the battle field one more time. Writer Ralph Soll and artist Unai give this nice tale with a twist a great approach, with an easy pace and suitably grimy art, reminiscent of Kyle Hotz.

The second short story is the conclusion to the 2061 saga, by writer Kim Krizan and artist Jon Reed. The central conceit of this mini-epic is that zombies are mutated cannibals and are now running earth. Humans are mere pets in this new society and live primarily as slaves and gladiators for their undead masters. It could easily be a mini-series by itself, especially with scarily amusing touches such as humans in a meat market, or in cages below “1/2 Off Veal” signs.  In this finale a group of humans manage to escape from the gladiator pit, leading a makeshift revolt which causes the zombies to shuffle off. They are then chased outside of the city, thrown off a cliff and into the heart of a nuclear reactor. That’s when things get slightly confusing. What appears to be the leader of the human army throws herself into the zombie filled pit because “if it comes into contact with normal particles it will spark a reaction!” Um…okay. Well, that’s what happens which then in one last moment of “what the?!” the horde of zombies appear to travel through space and time to 2061 B.C. It’s a rather stifling end to what has been a grand concept.

The last story, entitled “Population Control,” is written by Bryce Carlson with art by Axel Medelin Machain. Set in the town of Adler Creek, it centres on two life long friends amidst a dwindling population. Jules and Benton eventually have a disagreement about staying in their hometown or leaving, with the survival of both sun scorched men on the line. So they do what best friends should always do – make sacrifices for the other one.

The art in this issue is similar between all three stories. It’s not highly polished, but it works in the zombie context. This issue is not the best of the series, but as a whole Zombie Tales is always a pleasant surprise in this era of comic book decompression. Instead of long, drawn out epics lasting years, BOOM! wisely give us a snack-sized alternative.

For a preview of this ish, go here.

Hexed #2 Review

hexed_002a_1I get the feeling that I’m at the start of something special. It’s easy to picture this as a future TV series or film. Like Buffy, but with an ambition equal to her comics rather than the TV series, Hexed is smart and entertaining.

It’d be easy to let a concept like this get out of hand, or lose its focus, but writer Alan Michael Nelson knows when he’s on to a good thing and wisely keeps the spotlight on her. Hexed is a new four issue mini-series from BOOM! Studios that follows the supernatural adventures of a girl named Lucifer, (real name Luci Jenifer Neves) and her thieving career choices. Last month’s delayed debut ish ended with Luci diving into the guts of a corpse. However, as we discover in this issue’s opener, the corpse’s stomach is bigger than it seems, just like the TARDIS.

After an intro which sees two men in 1857 running from an unseen baddie, it’s obvious this issue will delve straight into darkness. There’s no sense of playfulness here like there was in last month’s offering. The two running men soon come to a brutal end, with one’s head exploding. His brother then takes a small golden globe and whispers their killer’s name into it, before the artefact flies to the heavens.

Cutting to the present, Luci is swimming in a foul crimson sea inside the corpse, hunting the golden item, which we discover is called the carasinth. She fights off a sting-ray type creature, grabs the orb and gets out of there, landing in an autopsy room in front of an understandably stunned pathologist. Luci has managed to please Dietrich, her former boss who forced het to steal the item, but at the same time enrage her current employer, Val. And with good reason, as one whisper of a person’s name into the carasinth means they become a deadly target.

Continuing her streak of attracting antagonism, Dietrich and his goons invade Luci’s home to take what they believe is there’s. Luci puts up a fight, namely biting a nose off a goon, but to no avail. Dietrich forces Luci to take him to a “harlot”, which they do via a magical mirror. Arriving at a mansion, they meet the ageing woman who calls Luci darling and welcomes her home.

The pace is quick in this second issue, since the series is half way over and there are a few more questions that need answering, such as what’s the deal with the mysterious “H” tattoo on Luci’s back, and just what is the relationship between the ghastly old woman and our magical heroine.
Emma Rio’s art is again top notch. It may be too sketchy for some, but coupled with Cris Peter’s luscious colouring the energy crackles off the page. Rios draws Luci like a normal young woman, and gives characters such as Val and Dietrich a definite look. The page design remains driven and the action seems violent, but not shockingly so.

This is a good series. The Buffy comparisons will continue, and I’m sure Nelson is probably sick of them by now, but that is a worthy compliment. There are well rounded supporting characters and genuine human interactions with unique supernatural tones. This series can only continue to become more engrossing.

Read Hexed #1 For Free

I read BOOM!’s new series, Hexed about female magician/thief named Luci recently  and really enjoyed it. Delightful art, an interesting Buffy-like protagonist and an engrossing story. It’s a great comic really – for fanboys and newbies alike. BOOM! believe it is too and now you can read the whole issue for free at MySpace. No questions asked. My review of the ish is here if you need further convincing, but trust me – take advantage of this opportunity.

hexedonmyspace

Zombie Tales #9 Review

zombietales_009aCompilations like this are a rarity on the comics stands these days. Image has done very well with the concept with the Tori Amos collaboration, Comic Book Tattoo as well as their two volumes of PopGun books and their recent Liquid City book which featured work by Asian writers and artists. Of course, there is always the excellent Flight series too. Those anthologies are all superb ways of introducing new fans into our beloved medium of choice, but if you’re into something more frequent (as in every month) that features some great short stories, then BOOM! Studios has the answer for you. Comparing their Zombie Tales series to the books mentioned above is a stretch, but they all offer bite sized (no pun intended) tales to hook readers into the marvels of sequential art.

Zombie Tales is, as the title suggests, a monthly look at tales featuring everyone’s favourite horror creatures of the moment. Yep, zombies.  Having only read a couple of issues of this series, it’s extremely refreshing to be able to jump on board and simply be entertained without having to know why Superhero X is pummelling Superhero Y.

If you’re drawn to films of the undead like flies to the…undead, then this is a series for you. Zombies may not do much, apart from shambling and muttering, but as the slew of films have shown as over the last few years, they can squeeze into any genre. They’re not just bound to horror features anymore. Zombies are no longer being typecast. What an age we live in!

zombietales_009bThe first tale here is written by John R. Fultz, with art by Aritz Eiguren. It centres on two hitmen presumably working for the Mafia, who take their latest victim out to the woods to complete their given task. For one of the men, it is The Last Hit, as is the title. Despite their killing of the snitch, he digs out of his makeshift grave and attacks Satch in their car. Satch of course turns against his partner Bruno. Now Bruno has two “corpses” to his credit, and when he visits the boss to tell him he’s finished his final job, it looks like Bruno himself may be the third. Suitably bloody art makes this a harsh and violent story, as most zombie tales are.

Summer 2061 is the second tale and is a continuation of a story from the first issue of this series. However, if you didn’t read that tale, you won’t be out of your depth here. Basically, zombies now appear to be the dominant lifeform, taking over a city, with humans as their playthings. A more serious and epic tale, written by Kim Krizan, it is complimented greatly by Jon Reed’s ruggedly realistic art. A motley group of human survivors has had enough and storm the city to free a few more to join their ranks. They are met by the world the way zombies want it – humans in pet stores, human rugs and the huge Summer Games, consisting of humans fighting each other like the Roman days of centuries ago.

The third and final tale, Zombie Come Home is written by Tom Peyer, who is the only familiar name in this issue, due to his stint on many DC titles, including Legion of Super Heroes. Drew Rausch’s pencils combined with Drew Berry’s colours give this tale a look straight from a children’s book. The story is a simple one, with very little dialogue. Basically a boy is keeping a zombie tied to a tree in his backyard as a restrained and mute life size action figure. His parents console him as a government chopper comes to take him away. A fiery crash means the zombie is free and after some wandering, he falls into a river and lands at his keeper’s house again, which gives the child much joy. The naïve child runs to his undead friend and gives him a big hug, but instead of receiving a similar response, he is welcomed with a munch to his noggin. What a glorious ending. If you can’t laugh at this picture, then there’s something wrong with you. It’s a deliciously amusing finale, and if BOOM! doesn’t turn this page into  a poster, they’re mad.

There’s something here for every taste. The first two tales are more serious in nature and the final one is anything but. Each of the three differs enough in its approach to story and art and is well worth a look if you’re new to comics, love zombies or just want a few entertaining pages to distract you from your post-Christmas weight gain.

 

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