Jeff Lemire’s Sweet Tooth#1. Worth much more than the $1 cover price, this debut ish from Vertigo is equal amounts enchanting and intriguing. Writer/artist Lemire mentions in the On The Ledge column that a friend of his described it as “Bambi meets Mad Max.” That’s not a bad way of putting it, though it’s still too early to see those references yet. Lemire is one of the new wave of indie creators making a splash and getting noticed. His Essex County trilogy from Top Shelf chronicled various inhabitants of a small town with great realism and warmth. He brings that same edge to Sweet Tooth, but with more fantasy than his usual work. We are introduced to Gus, a boy with antlers living with his dying father. Gus has never left his home and the area around it and knows no-one but his ailing Dad. Gus is one of the last few human/animal hybrids who came into existence after a mysterious pandemic 10 years ago. This is an ongoing series and Lemire has plenty of time to build upon this premise. It hooked me more than I thought it would. Lemire’s art seems slightly more refined here. The thick, black sketchy style of his previous work is still obvious, but there are rare places where faces appear odd. Jose Villarrubia’s colours sit slightly uneasily, but maybe that’s because I’m not used to seeing Lemire’s work in colour. There’s also a 7 page preview of October’s Peter and Max Fables novel from Bill Willingham. Sweet Tooth, like The Unwritten before it is yet another bold move from Vertigo, and Lemire is conducting a unique promo for the series.
Justice League: Cry For Justice #3. There’s still a few issues with this series, namely writer James Robinson’s occasional missteps with out of character dialogue, particulary with Hal Jordan, but with the build up towards the team’s formation, and the big reveal of the baddie, ie, Prometheus, it ticks a few boxes. Prometheus was always one of the great JLA baddies when Grant Morrison reinvigorated the JLA over a decade ago. Mauro Cascioli’s art is splendid and his ferocious depictions of action, such as Starman’s and Congorilla’s aerial assault are the highlights. Robinson’s extra pages on the origin of Prometheus and why he chose the “anti-Batman” give fanboys great insights too.
Star Wars: Invasion #3. The thing that’s immediately apparent from this new SW mini-series is Colin Wilson’s art. It’s the kind that you don’t really see in mainstream American comics, and it fits with the high drama and action of Star Wars beautifully. Tom Taylor keeps things fresh, knowing that it’s probably a mix of fans of the New Jedi Order series of novels and people who want to see Luke Skywalker do his thing again that are reading this title. Anyone who has read the books in which the alien species known as Yuuzhan Vong come to conquer will be relieved that they translate so well to sequential art. Taylor gives enough info about the Vong for curious readers, and starts to make serious strides in showcasing the menace of the creepy race. Plus, in the few pages that reveal Skywalker’s relationship with the apprentice Finn Galfridian, Taylor lays hints that he’s going slightly beyond the typical SW mentor/protege arc that we’ve seen many times before. Hopefully the characters shown here will continue in some form with Dark Horse after Invasion wraps.