Tiger & Taffy

adtigertigertiger_1_coverloTwo new reviews of mine are up at good old Broken Frontier.

Salt Water Taffy from Oni Press is the second volume in the series from creator Matthew Loux (Sidescrollers) and follows brothers Jack and Benny on their adventures in Chowder Bay, filled with embarassing parents, novelty hats and talking animals. It’s good wholesome fun.

Tiger!Tiger!Tiger! is from Red Window and creator Scott Morse. It’s a different kettle of fish. It’s all-ages too, I guess, but isn’t funny – it’s deep and powerful really in a strange way. The art is a knock-out, simply due to its diversity. See below to see what I mean, and go here for a more in-depth analysis. It’s deep man, but not in a pretentious way. It can’t help but be charming.

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Huge IDW Sale

If you live near San Diego you might want to head down to IDW Publishing’s HQ  on Saturday for a massive sale of cheap comics, trades and assorted goodies. Just in time for Christmas too! Press release below.

image006IDW Publishing is holding its first ever sale of comic books and graphic novels at its San Diego headquarters on Saturday, December 6, 10 am – 3 pm.  This is a fantastic opportunity for comic book collectors to scoop up some real bargains and hunt down some rare titles they may have missed, including some limited editions and signed copies – all at bargain prices.  There will be surprises and giveaways with every purchase.

A number of comic book creators will be on hand offering free autographs of their work, including Ben Templesmith (Wormwood, 30 Days of Night), Chris Ryall (Clive Barker’s The Great and Secret Show, Zombies vs. Robots), and Chris Mowry (Transformers).

The sale gives IDW a chance to thank fans for their continued support and for helping with the company’s phenomenal growth over the past few years.  IDW was recently ranked No. 4 comic book publisher in the United States by Diamond Comic Distributors.

The sale is primarily intended to free up space in IDW’s warehouse for the company’s expanded and exciting line up of titles in 2009.

“Our warehouse manager is literally buried,” says IDW’s Chief Operating Officer, Greg Goldstein. “After 10 years of publishing, it’s only natural that the boxes have piled up because of accidental print overruns, books that were set aside as office copies, books intended for reviewers and others earmarked for promotional purposes. Time to get them out of here.”

The sale will be held in IDW’s parking lot, 5080  Santa Fe St , San Diego ,  CA 92109 .

IDW is offering new comics for $1 each (Reg. $3.99 cover). Titles include — subject to availability — 30 Days of Night, Transformers, Star Trek, Wormwood, Spike, Fallen Angel, Dr. Who, Scarface, Gene Simmons, Metal Gear Solid, Clive Barker, Zombies vs. Robots, and CSI.

Trade paperbacks / collections will be $5 each (Reg. $19.95-$24.95 each).

Other books, comics and magazines will be up to 80% OFF cover price.

Most items are brand new; some with nicks and dings.

There will also be some limited edition and signed editions TBD, along with special surprises.

For example:
·         Signed and numbered, limited edition copies of Clive Barker’s Thief of Always (hardcover) only $10!
·         Limited edition Zombies vs. Robots Bertie statue regularly priced at $350 will be reduced to $250.

(All prices are in effect day of sale only and are not applicable online.)

Giveaways with every purchase.

Cash or major credit cards accepted; no checks.

Clive Barker’s Thief of Always on Your iPhone

Here’s the official lowdown on one of the latest comics available for your purchase from iTunes for your funky mobile gizmo.

thief_1_titleUCLICK®, America’s #1 provider of comics on mobile phones, has added the graphic novel version of Clive Barker’s The Thief of Always to its rapidly growing line of comic book titles optimized for the iPhone and iPod Touch. Like the children lured to Mister Hood’s Holiday House in the novel, once fans begin reading this engrossing tale, presented in vibrant color and rich detail on their iPhone screens, they too will find it impossible to leave.

Creator of the well-known horror films Hellraiser, Nightbreed and Lord of Illusions, and author of more than a dozen horror novels and short story collections, Clive Barker has long been considered a master of the horror genre. Barker originally published The Thief of Always in 1992 as a fable for young readers. The novel was serialized as a graphic novel in 2005 by IDW Publishing, with story adaptation by Kris Oprisko and art by Gabriel Hernandez. All three installments of The Thief of Always are now available on the iPhone App Store for only 99 cents each.

“We feel very fortunate to once again be working with IDW and now Clive Barker,” said Uclick CEO Douglas Edwards.  “Mr. Barker is a legend and literary genius. We are honored to bring his masterpiece to millions of fans on the iPhone through the Uclick graphic story player.”

“The Thief of Always graphic novel is based on one of Clive Barker’s most popular stories,” IDW’s CEO Ted Adams said. “We’re very excited that this critically acclaimed title is now available for readers to download on the iPhone through the App Store. This is a great new way for fans to experience some of the best work in comics.”

The Thief of Always is the tale of Harvey Swick, an average boy bored with school until he receives a visit from an otherworldly stranger. Mister Rictus invites Harvey to Mr. Hood’s Holiday House, a child’s paradise where, Rictus declares, Harvey will find everything his heart desires. The Holiday House proves to be all Rictus promised, but Harvey soon discovers that its pleasures come at a heavy price.

Uclick continues to add to its already diverse collection of popular graphic novels and webcomics available on the iPhone App Store. IDW Publishing’s adaptation of the beloved Clive Barker fable joins Jeff Smith’s Bone, the cosmic sci-fi superhero series GODLAND, the Teenage Mutant Ninja Turtles anthology series Tales of the TMNT, and webcomics Pibgorn and Basic Instructions.

To learn more about The Thief of Always and other iPhone releases from Uclick, visit the Uclick section in the App store.

Dragon Prince #3 & Body Bags Reviews

bodybagsoneshot_coverMy review for the second last issue of Ron Marz and Lee Moder’s Dragon Prince is up at Broken Frontier. It’s proving to be an all-ages romp with dragons and the men who hunt them. Medieval castles, old men in robes – it’s got it all!

Jason Pearson’s Body Bags One-Shot from Image is an entirely different kind of sensibility. The tale of a father/daughter pair of hired assassins is a romp too, but one filled with multiple (and humorous) deaths, roof top action, gunfire, explosions, and profanity. It will bring a guilty smile to your face, and then you’ll need a bath afterwards. Review here.

Obviously Body Bags isn’t one for the kiddies, but Dragon Prince is. Choose wisely.

Dark Horse’s Christmas Gifts

Those lovely people at Dark Horse have put together a list for easy shopping for their products for friends, families, neighbours and pets. They’ve even included pictures, product info and prices (in $US). Isn’t that generous of them? There are 6 broad categories, including their most popular licences such as Buffy and Star Wars and perhaps less well-known properties, such as Umbrella Academy and Domo. Go here for the full list. What’s below are what leapt out at me when I cast my peepers on their selections. It’s always a good idea to give something comics related to a newbie on your gift recipient list, and there really is something at your local comics shop for everyone.

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Jim Krueger’s New Series at Ardden

Jim Krueger’s one of my favourite writers. His work on Justice with superstar painter Alex Ross showed the vintage Justice League in a bold new light, and his awesome Earth-X book showed that he was the only man on earth smart enough to make sense of Marvel’s history, and give it a unifying naturalism. He’s simply a great story teller with big ideas, and his current work (again with Ross) can be seen in the Project Superpowers series at Dynamite. Now, he’s moving away from superheroes for his intriguing new series with Ardden Entertainment. They’re the guys behind the fantastic and faithful Flash Gordon title, which is definitely worth a look. Press release for The Stand-In below.
stand-in_coverArdden Entertainment is proud to announce that bestselling AVENGERS/INVADERS and SUPERPOWERS scribe Jim Krueger has joined the Ardden team and will be penning the four-issue spy thriller mini-series THE STAND-IN, with art by Alex Cal, who has worked on THE AMAZING SPIDER-MAN FAMILY for Marvel and drew the NORTH WIND mini-series for Boom! Studios.

THE STAND-IN chronicles the adventures of Dexter Laumb, a talented but troubled and out-of-work actor who’s desperate for money. When he’s offered a job to “stand in” for a low level Senator who has double-booked two events for the same evening, Dexter is excited by the prospective paycheck and thinks the job will be a breeze. Hair dye and make-up transform Laumb into a virtual double of Senator Joe Murphy. However, he soon realizes that he’s bitten off more than he can chew when he’s partnered with one of the Senator’s senior aides, beautiful but acid-tongued Jennifer Forsythe. The two quietly go at it like cats and dogs while Dexter acts the part of the Senator, schmoozing and boozing as necessary. However, when a bullet rips through Dexter’s shoulder and the crowd scatters, he soon finds himself on the run with Jennifer, attempting to unravel the truth behind the assassination attempt, and finding himself in the middle of a conspiracy with earth-shattering consequences…

Brendan Deneen, Ardden’s co-publisher, comments, “It is a huge honor to be working with one of the most successful comic book writers currently working in the medium. I’ve known Jim for years and we’ve been trying to find something to work on together that whole time. THE STAND-IN is the perfect collaboration and I feel privileged that he’s publishing it through Ardden.”

Ardden will be debuting THE STAND-IN #0 at the New York Comic-Con in February 2009. The issue will feature an action-packed story that takes places before the events of the mini-series. Alex Cal’s cover for THE STAND-IN #0 was inspired by John Byrne’s classic cover for UNCANNY X-MEN #141.

Thor #600 Preview

The Norse god celebrates 600 issues of hammer throwing, resurrecting, Old Testament speaking mirth and mayhem. Below are a few pages from the milestone issue, to be released on January 21. The 100 pager is written by J. Michael Straczynski (the current scribe), Stan Lee (yes, that guy) and Chris Giarrusso. The magnificent covers are by Gabriele Dell’Otto, Marko Djurdjevic and Olivier Coipel. The work of the latter two can be seen below, along with some pages from interior artist David Aja, who’s pencilling Lee’s story. Aja is an odd choice but for what is obviously an old-school tale set in Thor’s early days with The Avengers, it works.

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Yo Joe!

I stand firm that the ’80s was the best decade ever. Best music. Best cartoons. Best toys. Best fashion. Um…yeah. The middle of the decade was the high time for pre-pubescent dreams in the form of Robots in Disguise, Masters of the Universe and Real American Heroes. Now there’s a resurgence. The Transformers film did rather well at the box office, and while we wait for He-Man and Thundercats, we get the live action G.I Joe movie hitting screens next year. Now’s the time to familiarise yourself with these great characters at IDW. The Joes have been the hot potato of comic franchises, and have had homes at Marvel, Dark Horse and Devil’s Due. Well, here’s my interview with Andy Schmidt, the editor at IDW discussing the company’s bold publishing plan, which includes three different series and legendary writer Larry Hama. Cool.

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IDW Film Prequels Galore

terminator_color_rungeIDW has some impressive TV and film licences, including CSI, Angel, Ghost Whisperer and Doctor Who. Come Januray, they’ll also be launching three different mini-series that will effectively act as prequels to some of 2009’s biggest  films. They include January’s Terminator Salvation Movie Prequel #1 by Dara Naghi and Alex Robinson, and two different series for the Transformers: Revenge of the Fallen Movie Prequel. Alliance starts next month, with art by Alex Milne and Defiance begins in January, with art by Dan Khanna. Both series are written by Chris Mowry. Perhaps their most exciting movie prequel is the one tying into the new Star Trek film. Official press release below, as is the cover, and if you haven’t seen the fantastic new trailer for the film, beam down here.

IDW Publishing has joined with Paramount Pictures, J.J. Abrams’ Bad Robot Productions, Kurtzman/Orci Productions and CBS Consumer Products to publish a four-issue limited comic book series tied to next summer’s new Star Trek movie, which will be released in theaters on May 8, 2009.

The first comic in the series, Star Trek: Countdown #1, will be released in January 2009 to the comic book direct market. The story is presented by Abrams and plotted by Roberto Orci and Alex Kurtzman. It is written by Mike Johnson (Superman/Batman) and Tim Jones, and features stunning art by David Messina (Star Trek: Mirror Images). Messina also provides covers for the series.

“There was a lot of back and forth about doing this project, how to do it, what it would be about, but what all parties agreed on was that we needed the right story and that it needed to matter. It had to count both on its own merits and when read in conjunction with the new movie,” said series editor Andy Schmidt. “I couldn’t be happier with the project and what it means to the overall Star Trek franchise!”

“Star Trek: Countdown lays the groundwork for what happens in the movie,” said Roberto Orci. “It’s our way of passing the baton from the Next Generation characters and their movies to the new film.” Star Trek: Countdown is sure to be in huge demand as eager fans look for a sneak peak into director J.J. Abrams’ new Star Trek vision! Star Trek: Countdown #1 (Diamond item code NOV08 4113), a 32-page, $3.99 comic, premieres in January 2009.

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Masks #1 Review

masks01p1Septagon Studios launched in 2003 with the aim of becoming a company priding itself on diversity and creator freedom. Their output has been minimal but judging by Masks, their quality hasn’t. For fans of Dave McKean (frequent Neil Gaiman collaborator) or film-maker Guillermo del Toro (Hellboy, Pan’s Labyrinth) writer/artist Aaron Rintoul’s debut effort with the studio is a class act and bodes well for his future. If he can continue to showcase his unique talents like this, he can’t help but be noticed.

Masks is a 3 issue mini-series that seems tailor made for those whose comic book tastes are a bit less obvious; for readers who prefer films with subtitles and going to art galleries on the weekend. Fanboys who live on a diet of spandex and multi-part epics-beware, Masks isn’t for you. But it should be. I’m a follower of superheroics from Marvel and DC just as much as I am of indie black and white books from smaller publishers. It’s only been the last three years in particular that I discovered the world behind the spandex curtain though, thanks to Craig Thompson’s Blankets, and I continue to be entertained and inspired by what small press publishers bravely create. I’m also glad I can discover hidden gems like this. Despite themes involving murder and abuse, there is no overt adults-only vibe in Masks, although the aforementioned stripper shows some brief nudity. Masks will mainly appeal to mature readers and for regular comic readers looking for a different flavour in their habits.

This is the kind of creative endeavour that can only be told in a comic format. With vague thoughts of the films The Fountain and MirrorMask in the back of my brain after I read this, I realised that pair of arty, meandering films are probably the closest cinematic equivalent. With a focus on fantasy and imagination rather than any linear narrative it’s not soon before you realise the story, as such, isn’t the highlight. This is billed as a photographic poem, and that description fits like a glove. Not that Masks needs any focus other than the gorgeous art. Let me say that again-gorgeous.

At times the photographic elements are obvious, and at others Rintoul’s keen skills as an illustrator are given the spotlight, with a diverse array of collages and pretty pics. His work also exhibits the clean textural quality of Adi Granov, and in a brief strip club flashback it looks like stills from a basic CGI film. The page layouts are simple enough and retain a simple pace.

Rintoul’s strength here clearly lies in his skills as an artist rather than a writer and has wisely put his effort into the latter. There should be more multi-media books like this on the shelves instead of even more flashy pencillers. Our medium has a greater sense of variety than the top sellers each month indicate. Granted, it’s easier to use phot-manipulation when you stories don’t centre on superheroes throwing skyscrapers at each other. What story there is focuses on Sara, and is told from her perspective as she apparently tracks a killer through his victims dreams. This isn’t particularly clear but will presumably become so in the remaining two issues of this mini-series. This introductory ish has minimal exposition, with captions more about building a broad gothic atmosphere rather than leading to a climactic showdown between Sara and the unknown killer. With typical genre shots of owls, clocks and masks the pages flash between rust coloured scenes straight from the set of the latest Saw film, to something out of a brightly lit 19th century masquerade. If you were to grab 3 random pages from this issue you’d swear they were form three different, and very talented, artists. Yet there is a great unity through the twenty two story pages. Septagon have wisely given Rintoul a blank canvas and appear to stand by their mission statement in giving creator’s unlimited freedom to display their wares.

If you’re unsure about giving this series, watch the moody trailer or better yet, download the entire first issue for free at Wowio. Your eyes will thank you for it.

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Pretty Pics

Three very different arty offerings from Marvel below. The cover for Thunderbolts #126, a perfect jumping-on point for new readers, by artist Francesco Mattina. After that is Marvel’s surprisingly classic take on Frank L. Baum’s Wonderful Wizard of Oz, with a cover by J. Scott Campbell. So cute. Even cuter (maybe) is Arthur Adam’s ape-arific riff on a classic Avengers cover for Marvel Apes #0.

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City of Dust #2 Review

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Radical Publishing have done it again. The company’s Freedom Formula had me drooling over the pages and now we have a new contender. City of Dust by Steve Niles, the writer most known for his horror work (30 Days of Night) shows that he can cross genre boundaries with ease. The second issue reads a lot quicker than the first one, after last month’s set up of the premise and characters, and the premise is this: a sci-fi city where the words dystopia, totalitarian and Big Brother seem appropriate descriptions. Yes, it may remind you of 1984 and the under-rated 2002 film Equilibrium (starring Christian Bale) with the government stamping down on works of fiction and seeking to control its citizens through strict laws. However, City of Dust is shaping up to be a series that shakes off such simple comparisons. It has a look that will appeal to fans of Blade Runner and Minority Report – all gloss and sheen, but with a hidden dark side, and Niles brings in elements often unfamiliar to such tales to give it a new edge. Mainly those elements involve something Niles is very familiar with; nasty beasties and gore. Melding sci-fi and horror is a wise move, and this series needs it to lift it above the obvious comparisons mentioned.

Protagonist Philip Khrome is a detective who, as a child, dobbed in his father for reading him a bed-time story; an act which is illegal in his city as such fantasies can warp minds and lead to all sorts of weird behaviour. Fanboys will be familiar with this theory. Last issue Khrome was discovered reading a children’s book red-handed (under a corpse no less) and in issue #2 is investigated by the doubting GBI for his actions. More is revealed about Khrome’s relationship with his father as he discovers that the corpse and his imprisoned Dad are somehow connected. Plot points are also set up here that will surely lead to Khrome questioning who he can really trust around him, including his fellow cop, Sonja. There are also more obvious horror themes here than last issue, with the various creepies beginning to reveal themselves (as the GBI discover the hard way) and presumably make their way into the real world to show that they can not be so easily forgotten. A showdown between jet pack, ray gun wielding police and drooling inhuman creatures ought to be fun to witness, if that’s where Niles is going with this.

The book looks great, as many have come to expect from Radical. Choosing Imaginary Friends Studios, the Singaporean based art studio was a real find. It may be hard to discover extraordinary, new talent in this industry and Radical have looked where perhaps no other company has- outside the obvious fan base and disovered some real gems. Zid, this series artist continues to give the book a CGI look that’s a touch shy of Adi Granov, with just as much depth and texture. The motion and action are less than the first issue, but we have scary looking monsters and gruesome deaths to make up for it, and there are two double page spreads that are very impressive indeed. Radical needs to lock Zid into an exclusive contract, and quick. The variant covers that each title receives is also a nice touch and this has got to be the best of the bunch. You’ll be hard pressed to decide which of the four you want to take home.

There are only three issues left of this series, so hopefully Khrome wakes up, monsters show up and the city changes its view on what’s acceptable reading material after all is said and done.

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The Dresden Files: Storm Front #1 Preview

Below is a five page preview of the new Jim Butcher series, from Dabel Brothers Publishing, Jim Butcher’s The Dresden Files: Storm Front. The comic is written by Mark Powers and drawn by Dresden veteran, Ardian Syaf. The first issue is released on November 12.

This is based on Butcher’s first Dresden novel and centres on wizard Harry as he looks into a double murder. Some more good news for Dabel is this: The Dresden Files: Welcome to the Jungle hard cover was listed as 4th in Amazon’s Customer Choice Top 10 Graphic Novels of 2008 and reached the third spot in October on Book Scan.
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Mirror’s Edge #1 Review

DC’s Wildstorm inprint know their way around a good game licence, especially with Gears of War and World of Warcraft under their belt. Comics based on games usually fare  a lot better than films based on games, so it’s  a good thing we’re seeing  a lot of adaptations lately. Mirror’s Edge is developed from the November 13 released game based on a sci-fi version of parkour. If you’ve seen the opening of Casino Royale or the excellent French film, District B-13, you’ll know what that is – a unique style of constant motion and acrobatic movement. Basing a game on the concept seems crazy enough that it just might work, especially considering the popularity of every Spider-Man game. Hopefully the game will be about more than just running and diving and rolling though, as that novelty would soon wear out its welcome. Hopefully there’s some FPS stuff in there too.

Back to the comic – it’s not bad. There’s no set-up or introduction of the main characters, but there’s only a few so that’s not  a problem. Artist Matthew Dow Smith will be unfamiliar to most, but his body of work is quite impressive, outside of the superhero realm for the most part. I was expecting something with more flowing, organic lines to compliment the story, such as Bart Sears’ or Kyle Hotz’ style, but Smith’s hard edges, and Jim Charalampidis’ colour palette works well in the dystopian city context. Rhianna Pratchett’s script is bare but gives us the necessary details – runner/messenger Faith is learning the ropes from the older Merc in an underground resistance movement when she soon realises that her father is somehow involved. Pratchett wrote the script for the game (and is the daughter of Discworld writer, Terry Pratchett) and lays an intriguing foundation for this world, with further details to come in future issues of this mini-series I’d gather.

The game looks great and has many fans already. The comic so far appears to be a nice intro with a similar visual style and simplicity. Plus, who could resist that cover?

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